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2015

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Articles 61 - 90 of 556

Full-Text Articles in History of Art, Architecture, and Archaeology

Workshop Schedule Aug 2015

Workshop Schedule

Colby College Museum of Art

No abstract provided.

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The Sketcher: Reverend John Eagles, His Poetical Shelter From The World And The 1812 Collection, Ashley C. Schalk Aug 2015

The Sketcher: Reverend John Eagles, His Poetical Shelter From The World And The 1812 Collection, Ashley C. Schalk

Graduate Thesis Collection

...Since identifying Eagles as at least one of the artists of the 1812 Collection, I have discovered that his specific tour of the Lakes, the route he followed and the scenery conveyed in his images, deviated from the conventional tours in that Eagles was in search of what he regarded as a poetical landscape rather than a traditionally picturesque one. In other words, Eagles sought to capture more than an aesthetically pleasing scene as a picturesque image would, he endeavored to capture the soul of the scene and the 1812 Collection is evidence that Eagles practiced the artistic principles he …

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Dramatizing Trauma In Resistance To Post-Colonial Hegemonic Culture : A Magic(Al) Realist Reading Of Toni Morrison's Beloved, Love And Frida Kahlo's Selected Paintings., Feng Yi, Aug 2015

Dramatizing Trauma In Resistance To Post-Colonial Hegemonic Culture : A Magic(Al) Realist Reading Of Toni Morrison's Beloved, Love And Frida Kahlo's Selected Paintings., Feng Yi,

Electronic Theses and Dissertations

The purpose of this cross-disciplinary dissertation is to explore how magic(al) realist techniques are applied in Toni Morrison’s Beloved and Love and Frida Kahlo’s selected paintings to dramatize the traumas experienced in post-colonial period, and how the artists resist the cultural hegemony through their art works. From the magic(al) realist and Gramscian point of view, the dissertation focuses on 1) the similar situations and cultural hegemony of African Americans and Frida Kahlo had experienced; 2) why and how Toni Morrison and Frida Kahlo chose and used magic(al) realist techniques in their art works to dramatize the traumas; and 3) how …

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Male Feminists: Oxymoron Or The Next Step? An Exploration Of Attitudes Associated With Male Feminists, Abigail K. Slowik Aug 2015

Male Feminists: Oxymoron Or The Next Step? An Exploration Of Attitudes Associated With Male Feminists, Abigail K. Slowik

All-Inclusive List of Electronic Theses and Dissertations

Although many studies have examined attitudes toward feminism and feminists, very few have been devoted to the study of attitudes toward male feminists. The existing body of literature has shown mixed results; with feminist men being rated more positively in some regards, and more negative in others. In the current study, Social Identity Theory (Tajfel & Turner, 2004) is used as a framework for understanding factors associated with attitudes towards male feminists, male feminist identification, and gender-self-esteem. Attitudes associated with male feminists were examined in a sample of 466 male and female undergraduate students from Indiana State University. Participants were …

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A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup", Anna Beth Rowe Aug 2015

A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup", Anna Beth Rowe

Master's Theses

David Lehman’s poem “The Breeders’ Cup” uses cross-generational coterie and ekphrasis to create a poetic poioumenon. When read in terms of art criticism, Lehman’s “The Breeders’ Cup” models creative processes from the past and calls for a rehabilitative ethic in postmodern poetics. Lehman follows the ekphrastic form, which associates a poem with a work of visual art, from his New York School predecessor Frank O’Hara. “The Breeders’ Cup” addresses Édouard Manet’s 1865 painting Olympia through ekphrasis, and the painting of a prostitute becomes a patron saint of parody for postmodern poetics. The poem introduces lust as a metaphor for creative …

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The Intersection Of Art And Medicine: Tanya Sheehan Breaks Down The Boundaries Between Disciplines, Gerry Boyle Jul 2015

The Intersection Of Art And Medicine: Tanya Sheehan Breaks Down The Boundaries Between Disciplines, Gerry Boyle

Colby Magazine

Tanya Sheehan arrived at Georgetown University intending to become a medical doctor. She aced her organic chemistry lab section, eventually was turned off by the rote memorization the program emphasized, and then discovered art history and film studies. "That changed everything," she said, "but I never forgot about science and medicine."

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Fr 371 Writing The Self / L'Ecriture De Soi Jul 2015

Fr 371 Writing The Self / L'Ecriture De Soi

Colby College Museum of Art

In the spring of 2015, Colby students from the course FR 371 "L'écriture de soi / Writing the Self," taught by Assistant Professor Audrey Brunetaux, analyzed a variety of written and visual texts to understand how French writers, artists, and filmmakers conceptualize the notion of the "self." Research projects on Alex Katz, James McNeill Whistler and Mary Cassatt, accessible in French and English below, enabled students to apply the concepts and theories from class to textual and visual material in the Colby College Museum of Art.

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Introduction. Stars, Water Wings, And Hairs. Bernini’S Career In Metaphor, Claudia Lehmann, Karen J. Lloyd Jul 2015

Introduction. Stars, Water Wings, And Hairs. Bernini’S Career In Metaphor, Claudia Lehmann, Karen J. Lloyd

Art Faculty Books and Book Chapters

Examining Bernini's works from 1665 on, from Paris and Rome, this book demonstrates the wealth of material still to be drawn from close visual and material examination, archival research, and comparative textual analysis. On the whole, this collection deals with Bernini's position as the leading creator of portraits - in oils, marble, monumental architecture, and metaphor - of some of the most powerful political players of his day. These studies speak to the growing distance of Gallic absolutism from the fading dreams of papal hegemony over Europe, and to the complexities of Bernini's role as mouthpiece, obstacle, and flatterer of …

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"Moving Mortals To Tears And Devotion": Cinzio Passeri Aldobrandini, Torquato Tasso, And The Sorrowing Virgin, Karen J. Lloyd Jul 2015

"Moving Mortals To Tears And Devotion": Cinzio Passeri Aldobrandini, Torquato Tasso, And The Sorrowing Virgin, Karen J. Lloyd

Art Faculty Articles and Research

Torquato Tasso was inspired to pen his Stanze per le lagrime di Maria Vergine santissima e di Giesù Cristo nostro (Rome, 1593) by a painting of the sorrowing Virgin belonging to Cardinal Cinzio Passeri Aldobrandini (1551–1610). A nephew of Pope Clement VIII by his sister, Cinzio took on the Aldobrandini name in a practice known as an “aggregation.” The publication of Tasso’s Lagrime allowed Cinzio to promote himself as a devout prelate favored by the pope, but it did not ensure his influence and a true “blood” nephew, Pietro Aldobrandini, successfully challenged his authority. This essay examines the status of …

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"The Four Horseman Of The Late Capitalist Apocalypse": U.S. Comic Books, Ideology, And Trauma In Post-9/11 Society, Kathryn Manis Jul 2015

"The Four Horseman Of The Late Capitalist Apocalypse": U.S. Comic Books, Ideology, And Trauma In Post-9/11 Society, Kathryn Manis

Art & Art History ETDs

In the contemporary United States apocalypse, dystopia, and catastrophe are commonplace. Indeed, both the increasing presence of fictional apocalypse in art and popular culture and the tone of apocalypticism in U.S. political, environmental, and social rhetorics, have been noted by writers and thinkers from a wide range of fields. Scholars of neoliberalism in particular have traced this popularity to the economic and political realities of late-capitalism and the ideological contradictions embedded in the evolution of capitalism to its current, immersive iteration. What has gone undiscussed, however, is the relationship of this anxious preoccupation to a prevailing, national condition; a condition …

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Posh And Tawdry: Rethinking E.J. Bellocqs' Storyville Portraits, Christian Waguespack Jul 2015

Posh And Tawdry: Rethinking E.J. Bellocqs' Storyville Portraits, Christian Waguespack

Art & Art History ETDs

In this thesis I examine the contextual framework in which New Orleans photographer E.J. Bellocqs Storyville Portraits have been placed, and resituate Bellcoq's oeuvre in a vernacular context. Bellocq was a commercial photographer working in the nineteen-teens who photographed the prostitutes of New Orleans red light district, Storyville. After his death, Lee Friedlander purchased these now damaged negatives and reprinted the full plates, and in 1970 MOMA exhibited Friedlander's new prints in a formulaic, modernist fashion. The Storyville Portrait's recontexualization by MOMA, converted them from commercial erotic advertisements for prostitution in Storyville to fine art photographs, raises issues of how …

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Discursive Capabilities Of Contemporary Artistic Practices In Honduras, Gustavo Larach Jul 2015

Discursive Capabilities Of Contemporary Artistic Practices In Honduras, Gustavo Larach

Art & Art History ETDs

My dissertation constitutes a descriptive and interpretative analysis of modern and contemporary artistic practices in Honduras. This analysis is carried out comparatively, contrasting mainly the formative decades of Honduran modernism' (1920s-40s) against the last 15 years of artistic production. Along this diachronic strategy, my interpretation of these processes is anchored in detailed accounts of the socio-historical durations that bear upon them. For each case, at least one case study is developed thoroughly, elucidating thus the dialectic entwinement of art and history. For such purpose, the modes of production and reception entailed by the practices of Arturo López Rodezno (active 1940s-1960s) …

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The Ideal Citoyenne: Women, Class, & The French Revolution In Philibert Louis Debucourt's Fine-Art Prints, Kelsey Martin Jul 2015

The Ideal Citoyenne: Women, Class, & The French Revolution In Philibert Louis Debucourt's Fine-Art Prints, Kelsey Martin

Art & Art History ETDs

Philibert Louis Debucourt's (1755 - 1832) fête galante and domestic genre prints treated women, their social positions, and their experiences of love and relationships as a primary subject, and participated in the rapidly shifting political, economical, and social structure of the years surrounding the 1789 Revolution. These prints aided in the construction of appropriate and inappropriate female behavior of the ideal citoyenne through the representation of eighteenth-century beliefs regarding female sexuality and its class associations. It is in Debucourt's domestic genre scenes that the virtue and serenity of women are clear, validating women's prominence as wives and mothers within the …

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Les Rues Des Tableaux. Géographie Du Marché De L'Art Parisien (1815-1955), Léa Saint-Raymond, Félicie De Maupeou, Julien Cavero Jun 2015

Les Rues Des Tableaux. Géographie Du Marché De L'Art Parisien (1815-1955), Léa Saint-Raymond, Félicie De Maupeou, Julien Cavero

Artl@s Bulletin

Continuation of a first socioeconomic analysis of the "art dealers" in Paris between 1815 and 1955 (Artl@s Bulletin 2, no. 2), this paper presents the results of a spatial study of the Parisian art market at that time. Departing from serial geographical data given by a homogeneous source, the Bottin du commerce, we mapped a 140 years spatial evolution of the "art dealers", using a geocoding system with composite locators. The article exposes the spatial dynamics of this market and studies them in a multi-scalar way, making the connection between the global evolution of the Parisian economy and …

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A Research-Based Model For Digital Mapping And Art History: Notes From The Field, Paul B. Jaskot, Anne Kelly Knowles, Andrew Wasserman, Stephen Whiteman, Benjamin Zweig Jun 2015

A Research-Based Model For Digital Mapping And Art History: Notes From The Field, Paul B. Jaskot, Anne Kelly Knowles, Andrew Wasserman, Stephen Whiteman, Benjamin Zweig

Artl@s Bulletin

Most digital mapping in art history today divides the research process from the visualization aspects of the project. This problem became the focus of a summer institute that Paul Jaskot and Anne Kelly Knowles ran at Middlebury College with the support of the Samuel H. Kress Foundation. Our article both reports on the institute and suggests how research questions can complement digital mapping methods. We conclude with three case studies of spatial questions in art history and discuss the Fellows’ use of GIS to explore examples from Qing Dynasty China, medieval Gotland, and contemporary New York City.

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Provincializing Paris. The Center-Periphery Narrative Of Modern Art In Light Of Quantitative And Transnational Approaches, Béatrice Joyeux-Prunel Jun 2015

Provincializing Paris. The Center-Periphery Narrative Of Modern Art In Light Of Quantitative And Transnational Approaches, Béatrice Joyeux-Prunel

Artl@s Bulletin

The alternative “centre‐periphery” is essential to the myth of modern art and its historiography. Even though Postcolonial studies have denounced the implications of such geopolitical hierarchies, as long as our objects remain centred on one capital city and within national boundaries, it will be difficult to escape the hierarchical paradigm that makes Paris and New York the successive capital cities of Modernism. This paper highlights how approaches focusing on different scales of analysis—from the quantitative and geographic to the monographic—challenge the supposed centrality of Paris through 1945.

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Change Over Time: Neatline And The Study Of Architectural History, Lisa A. Reilly Jun 2015

Change Over Time: Neatline And The Study Of Architectural History, Lisa A. Reilly

Artl@s Bulletin

This article discusses how the usual study of architecture from the perspective of a single moment in time, usually the moment of its creation is limiting. New methodologies make it possible to add to the current rich variety of approaches available to the architectural historian in order to consider the dynamic history of the forms we study. This problem can be resolved in part through the use of digital tools, in particular Neatline, (www.neatline.org) which allows the viewer to see and understand how a building changes over time.

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Towards A Spatial (Digital) Art History, Catherine Dossin Jun 2015

Towards A Spatial (Digital) Art History, Catherine Dossin

Artl@s Bulletin

Among the numerous possibilities offered by the Digital Humanities, digital mapping is certainly among the most promising for art history. It is a rather simple yet efficient way to explore the large amount of data and databases which are available to the discipline but that are often underutilized. New mapping technologies allow us to work with art history’s big data serially and spatially, and to diffuse the result of our research through attractive and compelling visualizations.

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Art Arbitrage - Violations Of The Law Of One Price Created By Fine Art Auctions, Amy Liu Jun 2015

Art Arbitrage - Violations Of The Law Of One Price Created By Fine Art Auctions, Amy Liu

Undergraduate Economic Review

Although fine art is becoming increasingly popular as investment, its price determination is relatively opaque. This paper expands upon the work of Pesando (1993) and Pesando and Shum (2007) concerning the law of one price in the art auction industry. By examining the sale history of silkscreen prints from Andy Warhol’s 1970 series Flowers, this paper controls for the physical characteristics of particular artwork and seeks to determine the likelihood of sale and price differentials created by specific auction environments. This paper further examines the extent to which auction houses take into account these auction environments when setting presale …

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Understanding Jalul Through Ceramics, Krystal C. Uzuegbu Jun 2015

Understanding Jalul Through Ceramics, Krystal C. Uzuegbu

Posters, Presentations, and Papers

Three-dimensional ceramic scans provide many advantages for research and publication. These 3-D scans can be shared for examination purposes with distant scholars who do not have access to the physical sherd. Using a special software, we can convert the 3-D color scans into 2-D computer drawings that represent the cross section of the pottery sherd, which is the standard way in which pottery sherds are presented in publication. Using the program, features that may be overlooked with the naked eye are highlighted, allowing for a more accurate and insightful analysis. My presentation will explain how ceramic analysis has aided our …

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Political Propaganda By The Madurai Nayakas: Minakshi – Sundaresvara Temple, Rita Callahan Jun 2015

Political Propaganda By The Madurai Nayakas: Minakshi – Sundaresvara Temple, Rita Callahan

Art Journal

No abstract provided.

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Personal Sexual Narratives In The Work Of Louise Bourgeois And Tracy Emin, Caitlin Coor Jun 2015

Personal Sexual Narratives In The Work Of Louise Bourgeois And Tracy Emin, Caitlin Coor

Art Journal

No abstract provided.

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Andy Warhol: Marginalization, Childhood Illness And Performativity In Portraiture, Nicole Lania Jun 2015

Andy Warhol: Marginalization, Childhood Illness And Performativity In Portraiture, Nicole Lania

Art Journal

No abstract provided.

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Art Journal 2015 - Vantage Jun 2015

Art Journal 2015 - Vantage

Art Journal

No abstract provided.

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Preserving Pullman: Historic District Becomes Illinois' First National Monument Jun 2015

Preserving Pullman: Historic District Becomes Illinois' First National Monument

DePaul Magazine

Pullman has long had a place in history, labor and urban planning, but the spotlight on this far South Side neighborhood is about to get a whole lot brighter. On Feb. 19, President Barack Obama announced the designation of the Pullman Historic District as a national monument. With this move, Pullman entered the National Park Service portfolio, joining such iconic American sites as the Grand Canyon, the Statue of Liberty and Mount Rushmore, and becoming the first national monument in Illinois. Pullman's history, architectural significance, and residents are spotlighted.

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Neoplastic Therapy : On Violence And Aesthetics, Mengyu Chen May 2015

Neoplastic Therapy : On Violence And Aesthetics, Mengyu Chen

Masters Theses

The goal of this thesis is to create a new theoretical framework to examine and understand the meaning of an art object and its relational social existence. This thesis serves as a critique on contemporary media culture and hierarchical social oppression. At the same time, it adopts a pseudoscientific way to introduce notions of art’s autonomy and its opposition to social functionality. By merging political theories on individualism, capitalism, and metaphysics with foundational structures of art creation, I am attempting to construct a new system of thinking that challenges traditional ways of understanding mediums, functions and the viewer’s relationship with …

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Creating Digital Art History: Library, Student, And Faculty Collaboration, D. Russell Bailey May 2015

Creating Digital Art History: Library, Student, And Faculty Collaboration, D. Russell Bailey

Library Faculty and Staff papers

Over the last two decades, teaching, learning, and research in higher education have developed a growing digital presence. Digital development in the humanities has been slow relative to most other areas in academia, and with some exceptions, art and art history have enjoyed slow digital growth within the humanities. Within this environment, the article here presents one collaborative model for digital art history, rare in its exclusive focus on undergraduate “junior scholars”. Undergraduate senior-level art history and studio art students at Providence College collaborate annually with art history and studio art faculty to publish their senior theses in print format …

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The Medieval Screen: A Work In Progress, Julie Carmen May 2015

The Medieval Screen: A Work In Progress, Julie Carmen

Symposium Of University Research and Creative Expression (SOURCE)

The purpose is to design a medieval screen to answer the question: "Will people be inspired to study history and fiber art when presented with colorful embroidered patches displayed on a screen?" The screen project is a work in progress I am creating to display images from a thirteenth century manuscript in a different art medium to induce inspiration and curiosity about this period of time. The poster will describe the work in progress, the different materials used to create a medieval screen, and how the screen has developed over fifteen years. It will discuss the importance of the codices, …

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Professionalism And The Market In 19th-Century Europe, Robert Jensen May 2015

Professionalism And The Market In 19th-Century Europe, Robert Jensen

Art and Visual Studies Presentations

This paper explores the changing identity of artistic professionalism, especially in late 19th-century France. It ties artistic self-fashioning to the collapse of the Salon system and casts professionalism as a marketing strategy.

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Process As Practice : Expressions Of The Numinous, Morgan Dowty May 2015

Process As Practice : Expressions Of The Numinous, Morgan Dowty

Undergraduate Theses—Unrestricted

This statement explores the ways in which language and art making approach description of spiritual and largely ineffable experiences. Through the lens of Rudolf Otto’s discussion of the numinous, visual languages, including darkness, scale and silence, are explored as methods for expression of the spiritual. Throughout the exploration of material and process, an emphasis is placed on exploring a relationship between the transcendental and the everyday, between the physical and spiritual world. The making process is highlighted for its ability to create space and time to reflect on these questions. Printmaking as a translator of both object and image plays …

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