History of Art, Architecture, and Archaeology Commons^™

"Four Faces On One Neck": The Tetracephalic Ram As An Iconographic Form In The Late New Kingdom, Matthew Treasure

Theses and Dissertations

In ancient Egypt, the ram was regarded as a symbol of protection, male virility, fertility, syncretism, rebirth, and resurrection, and the Egyptians accordingly associated some of their gods with the ram because of what it represented. The most popular ram deities, each connected with his own temples and cult centers at different geographic locations, were Banebdjed of Mendes, Heryshef of Herakleopolis Magna, Amun-Ra of Thebes, and Khnum of Esna and Elephantine. Similarly, numbers were another important aspect of Egyptian religion and magic, and the symbolic language of numbers manifested itself in a variety of ways in the art of ancient …

Pure And Fresh: A Typology Of Formal Garden Scenes From Private Eighteenth Dynasty Theban Tombs Prior To The Amarna Period, Jayme Rudolf Reichart

Theses and Dissertations

Gardens in ancient Egypt are known from the Early Dynastic Period to the Graeco-Roman Period from archaeological, textual, and pictorial evidence. From this evidence, one can differentiate between simple and formal gardens. This thesis exclusively produces a typology of the S- and Domain of Amun formal garden scenes (the xnty-S-, kAmw-, sS-, at-nt-xt-, and Hrrt-S-formal gardens) represented in the early to mid-late Eighteenth Dynasty Theban private tomb art prior to the Amarna Period (TT E2, TT 39, TT 63, TT 80, TT 81, TT 85, TT 87, TT 90, TT 93, TT 96, TT 100, TT 109, TT 161, and …

Shared Idiosyncrasies: Stuart Davis And Giorgio De Chirico, Virginia Melvin

Theses and Dissertations

Within the scholarship produced on Stuart Davis, the influence of twentieth century European avant-garde artists has been identified as critical to his growth and establishment of an idiosyncratic style. Missing in these studies is the exposure and impact of the Metaphysical paintings of Giorgio de Chirico on works produced by Davis between late 1927 through 1929. The influence of de Chirico’s Metaphysical paintings on Davis becomes evident when comparing stylistic techniques applied by Davis to those pioneered by the Metaphysical artist.

Ivan Puni's Berlin Period: 1920-1924, Elena Kakuriev

Theses and Dissertations

This thesis is dedicated to the work of the Russian Avant-Garde artist Ivan Albertovich Puni (1892-1956): an artist, a theorist and writer, an organizer of exhibition, a teacher of art, and above all, an innovator. This thesis presents an account of the artist's Berlin period (1920-1924), which has so far lacked scholarly attention.

The thesis begins with a close analysis of Puni's Russian period (1914-1919). In this time span,

Ivan Puni demonstrated his ability to adopt a wide gamut of diverse artistic styles. Puni first elaborated works akin to Cubist constructions. However, starting from 1915, the artist became a major …

Gus Solomons Jr.: Analyzing The Dances Of An Early Black Postmodernist, Zsuzsanna Orban

Theses and Dissertations

Gus Solomons jr. was one of the first Black dancers to participate in the Judson Dance Theater workshops, but was never fully integrated into the white, postmodern dance world. This thesis looks at several of his works which exemplify his use of site-specificity and innovative technologies, including dual-screen video dances.

Double Documents: Imaging And Installation In Sturtevant’S “Duchamps”, Chris Murtha

Theses and Dissertations

The artist Sturtevant produced exacting but inherently distinct recreations of artworks only recently completed by her contemporaries. This thesis examines the body of work she created after Marcel Duchamp between 1966 and 1973, and how that work reveals the central and entwined roles of photography and installation in her practice.

The Fate Of National Socialist Visual Culture: Iconoclasm, Censorship, And Preservation In Germany, 1945–2020, Denali Elizabeth Kemper

Theses and Dissertations

This thesis explores how Nazi architecture, fine arts, and ephemera survived the postwar period and were gradually rehabilitated through study and exhibition. Each chapter surveys the changing reception of Nazi art from 1945-2020, leading to its display in German museums as historical documents and “visual culture,” rather than “fine” art.

Quality And Simplicity: Rebecca Salsbury James, Folk Art, And Modernism In The United States, Caroline Seabolt

Theses and Dissertations

This thesis explores the work of Rebecca Salsbury James and its contributions to the development of interwar modernism in the United States. Using mediums traditionally employed by folk artists, reverse painting on glass and the colcha stitch, James expressed her interest in quality and simplicity with a proto-feminist sensibility.

Bernice Lee Bing’S Art And Spiritual Practice, Lin Ma

Theses and Dissertations

Living and working in northern California between the late 1950s and 1990s, abstract painter Bernice Lee Bing practiced Zen, Nichiren, and Nyingma Buddhism. This thesis studies what the visual and conceptual impact of these spiritual practices had on her abstract and visionary paintings.

Beyond The Social: Artist Project Spaces, 2003 To 2016., Clare L. Van Loenen

Theses and Dissertations

This research examines storefront project spaces in the early 2000s that offered alternative approaches to the programming, organizing, and archiving found in conventional museums. I propose that such sites impacted participatory visual culture by offering a reformulatory role for arts’ practices, one that organized itself across disciplinary boundaries, chose a collaborative rather than competitive approach, and processed the ideological implications of their group work. Focused on three specific sites—Machine Project in Los Angeles, Elsewhere in Greensboro, and Mess Hall in Chicago—this study details the museological, pedagogical, and archival challenges of these artist-convened organizations. My interdisciplinary investigation offers a reference point …

Drowning In Our Tears, Kelley-Ann A. Lindo

Theses and Dissertations

Drowning in our Tears is a series of works – installation, print media, and sculpture that explores themes of precarity, ephemerality, collective memory, and vulnerability. The need to create and preserve an archive has been the of the driving forces behind the works. I am interested in this notion of creating new language and perspectives from past trauma and hardships. The archive presents us with a site where excavation of meaning can occur, identities preserved, and new identities formed. In my work, I try to bridge the gaps, using the fragments of memory, the past and present experiences to create …

Earth Tone Sigh Spell, Martha Glenn

Theses and Dissertations

A written accompaniment to the artist’s thesis exhibition titled Earth Tone Sigh Spell, conceived during the years 2020-21 and installed at The Anderson Gallery, Richmond from May 1–15, 2021.

The following thesis explores themes of personal memory, geo-theory, myth, symbol, and historical event. The artist uses research and stream of consciousness writing methods as a way to weave these concepts together and tie them back to her own practice with installation, sculpture, and new media.

Tools For Thought: Artifacts From The History Of Comparative Psychology, Dylan Kerr

Theses and Dissertations

This project explores the history of comparative psychology through close readings of apparatuses used in seminal experiments on animal behavior, drawing connections between seemingly disparate areas of human culture—including art, architecture, mythology, and economics—and the development of the science, with a particular focus on behaviorist and cognitive approaches.

Tracing The Human-Avian Relationship In Iceland, Melanie Sua

Theses and Dissertations

An in-depth investigation explores the history of birds in Iceland and the interaction between birds and humans from the 9th through the 19th century, with the help of archaeological evidence, traditional and historical materials.

The Harlem Book Of The Dead: Pan-Africanism, Funerary Portraiture, And The African-American Way Of Death, Jessica D. Feldman

Theses and Dissertations

This thesis examines the text and images contained in James Van Der Zee and Camille Billops’s seminal photobook The Harlem Book of the Dead (1978). The title, frontispiece, and introduction, combined with Van Der Zee’s funerary portraits, illuminate the connection between African-American rituals of death and Pan-Africanism. While these two concepts appear to be distinct, they are both predicated upon and intrinsically linked to key values in African American culture, including liberation and the meaning of community. Each chapter focuses on a different contextual framework for situating The Harlem Book of the Dead within the historical and political moment …

The Flower Paintings Of Albert York, Scott Seaboldt

Theses and Dissertations

Albert York (American, 1928–2009) is said to have created approximately 250 paintings. Along with a biographical study, a selective analysis of the over 90 flower paintings is conducted through historical, comparative, and analytical investigations. The floral works are definitive touchstones of York's artistic growth and remain rich with symbolic content.

Painting Politics: The Anarchist Art And Lives Of Camille Pissarro And Barnett Newman, Johan Marby

Theses and Dissertations

The times in and around the Paris Commune and the Depression followed by Second World War in the United States were instances in history that greatly influenced artists’ output. This thesis investigates how anarchist thought and activities during these periods, respectively, affected the œuvres of Camille Pissarro and Barnett Newman.

Plein-Air Drawing And Embodied Vision: Hans Hofmann's Landscapes, 1928-1935, Anna H. Tome

Theses and Dissertations

Hans Hofmann (1888-1966) produced over one thousand black and white drawings during his early and mid-career before becoming known as a master of color and abstraction. This text examines landscape drawings made from 1928-1935 that evidence the role of nature, new perceptual theories, and embodied vision in his artistic development.

Tactics For Thriving On Multiplicity: Liliana Porter’S Photo-Drawing-Installations, 1973–Present, Jennifer Bratovich

Theses and Dissertations

This thesis examines Porter’s hybrid 1973 works during a period of transnational artistic mobility. It argues she employed strategies of reproduction and contingency to circulate the works among multiple contexts, and shows how her 2012 revisiting of these works led to their revitalization within current reassessments of Latin American conceptualism.

Sacred Blood And Burning Coal: The Garnet Carbuncle In Early Medieval Europe, Sinead L. Murphy

Theses and Dissertations

The social and religious symbolism of garnets are examined in the context of the Merovingian period. Garnet jewelry was worn by early medieval Christians as symbols of their faith, and after death garnets took on additional religious significance.

Spectacle, Spectatorship, And A New Reading Of The Nine Heroes Tapestries, Katherine L. Rachlin

Theses and Dissertations

This theatrical and performative interpretation of The Nine Heroes tapestries (1390–1410) argues for their connection to civic spectacles, courtly rituals, and enactments of the Nine Worthies in medieval performance traditions such as entry ceremonies. Consideration is given to the tapestries’ materiality, mediality, and their visceral impact on viewers.

Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale

Theses and Dissertations

Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.

Projections On Glass: Reconsidering Glass Pilgrim Vessels From Byzantine Jerusalem, Roxanne D. Jacobson

Theses and Dissertations

Taking an object-orientated approach, this paper reconsiders a series of glass pilgrim vessels that survive from Byzantine Jerusalem and argues against the previous studies that focused solely on iconography to determine the vessels' function.

Beyond Movements: Senga Nengudi’S Art Within And Without Feminism, Postminimalism, And The Black Arts Movement, Tess Thackara

Theses and Dissertations

An examination of Senga Nengudi's relationship to Feminism, Postminimalism, and the Black Arts Movement. This thesis argues that, while her work overlapped with those three movements and tendencies, she ultimately expanded each of them to absorb greater sets of cultural references and formal criteria into their makeup.

“There Are Bulls And Almost Wild Horses There”: Vincent Van Gogh And The Landscape Of Saintes-Maries-De-La-Mer, Lisa E. Smith

Theses and Dissertations

In May 1888, Vincent van Gogh visited the Mediterranean village of Saintes-Maries-de-la-Mer, a site with a unique environment and history. This thesis examines how the specific cultural, social, and physical space of Saintes-Maries is represented in the landscapes Van Gogh produced depicting the town.

Mexican Modernism’S Other: The Contemporáneos, Gender, And National Identity, 1920–1940, Joseph S. Shaikewitz

Theses and Dissertations

In postrevolutionary Mexico, a group of artists known as the Contemporáneos redefined the parameters of modernism through personal expressions of otherness and difference. This thesis examines works by artists including Abraham Ángel, Julio Castellanos, María Izquierdo, and Manuel Rodríguez Lozano in relation to shifting discourses surrounding gender and national identity.

Mobilizing Museums Against Aids: Visual Aids And Day Without Art, 1988–1989, Kyle Croft

Theses and Dissertations

This paper provides a historical account and analysis of Visual AIDS’ first Day Without Art in 1989, a day of action and mourning observed at hundreds of art museums in response to the AIDS crisis. Day Without Art marshaled arts professionals to engage in the struggle against AIDS, shifting social roles and responsibilities within art institutions.

Performance, Ritual, And Procession: The Metropolitan Museum Of Art’S Our Lady Of Cocharcas, Evelin M. Chabot

Theses and Dissertations

Statue paintings created in the colonial Andes are extraordinary artworks infused with elements that represent local beliefs and rituals. This study investigates this tradition through The Met’s Our Lady of Cocharcas to reveal the stunning complexity of religious visual art produced during the late colonial period.

The Medallion Portraits Of Ariadne And Theodora On The Consular Diptychs Of Clementinus And Justinus: Finding Traces Of Helena, Pulcheria, Verina, And The Theotokos, Marguerite B. Lee

Theses and Dissertations

This thesis investigates the 513 Clementinus Diptych and the 540 Justinus Diptych and their disruption of the secular and masculine character of consular diptychs through the inclusion of Christian symbolism, a cross and an image of Christ, and medallion portraits of the empresses Ariadne and Theodora, respectively.

Something Else Press As Publisher, Rachel High

Theses and Dissertations

This paper considers Something Else Press—founded by Fluxus artist Dick Higgins in 1964—beyond the Fluxus movement and examines the avant-garde publisher in the context of the commercial book industry to elucidate the Press’s key role in recording and historicizing postwar artistic activity during its decade of production.