History of Art, Architecture, and Archaeology Commons^™

Prairie Skin: A Quilted Shelter, Elizabeth Ingraham Dr.

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Mapping Nebraska is a drawn, stitched and digitally imaged cartography (physical, social, cultural, sociological) of that state. This nine-year project, now in the permanent collection of the International Quilt Museum, includes a hand-drawn Locator Map, quilted and embroidered Terrain Squares, on-the-ground documentation or Surveys, and Ground Cloths, mixed mixed media textile constructions which respond to a particular location in a more intuitive and imaginative way.

In this public talk at the International Quilt Museum I give a visual overview of my development of the fourth component of Mapping Nebraska—a large-scale textile construction, titled Prairie Skin, designed to wrap a human …

Moveable Feasts: Processions As Multimedia Performance In Le Puy-En-Velay, Elisa A. Foster

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

“Pictures Are Material Signs Of The Invisible:” Medieval Visual Theory And Modern Graphic Narratives, Dominique Hoche

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Book Review: John Lowden, Medieval And Later Ivories In The Courtauld Gallery: Complete Catalogue, Katherine Eve Baker

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Book Review: Elizabeth Valdez Del Álamo, Palace Of The Mind: The Cloister Of Silos And Spanish Sculpture Of The Twelfth Century, Mickey Abel

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Peregrinations: Journal Of Medieval Art And Architecture (Volume 5, Issue 1)

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Graphic Record Of A Lost Wall Map Of The World (C. 1490) By Henricus Martellus, Chet Van Duzer

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Identity, Status, And Material: Medieval Alabaster Effigies In England, Rachel Dressler

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Ampullae, Re-Imbursed: A Formal Analysis Of Medieval “Shell-Shaped” Lead-Alloy Pilgrim Ampullae, Greg Campbell

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Secular Learning And Sacred Purpose In A Carolingian Copy Of Boethius’S De Institutione Arithmetica (Bamberg, Staatsbibliothek, Msc. Class. 5), Laura E. Cochrane

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Book Review: Jennifer P. Kingsley, The Bernward Gospels: Art, Memory, And The Episcopate In Medieval Germany, Eliza Garrison

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Introduction To Mappings, Dan Terkla

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

A Blank Space: Mandeville, Maps, And Possibility, Asa Simon Mittman

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Dual Language Of Geometry In Gothic Architecture: The Symbolic Message Of Euclidian Geometry Versus The Visual Dialogue Of Fractal Geometry, Nelly Shafik Ramzy

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Book Review: Matthew Champion, Medieval Graffiti: The Lost Voices Of England’S Churches, William Anderson

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Discoveries

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Peregrinations: Journal Of Medieval Art And Architecture (Volume 5, Issue 2)

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Artist's Lament In 1528. Exile, Printing, And The Reformation, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

The plight of painters and other artists was not an easy one when the Reformation made inroads into German-speaking lands. Commissions for Catholic subjects and altarpieces dried up as a result of Lutheran influence. Two laments dating from the early Reformation period address the artist's situation. Both are brief, date from 1526 and 1528, and appear in different contexts - one in a letter of introduction and the other in a printed pamphlet. The first concerns the painter Hans Holbein the Younger (1497/98- 1543) whose portraits painted for King Henry VIII and his court indicate that the pictorial genre of …

Recenti Scavi A Morgantina: Il Progetto Contrada Agnese (2013-2014), J. Benton, R. Gorham, J. F. Huemoeller, L. A. Lieberman, D. Massey, A. Smalling, R. Souza, A. Truetzel, D. A. Walthall

Art Faculty Publications

Il gruppo Progetto Contrada Agnese (CAP) di American Excavations at Morgantina (AEM) ha iniziato nel 2013 un progetto di ricerca e scavo pluriennale, che si concentra su un'area probabilmente residenziale ubicata nella parte Ovest di Morgantina. Basandosi parzialmente sui risultati di una ricognizione geofisica effettuata nel 2012, lo scavo sta gia facendo venire alla luce i contorni e i partico-lari di un isolato situato lontano dal lusso e dalla grandezza dell'agorà. In questa nota si presentano le scoperte chiave delle stagioni 2013 e 2104 del progetto, con un'interpretazione preliminare dei dati di scavo e, in aggiunta, un resoconto dei progressi …

Archaeological Survey For The Snake Headwaters Project: 2013-2014 Survey And Evaluation Report, Justin M. Pfau

Graduate Student Theses, Dissertations, & Professional Papers

This report presents the summary of work completed by the University of Montana in 2013 and 2014 along the Lewis and Snake Rivers of southern Yellowstone National Park. This project, known as The Snake Headwaters Project (the Snake and Lewis River Survey) is ongoing and has been initiated as part of the Wild and Scenic Rivers designation. This designation would help preserve these rivers natural setting for future visitors. This project falls under the auspices of Section 110 of the NRHP, which allocates funding for federal agencies to conduct preemptive archaeological inventories No current developments are planned in these river …

The Map In The Böddeken Cartulary, Arnold Otto

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Ejecta, Anthony Cervino, Shannon Egan

Gettysburg College Faculty Books

Co-authored with artist Anthony Cervino, this book was produced on the occasion of the exhibition of the same name at CulturalDC's Flashpoint Gallery in Washington, DC. The book is comprised of several curatorial essays as well as fictional and personal reflections, and an in-depth interview to examine issues of parenthood, professional successes, personal tragedies, and larger art-historical contexts.

Discovering The Chinese Mining Child: The Archaeology Of Children And Childhood In Multicultural American Mining Communities, Nicole A. Lane

Graduate Student Theses, Dissertations, & Professional Papers

Children made up roughly one-quarter of the population of industrial boomtowns in the

North American West, underscoring the connections of family to places commonly

thought to be bachelor communities. By comparing artifacts and historical contexts from

three mining communities (Butte, Montana; Deadwood, South Dakota; and Sandpoint,

Idaho) established in the late 19th century, this thesis will contribute to archaeologies of

children, childhood, and socialization, examining material remains as a line of evidence

to study the ways in which relationships, gender, race, and class pervaded the lives of

children in these industrial settings. The methods employed here integrate information

from historical …

Historicity, Achronicity, And The Materiality Of Cultures In Colonial Brazil, Amy J. Buono

Art Faculty Articles and Research

"In this essay, I use three nontraditional forms from the visual culture of colonial Brazil—Tupinambá featherwork, Portuguese Atlantic mandinga pouches, and azulejos (tilework)— in order to meditate upon materiality and temporality as methodological problems with which our discipline should engage. Each of these art forms has historical trajectories that span cultures, continents, and centuries, a circumstance that raises questions as to how such diverse and stubbornly nonhistoricizable genres can be melded into a coherent historical narrative of the visual and material cultures specific to 'Brazil,' especially when two of them — the mandinga bags and azulejos — are not intrinsically …

Making History: How Art Museums In The French Revolution Crafted A National Identity, 1789-1799, Anna E. Sido

Scripps Senior Theses

This paper compares two art museums, both created during the French Revolution, that fostered national unity by promoting a cultural identity. By analyzing the use of preexisting architecture from the ancien régime, innovative displays of art and redefinitions of the museum visitor as an Enlightened citizen, this thesis explores the application of eighteenth-century philosophy to the formation of two museums. The first is the Musée Central des Arts in the Louvre and the second is the Musée des Monuments Français, both housed in buildings taken over by the Revolutionary government and present the seized property of the royal family and …

Bracquemond, Ruskin, The Haviland-Hayes Service, And Rookwood: Japonisme And Permanence In Art Pottery, Emily G. Campbell

Theses and Dissertations

There are two principle arguments in this thesis. First, this thesis will show that Félix Bracquemond had a profound impact on late-nineteenth-century and early-twentieth-century ceramics in America. Second, this thesis will illustrate how John Ruskin’s principle that pottery is “more permanent than the Pyramids” encouraged reform of the ceramic arts and shaped the Art Pottery Movement of the late nineteenth century. After this thesis introduces Bracquemond as an innovator in ceramic decoration and the dissemination of Ruskin’s principle, the thesis will examine two instances in the American Art Pottery Movement in which Bracquemond’s and Ruskin’s influence can be detected. The …

Rolling Between Burial And Shrine: A Tale Of Two Chariot Processions At Chulan Tomb 2 In Eastern Han China (171 C.E.), Jie Shi

History of Art Faculty Research and Scholarship

Chulan Tomb 2 (dated to 171 c.e.) in present-day Suxian, Anhui province, offers the rare opportunity to study the hitherto unknown relationship between multiple depictions of chariot processions—one of the most popular pictorial motifs in Eastern Han funerary art—at different locations in a single cemetery. Comparing this tomb’s two chariot processions in stylistic, iconographic, and positional terms, this paper draws attention to a special dragon motif that ornaments a few special chariots and argues that these “dragon chariots,” unique among stone carvings of the Eastern Han, were meant to carry the deceased couple, who were buried separately but received joint …

The Hidden Level In Space And Time: The Vertical Shaft In The Royal Tombs Of The Zhongshan Kingdom In Late Eastern Zhou (475–221 Bce) China, Jie Shi

History of Art Faculty Research and Scholarship

Among the best preserved royal tombs in early China, the tombs of the Zhongshan state (dated to the late fourth to early third centuries bce) in present-day Pingshan county each featured a concealed earthen shaft in the middle of the tomb. Constructed with rammed earth, this gigantic

structure was located above the underground burial chamber, where the deceased’s casket and body were located, and below the freestanding offering hall that housed the deceased’s soul. Although this empty shaft would eventually be buried and become invisible, it was carefully embellished and sometimes even decorated with false architectural elements. What role did …

The Overseeing Mother: Revisiting The Frontal-Pose Lady In The Wu Family Shrines In Second Century China, Jie Shi

History of Art Faculty Research and Scholarship

Located in present-day Jiaxiang in Shandong province, the Wu family shrines built during the second century in the Eastern Han dynasty (25–220) were among the best-known works in Chinese art history. Although for centuries scholars have exhaustively studied the pictorial programs, the frontal-pose female image situated on the second floor of the central pavilion carved at the rear wall of the shrines has remained a question. Beginning with the woman’s eyes, this article demonstrates that the image is more than a generic portrait (“hard motif ”), but rather represents “feminine overseeing from above” (“soft motif ”). This synthetic motif combines …

The Initiation And Maintenance Of The Early Woodland Interaction Sphere (Ca. 3,000-2,000 B.P.) : The View From Six Northeastern Mortuary Sites, Francis Wanton Robinson Iv

Legacy Theses & Dissertations (2009 - 2024)

This dissertation explores the complex links between long distance exchange, burial elaboration and the potential emergence of social differentiation in formally non-stratified, small-scale societies. The author investigated these inter-related phenomena as they occurred during the Early Woodland period (ca. 3,000-2,000 cal yr BP) in the Northeastern region of the North American Eastern Woodlands. The Early Woodland interaction sphere represents one of the first inter-regional, large-scale exchange networks to ever develop north of Mesoamerica. The reasons and processes behind its genesis continue to be poorly understood, however.