History of Art, Architecture, and Archaeology Commons^™

Jenna Gribbon: Queer Identity And The History Of The Nude, Taylor Sampson

Global Contemporary Artist Analysis Archive

Jenna Gribbon(b. 1978, Knoxville, TN) is an artist working primarily within the medium of painting. Her paintings challenge the sanctity of the private, while melding a queer and feminist critique of art history's representation of the nude figure.

73 | ‘Akko Iii: The 1991–1998 Excavations: The Late Periods Part 2: The Knights’ Hotel Site, The Messika Plot And Miscellaneous Studies, Danny Syon, Ayelet Tatcher

IAA Reports—Monograph Series of the Israel Antiquities Authority

Akko III: The Late Periods comprises two parts (IAA Reports 72 and 73), the third and fourth volumes in a series publishing the results of four excavations that took place within and just outside of the Old City of ‘Akko between 1991 and 1998. These two volumes present the archaeological finds from the Early Islamic to Ottoman periods, concentrating on the architecture and small finds from the Crusader period.

The present volume (Part 2; IAA Reports 73) presents the excavations in the Knights’ Hotel Site, which yielded a wealth of small items of daily use, including glass finds, lead ampullae, …

The Private Libraries Of Charleston, 1780-1860, Winter Hein

All Theses

The scope of this thesis examines the private libraries inventoried in Charleston, South Carolina. The thesis answers the question about the prevalence of private book collections and rooms called the “Library” between 1780 and 1860, as seen in probate inventories. Additionally, this thesis explores the character of the private collections during this study period in a case study manner. This includes the size of the collections, location (urban vs. rural), where collections are stored, and in which rooms they are found. Of the 4,476 Charleston County probate inventories between 1780 and 1860 available through FamilySearch online, a total of 903 …

Postermania: The French Advertising Poster Of The Fin-De-Siècle: An Art History Course, Erin Quirk

Theses

This project presents a comprehensive exploration of illustrated advertising posters at the fin de siècle highlighting their multifaceted role as artistic works, commercial media, and cultural artifacts. Designed as a three part course for a museum education department, the study integrates art history, visual culture, and social history to analyze the impact of these posters on the modernizing city of Paris. Focusing on artists like Jules Chéret, Henri de Toulouse-Lautrec, and Alphonse Mucha, the project traces the aesthetic evolution of the poster that blurred the lines between fine art and mass culture. The course examines the broader socio-historical context, exploring …

Breaking The Grid: Metamorphosis And Materiality In Meret Oppenheim’S An Evening In The Year 1910, Jacklyn Meyer

Theses

This paper analyzes Meret Oppenheim’s painting An Evening in the Year 1910 from 1972 and its exploration of the theme of metamorphosis and materiality. Looking at certain biographical information about the artist’s crisis period and time spent with the Surrealist group is crucial in understanding what can be discerned from viewing this work. Other works with the theme of metamorphosis within her oeuvre are studied as they provide further context for Oppenheim’s artistic philosophy and her penchant for revisiting themes repeatedly. Other works with the theme of metamorphosis are studied as they provide further context for Oppenheim’s artistic philosophy and …

Project-Based Learning In Art History: Course Curriculum, Katelyn Baltes

Theses

The course entitled “Project-Based Learning in Art History” is a rigorous curriculum that introduces students to art history but creates a better understanding of how materials and techniques were used throughout time. Students in 11-12th grade will be able to apply their knowledge and learning through projects integrated within each unit to develop a stronger understanding of the content. Students will be able to apply the design elements and principles of design within their artwork and recognize the different characteristics of various periods and cultures. There will be the use of two-dimensional and three-dimensional art within each unit, and students …

Beauty Beyond Barbed Wire: Chiura Obata’S Perspective Of The Horizon, Bri Carlson

Theses

Depictions of the environment are an integral part of American art history because they convey cultural relationships of all who inhabited the land. The environment is often a stagnant force that harbors lifetimes of human history. One of these histories is the incarceration of about 120,000 Japanese immigrants and American citizens in 1942 after the bombing of Pearl Harbor. They were forced to evacuate their homes, lives, and families to live in detention centers and prison camps where living conditions were subpar. Many turned to art making to cope, and some artists used their work to silently protest and visually …

Jacqueline Marval: Référence Sans Révérence Art History Lecture And Activity Series, Michelle Erickson

Theses

The painting Les Odalisques (1902-03) anchors the investigation of French artist Jacqueline Marval’s presence and contribution to the modernist art narrative. The painting is composed of five women who share a face and features, set in a private female space. The canvas is complete with bold strokes of color, and their skin is painted in the unrealistic tones that Fauvists will embrace, yet naturally – these women are still fully and complexly human. From a distance, they are sculptural.

This project is intended as a Club de Lecture series for adult learners of French culture and language at the Alliance …

Reframing The Canon: Black Contemporary Artist Shaping The Western Narrative, Elaysha A. Bazil

Theses

Reframing the Canon is an exhibition and thesis project that centers on Black Contemporary artists and their pivotal contributions to the Western art canon. Curated by Art BaziL, the exhibit challenges traditional narratives and biases, creating a space where Black art is celebrated as integral rather than supplemental. Through a collection of multi-medium works—from abstract paintings to digital art and handcrafted jewelry—the exhibit invites viewers to experience Black creativity beyond themes of struggle, highlighting resilience, innovation, and beauty. This project responds to the historical exclusion of Black voices within mainstream art institutions, advocating for a more inclusive and representative canon. …

Contemplating Glaciers - A Dialogue, Jessica Elizabeth Turner

Theses

This project investigates the evolving relationship between art, climate education, and audience engagement. It explores how the visual arts serve as a medium for fostering awareness and dialogue about climate change while inspiring climate resilience through artistic and curatorial intervention. The exhibition Contemplating Glaciers – A Dialogue showcases the work of Canadian artist Jan Kabatoff, whose practice incorporates multisensory experiences, including paintings, sculptures, photographs, VR, and soundscapes to engage viewers with the ongoing degradation of glaciers. The exhibition bridges the gap between scientific knowledge and artistic expression within a gallery space designed to encourage participation and reflection. It seeks to …

Stratigraphic Setting And Lithology Of Mount Scopus Chalk Quarry Cave, Amos Frumkin, Ze’Ev Lewy

'Atiqot

This article describes the geological setting of the Mount Scopus chalk-vessel production and quarry cave. This artificial cave was manually quarried in chalk of the middle of Menuḥa Formation, which consists of tiny calcitic skeletons of micro-organisms living in the open sea. Due to its clay content, this rock unit was easier for quarrying, but also caused stability problems and the breakage of stone vessels during manufacture.

The Pottery Assemblage From The Mount Scopus Chalk-Vessel Production Cave, Débora Sandhaus

'Atiqot

The pottery from the Mount Scopus chalk-vessel production cave comprises mostly cooking wares, with some storage and table wares, and knife-pared lamps, dating from the first century BCE to 70 CE. A few types continue up to 132 CE, the period between the First and Second Revolts.

A Second-Temple Period Chalk Quarry And Vessel- Production Cave Complex On Mount Scopus, Jerusalem, Jon Seligman, David Amit, Irina Zilberbod

'Atiqot

From the latter half of the first century BCE, an increased observance of Jewish purity laws is evidenced in Judea, focusing on Jerusalem and the Temple. This is further attested by the flourishing chalk-vessel industry, producing vessels for storage and table use, which according to Halakha did not contract impurity. This article is the final report of the chalk-quarry and vessel-production cave complex uncovered on the eastern slope of Mount Scopus, dated by pottery and coins to the first century CE, including a reconstruction of the technology for producing chalk vessels and quantification of vessel types. A few pottery vessels …

Jewish Ritual Immersion In The Longue Durée: From Earliest Manifestations Until Today, Yonatan Adler

'Atiqot

Jewish ritual immersion has been practiced among Jews for over two thousand years, from the late second century BCE until today. Although much has been written in recent years on various aspects of this ritual as it was performed in different periods, no study has surveyed the practice from the perspective of the longue durée—from its earliest manifestations until the modern era. The present study does just that; it examines the textual evidence and material remains that shed light on how the ritual was performed over the course of the past two millennia, exploring who practiced it in each period, …

The Rise And Fall Of ‘Purity Culture’ In The Land Of Israel: A Historic Perspective, Zeev Safrai

'Atiqot

This article aims at determining the turning point in the adherence to the Jewish laws of purity in the Land of Israel, considering the situation before ‘the outburst of purity,’ its decline and final cessation. Four different stages were distinguished regarding the practice of purification: (1) prior to the appearance of the ritual bath (miqweh), before the Hasmonean Kingdom; (2) the period of ‘purity culture,’ when purity was widespread, becoming a central religious phenomenon; (3) individual purity; (4) the final decline of purity. Once the ‘purification water’ became unavailable, halakhic immersion was observed only by women, while symbolic purification continued …

Archaeology, Purity And Society: Some Methodological Reflections, Eyal Regev

'Atiqot

This article examines the assumptions and methodology underlying the correlation between stepped pools and stone vessels and purity laws and practices. It focuses on the way these are interpreted in light of Second Temple period and early rabbinic texts. The article further introduces more complex understandings of the emergence of ritual baths in the Hasmonean period as an expression of Jewish ethnic identity, and the flourishing of ritual baths and stone vessels in the first century CE, as an indication of social individualism.

Late Roman–Byzantine-Period Ritual Baths At Ḥorbat Susya In Daroma, Yuval Baruch, Ronny Reich

'Atiqot

In the Byzantine period, and especially in the fifth–seventh centuries CE, a unique rural Jewish settlement developed at Susya, in Daroma (southern Hebron Hills). This uniqueness is expressed in various aspects of its material culture, including many ritual baths, which were found in almost every residence, in connection with agricultural production and even beneath the synagogue. This article presents data concerning the ritual baths, with special emphasis on ritual baths located near installations to produce oil and wine, and a ritual bath located in a subterranean space beneath the synagogue, offering a reexamination of the connection between purification and synagogues. …

Jewish Pilgrimage, Temple Sacrifices And ‘Disposable’ Cooking Pots, Omri Abadi

'Atiqot

From the time of Herod until the destruction of Jerusalem in 70 CE, there was a steady increase in the number of pilgrims in Jerusalem, reaching tens of thousands during each festival. Extensive supplies of ritually pure food prepared in pure cooking vessels were required for the pilgrims’ sacrificial meals in the Temple and throughout the city. A large quantity of cooking pots had to be supplied within a short period of time, and these vessels were like ‘disposable’ cooking pots as they had to be broken at the end of the pilgrimage. In this paper, I suggest identifying the …

Ritual Purification And Bathing: The Location And Function Of Siloam Pool And Solomon’S Pool In Second Temple Period Jerusalem, Nahshon Szanton

'Atiqot

Excavations at the southern tip of the ancient city of Jerusalem uncovered four pools from the Early Roman period: two, Silwan Pool and Birkat el-Ḥamra, within the city walls, and two smaller pools on the outskirts of the city. This paper provides archaeological data that supports the identification of Birkat el-Ḥamra with Solomon’s Pool and the Silwan Pool with the Siloam Pool, both of which are mentioned in contemporary historical sources. Furthermore, the function of the pools is discussed: the larger, Solomon’s Pool, seems to have been an open swimming pool, while the Siloam Pool was used for ceremonies and …

A First-Century Bce Chalk-Vessel Assemblage From Har Ḥoma, Jerusalem, And The Beginning Of The Chalk-Vessel Industry, Dennis Mizzi, Ayala Zilberstein, Débora Sandhaus, Rina Avner, Shua Kisilevitz

'Atiqot

A unique assemblage of chalk vessels was unearthed in excavations at Har Ḥoma, five kilometers south of the Old City of Jerusalem. The assemblage, distinguished by the peculiar typology of its vessels, was found in a distinct and stratified fill containing pottery dating to the second half of the first century BCE, and it may be one of the earliest chalk-vessel assemblages uncovered to date. This paper presents a catalogue of the Har Ḥoma assemblage, followed by a brief overview of comparative early assemblages from sites in Jerusalem and Jericho, and a discussion of the archaeological and historical significance of …

Front Matter & Editorial, The Editorial Board

'Atiqot

Table of Contents and Editorial

Byzantine And Early Islamic Malacological Remains From Building 900 In The Southern Tyropoeon Valley, Inbar Ktalav

'Atiqot

The malacological remains presented in this article shed light on the trade and culinary habits of the inhabitants of Jerusalem during the Byzantine and Early Islamic periods. All the shells were brought to the site from distant sources, such as the Mediterranean Sea, the Red Sea and the Nile River, indicating trade connections. The shells seem to have been utilized for aesthetic purposes and for consumption, as also recorded in other excavations in Jerusalem.

Byzantine And Early Islamic Faunal Remains From Building 900 In The Southern Tyropoeon Valley, Nimrod Marom

'Atiqot

The excavation in the western part of the City of David uncovered small assemblages of animal remains from the Byzantine and Early Islamic periods, attesting to similar consumption patterns in both occupation phases. The basic suite of domesticates is characteristic of urban settlements in late antiquity, comprising caprines, pigs and cattle, as well as fowl, and possibly fish. This varied diet points to the high-status of the inhabitants of the building.The public and commercial production of pork in the Early Islamic period is noteworthy.

The Coins From Building 900 In The Southern Tyropoeon Valley, Donald T. Ariel, Gabriela Bijovsky

'Atiqot

Some 169 coins were retrieved from the excavation of Building 900 in the City of David, all of bronze or copper-alloy. Eight of the coins comprise a small hoard. The isolated coins range in date from the Hellenistic and Early Roman periods until the fourth century CE and probably represent residual finds. The hoard indicates that Building 900 was constructed in the Byzantine period, a date also supported by other finds at the site.

The Glass Finds From Building 900 In The Southern Tyropoeon Valley, Tamar Winter

'Atiqot

The excavation of Building 900, located in the City of David, yielded about 1000 small glass fragments, mostly dating to the Late Hellenistic, Early and Late Roman–Byzantine periods, with several dating to the Umayyad period. Also found were 12 windowpane fragments, apparently dating to the Early Islamic period, permitting a reconstruction of their manufacturing process.

Early Islamic-Period Pottery From Building 900 In The Southern Tyropoeon Valley, Benjamin J. Dolinka

'Atiqot

A small but significant pottery assemblage dating from the Early Islamic period was retrieved from Building 900 excavated in the Tyropoeon Valley. The assemblage includes vessels typical of the Umayyad period, the early eighth century CE, and the Abbasid period, the ninth century CE. The latest diagnostic sherds date from the mid- to late tenth century CE. This Early Islamic pottery assemblage provides important insights into the occupation history of the area immediately south of present-day Old City of Jerusalem

The Byzantine Pottery From Building 900 In The Southern Tyropoeon Valley, Débora Sandhaus

'Atiqot

The Byzantine pottery found in Building 900 was retrieved from two Byzantine-period occupation phases. Most of the pottery forms are of well-known types, characteristic of the Byzantine period in Jerusalem, both locally made and imported. The vessel types are domestic in nature, including utility vessels for cooking and serving, and tableware. Based on the pottery finds, the building seems to have been constructed in the sixth century CE, most likely during its latter half, and served for a short period of time.

A Byzantine And Early Islamic Building Along The Southern Tyropoeon Valley, Nahshon Szanton, Joe Uziel

'Atiqot

Part of a building (Building 900) was uncovered along the Tyropoeon Valley. Three phases of use were identified: the first two dating to the Byzantine period, and the last phase, to the Abbasid period. The plan of the building, along with the quality of construction and some of the small finds, indicate the affluent status of the building’s residents in both periods. The finds from this excavation, together with those of previous excavations in the area, shed light on the residential neighborhood that development on the lower half of the slope of the City of David in the Tyropoeon Valley, …

The Kamon Cave Survey: A Refuge Cave From The Time Of The Wars Of The Diadochi, Eitan Klein, Amir Ganor, Nir Distelfeld, Boaz Langford, Micka Ullman, Roi Porat, Amos Frumkin

'Atiqot

The archaeological survey of the Kamon cave revealed several groups of finds, including a hoard of coins and jewelry; a cache comprising a lamp with agate beads inside it; several pottery vessels and an arrowhead found together in a rock crevice; and scattered pottery and metal artifacts. Based on the finds, it was concluded that the major period of human activity in the cave was at the beginning of the Hellenistic period, with meager activity during Iron Age IIA. The cave probably served as a refuge for a group of people during the Wars of the Diadochi. This article discusses …

Fatimid Hoards As Evidence Of The First Crusade And The Establishment Of The Kingdom Of Jerusalem (1099–1101), Robert Kool

'Atiqot

Hoards of the Fatimid period have been used by scholars to illustrate a variety of macro-historical developments in the eleventh-century CE Fatimid Empire and Fatimid-ruled Palestine. This is not surprising as the number of Fatimid-period hoards discovered in excavations is very large, totaling 29. However, the deposition of a large share of these so-called ‘Fatimid hoards,’ 15 out of the 29, are in fact important material evidence of the arrival of the armies of the First Crusade in 1099 in southern Syria/Palestine and the territorial expansion of the newly established Kingdom of Jerusalem during the first years of the twelfth …