Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

Hieronymus Bosch’S Dismantled Triptych As A Moralizing Guide For Reforming The Catholic Church, Heather Thurston

Institute for the Humanities Theses

This thesis expands on the current interpretation of a dismantled triptych by the Dutch painter Hieronymus Bosch, which includes four extant panels: Ship of Fools, Allegory of Intemperance, Death and the Miser, and The Wayfarer. Current scholarship claims that the paintings warn viewers against various sins. This thesis argues that the triptych was specifically directed toward the Catholic Church and functions as a commentary on the potential consequences of their sins. This new reading will become clear by examining and connecting its unorthodox iconography to the tumultuous religious climate at the turn of the sixteenth century …

From Donatello To Michelangelo: A Franciscan Angel, Kayla M. Bruce

Institute for the Humanities Theses

During the Italian Renaissance, images of angels and of the Virgin Mary were incredibly commonplace and were often used to denote the Virgin in her role as prophetess. The Virgin was often shown surrounded by angels in the background or flanking her on either side. However, in the fifteenth century, a motif appeared where an angel head was depicted on either the Virgin’s diadem or on her chest as a decorative brooch. This specific motif only appeared in images of the Virgin and the Christ Child. It was also only employed by Florentine artists and began with the Florentine sculptor, …

Hieronymus Bosch's Dismantled Triptych And The 'Devotio Moderna', Mary E. Tippett

Institute for the Humanities Theses

Flemish painter Jeroen van Aken, better known as Hieronymus Bosch, created a triptych depicting the folly of humanity. This dismantled triptych includes the Ship of Fools, the Allegory of Intemperance, the Death of the Miser, and the Rotterdam Wayfarer, completed between 1500 and 1510. Throughout his career, Bosch explored a peculiar take on the traditional forms of wellknown religious motifs throughout Renaissance Europe by populating his scenes with fantastical creatures and monsters. Scholars have long since suggested that these forms were inspired by illuminated manuscripts. However, scholars provided no explanation as to why these texts drew …

Titian’S Poesie: The Visual Allegories Of Morality And Religion, Holli M. Turner

Institute for the Humanities Theses

Venetian painter Tiziano Vecellio, more commonly referred to as Titian, created a cycle of mythological paintings based on scenes from Ovid’s Metamorphoses for King Philip II of Spain. These works are often viewed through an eroticized lens due to this inclusion of nude mortals and goddesses. This thesis argues for the cycle’s moral and religious significance for Philip by utilizing comparative iconography, scholarly texts, and translated allegorical material.

Influences Of Pre-Columbian Art In The Work Of Eduardo RamíRez Villamizar, June-Marie Lam

Institute for the Humanities Theses

Eduardo Ramirez Villamizar is a twentieth century Colombian sculptor who is, like many of his contemporaries, intent on the creation of art that is particularly Latin American in character. In pursuit of this goal, he relies on an innate spirituality and on inspiration from his visual memory. His work demonstrates an unconscious bond with artists of the Pre-Columbian societies and shows a recognized appreciation of their techniques of visual expression.

An overview of Pre-Columbian art and culture, as well as a review of the development of Latin American art with special emphasis on the art of Colombia, provide a basis …

The Renascence Of Classical Thought And Form In The Carolingian Period, Sara James Laster

Institute for the Humanities Theses

The political stability established under the rule of Charlemagne (768-814) was conducive to the flourishing of the simultaneous resurgence of art and learning. Inspired by the achievements of the Roman Empire, Charlemagne wished to give his subjects a feeling of spiritual unity, a sense of continuity with the past, and an enhanced intellectual life. The classical intellectual tradition is traced from ancient times to the Carolingian present to demonstrate that classicism was a continuum. The thesis examines the classical tradition in the intellectual life of the Carolingian period, its conscious rejuvenation in the figurative arts, and its manifestation in the …