History of Art, Architecture, and Archaeology Commons^™

No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man, Andrew Wasserman

Art Inquiries

No abstract provided.

Michelangelo: Divine Draftsman & Designer, Marjorie Och

Art Inquiries

No abstract provided.

Manet: A Symbolic Revolution Pierre Bourdieu, Claire Raymond

Art Inquiries

Review of Manet: A Symbolic Revolution, by Pierre Bourdieu.

Back Matter

Art Inquiries

No abstract provided.

Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I), Janine Defeo

Open Educational Resources

This introductory course presents a global view of art history through slide lectures and museum visits, with an emphasis on works of art found in New York City museums. It selectively surveys the visual arts of Europe from prehistory through the Middle Ages and concurrent historical periods in Egypt, the Near East, the Islamic world, Asia, Africa and the Americas.

What The Walls Say: Finding Meaning And Value In Tel Aviv’S Street Art, Rachel R. Bird

Honors Theses

This thesis explores street art in Tel Aviv, Israel through anthropological concepts of value. By defining street art as an interstitial practice—one that exists between permeable, socially defined boundaries and is characterized differently by different power structures—I attempt to define some of the different regimes of value that apply to street art. Using the emerging market of “street art tours” as a fieldwork site, I look at how street art is presented and re-presented to both tourists and locals. By situating my research in a historical and geographic context, I hope to understand the ways different value schema, from economic …

American Encounters: Art, History, And Cultural Identity, Angela L. Miller, Janet Catherine Berlo, Bryan J. Wolf, Jennifer L. Roberts

Books and Monographs

American Encounters provides a narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid conversations between "high" art and vernacular expressions. The text emphasizes the intersections among cultures and populations, as well as the exchanges, borrowings, and appropriations that have enriched and vitalized our collective cultural heritage.

Laminated Paint, Travis R. Austin

Theses and Dissertations

Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.

Eye On The West: Photography And The Contemporary West., James R. Swensen

Faculty Publications

While working in the American West, Ansel Adams liked to wear a Stetson. In many ways the famed photographer and his cowboy hat are emblematic of two of the most enduring cliches of the West. Even though he was the first to protest being typecast, Adams’s near perfect photographs of untrammeled Western landscapes are often seen today as too pristine and too popular. The cowboy, moreover, has become the embodiment of the lone, laconic, male hero braving prairies and rugged mountains. Eye on the West resists both of these Western tropes. Yes, Ansel Adams makes his appearance in the text …

Strange Rarities, Cori Crumrine

Graduate Student Theses, Dissertations, & Professional Papers

‘Strange Rarities’ is a compelling and odd coupling of words, and similar to this body of work, this phrase both masks and reveals its references. ‘Strange’ defines something unfamiliar or extraordinary; ‘Rarity’ describes something that is uncommon, or the quality of being rare. Paired together, a ‘strange rarity’ refers to an object, a feeling, or a something, which discourages familiarity and excites wonder and awe.

Table Of Contents (V. 30, 2018)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

To Produce “A Pleasing Effect:” Taíno Shell And Stone Cibas And Spanish Cuentas In The Early Colonial Caribbean, Joanna Ostapkowicz

BEADS: Journal of the Society of Bead Researchers

This article serves as an introduction to the use of beads – both indigenous and European – in surviving examples of body ornaments of the early colonial period Caribbean: a cemí/belt in the collections of Rome’s Museo Nazionale Preistorico Etnografico “L. Pigorini,” a belt from the Weltmuseum Wien, and a cache of beads in a wooden vessel from the collections of the Museo de Historia, Antropología y Arte, Universidad de Puerto Rico. These artifacts offer insights into how the Taíno may have adopted newly introduced foreign goods, aligning them to their own aesthetics and world view. Glass beads, acquired via …

Book Reviews And End Matter

BEADS: Journal of the Society of Bead Researchers

Not Just for Show: The Archaeology of Beads, Beadwork and Personal Ornaments, by Daniella E. Bar-Yosef Mayer, Clive Bonsall, and Alice M. Choyke (eds.), reviewed by Karlis Karklins. The Art & Tradition of Beadwork, by Marsha C. Bol, reviewed by Valerie Hector. Stone Beads of South and Southeast Asia: Archaeology, Ethnography and Global Connections, by Alok Kumar Kanungo (ed.), reviewed by Karlis Karklins. Beads in the World, by Kazunobu Ikeya (ed.), reviewed by Margot Thompson. Journal: Borneo International Beads Conference 2017, by Heidi Munan and Anita MacGillivray (eds.), reviewed by Louise M. Macul.

Art 11 Introduction To Art History, Deborah Lewittes

Open Educational Resources

No abstract provided.

"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono

Art Faculty Articles and Research

"Os povos tupinambá do Brasil dos séculos XVI e XVII foram a primeira grande cultura de arte plumária das Américas encontrada pelos europeus. Os tupi eram uma sociedade agrícola seminômade, que habitava as florestas ao longo de quatro mil quilômetros da costa brasileira3. Como a cultura tupi foi majoritariamente efêmera, centrada em tradições cerimoniais que envolviam dança, som, movimento e adornos, eles permanecem uma das grandes sociedades do Novo Mundo menos conhecidas. A maior parte dos traços da cultura material tupi se perdeu, com exceção de algumas cerâmicas, armas e, mais importante, muitas peças deslumbrantes de arte plumária."

Understanding Complex Late And Terminal Woodland Sites In The Red Wing, Minnesota, Area, Jaclyn Ann Skinner

All Graduate Theses, Dissertations, and Other Capstone Projects

The Late Woodland and Terminal Woodland traditions encompass a number of Native American cultural groups living in the Upper Midwest United States, dating between A.D. 400/500 and 1100/1200. Although archeological work has been done on many Woodland and Terminal Woodland sites in Illinois, Iowa, Michigan, Wisconsin, comparatively little has been done in Minnesota, and only a small amount has been done in southeastern Minnesota. As a result, Late Woodland and Terminal Woodland pottery complexes in the Red Wing, Minnesota area are still poorly understood.

Pottery types are the single most important artifact class used to identify population segments and trace …

2018 Bethsaida Field Report, Rami Arav

Field Reports

THE EXPEDITION

A two weeks session of excavations was conducted from June 25th to July 4th , 2018. Since the expedition was arranged late in time, the group of excavators was limited to 16 participants.

The team included the architects Kenneth Bensimon from Washington State, Nic Birt from New Zealand, co-director and area supervisor Dr. Carl Savage, Drew University, Dr. Stefania Peluso Greco-Roman pottery expert, Haifa University, photographer Hanan Shafir, co-director Dr. Jerome Hall, University of San Diego, and director Prof. Rami Arav, University of Nebraska at Omaha and the Hebrew Union College Jerusalem.

This year the expedition was lodged …

Moving Vision: Anne Truitt, Paintings 1972-1991, Michael Schreyach

Art and Art History Faculty Research

No abstract provided.

From Practice To Performance: The Importance Of Ballet In Degas’S Dancer Painting Process, Whitney Leeann Hill

Theses and Dissertations--Art and Visual Studies

The context in which any artist creates an artwork is integral to understanding its significance, and one crucial aspect of context is how a work was created. When first looking at how Edgar Degas created his dancer paintings, his process seems simple- he watched the dancers and then painted what he saw. However, that is only a surface examination of a much more complicated system of observation, practice, repetition, mastery, and reproduction. This thesis investigates how Degas bridged the gap between observation and understanding of balletic technique; how deep his knowledge of balletic technique was; and if Degas did have …

Mexican Technoscientific Arts, 2000-2015: Art And Science, Machine Inventions, And Political Ecologies, Carlos R. Guzman

Dissertations and Theses

In the last decades, several artists have engaged directly with emerging digital technologies and science, the so-called new media arts. For the past fifteen or twenty years, such practices have experienced a paradigmatic transformation in Mexico, particularly in the capital. They have shifted from peripheral to mainstream, from contingent to ubiquitous, and from underground/experimental to official and governmentally funded.

This thesis explores the development of technoscientific arts in Mexico, its evolution, main artists, and institutions. It focuses on specific technoscientific artistic projects developed in Mexico between 2000 and 2015 by artists like Tania Candiani, Gilberto Esparza, Iván Puig, and Ale …

Soaring Without Safety, David Keck, Elyse M. Miata

Publications

When pilots and avi­ation enthusiasts find themselves in Washington, D.C., they often plan a trip to the Mall to visit the Smithsonian National Air and Space Museum. But those who love the skies might also want to walk directly across the Mall and visit the Nation­al Gallery of Art, where we recommend taking a look at one of our favorite paintings: Peter Paul Rubens's The Fall of Phaeton. This piece of Ba­roque art speaks powerfully to aviators, as it shows what happens if the rules of the sky are disregarded.

Hisban Cultural Heritage Project, Bethany J. Walker, Øystein S. Labianca

Faculty Publications

No abstract provided.

Narrating Contested Pasts: Lessons Learned At Tall Hesban, Oystein S. Labianca, Elena Maria Ronza

Faculty Publications

No abstract provided.

Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts, Madeline Helland

Scripps Senior Theses

The objective of this project was to establish a provenance for two Indian manuscripts that were recently discovered in the collections at Scripps College. Based on their illuminations, script, and binding structure, I was able to conclude that these two manuscripts are Hindu religious texts created around the 19^th or 20^th century. To determine an approximate origin and the significance of these volumes, my research focused on the syncretism of religion, material history, and power dynamics in India. Their context was specifically framed within the history of manuscript construction and conservation.

Listening To An/Other Voice: Gender, Creativity, And The Divine In The Works Of Female Christian Mystics And Women Surrealists, Stephanie Garboski

Honors Theses

This thesis will compare two groups, Christian women mystics and women surrealists, by analyzing select works by Hildegard of Bingen, Mechthild of Magdeburg, Leonora Carrington, and Dorothea Tanning. This analysis will involve a comparative, theoretical approach that draws connections between the way in which both groups utilize varying literary and artistic forms, symbols, and polyglottery. I will utilize Bourdieu’s terms of cultural production as a framework in which to better understand how women of both fields are used for their creativity and supposed connection to an/other, which is the source of inspiration native to each field, God and the unconscious. …

Connecting Continents: Archaeology And History In The Indian Ocean World, Krish Seetah

Ohio University Press Open Access Books

In recent decades, the vast and culturally diverse Indian Ocean region has increasingly attracted the attention of anthropologists, historians, political scientists, sociologists, and other researchers. Largely missing from this growing body of scholarship, however, are significant contributions by archaeologists and consciously interdisciplinary approaches to studying the region’s past and present.

Connecting Continents addresses two important issues: how best to promote collaborative research on the Indian Ocean world, and how to shape the research agenda for a region that has only recently begun to attract serious interest from historical archaeologists. The archaeologists, historians, and other scholars who have contributed to this …

Emily C. Burns, Transnational Frontiers: The American West In France, James R. Swensen

Faculty Publications

Transnational Frontiers has a great opening line. “The American West,” writes the author, art historian Emily C. Burns, “is a slippery concept, particularly in international settings.” This initial sentence gets to the heart of the challenge of discussing the West, which has long existed as an idea as much as an actual place. It also touches on the ways in which many of the myths of the West were supported and even shaped abroad. As Burns successfully demonstrates, from beginning to end, this is especially true in France where the West was “not a fixed concept but rather a transnational …

Cycles Of Memory And Circular Compassion In A Germanic Passion Diptych, Elliott Wise

Faculty Publications

A little-known Germanic Passion diptych from the late fifteenth century—comprised of the Atlanta Christ Carrying the Cross and the Chicago Crucifixion—was recently reunited, foregrounding a complex interchange of compassionate co-suffering between the two panels. The figures of Christ and the Virgin turn and twist their eyes and faces, balancing their attention between different points of empathetic contemplation within and without the frames. As they engage with the beholder and with one another, they encourage meditation on the Holy Face of Jesus by manipulating mental images in a repetitive cycle of foresight, hindsight, and exegetical reflection.

Ancient And Medieval Ages Caucasian Albania: A Contact Zone Of Sedentary Population And Their States With Eurasian Nomadic People (V-Vii Centuries Ce), Farda Asadov

Khazar Journal of Humanities and Social Sciences

The paper addresses the issue of antagonistic relationship between sedentary population and movable cattle breeders as experienced in Caucasian Albania - the buffer zone between big empires and Eurasian nomadic people in the early Middle Ages. Evidence of mediaeval Arab sources is provided to justify that the interests of ruling elite and population at the boundary with nomadic people might differ from those of big empires. Nomads used to help the borderland state to struggle for their independence vis-a-vis the expansion of the great powers. Political contacts between elites, cooperation in international trade and border guarding policy of superpowers of …

Galateia In The Land Of The Amazons: The Silver Plate Of Yenikend (Azerbaijan) And Cultural Transfers Between The Greco-Roman World And The Caucasus, Anca Dan

Khazar Journal of Humanities and Social Sciences

No abstract provided.