History of Art, Architecture, and Archaeology Commons^™

An Ode To James Van Der Zee: Lorna Simpson’S 9 Props, Emilie C. Boone

Publications and Research

No abstract provided.

Hisban Cultural Heritage Project (2018–2019), Bethany J. Walker, Øystein S. Labianca

Faculty Publications

No abstract provided.

66/1 | Jerusalem: Excavations In The Tyropoeon Valley (Givati Parking Lot) Volume Ii The Byzantine And Early Islamic Periods Part 1: Stratum V: The Byzantine Period, Doron Ben-Ami, Yana Tchekhanovets

IAA Reports—Monograph Series of the Israel Antiquities Authority

This volume is the second in a series of final reports presenting the results of the excavations conducted in the Givati Parking Lot, located on the eastern slope of the Tyropoeon Valley in Jerusalem. The site covers an area of c. 0.5 hectares, making it one of the largest excavations in the City of David. This second volume is comprised of three parts, and presents the remains of the Byzantine and Early Islamic periods. The exposure of Byzantine and Early Islamic remains over an extensive area has enabled a reassessment of the nature of the transition between these two periods, …

Counter-Mapping As Display: Unfolding, Revealing, And Concealing Intermediary Spaces, Larson Ellen

Hemisphere: Visual Cultures of the Americas

No abstract provided.

(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza

Hemisphere: Visual Cultures of the Americas

No abstract provided.

(Review) A Memorial To Those Who Mourn: Marie Watt’S Untitled (Mother, Mother) And Correlating Sewing Circle, Angie Rizzo

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Middle Woodland Mounds Of The Lower Chattahoochee, Lower Flint, And Apalachicola River Basin, Michael H. Lockman

USF Tampa Graduate Theses and Dissertations

A thorough literature review was completed in order to construct a database of all the known Middle Woodland-period (A.D. 300-700) mounds in the Apalachicola – lower Flint and lower Chattahoochee River drainages of northwest Florida, southwest Georgia, and southeast Alabama. The database presented in this document provides both quantitative and tabular data which may be used to evaluate, describe, and compare sites within this research region as they relate to one another as well as other sites in the Southeast. Through the lens of cultural materialism, descriptive statistics were used to summarize the accumulated data and ultimately refine our understanding …

The Use Of Green Pond Conglomerate As Building Stone In Morris County, New Jersey, Gregory A. Pope

Department of Earth and Environmental Studies Faculty Scholarship and Creative Works

Green Pond Conglomerate (GPC) is a maroon colored quartzite with white quartz pebbles, a classic “puddingstone”. GPC derives from a NW-SW-trending sliver of Paleozoic sediments, the “Green Pond Outlier”, surrounded by older metamorphic and igneous rocks of Morris and Passaic Counties. Buildings, retaining walls, field fences, and monuments incorporate the durable and attractive stone, in a distinct geographic area of Morris County. Several instances of structures completely constructed or faced with GPC occur in and around Morristown, limited to affluent houses and one prominent church. In these cases, GPC stones were dressed and faced, a labor-intensive effort. Elsewhere in the …

Facing Others: Ray Johnson’S Portrait Of A Curator As A Network, Miriam Kienle

Art and Visual Studies Faculty Publications

Deploying various forms of art world communication (commercial, bureaucratic, and interpersonal), Ray Johnson made a portrait of the curator Samuel J. Wagstaff during the mid-1960s that unworked the singular and unified image of his subject and emphasized identity as contingent upon a person’s position in their social network. Although many have noted the networked character of Johnson’s mail art practice—wherein participants were connected to each other with and through continually circulated collaged correspondence—few have explored it in relation to contemporary network theory and none have examined how it relates to portraiture of the period. By analyzing the remains of Johnson’s …

Undocumented Migration And Political Community In Susan Meiselas's Crossings Photographs, Sarah Bassnett

Visual Arts Publications

In 1989, Magnum photographer Susan Meiselas (b. 1948) photographed irregular border crossings in southern California. At the time, it was relatively easy for undocumented migrants from Central America and Mexico to cross between ports of entry, even as there was growing pressure on American officials to address border security.1 One photograph in Meiselas’s Crossings series depicts a border patrol officer apprehending a migrant off the interstate near Oceanside (fig. 1). Two torsos fill the center of the image. The officer grasps the man’s clothing, propelling him toward the nearby vehicle. With heads cut off by the frame and backs turned, …

Wild Things To Make Your Heart Sing, Molly Mcclain

History: Faculty Scholarship

The article describes the collaboration between philanthropist Ellen Browning Scripps (1836-1932) and artist Albert R. Valentien (1862-1926) that produced an exceptional collection of watercolors depicting the wildflowers of California, now in the collection of the San Diego Natural History Museum.

Junto Diaz’S The Brief Wondrous Life Of Oscar Wao: A Narrative Of Identity And Diaspora, Samirah Almutairi

English Faculty Publications

Junto Diaz’s novel The Brief Wondrous Life of Oscar Wao raises the question of the identity formation for the Caribbean in diaspora. Diasporic Caribbean people struggle with understanding their difference and recognizing the important of assimilating to other people’s lives and cultures when they leave their home country. The struggle of the main character, Oscar Wao, in the novel is established perfectly well through apparent identity crisis that is manifested in his cultural displacements, childhood memories, real-life situations, and unsuccessful relationship with the other sex. It is a problem that Oscar creates his passage towards constructing a national identity, which …

Toward A Visual History Of Smell In Eighteenth-Century France, Cameron C. Emamdjomeh

Honors Capstones

No abstract provided.

Optics In Art: Ways Of Seeing, Christian J. Baker

P-12 Lesson Plans

In this lesson, which relies on art from the ZMA Collection and the exhibition it's your world for the moment displayed in fall 2020, students will learn about the basic mechanics of the eye and its similarities to the camera, explore the history of the camera obscura and its use in art and early photography, learn about perspective as a principle of photography, and learn to relay information on major artists by way of their relationship or impact on photography as an artistic medium.

Marching Through The Floating World: Processions In Ukiyo-E Prints (2020), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"Marching through the Floating World is a book that accompanies a student curated virtual exhibition of the same title. This exhibition is dedicated to images of processions in ukiyo-e woodblock prints.

Ukiyo-e or “pictures of the floating world” was a vibrant style of urban art that flourished in Japan in the 17th- 19th century, predominantly in the form of mass-produced woodcuts. Steeped in everyday pleasurable pastimes of townspeople, ukiyo-e prints reflected contemporary culture to its fullest, whether fact or fiction, often the two amalgamated in a witty way.

Processions constituted a noticeable theme in ukiyo-e prints as they were an …

Shared Provenance: Investigating Safavid-Mughal Cultural Exchange Through Luxury Silks In The Sixteenth And Seventeenth Centuries, Nazanin Hedayat Munroe

Publications and Research

When examining silk textiles attributed to the early modern Persianate world, there is always some uncertainty as to whether they were produced in Safavid Iran or Mughal India. The confusion is warranted: the two courts share many of the same ideas, images, and even family connections, creating a broad cultural overlap. This becomes apparent in the arts from the mid-sixteenth century onwards, as politics and patronage prompted the migration of key Safavid artists, including weavers, from Iran to Mughal India. As Persian painting was developed in the royal atelier, luxury silks were also produced with Safavid techniques.

Examining these imported …

Home Sweet Home, Adam Black

Indian Head Rock Project

An article published in the Portsmouth Daily Times on September 22, 2020 on the relocation of Indian Head Rock to South Shore Rotary Park.

Traditions And Transformations In The Work Of Adál: Surrealism, El Sainete, And Spanglish, Margarita J. Aguilar

Dissertations, Theses, and Capstone Projects

The Nuyorican movement was a cultural and intellectual movement beginning in the late 1960s through the 1970s that coincided with the era of civil rights struggle in the United States. The artists, writers, poets, and others in the movement were of Puerto Rican descent and resided in New York neighborhoods such as El barrio or Spanish Harlem, Loisaida or the Lower East Side and the South Bronx. The term “Nuyorican” was embraced as a badge of honor and pride by New York’s Puerto Rican community. It was during this time that cultural-specific institutions such El Museo del Barrio, Taller Boricua, …

Landscape And Lore: River Acheron And The Oracle Of The Dead, Lashante St. Fleur

Dissertations, Theses, and Capstone Projects

In order to explore the cultural relationships between people, landscape, memory and ritual, this master’s thesis focuses on the Acheron River in Epirus, Greece, long believed to harbor an entrance into Hades, the Greek underworld. Various entrances into the chthonic, or subterranean land of the dead, are peppered throughout Greece, with each tied to their own local myths, legends, folklore and cults. According to those traditions, Hades could be accessed from several terrestrial rivers thought to be connected to Oceanus, the primordial world-encompassing river surrounding all of creation. Flowing forth from River Ocean were all above- and underground rivers and …

Staging The Modern, Building The Nation: Exhibiting Israeli Art, 1939–1965, Chelsea Haines

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the role Israeli art exhibitions played in nation-building from 1939 to 1965. During this formative period, Israeli artists, curators, and government officials established new art institutions in the country and participated in a growing roster of international exhibitions overseas. Together, the art and architecture of these exhibitions helped to produce a concept of both modern Israeli art and Israel itself as a modern nation. As much as the project of Zionism rested on the creation of a homogenous Hebrew culture, the formation of “Israeli art” in these exhibitions relied on postwar European claims for visual art as …

The Berbers: Constructed Identities By Foreigners On African Soil, Zineb Askaoui

Dissertations, Theses, and Capstone Projects

This thesis examines the textual evidence pertaining to the identity of the local North African population of Morocco. In examining the literature about North Africans and the inscriptions in North Africa, I wish to determine who their authors were. Since North Africa has been invaded and colonized multiple times throughout history, the available literature written by both the foreigners who colonized it and the locals yielded interesting and sometimes contrasting results.

The names that address the local North Africans are pertinent expressions of identity or of forceful submission. This study examines four different terms that have been used to describe …

Accomplices In Art: The Expansion Of Authorship In The 1970s And '80s, Sydney Stutterheim

Dissertations, Theses, and Capstone Projects

This dissertation introduces the “accomplice,” a new figure in histories of performance and appropriation art in the United States and Western Europe during the 1970s and '80s that allows us to completely revise the relations of property, agency, and authorship that have been assumed in these fields. The accomplice is defined here as a type of agent who shares in the responsibility of artworks that are often centered on tactics of legal or ethical disobedience while the recognition of her or his authorial position in the artistic production is deliberately obscured, diminished, or overlooked. Focusing on the work …

The Art Of Opacity: Guy De Cointet In L.A., Media Farzin

Dissertations, Theses, and Capstone Projects

This dissertation provides the first detailed study of the work of French artist Guy de Cointet (1934–1983), specifically the books, objects, and performances he produced in Los Angeles between 1971 and 1983. Much of this work mined pop-cultural sources—genre fiction, magazine advertising, and television serials—for texts, which he reused in deliberately obfuscated ways: in pseudonymous publications written in code or invented languages, as well as in sigil-like paintings that doubled as props for performances in which actors delivered contradictory interpretations of the encoded objects. I argue that Cointet’s appropriations of the visual and narrative logics of postwar culture provide a …

Designing Analog Learning Games: Genre Affordances, Limitations And Multi-Game Approaches, Owen Gottlieb, Ian Schreiber

Articles

This chapter explores what the authors discovered about analog games and game design during the many iterative processes that have led to the Lost & Found series, and how they found certain constraints and affordances (that which an artifact assists, promotes or allows) provided by the boardgame genre. Some findings were counter-intuitive. What choices would allow for the modeling of complex systems, such as legal and economic systems? What choices would allow for gameplay within the time of a class-period? What mechanics could promote discussions of tradeoff decisions? If players are expending too much cognition on arithmetic strategizing, could that …

The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox

Dissertations, Theses, and Capstone Projects

Alvin Lucier’s I am sitting in a room (1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is problematic for two reasons: 1) The meaning that is derived from the piece often hinges not just on what sounds are obtained, but on how they are obtained. 2) Over the past 50 years, changes in the performance practice have altered what constitutes the work: magnetic tape was used until 2000 when it was replaced …

Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green

Dissertations, Theses, and Capstone Projects

Histories of “primitivism” in the avant-garde show that Euro-American modernism was always engaged in the appropriation of nonwestern and Indigenous art, with particular interest in Northwest Coast Native art forms by the Surrealists, Abstract Expressionists, and Indian Space Painters. However, there has been little consideration for how Northwest Coast Native artists chose to engage with the styles and tenets of Western modern art. To date, the history of post-war Northwest Coast Native art has been dominated by what is known as the Renaissance, a narrative in which artists pursued a neo-traditional style in modern times through the recovered and revival …

Norman Lewis: Linearity, Politics, And Pedagogy In His Abstract Expressionism, 1946–1964, Andrianna T. Campbell-Lafleur

Dissertations, Theses, and Capstone Projects

This dissertation focuses on Norman Lewis’s studio practice between the years 1946-1964 in particular his associations with the painters Romare Bearden, Robert Motherwell, Ad Reinhardt, and David Smith. Lewis’s influence extended far into the twenty-first century. As told by numerous contemporary art practitioners—Firelei Baez, Mark Bradford, David Kennedy Cutler, Charles Gaines, Rashid Johnson, Julie Mehretu, RJ Messineo, and Jack Whitten—Lewis was the mentor, friend, father and grandfather figure of an innovative black artist working with abstraction. In Chapter 1: An Integrative Line of Becoming, I trace Lewis’s change from Social Realism in the 1930s to semi-abstract portraits and genre paintings …

Knights Of The Round Table Mesa: A Brief Study In The Paintings And Books On The American West, Mitchell A. Gehman

Bound Away: The Liberty Journal of History

This article investigates how printed material and visual arts helped create the image of the cowboy in American popular culture. This perception did much to influence the popular memory of the American West and had significant consequences for the development of American identity.

Congreso Internacional Sobre Iconografía Precolombina, Barcelona 2019. Actas., Victòria Solanilla Demestre Editora

Zea E-Books Collection

Victòria Solanilla Demestre, Introducción Actas Congreso • Melissa Mattioli, The Ramey Incised Pottery of Cahokia (IL) USA: Diffusion and Reinterpretation of its Iconographic Message • Luís Abejez y Cristina Corona Jamaica, Iconografía en el paisaje. Vida cotidiana y prácticas sociales en el arte rupestre en el noreste de México • Patricia Ochoa Castillo, Figurillas masculinas con atributos de rango, del Centro de México, durante el Formativo • Anabel Villalonga Gordaliza, Ancestros, nahuales y hombres (I). Las host figurines teotihuacanas: hacia una definición, caracterización tipológica y acercamiento iconográfico • Marina Valls i García, Vida y Sacrificio: Los nueve rituales para la …

De La Atlántida Clásica A La Atlántida Precolombina: Un Viaje Del Corto Maltese, Isabel Bargalló Sánchez, Montserrat Bargalló Sánchez

Congreso internacional sobre iconografía precolombina, Barcelona, 2019. Actas.

Hugo Pratt fue un virtuoso de la plasmación de símbolos e ideas a través de unas viñetas inigualables y de unos guiones insuperables y perfectamente documentados. Su última novela gràfica, Mû, el misterio del continente perdido, es el viaje de Corto Maltese a tierras mesoamericanas, de su encuentro con Mû, con las colonias que quedaron después de su destrucción, con unas referencias al mundo de los antiguos mayas, pero también a otros pueblos de Mesoamérica, muy bien construidas. Con una simbología muy cuidada, eligiendo rigurosamente los referentes, nos acerca a una historia de Mû, de la Atlántida, de las teorías …