History of Art, Architecture, and Archaeology Commons^™

Medieval Weathers: An Introduction, Michael J. Warren

Medieval Ecocriticisms

Introduction to the first volume of Medieval Ecocriticisms.

"The Christ Chosen Emperor": Representation Of Emperors As Divine Figures In Byzantine Art, Aly Hutchinson

BYZANTIUM: Trade, Treasure, Tradition

The concept of power has been evident throughout Byzantine culture, whether in its aristocratic and bureaucratic politics, textiles, architecture, or minted coinage. Consequently, the arts were frequently utilized to represent imperial and religious power with various renderings of symbols, colors, and icons. In addition, images portrayed significant visual and spiritual value as the viewers looked to them for knowledge, guidance, and prayer. The ruling emperors were held in high regard, and imperial families were dominant over Byzantine society. The emperor was created in God's image, given the responsibility to rule on earth and carry out the ten commandments. This essay …

Designing Digital Antiquity: Classical Archaeology In New Virtual Applications, William Loder

Graduate Theses and Dissertations

In this thesis, I argue that the combination of existing archaeological theory with game design theory offers an innovative avenue for creating serious 3D applications of archaeological sites in virtual reality that can be productively used for pedagogical, research, and outreach solutions. In this thesis, I engage with the archaeological theories of phenomenology and sensory studies, briefly touching on structure and agency as well as discussion of some current digital applications in use in the field. For this project, I am interested in game design theory as it relates to education and I view Virtual Reality as an important tool …

Byzantine Textiles: Embroidery, Delphine Dah

BYZANTIUM: Trade, Treasure, Tradition

The textile that I will be discussing is the Embroidered Medallion found in the fifteenth to the sixteenth century Byzantine Empire. This rare example of Byzantine embroidery consists of two medallions, one depicting the eagle of Saint John, the other the angel of Saint Matthew, two of the four evangelists. The original piece is paired with the other medallion, which shows the symbol for Mark and Luke. Since their scale is so small it suggests that they are meant to be attached to an epitrachelion, a stole worn by priests and bishops as a symbol of their priest hood.

The Face Of Power: A Chronological Comparison Of Byzantine Coinage, Emma Duffin

BYZANTIUM: Trade, Treasure, Tradition

Coinage was an effective tool for representing imperial power in the Byzantine Empire. This short essay focuses on the evolution of power representation in coinage and argues that Byzantine emperors displayed power by employing classical Roman elements in their coinage. This argument is communicated through a chronological comparison of five coins ranging in date from 288 to 1425 C.E. These coins are a small example of the transition from imperial iconography to Christian iconography in which we see how classical forms are preserved even among a drastic change in style and narrative.

The Vienna Genesis And The Evolution Of Christian Book Illumination, Samantha Castro

BYZANTIUM: Trade, Treasure, Tradition

In this essay, I argue that the Vienna Genesis influenced future Christian manuscripts by pushing the idea that higher status and holiness were linked. The Vienna Genesis' expensive creation and classically-influenced illustrations, which were seen by some as conspicuous, would be imitated by the Paris Psalter, only differentiating in the subject matter. The Melisende Psalter would take a turn in its style, mimicking Byzantine icons rather than classical works, but it continued the high-cost production and ruler-appealing narrative of King David. And unlike the other two, the Melisende Psalter cements the initial bias, with signs hinting at possible royal/imperial ownership.

Utility, Liturgy, And Luxury, Olivia Brock

BYZANTIUM: Trade, Treasure, Tradition

The material legacy of medieval Byzantium is one of intricate luxury objects made of precious materials. As was evident in many cultures and periods, including the Byzantine, high-quality luxury materials were used to promote the status of individuals and institutions. The Attarouthi Treasure out of the Church of St. Stephen in Syria presents an excellent case study of luxury liturgical objects used to promote the social status of the church, as well as imbed the church in a series of complex social networks that both enhanced and retracted from the church’s social role. These objects were also physically dynamic as …

Case Study Of Byzantium, Shelby Johnson

BYZANTIUM: Trade, Treasure, Tradition

The Byzantine Empire (395-1453 CE) was a large cultural center that included a meshing of different societies in terms of trade. Located along the Mediterranean Sea, the empire had a monopoly of sea trade, leading to their multiple years of success under many different ruling emperors. Many different countries brought with them pieces of their culture and textile materials to the Byzantine Empire.

Around 500 A.D. China was known for their silk making textiles, holding the secret of their creation for many years until a group of traveling monks in Europe were able to smuggle out silkworm eggs from China, …

The Constantine And Zoe Mosaic, Lilly Jones

BYZANTIUM: Trade, Treasure, Tradition

In this case study I will go over the history behind the Constantine and Zoe mosaic in the Hagia Sophia, why it was hidden for so long, and the multiple theories behind its alterations. I will also cover the history of Zoe and her many husbands and why altering the mosaic would have been necessary to show history and they wanted it to be remembered. There is not the same record of events in Byzantium like we have today, history was written by the powerful and important to write to narrative they wanted. Because of the clues left behind we …

Secular Architecture: Domestic, Carolyn S. Snively

Classics Faculty Publications

The geographic focus of this discussion of Byzantine domestic architecture, from the late fourth to fifteenth centuries, will be on the Balkans and Asia Minor. Although more dwellings exist than any other type of structure within a settlement or outside it, emphasis has often been on large public buildings or the peristyle house rather than the range of housing units and their multifunctional nature. Those who study domestic architecture tend to look at palaces and other grand and richly decorated structures; only recently has attention been paid to lower-class and rural dwellings.

The chances of excavation often dictate our knowledge …

Beauty, Real Or Apparent: Christian Kings, Muslim Artisans, And The Development Of An Imperial Image Through The Silk And Horticulture Industries In Sicily. (Ca. 1090-1190), Casey K. Brown

History ETDs

In the wake of the Norman conquest of Sicily in the second half of the eleventh century, the Mediterranean island housed a diverse collection of Greek, Latin, and Muslim communities. Norman kings chose Palermo to become the seat of Latin-Christian Sicilian government for its productivity and strategic location and included the island into the complex world of self-fashioning politics and exchange. For Sicilian and ‘foreign’ Muslims alike, the imperious pose Roger II and his successors held created a precarious balancing act between the real and imagined worlds of Sicily. The content of this thesis is primarily concerned with the impact …

Mappings Issue Editorial Note, Dan Terkla

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Introduction: Thoughts About Spatial Humanities And Urban Experiences During The Long Fifteenth Century, Margriet Hoogvliet, Chiara Lastrioli

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Putting An End To The Concept Of Aristocratic Quarters In Paris, Boris Bove

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Mapping Frankfurt C. 1350: Baldemar Of Petterweil’S Recording Of Space In Medieval Urban-Ecclesiastical Sources, Felicitas Schmieder

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Tours Around 1500: Deep Mapping Scribes, Booksellers, And Printers, Margriet Hoogvliet, David Rivaud

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Olav’S Rose, Perun’S Mark, Taranis’S Wheel, Lars Marius Garshol

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Kufesque Between Pilgrimage And Polemic: Representations Of Arabic In Italian Altarpieces, 13th-15th Centuries, Kathryn Blair Moore

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

A Crown Of Flesh, Sound, And Light. Savonarola’S Animated Gift For The Virgin Mary, Loretta Vandi

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Review Of Shirin Fozi, Romanesque Tomb Effigies: Death And Redemption In Medieval Europe, 1000-1200, Ron Baxter

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Review Of Joan Holladay, Genealogy And The Politics Of Representation In The High And Late Middle Ages, Shirin Fozi

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Review Of Beth Williamson, Reliquary Tabernacles In Fourteenth-Century Italy: Image, Relic And Material Culture, Michela Young

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Review: Clifford Davidson And Sophie Oosterwijk, John Lydgate, The Dance Of Death, And Its Model, The French Danse Macabre, Sally Badham

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Book & New Website Announcement: Medieval Badges

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Foreword: Deep Mapping Of Lost Worlds, David J. Bodenhamer

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

[Review Of] The Cosmos At Home: The Fresco Cycle Of Villa Grimani Molin At Fratta Polesine By Meital Shai, Elizabeth Carroll

Faculty Research, Scholarly, and Creative Activity

No abstract provided.

Baccio Del Bianco At The Court Of Spain: Early Modern Scenic Design In Context, Pamela Thielman

Dissertations, Theses, and Capstone Projects

This dissertation examines the life and work of seventeenth-century artist and architect, Baccio del Bianco, to imagine alternative research strategies for histories of theatre. Traditional scholarship of theatre design is rooted in art historical practices, which has limited the consideration of influences beyond visual culture. It has also posited Italian theatre culture as the driver of innovations in Early Modern theatre design. In this project, I argue for and engage in a practice of scenic design historiography that replaces Italy as the dominant actor in the theatrical scene of this period with a more nuanced approach that places emphasis on …

Adapting The Hellmouth In The Office Of The Dead From The Hours Of Catherine Of Cleves: An Experiment In Using A Dramaturgical Approach To Medieval Studies, Tatiana A. Godfrey

Masters Theses

This thesis is an artefact documenting the process of adapting a late medieval painting of hell into a short horror film. The process of adapting the Three Mouths of Hell, housed within the Hours of Catherine of Cleves, serves as an experiment in applying a dramaturgical approach to medieval studies. The process of adaptation and production, informed by critical research about the Hours of Catherine of Cleves and its Three Mouths of Hell, yields new frameworks for understanding the history of Catherine of Cleves, her Book of Hours, and the Three Mouths of Hell.

The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring

The Forum: Journal of History

This literary review will focus on Michelangelo’s most significant work of color: the Sistine ceiling. Michelangelo’s work has spawned a plethora of literature, but this paper will focus on three main controversial topics: assistants (or lack thereof), the ignudi’s purpose, and restoration. I will also apply a psycho-historical approach to these controversies and identify potential avenues for future research.

Full Issue

The Forum: Journal of History

No abstract provided.