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Articles 421 - 427 of 427
Full-Text Articles in History of Art, Architecture, and Archaeology
Ancient Migrations In West Mexico: Mtdna Analyses, Patricio Gutiérrez Ruano
Ancient Migrations In West Mexico: Mtdna Analyses, Patricio Gutiérrez Ruano
Graduate Student Theses, Dissertations, & Professional Papers
Despite the mounting evidence that suggests The Aztatlán tradition in West Mexico was a major cosmopolitan region during the Postclassic period (AD 900-1521) with connections to the rest of what is now Mexico, archaeologists have characterized items in West Mexico as culturally distinct from the rest of Mesoamerica. Recently, endogenous, and exogenous material culture has been interpreted as movement and exchange of goods and ideas between subregions and surrounding areas, all of which mention physical contact and trade were involved between Aztatlán and elsewhere. This has included interacting with areas as far as the U.S. Southwest, as well as in …
Re-Curation And Recognition: Addressing The Curation Crisis Through The Garnet Ghost Town, Jocelyn A. Palombo
Re-Curation And Recognition: Addressing The Curation Crisis Through The Garnet Ghost Town, Jocelyn A. Palombo
Graduate Student Theses, Dissertations, & Professional Papers
As universities, federal curation facilities, public museums, and private collections struggle to create space on their shelves curators and archaeologists continuously evaluate what must continue to be stored and what needs to be deaccessioned. Utilizing a collection housed at the University of Montana I explore strategies for combating this issue. The collection originates from the Garnet Ghost Town and has been in the university’s care since its excavation. The objectives of this project are to obtain new information and incorporate innovative techniques to learn more about the collection itself and provide an updated analysis to one of Montana’s most complete …
Arhs 4573 Artists Of New Spain, Ana Pulido Rull
Arhs 5573 Artists Of New Spain, Ana Pulido Rull
Devour The Land: War And American Landscape Photography Since 1970, James R. Swensen
Devour The Land: War And American Landscape Photography Since 1970, James R. Swensen
Faculty Publications
At first glance, it is apparent that this is not a typical art book or exhibition catalog. Spiral bound with various, variegated folios and sections, Devour the Land appears to be taken from a restricted archive. Indeed, everything down to the chosen fonts makes it seem as if this was a government record. Yet, it becomes quickly evident that this engaging text is not a report that federal authorities would like to broadcast. By subverting the look of a bureaucratic document, this text penetrates and probes the very system it wants to critique.
“A Tyrannical Grace”: Mabel Frazer, The American West, And The Navigation Of A Man’S Space, James R. Swensen
“A Tyrannical Grace”: Mabel Frazer, The American West, And The Navigation Of A Man’S Space, James R. Swensen
Faculty Publications
In 1949 the painter Mabel Frazer (1887–1981) applied for, and finally received, promotion to the position of associate professor of art at the University of Utah. Yet, after nearly three decades of diligent service, she witnessed her male peers, often with far fewer bona fides, receive advancement.1 This was the challenge, she acknowledged, of being a “woman in a man’s institution.”2 Throughout her career Frazer repeatedly overcame similar challenges and, by so doing, defied and redefined what it meant to be a female artist in Utah. This essay explores one of the significant ways in which Frazer’s work stretched gendered …
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Publications and Research
From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …