Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

Sebald Beham (From The Exhibition Catalogue Die Gottlosen Maler Von Nürnberg, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

The prints of Sebald Beham, and his brother Barthel, were the subject of a recent exhibition titled Gottlosen Maler or Godless Painters at the Albrecht-Dürer-Haus in Nuremberg, Germany (March 3-July 3, 2011), where this essay was included in the exhibition’s catalogue in German. The essay addresses the biography and historiography of the “godless painter” Sebald Beham, a pupil of Albrecht Dürer, who received the nickname "godless painter" because of his radical pronouncements in Reformation Nuremberg when the town was on the eve of becoming Lutheran. The essay argues that Beham should be viewed as a highly creative and productive entrepreneur …

The Art Of Printmaking: Part 2. Master Prints From The Fifteenth Through The Eighteenth Centuries, Norman A. Geske

Sheldon Museum of Art: Catalogs and Publications

SCHONGAUER, MARTIN
ALDEGREVER, HEINRICH
ALTDORFER, ALBRECHT
BALDUNG-GRIEN, HANS
BEHAM, BARTHEL
CRANACH, LUCAS
DURER, ALBRECHT
DUVET, JEAN
HOLBEIN, HANS
LAUTENSACK, HANS SEBALD
VAN LEYDEN, LUCAS
MANTEGNA, ANDREA
BOSSE, ABRAHAM
CALLOT, JACQUES
CARRACCI, AGOSTINO
GELLEE, CLAUDE (called Lorrain)
GOLTZIUS, HENDRIK
NANTEUIL, ROBERT
VAN RIJN, REMBRANDT HARMENSZ
CANAL, ANTONIO (called Canaletto)
HOGARTH, WILLIAM
MOREAU, JEAN-MICHEL (known as Moreau Ie Jeune)
PIRANESI, GIOVANNI BATTISTA

The Art Of Printmaking: Part 1. The Tools And Techniques Of The Printmaker, Norman Geske

Sheldon Museum of Art: Catalogs and Publications

There are four major techniques for making original prints. A brief descriptlon of each of these -- relief processes, incised processes, planographic processes, and stencil processes -- is found in the following paragraphs.

Most art museums today seek the means of reaching a wider public than is actually counted through the turnstile and, as a result, art objects have come to be a commonplace in public places of all kinds, civic and commercial. Art has even taken to the road in circulating exhibitions, art-mobiles and the like. The present series of exhibitions has been organized as an effort in this …

Mont-Saint-Michel And Chartres, Henry Adams, Ralph Adams Cram

Electronic Texts in American Studies

FROM the moment when, through the courtesy of my friend Barrett Wendell, I came first to know Mr. Henry Adams's book, MontSaint- Michel and Chartres, I was profoundly convinced that this privately printed, jealously guarded volume should be withdrawn from its hiding-place amongst the bibliographical treasures of collectors and amateurs and given that wide publicity demanded alike by its intrinsic nature and the cause it could so admirably serve. To say that the book was a revelation is inadequately to express a fact; at once all the theology, philosophy, and mysticism, the politics, sociology, and economics, the romance, literature, and …