American Art and Architecture Commons^™

Creating A 1940s Costume: A Historical Investigation, Jennifer Mott

The Confluence

The purpose of this Art History research investigation was to create a costume from the 1940s by immersing myself in a time period when people often made their own clothing. This was done to better understand what it means to have a personal connection to the items I wear. Our experiences as consumers in the twenty-first century are vastly different than those belonging to the people that lived during the mid-twentieth century because almost all of our clothing is purchased from corporations and created by people that we will likely never meet. For this investigative study, I shopped for and …

Portrait Of The Artist’S Wife: Dorothea Webster Mitchell, 1894-1985, Molly Mcclain

History: Faculty Scholarship

Dorothea Webster Mitchell participated in the career of her husband, a well-known plein air artist Alfred R. Mitchell working in San Diego, California. The article reconstructs Dorothea's subjectivity, or changing conceptions of herself as a creative and artistic woman who found herself enmeshed in her husband's life and work.

Constructing A Religious Paradox: The Nauvoo Temple, 1841-1846, Justin R. Bates

Montview Journal of Research & Scholarship

While still in poverty and fleeing heavy persecution in 1841, members of the Church of Jesus Christ of Latter-day Saints committed themselves to an unexpected architectural endeavor. They decided to construct a temple to their God in their newly christened frontier city of Nauvoo, Illinois. What motivated these poor, homeless, persecuted Christians to start construction on such an ambitious project? Though they were being driven from the state, were about to lose the Temple, and had just lost their alleged prophet, they still chose to finish it. Despite significant financial and social challenges, the Latter-day Saints chose to build the …

Pioneers Of Evacuation, Pioneers Of Resettlement: The Photographic Archive Of The Japanese American Incarceration And The Settler Colonial Imaginary, Christina Hobbs

Theses and Dissertations

This thesis reexamines the photographic archive of the Japanese American incarceration during World War II produced by the US government, arguing that these images “restage” the evacuation, incarceration, and resettlement periods through a settler colonial “pioneer” mythology, thereby obscuring the precarity of Japanese Americans' racial positionality between “settler” and “native.”

Ryan Hitt Collection, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

University Archives Finding Aids

The Ryan Hitt Collection (800 C.E. - 1600 C.E.; 2 linear feet) is a collection of pottery shards, points, and plumbs found by the donor hunting for artifacts in fields and woods.

Preservation And Public History In Mound Bayou, Mississippi, Walker Bray

Honors Theses

This paper is an exploration of the history of Mound Bayou, Mississippi, an all Black community in the Mississippi Delta formed by freedmen in the wake of Reconstruction. This paper also discusses the ways in which Mound Bayou citizens are working to preserve their history and make it known to a wider audience. In particular, this work discusses the recently opened Mound Bayou Museum of African American Culture and History and related efforts to restore and preserve historic structures in Mound Bayou. In addition, this work also seeks to explore ways in which the University of Mississippi can effectively supplement …

Achakali Chickasha Holbachi Italatalit Ithana: Continuation Of Chickasaw Design Practices, Lily Shore

Interior Design Undergraduate Honors Theses

The project aims to create an accessible tool to document, preserve, and honor Chickasaw design techniques by creating interactive 3D models replicating ancestral structures available through an online gallery. A virtual exhibition focuses on structures commonly found in a traditional Chickasaw village. The constructions represented include a traditional council house, summer house, winter house, and corn crib. Each is accompanied by contextual information, including a collection of historical photographs, information concerning use, and conventional architectural drawings such as plans, sections, and isometric views. In fruition, the project aims to function as a resource to commemorate the history of traditional Chickasaw …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Piecing It Together: Analysis And Treatment Of A Painted Silk Flag, Katya Zinsli

Art Conservation Master's Projects

Painted flags and banners lie at the intersection of painting and textile conservation. The 37^th New York Volunteer Infantry Regiment’s battle flag from the Civil War presented challenges and advantages of bridging the two disciplines by providing an opportunity for study and experimentation for a graduate student from the Patricia H. and Richard E. Garman Art Conservation Department at SUNY Buffalo State College. This study was conducted to better understand the materials and degradation products present in a painted Civil War flag, which then informed the subsequent treatment of said flag. By characterizing the materials, the severe damage in …

The U.S.–Mexican War: Visualizing Contested Spaces From Parlor To Battlefield, Erika Pazian

Dissertations, Theses, and Capstone Projects

The U.S.-Mexican War[1] (1846-1848) was a watershed event that transformed the North American continent politically, socially, and ideologically. With the signing of the Treaty of Guadalupe Hidalgo in 1848, Mexico lost approximately half of its national territory in the north, and the United States acquired the modern states of California, Nevada, Arizona, New Mexico, and Utah, and portions of Colorado and Wyoming. Both nations were plagued by internal conflicts after the war, and each was plunged into civil war within fifteen years of its conclusion.

During this time of turmoil, Mexican and U.S. artists created and recreated myriad images …

Mammy And Aunt Jemima: Keeping The Old South Alive In Popular Visual Culture, Angela G. Athnasios

Honors College Theses

Throughout the late nineteenth and twentieth century, American popular visual culture produced racist portrayals of Black Americans. Literature, illustrations, minstrelsy, film, and television are notorious for promoting such unflattering images. Each of these media typified African Americans as exaggerated caricatures with dark skin, bulging eyes, bright-red lips, and goofy smiles. The creators of these stereotypes project their racist beliefs into popular culture. This in turn heavily influences the way other races view people of African descent, as well as how Black people view themselves. From mammies, to Jezebels, to pickaninnies, and everything in between, the message ultimately conveyed in these …

Understanding The Importance Of Statues: Symbols Of Racism In Modern Society, Theresa Vanwormer

The Review: A Journal of Undergraduate Student Research

Whether it is a monument, statue, plaque, or mural, the values and ideologies that are memorialized on public land reflect what reality the people of a country are choosing to remember. The United States’ political and racial history has led to the creation of controversial memorials, including memorials that honor the Confederacy and its leaders, influencing moral concepts based in racism, violence, and oppression. The continued veneration of these symbols on public land sends the message to the Black community that their oppressors are honored as heroes and that the society they live in still allows for their abuse. Annette-Gordon …

Willoughby, Ginny (Fa 1379), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan (Click on "Additional Files" below) for Folklife Archives Project 1379. “Restoration and Tradition: Andy Mills’ Work on the Felts Log House,” a paper written by WKU student Ginny Willoughby about the Felts log house, a Logan County, Kentucky structure now situated on the campus of Western Kentucky University. The paper details the history and design of the house and the process of its current restoration. Includes comments from Andy Mills, interviewed by Willoughby as he performed restoration work on the house.

Hagan, Brooklyn (Fa 1378), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan (Click on "Additional Files" below) for Folklife Archives Project 1378. “The Felts Log House: Past, Present and Future,” a paper written by WKU student Brooklyn Hagan about the Felts log house, a Logan County, Kentucky structure now situated on the campus of Western Kentucky University. The paper details the history of the house and its restoration. Includes comments from Andy Mills, interviewed by Hagan as he performed restoration work on the house.

The Infinite Crisis: How The American Comic Book Has Been Shaped By War, Winston Andrus

War, Diplomacy, and Society (MA) Theses

This thesis project argues that war has been the greatest catalyst for the American comic book medium to become a socio-political change agent within western society. Comic books have become one of the most pervasive influences to global popular culture, with superheroes dominating nearly every popular art form. Yet, the academic world has often ignored the comic book medium as a niche market instead of integrated into the broader discussions on cultural production and conflict studies. This paper intends to bridge the gap between what has been classified as comic book studies and the greater academic world to demonstrate the …

Mapping Renewal: How An Unexpected Interdisciplinary Collaboration Transformed A Digital Humanities Project, Elise Tanner, Geoffrey Joseph

Digital Initiatives Symposium

Funded by a National Endowment for Humanities (NEH) Humanities Collections and Reference Resources Foundations Grant, the UA Little Rock Center for Arkansas History and Culture’s “Mapping Renewal” pilot project focused on creating access to and providing spatial context to archival materials related to racial segregation and urban renewal in the city of Little Rock, Arkansas, from 1954-1989. An unplanned interdisciplinary collaboration with the UA Little Rock Arkansas Economic Development Institute (AEDI) has proven to be an invaluable partnership. One team member from each department will demonstrate the Mapping Renewal website and discuss how the collaborative process has changed and shaped …

The Right To The City: San Francisco's Chinatown Before And After The 1906 Earthquake, Alexandra Hsu

Scripps Senior Theses

The development of San Francisco, much like many American cities, is deeply entwined with the spatial process of settler-colonialism. Fueled by White supremacist processes of appropriation, dispossession and exclusion, city officials and White San Franciscans legally, financially, and socially segregated Chinese immigrants who entered into the U.S. context to a dense and degraded ethnic enclave. Henri Lefebvre and David Harvey theorize on The Right to the City, the social production of space and the ways in which social processes can be concretized by space. This thesis applies these concepts to the racialized space of San Francisco’s Chinatown. An examination of …

Wild Things To Make Your Heart Sing, Molly Mcclain

History: Faculty Scholarship

The article describes the collaboration between philanthropist Ellen Browning Scripps (1836-1932) and artist Albert R. Valentien (1862-1926) that produced an exceptional collection of watercolors depicting the wildflowers of California, now in the collection of the San Diego Natural History Museum.

Knights Of The Round Table Mesa: A Brief Study In The Paintings And Books On The American West, Mitchell A. Gehman

Bound Away: The Liberty Journal of History

This article investigates how printed material and visual arts helped create the image of the cowboy in American popular culture. This perception did much to influence the popular memory of the American West and had significant consequences for the development of American identity.

Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson

Electronic Theses and Dissertations

Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation …

Requisitioned: American War Art Of The Second World War, Spenser Carroll-Johnson

War, Diplomacy, and Society (MA) Theses

The United States requisitioned artists to assist with military objectives and servicemen requisitioned art as a form of rhetoric. This research reexamines the role of “official artists” and thereby extends its definition to include the multitude of art they produced during the Second World War. The underpinnings of this thesis reside during the economic crises of the 1930s that brought about American emergency relief initiatives for artists under the direction of Holger Cahill and, by extension, Edward Bruce. For the first time in history, the American public engaged with state-sponsored art. Due to a symbiotic relationship that formed between the …

Intimate Nevada: Artists Respond, Lauren Paljusaj, Anne Savage

Calvert Undergraduate Research Awards

Creative Works Winner

Most of us know Nevada beyond the Strip. It’s a place of houses, of shopping plazas, of movie theaters, and grocery stores. A place of hotels that are also places of work. A place of basins, ranges, vistas, and nature. A place of personal history. For Intimate Nevada: Artists Respond, curators Lauren Paljusaj (ENG BA ‘20) and Anne Savage (CFA BA ‘22), draw on photographs found in UNLV Special Collections to uncover the intimate visuality of a Nevada of past centuries. The exhibition focuses on how the imaged built landscape of early 20th century Southern Nevada …

Illusions Of Grandeurs: Washingtonian Architecture As Seen By White And Black People Of The Early Nineteenth Century, Lillian D. Shea

Student Publications

In the early nineteenth century, George Washington and Thomas Jefferson built a classically inspired capital designed to legitimize American republican ideals. White interpretations of the architecture gradually aligned more with the founders’ intentions, especially following its reconstruction after the 1814 conflagration. Enslaved and free black observers recognized their exclusion from the message of freedom and equality. Rather than finding their identity through federal buildings, they established their communities within churches, houses, and businesses owned by black people. The varied reactions to Washington’s and Jefferson’s designs demonstrated how the aesthetic idealization of republicanism revealed incongruities in the new capital.

From D.C. To Kentucky: The History Of The United States Senate Clerk's Desk, Olivia Bowers

Documents

This Mahurin Honors College Capstone Experience aims to highlight the importance of the historical object and accurately document the complete history of the former United States Senate Clerk’s Desk, placed in the chamber in 1859 and removed in 1951. The desk’s first and last occupants were Kentucky natives and civil servants, and its current resting place is in Western Kentucky University’s Kentucky Museum. Through research that began in the nation’s capital, and a journey to follow the desk’s paper trail, the object’s massive historical legacy and close ties to the state of Kentucky may live on. Along with a traditional …

A Desk's Tale, Olivia Bowers

Documents

No abstract provided.

A Visual Analysis Of The U.S. Senate Clerk's Desk, Olivia Renee Bowers

Documents

No abstract provided.

Cast Of Characters, Olivia Renee Bowers

Documents

No abstract provided.

Modest, Modern, Molly Mcclain

History: Faculty Scholarship

This article looks at the mid-century modern houses built by architect Russell Forester in the Scripps Estates Associates in La Jolla, California.

Westward Empire: George Berkeley’S ‘Verses On The Prospect Of Planting Of Arts’ In American Art And Cultural History, Elizabeth Kiszonas

Graduate Theses and Dissertations

This study investigates the extraordinary half-life of a single line of poetry: “Westward the Course of Empire takes its Way…”. Beginning with their composition in 1726 by the Irish- Anglican bishop George Berkeley, these words colonized an enormous swath of cultural landscape over nearly two centuries. Immortalized in newsprint, broadsides, statesmen’s speeches, reading primers, geographies, the first scholarly history of the United States, as well as in poetry, paintings, lithographs, and photographs, the words evolved from an old-world vision of prophetic empire into a nationalist slogan of manifest destiny. Following the poem as it threads through literary and visual culture, …

Book Review: Palaces For The People: How Social Infrastructure Can Help Fight Inequality, Polarization, And The Decline Of Civic Life, Eric Klinenberg, Georgia Westbrook

School of Information Student Research Journal

No abstract provided.