American Art and Architecture Commons^™

The Lost Art Of Club Photography: Capturing Nyc’S Nightlife And Cultural Legacy From The 1980s To The 1990s, Madeleine M. Canfield

MA Theses

This thesis examines how club photography in New York City’s nightlife of the 1980s and 1990s both shaped and reflected cultural identity, and investigates why this visual practice has largely disappeared in the age of social media. By focusing on photographer Steve Eichner and his documentation of iconic moments from one of Peter Gatien’s four mega-clubs, this thesis analyzes published photographs and articles to examine how visual representation shaped the culture it portrayed. The research demonstrates that club photography was instrumental in shaping public perception of nightlife, capturing the spontaneity, creativity, and energy of the era. It also highlights how …

Constructing Minimalism: Canon Formation, Exclusion, And The Afterlives Of An Aesthetic, Lucy Ewert

MA Theses

Academics, critics, curators, and artists alike have perpetually struggled to agree on a coherent definition of Minimalism since its inception. Who is included in the historical canon, what its defining characteristics are, and the movement's legacy have long since been contested. This thesis will explore the origins of Minimalism, tracing its emergence from movements such as Abstract Expressionism, and discuss the early values that shaped its perception through a handful of fundamental voices. The study will also survey three of Minimalism’s modernist predecessors, questioning the extent of influence these movements may have had.  Understanding the origins of Minimalism will set …

The Postmodern Frontier: Richard Prince And The Neoliberal Spectacle Of The American Dream, Taïs Khassanova

MA Theses

This thesis examines the oeuvre of Richard Prince’s as a sustained allegory of contemporary American visual culture, beginning with his Cowboys series as the point of origin from which his later appropriations, including Girlfriends, Spiritual America, and New Portraits, unfold. Through the recursive gesture of appropriation, Prince’s Cowboys expose the myth of rugged independence as a corporate fiction, revealing how the frontier ethos was redeployed under the Reagan presidency to naturalize neoliberal ideology. Building on this premise, the thesis traces how such logic extends throughout Prince’s subsequent body of work, as his Girlfriends refigure the cowboy’s masculine autonomy as the …

Aura For Sale?: Art Merchandise And The Totalizing Culture Of Reproduction, Lily Paternoster

MA Theses

The art historical discipline largely excludes art merchandise from critical analysis, relegating it to being a marketing gimmick or gift shop opportunity. This failure to reconcile with the rapidly expanding enterprise for brand collaborations with fine artists has led to an overwhelming and unregulated commercial licensing industry, similar in mystique and ascend to that of the fine art market. Through the case studies of two post-humous artists and two living- Keith Haring, JeanMichel Basquiat, KAWS (Brian Donnelly), and Maurizio Cattelan- I argue that art merchandise exists on a constantly fluctuating scale between democratizing force and commodity. Despite its status on …

A Pageant Of Spectacles: Chromolithography In America, Matthew H. Edney Phd

Osher Map Library Exhibition Catalogs

Chromolithography was used in the nineteenth century to create full-color and realistic images of the world. A Pageant of Spectacles: Chromolithography in Nineteenth-Century America, an exhibition at the Osher Map Library from November 30th, 2023 - June 29th, 2024, explained the printing process and explored some of its particular applications to maps and bird’s-eye views. This exhibition catalog features the companion article Mapping, Printing, and Color, which explores the history of different printing processes used in mapmaking throughout history, as well as a catalog of the items displayed in the exhibition.

A digital version of exhibition is available …

The Confidence-Man Goes To The Moving Panorama: Herman Melville’S Confidence Narrator And United States Imperialism, Bradley J. Lee

Graduate Theses/Dissertations

This thesis argues that Herman Melville fashioned his novel The Confidence-Man; His Masquerade (1857) after the moving panorama, a popular entertainment technology contemporary with the novel. More specifically, the thesis argues that the novel recalls Banvard’s Mississippi Panorama (1846). Using Jay Leyda’s The Melville Log and John Hanners’ record of Banvard’s performances, I establish beyond reasonable doubt the possibility that Melville saw this painting, or, at the very least, was aware of it, its content, and its social position. Tracing the novel’s engagement with this panorama reveals what seems at first to be its imperialist, Manifest Destinarian undertones. The novel’s …

Still Life As A Photographer: Visual And Mnemonic References To Photography In Yasuo Kuniyoshi’S 1944 Broken Objects And Room 110, Tara A. Attanasio

Scripps Senior Theses

This thesis examines Yasuo Kuniyoshi (1889-1953) and his still life paintings titled Broken Objects and Room 110 as modes of implicit portraiture, self-declaration, and self-reclamation. Following the attack on Pearl Harbor on December 7th, 1941, government authorities deemed Kuniyoshi an “enemy alien” and confiscated his photographic equipment. Painted two years following his camera’s confiscation, Broken Objects and Room 110 contain references that recall Kuniyoshi’s prewar photographic practice and visualize his response to the loss of his camera. I foreground my analysis with Kuniyoshi’s Self-Portrait as a Photographer from 1924 and his photography from the 1930s to detail his metacritical relationship …

Photographic Perceptions: Reconstructing The Life And Career Of Dody Weston Thompson, Virginia Carroll

Scripps Senior Theses

This thesis reconstructs the life and career of photographer Dody Weston Thompson (1923-2012), presenting a narrative that has been absent from photographic history. Dody trained beneath significant figures like Edward Weston and Josef Albers, exhibited among some of the most canonical figures in photographic history, and served as a founding member of Aperture magazine—one of the foremost photographic journals to this day. Despite this, there has been no academic scholarship on Dody’s life or career, leaving her largely absent from the art-historical record.

Through the analysis of The Dody Weston Papers at the Ella Strong Denison Library and photographs held …

Public Art’S Role In Urban Transformation In New York City: 5 Pointz And The High Line, Shelby Stanton

Pomona Senior Theses

Urban spaces are made not only of buildings and infrastructure but of the social and cultural practices that integrates into social fabric and assigns their meaning. They are a living, transforming entity where humans and the environment influence each other in lifestyle and identity. In New York City, art, both formally commissioned public works and grassroots urban interventions, have become central to the processes of urban transformation. Murals, installations, and curated parks are crucial to the urban environment and are frequently leveraged as tools of placemaking. Place-making is a concept used to describe and understand how meaningful places emerge from …

Erasing The Artist, Policing The City: Michael Stewart And New York’S War On Graffiti, Vladislav Kirilov

Anthós

The 1983 death of Michael Stewart, a young Black graffiti artist, exposes the violent logic at the center of New York City’s War on Graffiti. Under Mayor Ed Koch and the rise of broken windows policing, graffiti was framed as a racialized symbol of disorder used to justify intensified control of public space. Rather than becoming political in this moment, graffiti is understood here as an already politicized form of expression shaped by racial and spatial inequality. The article examines how Stewart’s killing made police violence visible, provoking responses from artists, activists, and graffiti writers while revealing the human costs …

John Frederick Kensett & Lotus-Eating, Elizabeth Montfort

Dartmouth College Master’s Theses

This thesis examines Lotus-Eating: A Summer Book (1860) by George William Curtis, with illustrations by John Frederick Kensett. Situating the work within the broader culture of the nineteenth-century travel literature, it analyzes the text’s intermedial construction across memoir, poetry, and visual imagery. By considering each of these modes both independently and in relation to one another, the thesis argues that Curtis and Kensett collaboratively produce a hierarchical framework for viewing and experiencing nature.

Drawing on intermedial and ecocritical methodologies, this project demonstrates how the book does not simply depict landscape but actively instructs its audience in how to see it. …

From It-Girls To Obscurity: What Happened To The Stettheimer Sisters?, Catherine Pierce Higgins

MA Theses

This dissertation explores the lives and impact of the three Stettheimer sisters, Florine, Carrie and Ettie, cultural innovators, and major influencers of a distinctive, feministic strand of American modernism in New York between 1914 and 1950. The Stettheimer sisters did not use their privilege to assimilate into society but to create an alternate artistic universe, resisting the male hierarchies of the dominant avant-garde. By controlling a salon, an intellectual and creative social center where artists, writers, and intellectuals such as Marcel Duchamp, Georgia O’Keeffe and Carl Van Vechten held court, they were able to create an environment in which femininity, …