Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

Landscape Of Portraiture: The Process Of Assimilation And Reconciliation In Search Of Identity Of Eighteenth Century England, Aram Park

Theses and Dissertations

This thesis examines the use of landscape paintings embedded within English conversation pieces of the eighteenth century with an emphasis on the art works of Arthur Devis and Johan Zoffany, exploring the way they influenced the development of an English school of painting during this century.

Disruption And Recovery In The Work Of Botticelli And Piero Di Cosimo, Ellen G. Birger

Theses and Dissertations

Florence underwent major destabilization during the 1490s, creating an extremely stressful time for its citizens. Chief amongst these events were the death of Lorenzo dei Medici and the ascendance, then demise, of the charismatic preacher Girolamo Savonarola. The impact on the work of Botticelli and Piero di Cosimo is evaluated.

Through The Eye And Into My Heart: Scenes Of Embrace In Morgan Ms M.245 And The Tactile Responses They Provoked, Zoe A. Coyle

Theses and Dissertations

This thesis examines representations of embrace in a Roman de la rose (Morgan Library, M.245). Emphasis is on the reader’s tactile interaction with the manuscript as an object, and the notion of romances as sites for a distinctly physical reading practice, in which miniatures would be kissed, rubbed, or pierced.

The Wild Beasts, Peter Cochrane

Theses and Dissertations

The Wild Beasts springs from my desire to thank my ever-expanding queer chosen family and mentors for their strength. Working through the often violent and othering aspects of the lens and photographic histories I create floral portraits responding to each person’s being and our relationship. Using the 19th century, 8x10 large format view camera—the same used by colonialists and ethnographers to “capture” the divinity of Nature—I erect each as a traditional still life studio setup at the threshold between the natural world and that constructed by humans. These environments speak both to the character of each friend and also to …

Sofonisba Anguissola And Her Early Teachers, Lily Chin

Theses and Dissertations

This thesis explores the career of the Cremonese-born Italian Renaissance woman artist Sofonisba Anguissola (c. 1532-1625) and her training under her teachers Bernardino Campi (c. 1522-1591) and Bernardino Gatti (c. 1495-1576) during the years c. 1546-1549 (Campi) and c. 1549-1552 (Gatti).

The Shrine System: Votive Culture And Cult Sculpture, Enshrining Space In 11th To 13th Century France, Kristen N. Racaniello

Theses and Dissertations

Possible relationships between northern and southern French shrines are examined in this paper through case studies of the shrines at Chartres and Conques. The materiality of cult statues and votive objects, the body as performative tool, and institutional motivations are considered for their bearing on the shrine as a system.

Hell In Hand: Fear And Hope In The Hellmouths Of The Hours Of Catherine Of Cleves, Stephanie Lish

Theses and Dissertations

This paper is an attempt to investigate how well the borders and miniatures of The Hours of Catherine of Cleves facilitated the method of meditation recommended by Gerard Zerbolt of Zutphen and therefore was a useful tool in Catherine’s search for eternal salvation.

The Presence Of The Church: Morgan Library Ms M. 287, Danielle A. Fallon

Theses and Dissertations

A discussion of the interwoven presence of the church within the fifteenth century Book of Hours, MS M. 287. This manuscript is argued as a multi-layered object, as a result of the context of its production, unique imagery, and use within the private and public sectors of the patron.

Homage To The Florentine Tondo, Geraldine Karnbach

Theses and Dissertations

Tondi were circular paintings or relief carvings, popular in fifteenth-century Florence. They were placed in households and predominantly devotional, featuring the Madonna and Child. By uncovering dual meanings from religious/gender perspectives, I will confirm the importance women and Marian devotion played in the popularity and disappearance of the tondo.

A Fearsome Beauty: Material And Cultural Exchange Between Venice And The Islamic Near East, Tahera H. Tajbhai

Theses and Dissertations

This thesis will explore the relationship between Venice and the Islamic Near East. By examining works from various media, this paper argues that Venetians viewed the Islamic Near East as being ‘awesome,’ and that this view was twofold, as Venetians were both enamored with and fearful of this rising power.

Crescendo, Jeffery A. Pabotoy

Theses and Dissertations

Artist Statement

I have always found comfort and warmth in my family. When I am not with them, I find myself clinging to the objects they leave behind as a substitute in their absence. As I began to re-create these objects through paintings and ceramics, I realized that I was creating symbolic portraits of my family. These portraits are tangible family moments preserved in pigment and clay.

In recent years, my siblings were deployed to war and I began to represent them as various instruments. These instruments, both musical and tools of war, chronicle who they were and who they …

How To Look At Monsters: Staging Female Bodies From The Periphery Of The Seventeenth-Century Spanish World In Baroque Portraiture And Hapsburg Collections, Risa A. Puleo

Theses and Dissertations

This inquiry examines portraits of “monsters”—an early modern term describing those whose bodies challenged socially-constructed categories by deviating from the social norm through differences of race, gender and physical or mental capacity, painted for Hapsburg royals across Europe, who collected specimens, including people, representing the scope of their territories.

Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek

Theses and Dissertations

This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.

The Architecture Of Knowledge: The Jesuit College Of Oaxaca (Xvi-Xix Centuries)., Marina Mellado Corriente

Theses and Dissertations

ABSTRACT

THE ARCHITECTURE OF KNOWLEDGE: THE JESUIT COLLEGE OF OAXACA (XVI-XIX CENTURIES).

By Marina Mellado Corriente, MA.

A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art Historical and Curatorial Studies at Virginia Commonwealth University.

Virginia Commonwealth University, 2015

Major Director: Michael Schreffler, Associate Professor, Department of Art History

The educational endeavor that the Jesuits – members of the religious order known as the Society of Jesus – carried out in Mexico in the course of the colonial period, when this territory belonged to the Viceroyalty of New Spain (sixteenth to nineteenth …

The Presentation Of Incorruptibility: The Praesentia Of The Female Saint, Kristina M. Keogh

Theses and Dissertations

My dissertation inserts the incorruptible body into the discussion of image devotion and relic veneration that followed the Council of Trent’s (1545-1563) decrees concerning the use of images, which affirmed Thomas Aquinas’s position that worship is passed from representation to archetype. This is addressed in terms of the image and the relic within the same sacred space, primarily in the context of the chapels of S. Caterina de’ Vigri (1413-1463; canonized 1712) in Bologna and S. Maria Maddalena de’ Pazzi (1566-1607; canonized 1669) in Florence, where there were not only man-made representations of the saint, but also the whole and …

The Triumphs Of Alexander Farnese: A Contextual Analysis Of The Series Of Paintings In Santiago, Chile, Michael J. Panbehchi

Theses and Dissertations

This dissertation examines a series of nine paintings depicting the battles of Alexander Farnese in Flanders created by the Cuzco School of Painters in eighteenth-century Peru. This research asks why and how paintings depicting sixteenth-century European battles were meaningful in the eighteenth century. Due to an absence of archival documentation on the authorship, production and patronage of the series, the research method is contextual. Starting with a formal and iconographic analysis of the paintings centered on a comparison between the paintings and the engravings upon which they are based, differences in the use of space and the conspicuousness of individual …

A Study Of A Thirteenth-Century Vernacular Moralized Bible: Vienna 2554 And Its Royal Audience, Jessica Wright

Theses and Dissertations

Codex Vindobonensis 2554, Vienna, Österreichische Nationalbibliothek (hereafter labeled Vienna 2554) is the only thirteenth-century moralized bible written in vernacular French and was intended for a royal audience. This bible provides a moralizing gloss on contemporary political and religious issues by juxtaposing scenes from the Old and New Testaments. Placing the manuscript in the historical context of Blanche of Castile's regency and her desire to instill devout faith in her young son, Louis IX of France, the manuscript serves as a mirror that reflects contemporary relations between church and state. Moreover, the illuminated depictions of kingship of this medieval bible are …

Saint Barbara Of Nicomedia: A Model Of Devotion And Literacy For Noblewomen In Renaissance Flanders, Sandra Mccullough Cone

Theses and Dissertations

In the fourteenth and fifteenth centuries, female saints, like St. Barbara of Nicomedia began to be represented with books or reading. The image of St. Barbara of Nicomedia reading was an addition to the traditional symbolic reference to the saint, the tower. Saint Barbara of Nicomedia: A Model of Devotion and Literacy for Noblewomen in Renaissance Flanders investigates the change in the iconography of St. Barbara and considers factors that may have influenced the change. St. Barbara was especially significant to Flanders and nearby regions. Incorporated in the images o f St. Barbara o f fifteenth-century Flanders is the expanded …