American Art and Architecture Commons^™

Weathered, Haylee A. Dyess

Electronic Theses and Dissertations

Weathered focuses on themes of change, accumulation, time, and acceptance. Each artwork holds layers of information and experiences that form a unique narrative for all its viewers. The construction of each piece is a symbol of the physical ability it takes to create each painting. After my mobility was hindered due to my medical conditions, a new appreciation for physical health and the world I live in was gained. Striving to pack this sense of appreciation into my work, my method became a way for me to cope with my illness and to enjoy being creative, freely.

My art is …

Lost In The (Re)Process: Challenging Constructions Of Downtown Louisville Through The Urban Renewal Commission Photograph Collection., Cassidy Meurer

Electronic Theses and Dissertations

This thesis chronicles the historical significance of the Urban Renewal Commission photograph collection, traces the history of racial capitalism in Louisville through research at Metro Louisville Archives & Records Center, and argues for alternative ways of organizing, digitizing, and presenting these archival materials in the University of Louisville’s Archives & Special Collections. I describe my methodology for breaking the photographic materials from their original order, going against typical archival processing methodologies, with the aim that the collection will more accurately represent the city’s strategic displacement of Black Louisvillians and civic prioritization of capital efficiency over community. This work emphasizes the …

As The Night Is Lit: The Nocturnal Urban Landscapes Of Childe Hassam., Diana M. Wilder

Electronic Theses and Dissertations

The scientific investigations into light that began with the Enlightenment garnered added information useful for artists. To depict the changes in light due to weather, time of day, and season more accurately, artists took the information reaped from studies of the refraction of light gained from Isaac Newton’s color theories. The new technological advances of gaslight and electric arc lighting also changed the way that light was represented on canvas. Artists were now able to paint in their ateliers due to modern lighting that would light up the rooms like the day. Some artists decided to explore the night and …

'They Were Known Accordingly’: The Journey Of The Land Otter Pole And Memorial Pole At The Denver Art Museum, Penske Stranger Mccormack

Electronic Theses and Dissertations

In 2019, two Kaigani Haida (Alaskan Haida) totem poles (Xaadas Gyáa’ang) were re-raised in the renovated Northwest Coast gallery of the Denver Art Museum. Lee Wallace and his family, descendants of Haida carver Dwight Wallace and Dwight’s son John Wallace, led a ceremony that publicly acknowledged the Wallace family’s connection to the two poles, reintroduced Haida cultural protocols into their care and viewing, and set the stage for future collaborations between the museum and family. This study explores the history of the poles and the intersecting forces that shaped their journey from Sukkwan, Alaska, to Denver, including shifting ideals of …

Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson

Electronic Theses and Dissertations

Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation …

North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb

Electronic Theses and Dissertations

This thesis examines the history of two North American Indigenous groups, those belonging to the Great Plains and the Arctic, and observes how settler-colonial influence determined the collection and curation of arts and artifacts in these areas. This art includes a mention of pre-Colombian works, but focuses predominantly on works being made after “first-contact” through the contemporary ear. The paper addresses the effect imperialist history has had on the development of Indigenous art markets, and how institutions such as museums may address them through ethical practices, and efforts to decolonize museum spaces.

Design Guidelines: A Practical Guide To Preserving The Historic, Cultural, And Architectural Heritage Of Gladewater, Texas, Conor Herterich

Electronic Theses and Dissertations

In October of 1930, Columbus Marion Joiner’s oil rig, “Daisy Bradford No. 3,” blew a gusher of oil high into the East Texas sky. The subsequent storm of economic activity that resulted from the discovery of the East Texas oilfield irrevocably changed the built environment of many small towns in the region, including Gladewater, Texas. Oil money that flowed into the city funded a flurry of building projects in the 1930s and 1940s that left an indelible mark on the landscape of Gladewater’s downtown area. Unfortunately, a lack of oversight, planning, and guidance has since led to the deterioration of …

The Disjointed Moment : Marking, Mapping, And Making The Real In William Eggleston's Election Eve (1976)., Joel Darland

Electronic Theses and Dissertations

This thesis analyzes the photographic book Election Eve (1976) produced by photographer William Eggleston. Eggleston’s photographs represent a complex network of connections between material objects and the potential truth of depiction. The often-nondescript locations that Eggleston photographed in Sumter County, GA in October 1976 appear specific at the outset, but quickly lose their adherence to the supposed realities that they depict. Since his first major exhibition in the mid 1970s, Eggleston’s photographs have presented difficulty because they from often-disparate material sources. Despite of the complexity of Eggleston’s engagement with both art and non-art photography, scholarship continues describe Eggleston’s “snapshot aesthetic” …

Farmscapes : Picturing Land Transformation In Nineteenth-Century America., Eileen L Yanoviak

Electronic Theses and Dissertations

This dissertation examines American farmstead imagery of the nineteenth-century and how those images reflect the environmental history of the North. In this study, images of farms illustrate, through the landscape, the transition from subsistence farming to agribusiness that fundamentally changed American life and the land over the century. By comparing the actual ecological and economic conditions of the farm and farmer to the images depicted by artists, it is possible to see both representations of change and the persistence of the agrarian myth in spite of dramatically different realities. This study focuses on the process of change in the American …

Seeing The God Of New Mexico: Mary Austin's Starry Adventure And The Optic Of Enchantment, Olivia Jayne Mann

Electronic Theses and Dissertations

This thesis examines 20th century American writer Mary Austin's last novel, Starry Adventure (1931), a work unjustly ignored by most Austin scholars, yet touted by the photographer Ansel Adams (in a letter to Austin) as "the greatest thing I have ever read." This thesis will be particularly concerned with the concept of vision in the novel and the connections between Austin's fiction and the New Mexican modernism/primitivism movement in the visual arts. I explore what I call Austin's "optic of enchantment," a visual experience of divinity that is uniquely tied to the New Mexican landscape. I break down this optic …

9/11 Memorials : Contested Memory, Competing Narratives, And Healing., Jennifer A. Fraley

Electronic Theses and Dissertations

In this dissertation I examine the role that monuments and memorials play in our lives including artistically, historically, and culturally. I begin by examining what monuments and memorials are and how these public works should be their own classification of public art. I argue there are many things these works can be (place of mourning, celebration, historical marker, etc.) and should not be (a single source for a historical accounting); yet, memorials do have the necessary condition of creating a referential relationship between the viewer and the memorialized objects. Without this relationship, the work fails as a memorial. Memorials are …

The Queer Child And Haut Bourgeois Domesticity : Berthe Morisot And Mary Cassatt., Jessica Cresseveur

Electronic Theses and Dissertations

Since the 1970s, feminist art historians have extensively treated Mary Cassatt and Berthe Morisot. In particular, focusing on class-bound womanhood and domesticity, Griselda Pollock, Linda Nochlin, and Anne Higonnet have provided compelling psychoanalytic, Marxist, and semiotic analyses, seemingly exhausting all potentials for any further historical exploration of these artists. Yet, to date, investigations into the significance of the queer (deviations from normative sociocultural codes of gender identity, sexuality, and reproduction) in the works of Cassatt and Morisot have not been conducted. In this dissertation, queer theory complements the existing scholarship that has focused on the significance of women as mothers …

Encounters With The American Prairie: Realism, Idealism, And The Search For The Authentic Plains In The Nineteenth Century, Jacob L. Vines

Electronic Theses and Dissertations

The Great Plains are prevalent among the literature of the nineteenth century, but receive hardly a single representation among the landscapes of the Hudson River School. This is certainly surprising; the public was teeming with interest in the Midwest and yet the principal landscape painters who aimed to represent and idealize a burgeoning America offered hardly a glance past the Mississippi River. This geographical silence is the result of a tension between idealistic and empirical representations of the land, one echoed in James Fenimore Cooper’s The Prairie, Washington Irving’s A Tour on the Prairies, and Margaret Fuller’s Summer on the …

Women Of The 1913 Armory Show : Their Contributions To The Development Of American Modern Art., Jennifer Pfeifer Shircliff

Electronic Theses and Dissertations

This dissertation is the first comprehensive study of women’s involvement in the 1913 Armory Show as financial backers, art collectors, and artists. The Association of American Painters and Sculptors organized this seminal exhibition, which represents a pivotal change in the course of artistic developments in the early twentieth century. For the first time in American history, the public could view contemporary works of art created by both Europeans and Americans in a huge exhibition. Due to the new abstract work on display, the show sparked controversy and debates about art and challenged both American artists and collectors to reconsider artistic …

Henry James, Virginia Woolf, And Frank Lloyd Wright: Interiority, Consciousness, Time, And Space In The Modernist Novel And The Home, Carol Michaelsen

Electronic Theses and Dissertations

During the Modernist period, generally defined between the years 1890 and 1945, artists were attempting to break away from previous forms and styles. For example, writers like Henry James and Virginia Woolf sought to change the novel by exploring the consciousness of characters, while playing with the ideas of time and space to create the present moment. The thesis explores the modernist techniques used by James and Woolf, but also connects the work of the writers with the architecture of Frank Lloyd Wright. Using Joseph Frank's theory of spatial form, my work explores the similarities between Wright's designs of private …

Negro Art, Vera Helena Richards

Electronic Theses and Dissertations

This thesis, submitted to Xavier University in partial fulfillment of requirements for a Bachelor of Arts degree in 1932, surveys the contributions of Black artists to literature and music in America, situating these contributions within a broader history of African civilization and creative achievement. The thesis opens with a discussion of ancient African scientific, religious, and artistic accomplishments before turning to its central focus on Black American literary and musical figures from the eighteenth through early twentieth centuries.

The thesis profiles a series of poets and writers, including Phyllis Wheatley, described as the first Black woman in American literature; Paul …