American Art and Architecture Commons^™

Welcome To Gendered Dada, Morgan Drawdy

Georgia College Student Research Events

This paper explores the works of art throughout the Dada art period from three specific artists; Marcel Duchamp, Francis Picabia, and Baroness Else Von Freytag-Loringhoven. It delves deep into the making of the pieces and the influences behind them. The pieces are analyzed through the lens of gender and gender bias that is caused by the changing of societal roles during World War One. Those roles touching on topics such as women entering the work force and the evolution and devolution of the typical masculine role throughout history. The paper is brought together to explore how these societal changes influenced …

From D.C. To Kentucky: The History Of The United States Senate Clerk's Desk, Olivia Bowers

Documents

This Mahurin Honors College Capstone Experience aims to highlight the importance of the historical object and accurately document the complete history of the former United States Senate Clerk’s Desk, placed in the chamber in 1859 and removed in 1951. The desk’s first and last occupants were Kentucky natives and civil servants, and its current resting place is in Western Kentucky University’s Kentucky Museum. Through research that began in the nation’s capital, and a journey to follow the desk’s paper trail, the object’s massive historical legacy and close ties to the state of Kentucky may live on. Along with a traditional …

A Desk's Tale, Olivia Bowers

Documents

No abstract provided.

A Visual Analysis Of The U.S. Senate Clerk's Desk, Olivia Renee Bowers

Documents

No abstract provided.

Cast Of Characters, Olivia Renee Bowers

Documents

No abstract provided.

Capacity, Rachel Baydian

CGU MFA Theses

This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.

The Lives Of Clements Hall, Thomas Park

SMU Journal of Undergraduate Research

Clements Hall has occupied a central place on Southern Methodist University’s campus, both physically and socially, since the campus’ inception in 1915. Initially a women’s dormitory, it was later used by men after the construction of the Virginia and Snider dormitories. It included a dining space, a kitchen, and apartments for President Hyer and his family. In its time as a residential building, it housed engineering students, the football team, and briefly members of the Navy V-12 program. After complaints in the late 1950s, plans were made to renovate the building for use as classrooms and administrative space, offering services …

Somewhere Between Distance And Intimacy: Vija Celmins In California 1962-1981, Jessie Lebowitz

Theses and Dissertations

During her nineteen years spent in California (1962-81), the young Vija Celmins formulated a distinct landscape informed by California’s physical topography as well as the stylistic and materialistic advances resulting from the city’s newfound cultural awakening. With an intimate technical application, Celmins engages viewers with the spatial and optical facets of desert, sea, and sky.

Foster Rhodes Jackson And The Visual Conquest Of The West, Eve Kaufman

Scripps Senior Theses

Colonizers settled the Los Angeles and the Southern California region in part by using Modernism’s visual rhetoric and propagandic implications during the time of suburban sprawl. Suburban sprawl refers to the mass single family home development which took place from the 1920^[1]s until now but peaked from the 1970s to the 1990s. Los Angeles sprawl grew particularly in the 1950^[2]s as soldiers returned from WWII. It was a way for middle class white families to accrue generational wealth and follow through on the American Dream^[3].

The primary result however disenfranchised already marginalized groups. This …

The Business Of 19th Century American Landscape Paintings: A Case Study Of The Connection Between Art History And Economics, Claire Di Meglio

Scripps Senior Theses

This thesis explores the economic incentives of both businessmen and artists who shared a mutual interest in the business of producing 19th century American landscapes paintings.

Woven By The Grandmothers: The Development Of The National Museum Of The American Indian Throughout The 1990s, Lucy Winokur

Scripps Senior Theses

In 1994, the National Museum of the American Indian (NMAI) opened the George Gustav Heye Center in New York City, the first of what would be three campuses. Ten years later, in 2004, the NMAI opened its main campus in Washington, D.C., already having cemented their place as leaders in a movement to center indigenous voices within museums housing indigenous material culture. By examining the history of the NMAI from the first acquisition of George Gustav Heye to its earliest approaches to exhibition design and collections management policy in the 1990s, it is possible to track the development of the …

The Public And The Personal: Mapping The Nyc Subway System As An Urban Memoryscape, Soledad O. Tejada

Library Map Prize

No abstract provided.