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2015

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Articles 151 - 180 of 556

Full-Text Articles in History of Art, Architecture, and Archaeology

The Pre-Raphaelites And The Imperfections Of Goethe's Gretchen, Anna Parks Apr 2015

The Pre-Raphaelites And The Imperfections Of Goethe's Gretchen, Anna Parks

Research Horizons Day Posters

No abstract provided.


Imagination And Reality: Landscape And The Folk Culture Of Joseon Dynasty Korea, Matthew Finley Apr 2015

Imagination And Reality: Landscape And The Folk Culture Of Joseon Dynasty Korea, Matthew Finley

Seaver College Research And Scholarly Achievement Symposium

The Five Peaks Screen of Korea’s Joseon dynasty (1392-1910) is one of the most iconic works of its time. Nevertheless, the remarkable visual impact and cultural significance of the Five Peaks Screen evades systematic scholarly study, partly because of its generic classification as folk art. In this paper, I will resituate the Five Peaks Screen in the artistic tradition of East Asian landscape painting. When considered in the context of literati painting traditions and relevant popular landscapes, it becomes clear that the design of the Five Peaks Screen coheres to traditional aesthetics to emphasize the ability of artwork to inform …


Ma’At As A Theme In Ancient Egyptian Tomb Art, Tali M. Schroeder Apr 2015

Ma’At As A Theme In Ancient Egyptian Tomb Art, Tali M. Schroeder

Oglethorpe Journal of Undergraduate Research

The deity Ma’at is ubiquitous in Ancient Egyptian tomb art. She also represents truth, order and justice, all influential concepts in Egyptian culture. The idea of ma’at is especially important in the funerary practices of the upper echelons of society. This article will explore Ma’at as a symbol of major ideas, as part of the Ennead and her role in tomb art. The presence of Ma’at in the Book of the Dead is also a prominent depiction of her power in Egyptian society. The article aims to highlight the significance of Ma’at throughout multiple eras in Egyptian history.


Politics, Painting And Presentation: Velázquez’S Equestrian Portraits For The Hall Of Realms, Kristina M. Gray Apr 2015

Politics, Painting And Presentation: Velázquez’S Equestrian Portraits For The Hall Of Realms, Kristina M. Gray

McNair Scholars Research Journal

During the years that Diego Velázquez occupied the post as pintor principal (court painter) to King Philip IV of Spain, the images he created of his sovereign were exhibited so that members at court as well as visiting sovereigns and dignitaries could view these representations of strength as a reflection of the Spanish kingdom. The clarity of the presentation of power of King Philip IV and his family was vital in continuing with the tradition of demonstrating the royal family's strength as rulers through the medium of art. Similarly, the duty of the Count Duke Olivares as favorite to the …


Re-Created Flatness: Hans Hofmann’S Concept Of The Picture Plane As A Medium Of Expression, Michael Schreyach Apr 2015

Re-Created Flatness: Hans Hofmann’S Concept Of The Picture Plane As A Medium Of Expression, Michael Schreyach

Art and Art History Faculty Research

For Hans Hofmann and Clement Greenberg, flatness--more specifically, “re-created flatness,” a term Greenberg adopted after hearing it used in the painter’s important 1938– 39 lectures--became a key term in their accounts of pictorial meaning. In this paper, I articulate what is significant about that idea and draw out its implications for understanding what Hofmann meant by artistic expression. Ultimately, I suggest that the concept of re-created flatness, and its pictorial realization, implies or entails a certain view of expression: namely, that what is expressed by an artwork is the artist’s meaning (in contradistinction to the arbitrary meanings that may be …


Artist/Philosophers: Reading Art As Philosophy And Self-Creationism, Endya Hash Apr 2015

Artist/Philosophers: Reading Art As Philosophy And Self-Creationism, Endya Hash

Honors Capstones

No abstract provided.


Motherhood In The Feast Of St. Nicholas, Rukmini Girish Apr 2015

Motherhood In The Feast Of St. Nicholas, Rukmini Girish

Audre Lorde Prize

No abstract provided.


Determining The Influence Of The Network Time Protocol (Ntp) On The Domain Name Service Security Extension (Dnssec) Protocol, Sherman J. Cold Apr 2015

Determining The Influence Of The Network Time Protocol (Ntp) On The Domain Name Service Security Extension (Dnssec) Protocol, Sherman J. Cold

All-Inclusive List of Electronic Theses and Dissertations

Recent hacking events against Sony Entertainment, Target, Home Depot, and bank Automated Teller Machines (ATMs) fosters a growing perception that the Internet is an insecure environment. While Internet Privacy Concerns (IPCs) continue to grow out of a general concern for personal privacy, the availability of inexpensive Internet-capable mobile devices increases the Internet of Things (IoT), a network of everyday items embedded with the ability to connect and exchange data. Domain Name Services (DNS) has been integral part of the Internet for name resolution since the beginning. Domain Name Services has several documented vulnerabilities; for example, cache poisoning. The solution adopted …


Place Reimagined, Michelle Unger Apr 2015

Place Reimagined, Michelle Unger

Independent Study Project (ISP) Collection

This book shows the creative process and final product of my Independent Study Project, conducted in Prague as part of a semester study abroad program. The project started with interviewing four Czech graphic designers who described places in Prague that are especially meaningful to them. After collecting and transcribing their stories related to their places of inspiration, I visited the locations myself and photographed the locations with sensitivity to the details the artists had emphasized as unique to their experience of the place. While at each site, I also photographed elements of the locations that I personally found interesting and …


Beyond Rodin: Revisiting The Legacy Of Camille Claudel, Shannon R. Callahan Apr 2015

Beyond Rodin: Revisiting The Legacy Of Camille Claudel, Shannon R. Callahan

Student Publications

French sculptress Camille Claudel has gained recognition in the past 30 years due to a focus on her tragic life rather than her artistic talent. Despite critical acclaim and respect amongst her peers during the late 19th and early 20th centuries, her affair with Auguste Rodin and her struggles with mental illness have cast a dark, dramatic shadow over modern interpretations of Claudel’s oeuvre. Considering how difficult it was for a woman to be working as an artist at this time, Claudel’s sculptures should not be outweighed by her personal life. In order to challenge the reader not to accept …


Visualizing Shakespeare: Iconography And Interpretation In The Works Of Salvador Dalí, Emily A. Zbehlik Apr 2015

Visualizing Shakespeare: Iconography And Interpretation In The Works Of Salvador Dalí, Emily A. Zbehlik

Student Publications

Although William Shakespeare’s 16th century classical literature is rarely contextualized with the eccentricities of 20th century artist Salvador Dali, Shakespeare’s myriad of works have withstood the test of time and continue to be celebrated and reinterpreted by the likes of performers, scholars, and artists alike. Along with full-text illustrations of well-known plays, such as Macbeth (1946) and As You Like It (1953), Dali returned to the Shakespearean motif with his two series of dry-point engravings (Much Ado About Shakespeare and Shakespeare II) in 1968 and 1971. The series combine to formulate 31 depictions where Dali interprets Shakespeare’s text in a …


Gerhard Richter: Recovery And Memory In Postwar Germany, Devin N. Garnick Apr 2015

Gerhard Richter: Recovery And Memory In Postwar Germany, Devin N. Garnick

Student Publications

Gerhard Richter explored themes of memory and national identity in a society with a controversial past and a difficult recovery. He broke the silence that permeated the country and created a dialogue about remembering, memorializing, and politics.

After World War II, Germany had difficulty facing the atrocities of the war and ignored the flaws in the country’s recovery. Richter witnessed first hand the social and political struggles of the country as a citizen of Nazi Germany and the German Democratic Republic, societies that required strict conformity to their ideologies. Upon his escape to West Germany, where he was exposed to …


Reporting On What Jane Saw 2.0: Female Celebrity And Sensationalism In Boydell’S Shakespeare Gallery, Janine Barchas Mar 2015

Reporting On What Jane Saw 2.0: Female Celebrity And Sensationalism In Boydell’S Shakespeare Gallery, Janine Barchas

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay reports on ongoing efforts to build an accurate digital model of John Boydell’s popular Shakespeare Gallery precisely as it looked in August 1796—when a 20-year-old Jane Austen visited London’s sites, staying within a ten-minute walk from the gallery. The essay argues for the substantial difference between studying Boydell’s pictures in a paper volume (whether as lists, illustrations in books, or engraved folio plates) and viewing them as an exhibition of paintings on walls, albeit virtual ones. For example, the digital reconstruction illuminated commissions from several female participants in Boydell’s male-dominated gallery, especially Angelica Kauffman (1741-1807) and Anne Seymour …


The Rock Abides, Mike James Mar 2015

The Rock Abides, Mike James

Indian Head Rock Project

Article published by Mike James of the Ashland Daily Independent on March 30, 2015 on the storage of the Indian Head Rock at the Greenup County garage.


Cross-Cultural Spaces In An Anonymously Painted Portrait Of The Ottoman Sultan Mahmud Ii, Alison Paige Terndrup Mar 2015

Cross-Cultural Spaces In An Anonymously Painted Portrait Of The Ottoman Sultan Mahmud Ii, Alison Paige Terndrup

USF Tampa Graduate Theses and Dissertations

This thesis analyzes an anonymous portrait painting of the Ottoman Sultan Mahmud II (r. 1808-1839), called by its descriptive title Seated Portrait of Mahmud II, within the context of the extensive portrait campaign commissioned by the sultan. Surviving examples from this series of diplomatic portraits share a unique set of intercultural iconographic vocabularies as a reflection of their time as well as implicit reinforcement of the sultan's political goals. By focusing on Seated Portrait of Mahmud II, I argue that a closer inspection of the campaign within a context that pays attention to Ottoman, European, and Persian visual practices reveals …


Ecotones, Chas Schroeder Mar 2015

Ecotones, Chas Schroeder

CGU MFA Theses

My work explores the intersection of pastoral, urban and idiosyncratic visions. It may reveal the aesthetic and emotional possibilities inherent in the broad-ranging subjects I employ: game animals, advertising, colonialism, love, numerals, textiles, drugs, abstraction, competitive sports, displacement, architecture, gender-bending, civil-rights movements, transgressive literature, social media, indigenous peoples, graphic design, glamour, fashion, hip-hop, rock-n-roll, graffiti, cowboy, exhibitionism and other niche cultures in America. Pieces emerge intuitively via personal narrative and lodged memories as guides. The disjunctive compositions are a breed of contemporary formalism mated with abstraction.


Frontier Respectability To Gilded Age Splendor: Women And Consumerism In The Cultural Development Of Bloomington, Illinois, 1839-1900, Kera B. Storrs Mar 2015

Frontier Respectability To Gilded Age Splendor: Women And Consumerism In The Cultural Development Of Bloomington, Illinois, 1839-1900, Kera B. Storrs

Theses and Dissertations

This thesis examines the importance of late nineteenth century gender ideals and consumer practices in the development of the city of Bloomington in McLean County, Illinois. Most histories of not only Bloomington, but the greater Midwest, have focused on the rise of industry and business, and their effect on the development of the region. This study instead places women's social and cultural activities at the center of the story, and explains the significance of feminine consumption to the community's growth from a small frontier village to a Gilded Age city. While all of Bloomington's classes played a role in this …


Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley Mar 2015

Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley

The Quiet Corner Interdisciplinary Journal

This paper looks to María Izquierdo’s paintings, Prisioneras (Prisoners) of 1936 and Sueño y presentimiento (Dream and Premonition) of 1947, as case studies for activating a theory of triple self-portraiture. The theory reflects how plurality arises in the singular or in single significations of the self and disrupts homogeneity in thinking about identities for the self and others within the genre of self-portraiture. In activating a theory of triple self-portraiture, I found three forms of the self in Izquierdo's works: the self as oppressed (the past); the self as oppressing (the current); and the self as an emancipator (future). Although …


Scars Of War, Corinna Martell, Camille Hanna, Brandon Bauer Mar 2015

Scars Of War, Corinna Martell, Camille Hanna, Brandon Bauer

Student Creative and Scholarly Works

Scars of War: The Psychological and Physical Traumas of War Depicted through Art.

War is shattering, leaving behind gaping wounds in need of healing. Some require bandages, other wounds are psychological and not visible. Both leave a scar. These scars are an inevitable part of the human experience. The psychological and physical ramifications of war exist as long as strife pervades. This collection of works, depicting war from the French Revolution to present day Iraq, illustrates the scarring impact war has on the people and places within its grasp. New technology and art styles have transformed the way we see …


Images Of Suffering: An Investigation Of Francisco Goya's 'Disasters Of War' And William Blake's 'Illustrations For The Book Of Job', Chris Christenson Mar 2015

Images Of Suffering: An Investigation Of Francisco Goya's 'Disasters Of War' And William Blake's 'Illustrations For The Book Of Job', Chris Christenson

Library Research Prize Student Works

Francisco de Goya and William Blake, who we regard today as two of the greatest artists of the Romantic era, each produced a provocative set of engravings towards the end of his life. Goya's Los Desastres de la Guerra [The Disasters of War] and Blake's Illustrations for the Book of Job are both contemplations on human suffering, specifically unjust suffering, and our response to it. When placed in dialogue with one another, these sets of engravings unearth new dimensions in their interpretation and consequently in our own thinking about suffering. This paper will explore suffering and response through four themes …


Knowledge Management: Collaboration Versus Concentration In Open Plan Workspaces, John Walsh Mar 2015

Knowledge Management: Collaboration Versus Concentration In Open Plan Workspaces, John Walsh

Articles

This paper looks at the design of open-plan offices, particularly in relation to the impact ofspatial design on different work-modes. It briefly examines the history of the open plan office, lookingat how today’s typical open-plan workplace has evolved. It considers how workplaces can besuccessfully designed to facilitate the seemingly conflicting requirements of supporting both collaboration and concentration


Subsistence Strategies In The Upper Illinois River Valley: The Kuhne Site Case Study, Autumn Beyer Feb 2015

Subsistence Strategies In The Upper Illinois River Valley: The Kuhne Site Case Study, Autumn Beyer

Theses and Dissertations

Stuart Struever's excavation of the Kuhne site, located in the Upper Illinois River Valley occurred during the start of archaeological interest in the region. The faunal remains recovered during this excavation offer a unique opportunity to understand subsistence strategies in the area during the Middle Woodland period. Using standard zooarchaeological methods, these remains were analyzed to better understand which animal species were targeted by Middle Woodland people in this region, which season(s) the site was occupied, and how bones were modified for utilitarian and other purposes. These findings were then compared to faunal assemblages from Middle Woodland sites in the …


Introduction: Highways Of The South, Daniel R. Quiles Feb 2015

Introduction: Highways Of The South, Daniel R. Quiles

Artl@s Bulletin

This introduction serves as a brief overview of this guest-edited issue of Artl@s Bulletin, which is dedicated to international networks in modern and contemporary Latin American art. Following a brief synopsis of the history of the field’s methodologies related to circulation, the articles that appear in this issue are summarized and compared. The author argues that a network- or circulation-based focus invariably incorporates heterogenous, even oppositional criteria.


All Creative Being: Interview With Anna Bella Geiger, Sarah Poppel Feb 2015

All Creative Being: Interview With Anna Bella Geiger, Sarah Poppel

Artl@s Bulletin

In the following interview with Anna Bella Geiger, the Brazilian artist talks about her trajectory and various influences, which have always been deeply marked by the lived situation in Brazil, especially during the dictatorship (1964-1985). Starting with the beginnings of her artistic practice in the early 1950s, she details her affiliation with abstract art, her view of the Brazilian art scene during the 1950s and 1960s and reveals the roots of her topographic works and the importance of her pedagogical experiences.


Vectors Or Constellations? Curatorial Narratives Of Latin American Art, Camila Maroja, Abigail Winograd Feb 2015

Vectors Or Constellations? Curatorial Narratives Of Latin American Art, Camila Maroja, Abigail Winograd

Artl@s Bulletin

This paper examines the curatorial visions guiding the Mercosul Biennial (1997), curated by Frederico Morais, and Inverted Utopias (2004), co-curated by Mari Carmen Ramírez and Héctor Olea. Both strove to shift the association of Latin American art with the fantastic that had dominated the region’s historiography. The structural metaphors used to frame these shows demonstrated differing aims: Morais’s desire to create an autochthonous historiography versus Ramírez and Olea’s wish to revise constructions of global modernism. Nonetheless, both exhibitions showcased similar works and helped to consolidate a revised vision of Latin American art.


Contrabienal: Latin American Art, Politics And Identity In New York, 1969-1971, Aimé Iglesias Lukin Feb 2015

Contrabienal: Latin American Art, Politics And Identity In New York, 1969-1971, Aimé Iglesias Lukin

Artl@s Bulletin

This article focuses on a community of Latin American artists living in New York and the influence of regionalism and politics in their identification as a group, taking up the case of the Contrabienal, an art book published in 1971 as a call to boycott the XI São Paulo Biennial in protest of censorship and torture in dictatorial Brazil. The book was aesthetically eclectic and included artists from different generations. Still, its organizers were all part of the strong shift towards Conceptualism then taking place. In light of the current revision of the Latin American Conceptualism canon, this article …


Vida Americana, 1919-1921. Redes Conceptuales En Torno A Un Proyecto Trans-Continental De Vanguardia, Natalia De La Rosa Feb 2015

Vida Americana, 1919-1921. Redes Conceptuales En Torno A Un Proyecto Trans-Continental De Vanguardia, Natalia De La Rosa

Artl@s Bulletin

Este artículo analiza los orígenes cosmopolitas de la revista Vida-Americana, organizada en 1921 por el pintor mexicano David Alfaro Siqueiros. Se reflexiona sobre el concepto de universalismo y clasicismo artístico señalando las conexiones que Siqueiros tuvo en Barcelona con Joan Salvat-Papasseit, Joaquín Torres-García, Rafael Barradas, Diego Rivera, Marius de Zayas y Élie Faure. El estudio explica la alternativa que Siqueiros señaló para el desarrollo de nuevos centros de producción artística en América. El estudio presenta la unificación continental que el artista ideó desde la reflexión del impacto tecnológico en la modernidad, tomando como base la realización del dibujo Retrato …


Crossing The Atlantic: Emilio Pettoruti's Italian Immersion, Lauren A. Kaplan Feb 2015

Crossing The Atlantic: Emilio Pettoruti's Italian Immersion, Lauren A. Kaplan

Artl@s Bulletin

The painter Emilio Pettoruti (1892-1971) was born to Italian parents in the Argentine province of La Plata. In 1913, he sailed to Florence for artistic training and remained in Europe for eleven years. This article focuses on this formative stint, during which Pettoruti studied Quattrocento masters, conferred with Italian Futurists, and met French Cubists. Ultimately, the painter became a paragon of civiltá italiana, a cosmopolitan culture born in Italy but meant for global dissemination. Upon returning to Buenos Aires in 1924, he exposing the Argentine public to this culture, strengthening the already robust bond between the two countries.


58/2 | Bet She’An Iii: Nysa-Scythopolis: The Southern And Severan Theaters: Part 2: The Architecture, Gabriel Mazor, Walid Atrash Feb 2015

58/2 | Bet She’An Iii: Nysa-Scythopolis: The Southern And Severan Theaters: Part 2: The Architecture, Gabriel Mazor, Walid Atrash

IAA Reports—Monograph Series of the Israel Antiquities Authority

Bet She'an III Nysa-Scythopolis: The Southern and Severan Theaters. Part 2: The Architecture provides an architectural analysis and a proposed reconstruction of the Southern and Severan Theaters in Nysa-Scythopolis based on the stratigraphy and the finds revealed in the excavations conducted by Applebaum in 1960–1962 and the IAA, in 1986–2002. It further presents the development of Roman theaters and their integration into the civic centers of the poleis of the Roman East as an on-going process of construction and renovation that corresponded with the urban development and prosperity of the cities, from the late first century BCE to the mid-third …


Let The Record Show: Mapping Queer Art And Activism In New York City, 1986-1995, Tara Jean-Kelly Burk Feb 2015

Let The Record Show: Mapping Queer Art And Activism In New York City, 1986-1995, Tara Jean-Kelly Burk

Dissertations, Theses, and Capstone Projects

Although scholars increasingly scrutinize late twentieth-century American art produced in relation to social movements organized around feminism, anti-racist politics, health activism, and LGBTQ (lesbian, gay, bisexual, transgender, queer) identity, scholars usually fail to address the importance of printed ephemera as a medium of artistic expression. Ephemeral materials, such as posters, are cheap to make and print. They are typically distributed illicitly via un-commissioned wheat-paste campaigns in urban public space. Collectives tend to make their designs copyright-free to encourage wide distribution. Particularly in the era before digital social media, these materials were central to the ways in which communities coalesced in …