American Art and Architecture Commons^™

Leonard Freed's Black In White America, Jennifer Cherry Wilkinson

Theses and Dissertations

Through a dynamic range of photographs and texts from the 1960s, Leonard Freed’s Black in White America is an exceptional artwork that both illustrates the numerous ways the photo book format creates meaning and provides an alternate history of the Civil Rights movement and the lives of those impacted by it.

History In Collaboration: Equalizing The Arts And The Humanities In San Francisco, Nicole C. Meldahl

Master's Projects and Capstones

Historically, there has been a critical imbalance in the way history and preservation organizations are civically supported in comparison with the amount of funding that is available to arts organizations in the United States. To correct this imbalance in San Francisco, I propose the creation of a San Francisco Department of Culture that would place the San Francisco Arts Commission equally alongside a San Francisco History Commission within a department that absorbs responsibilities currently managed by other divisions with in city government, such as the Planning Department and the Office and Economic and Workforce Development. City government necessarily takes time …

Iain Muirhead, Iain Muirhead

CGU MFA Theses

Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss

Posters-at-the-Capitol

Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and …

Empowering American Women Artists: The Travel Writings Of May Alcott Nieriker, Julia K. Dabbs

Art History Publications

The painter May Alcott Nieriker, sister of famed novelist Louisa May Alcott, is a striking example of a middle-class woman who was able to achieve professional success in the United States and in Europe even though she lacked sustained instruction, income, and connections. This article first considers Alcott Nieriker's circuitous artistic path before focusing on how she sought, through her published travel writings, to empower other women of modest means to follow in her footsteps. Particular attention is given to her groundbreaking guidebook, Studying Art Abroad & How to Do It Cheaply (1879), which not only provides practical advice for …

Bodies In Conflict: From Gettysburg To Iraq, Laura E. Bergin

Schmucker Art Catalogs

The exhibition Bodies in Conflict: From Gettysburg to Iraq not only conveys an ambitious geographic and historical range, but also reflects the sensitivity, ambition, and thoughtfulness of its curator, Laura Bergin ’17. In examining how the human figure is represented in prints and photographs of modern war and political conflict, Laura considers how journalistic photographs, artistic interpretations, and other visual documentation of conflict and its aftermath compare between wars and across historical periods. Specific objects include a print and photographs from the Civil War, propaganda posters from World Wars I and II, photographs and a protest poster from the Vietnam …

“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935, Elizabeth C. Decker

Dissertations, Theses, and Capstone Projects

The rising field of new modernisms continues to breathe new life into the literature of marginalized writers of the late-nineteenth and early-twentieth century. By imagining modernism as a series of modes and strategies, and expanding the axes upon which we map modernism’s boundaries, we make way for writers who were shut out by the often imbalanced, limited modernism of the past and illuminate the field with new possibilities. This dissertation takes part in this exciting, vibrant conversation by identifying a mode of modernism present in the literature of three early twentieth-century women writers, who all used visual art techniques to …

Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers

Museum Studies Theses

Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas, …

Designing Rubrics, Assessment, And Evaluation For Oral Communication, Meredith Mccarroll

Colby College Museum of Art

No abstract provided.

Scaffolding Assignments: From Discussion To Oral Presentations, Audrey Brunetaux, Elizabeth Sagaser

Colby College Museum of Art

No abstract provided.

Workshop Participant List

Colby College Museum of Art

No abstract provided.

Workshop Schedule

Colby College Museum of Art

No abstract provided.

Workshop Announcement

Colby College Museum of Art

No abstract provided.

Workshop Bibliography

Colby College Museum of Art

No abstract provided.

Object List & Discussion Questions By Session

Colby College Museum of Art

No abstract provided.

Workshop Participant List

Colby College Museum of Art

No abstract provided.

Workshop Schedule

Colby College Museum of Art

No abstract provided.

Workshop Announcement

Colby College Museum of Art

No abstract provided.

Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso

Dissertations, Theses, and Capstone Projects

This dissertation seeks to refine critical methods for interpreting global cities and their cultures, charting an aesthetic history of neoliberal New York — from the 1929 regional plan to the present. Surveying a range of literature, art criticism, and planning discourse, I argue that the global has served as the dominant motif of spatial production and political power during this watershed era. I trace this argument through analyses of midcentury planning’s global spatial imaginings, gentrification and imperial metaphor, transnational encounter in World literature, and the city’s contemporary waste and recourse imaginaries. While I follow the Marxist account of the New …

The Artist And The "Information" Machine: Conceptualism, Technology, And Design In 1970, Jeremiah William Mccarthy

Theses and Dissertations

This thesis explores the dialectical relationship between conceptualism and design in the year 1970, by focusing on Kynaston McShine’s landmark exhibition Information, held at the Museum of Modern Art. Specifically, it centers on the understudied “information machine,” a film apparatus designed by Ettore Sottsass, Jr., for use within the exhibition.

Photographing The "Uncelebrated" Truth: The Newspaper Pm, New York 1940-1942, Nancy Wechter

Theses and Dissertations

The left-liberal NYC newspaper, PM, used photography with unprecedented transparency as a crucial element in its mission to inform ordinary working people, teach them to be literate about the photographic message, and encourage them to be a participating audience during the tense period just before World War II.

David Alfaro Siqueiros’S Pivotal Endeavor: Realizing The “Manifiesto De New York” In The Siqueiros Experimental Workshop Of 1936, Emily Schlemowitz

Theses and Dissertations

The Siqueiros Experimental Workshop, initiated by David Alfaro Siqueiros (1896–1974) in 1936, is often considered a pivotal moment for the artist. This thesis unveils new documentation about the Workshop, illuminating heretofore-unobserved aspects of the group’s governance, political aims, and theoretical framework put forth by Siqueiros in his critical “Manifiesto de New York.”

Communicating Through Space: An Exploration Of Interdisciplinary Relationships Between Architecture And Theatre Through Practical Application, Erin E. Hunter

Architecture Undergraduate Honors Theses

Space as an expression of ideas is a relevant topic both in theatrical design and architectural design. Both create worlds, places in time, and experiences. The theatre is a platform where architectural ideas can be explored on a real scale. Audiences can make associations based on representation on the stage and connotations from popular culture. Theatre is more temporary than architecture by nature, and therefore theatre can reference architectural ideas in temporary settings to tell a story. By analyzing the physical characteristics of a space and the societal and cultural conditions that created it, a theatre set can isolate moments …

Relive The Roycroft: Bringing History To Life At A National Landmark, Amizetta J. Haj

Museum Studies Projects

This project defines and validates the concept of the Roycroft Campus as a living museum and explores how the implementation of a “living” component to its educational programming would strengthen visitor engagement. It also focuses on the various ways in which to fortify the utility and visibility of a museum within a community, demonstrating how the Roycroft Campus can become a center for community engagement and cultural development. Through this research, I present the Roycroft Campus’ potential as a living museum and have created an educational based event which will bring to life the year 1915 on the historic Campus …

The Artistic Legacy Of Georgia O’Keeffe, Michelle L. Knutson

Senior Theses

The work of American artist, Georgia O’Keeffe (1887-1986), was considered to be unique and revolutionary in her own time, but she ultimately achieved a prominent position in the history of art. The enduring inspiration of this important artist is demonstrated by an investigation of key artistic motifs as well as her legacy via the discussion of artists who have been influenced by her: Alfred Stieglitz, Arthur Dove, Marsden Hartley, and the author, Michelle L. Knutson.

9/11 Memorials : Contested Memory, Competing Narratives, And Healing., Jennifer A. Fraley

Electronic Theses and Dissertations

In this dissertation I examine the role that monuments and memorials play in our lives including artistically, historically, and culturally. I begin by examining what monuments and memorials are and how these public works should be their own classification of public art. I argue there are many things these works can be (place of mourning, celebration, historical marker, etc.) and should not be (a single source for a historical accounting); yet, memorials do have the necessary condition of creating a referential relationship between the viewer and the memorialized objects. Without this relationship, the work fails as a memorial. Memorials are …

The Queer Child And Haut Bourgeois Domesticity : Berthe Morisot And Mary Cassatt., Jessica Cresseveur

Electronic Theses and Dissertations

Since the 1970s, feminist art historians have extensively treated Mary Cassatt and Berthe Morisot. In particular, focusing on class-bound womanhood and domesticity, Griselda Pollock, Linda Nochlin, and Anne Higonnet have provided compelling psychoanalytic, Marxist, and semiotic analyses, seemingly exhausting all potentials for any further historical exploration of these artists. Yet, to date, investigations into the significance of the queer (deviations from normative sociocultural codes of gender identity, sexuality, and reproduction) in the works of Cassatt and Morisot have not been conducted. In this dissertation, queer theory complements the existing scholarship that has focused on the significance of women as mothers …

Interview Panel With Adam Erby, Emilie Johnson, And Teresa Teixeira, Adam Erby, Emilie Johnson, Teresa Teixeira

Madison Historical Review

No abstract provided.

Usc South Campus: A Last Look At Modernism, Lydia M. Brandt, Paul Haynes, Andrew Nester, Robert Wertz, Ana Gibson, Margaret Mcelveen, John Benton, Adam Bradway, Hatara Tyson, Caley Pennington, Carly Simendinger

Faculty Publications

This is a class project from ARTH 542: American Architecture taught at the University of South Carolina by Lydia Mattice Brandt in Spring 2016.

With more Americans attending college than ever before; urban renewal; racial integration; the expansion of coeducation; and the architecture community’s advocacy for holistic relationship between planning, architecture, and landscape architecture, the American college campus developed rapidly and dramatically in the mid twentieth century. Using the University of South Carolina’s Columbia Campus as a case study, this project explores the history of American architecture in the mid-twentieth century.