History of Art, Architecture, and Archaeology Commons^™

Excavations At The Seila Pyramid And Ritual Ramifications, Kerry Muhlestein

Faculty Publications

In modern times it was not apparent that the structure many travelers had seen atop the remote escarpment in Gebel El-Rus was actually a pyramid. Before its excavation it was locally known as el-Qalah, meaning “the fortress,” though it has since come to be called Harem Seila, or the Seila Pyramid. Even before excavation it could be easily seen as far away as Hawara when the air was clear. Though it stood six miles straight west of the Meidum Pyramid, there was nothing about the visible square covered in aeolian sand that would make explorers or archaeologists think it was …

A Strategy Of Truth: Andreas Feininger And The Creation Of Propaganda For The Office Of War Information, 1942, James Swensen

Faculty Publications

In 1942 photographer Andreas Feininger travelled across the United States documenting war industries for the Office of War Information, a New Deal agency. In the midst of world war, Feininger’s straightforward photographs of plane production, copper mining, and other key industries were carefully crafted propaganda designed to combat German rhetoric and bolster public support and confidence in the war effort. Feininger’s style, an admixture of modernist ideas and social detachment, found resonance within US ideological efforts that stressed data and facts, and became known as the ‘Strategy of Truth’.

Tall Jalul, Paul Z. Gregor, Robert D. Bates, Paul Ray, Constance E. Gane, Randall W. Younker

Faculty Publications

The 2016 and 2017 seasons of excavation at Tall Jalul were conducted in May and June 2016 and June and July 2017 by faculty and students from Andrews University. The excavations were directed by Paul Gregor, along with co-directors Constance Gane and Paul Ray.

Emily C. Burns, Transnational Frontiers: The American West In France, James R. Swensen

Faculty Publications

Transnational Frontiers has a great opening line. “The American West,” writes the author, art historian Emily C. Burns, “is a slippery concept, particularly in international settings.” This initial sentence gets to the heart of the challenge of discussing the West, which has long existed as an idea as much as an actual place. It also touches on the ways in which many of the myths of the West were supported and even shaped abroad. As Burns successfully demonstrates, from beginning to end, this is especially true in France where the West was “not a fixed concept but rather a transnational …

Cycles Of Memory And Circular Compassion In A Germanic Passion Diptych, Elliott Wise

Faculty Publications

A little-known Germanic Passion diptych from the late fifteenth century—comprised of the Atlanta Christ Carrying the Cross and the Chicago Crucifixion—was recently reunited, foregrounding a complex interchange of compassionate co-suffering between the two panels. The figures of Christ and the Virgin turn and twist their eyes and faces, balancing their attention between different points of empathetic contemplation within and without the frames. As they engage with the beholder and with one another, they encourage meditation on the Holy Face of Jesus by manipulating mental images in a repetitive cycle of foresight, hindsight, and exegetical reflection.

Eye On The West: Photography And The Contemporary West., James R. Swensen

Faculty Publications

While working in the American West, Ansel Adams liked to wear a Stetson. In many ways the famed photographer and his cowboy hat are emblematic of two of the most enduring cliches of the West. Even though he was the first to protest being typecast, Adams’s near perfect photographs of untrammeled Western landscapes are often seen today as too pristine and too popular. The cowboy, moreover, has become the embodiment of the lone, laconic, male hero braving prairies and rugged mountains. Eye on the West resists both of these Western tropes. Yes, Ansel Adams makes his appearance in the text …

Hisban Cultural Heritage Project, Bethany J. Walker, Øystein S. Labianca

Faculty Publications

No abstract provided.

Narrating Contested Pasts: Lessons Learned At Tall Hesban, Oystein S. Labianca, Elena Maria Ronza

Faculty Publications

No abstract provided.

The Frontier In Paris: Artists From The American West In The French Capital, 1890–1900, James R. Swensen

Faculty Publications

From 1890 to 1900 several artists traveled from the American West to Paris to advance their studies. Coming from the “wild West,” the French capital represented for them the most sophisticated city on earth. Interestingly, they found Paris to be a place of danger and adventure, a frontier of its own right. They also discovered that their European peers longed for images of a frontier West that included Native Americans, cowboys, and wild animals. Through their experiences in this new and exotic land, artists from Robert Henri to Cyrus Dallin learned that the frontier was more of a state of …

Tall Hisban 2011-2012: A Preliminary Report, Robert D. Bates, Jeffrey P. Hudon, Oystein S. Labianca

Faculty Publications

No abstract provided.

Tall Hisban 2013 And 2014 Excavation Seasons: Exploration Of The Mediaeval Village And Long-Term Water Systems, Bethany J. Walker, Robert D. Bates, Jeffrey P. Hudon, Oystein S. Labianca

Faculty Publications

No abstract provided.

Preliminary Report On The 2014 And 2015 Seasons Of The Madaba Plains Project: Tall Jalul Excavations 2014 And 2015, Paul Z. Gregor, Constance E. Gane, Helena Gregor, Paul Z. Ray

Faculty Publications

No abstract provided.

Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden

Faculty Publications

The practice of Thai artist Rirkrit Tiravanija is perhaps the best-known exemplar of relational aesthetics, a distinction first made by Nicholas Bourriaud and affirmed in the writings of many subsequent art critics; but the critical focus on the interactive aspect of his works has tended to rely on utopian modes of community engagement, which ignore Tiravanija's strategic deployment of relational, interactive structures to implicate the viewer, publicly, in problematic political positions. Tiravanija commonly uses appropriation in his artworks as a way of exposing viewer's biases and this paper focuses specifically on his use of appropriated text to explore divided subjectivities …

Usc South Campus: A Last Look At Modernism, Lydia M. Brandt, Paul Haynes, Andrew Nester, Robert Wertz, Ana Gibson, Margaret Mcelveen, John Benton, Adam Bradway, Hatara Tyson, Caley Pennington, Carly Simendinger

Faculty Publications

This is a class project from ARTH 542: American Architecture taught at the University of South Carolina by Lydia Mattice Brandt in Spring 2016.

With more Americans attending college than ever before; urban renewal; racial integration; the expansion of coeducation; and the architecture community’s advocacy for holistic relationship between planning, architecture, and landscape architecture, the American college campus developed rapidly and dramatically in the mid twentieth century. Using the University of South Carolina’s Columbia Campus as a case study, this project explores the history of American architecture in the mid-twentieth century.

Venetian Cartography And The Globes Of The Tommaso Rangone Monument In San Giuliano, Venice, Jill E. Carrington

Faculty Publications

Highly-specific reliefs of a terrestrial and a celestial globe flank the statue of physician and university professor Tommaso Rangone in his funerary monument on the facade of San Giuliano in Venice (1554-1557, installed c. 1558). The essay is the first to examine the strikingly specific imagery of the globes; it compares them to actual maps and globes, argues that the features of the globes were inspired by contemporary maps and globes owned by Rangone himself, relates the globes to the emergence of globe paris and situates them within the thriving production of maps, atlases and treatises at the time they …

Review Of The Portrait Bust And French Cultural Politics In The Eighteenth Century By Ronit Milano, Heather Belnap Jensen

Faculty Publications

“The term ‘portrait bust’ rarely awakens much enthusiasm among contemporary art connoisseurs, most of whom will likely circumvent major museum galleries devoted to this genre of sculpture” (p. 1). Having dispensed with this matter of business in her opening line, author Ronit Milano delves into the task of convincing her readers that such a response is unwarranted. In certain historical periods, the author argues, the art form was tremendously popular, had myriad uses in the public and private sectors, held widespread appeal for the middle and upper classes, and proved economically and critically profitable for sculptors. The last few decades …

Reframing Pictures: Reading The Art Of Appropriation, Liz Linden

Faculty Publications

No abstract provided.

Book Of Mormon Costume Resource Guide, Rory R. Scanlon

Faculty Publications

This report offers visual costume research support for artists working on Book of Mormon projects, with an historical overview of Mesoamerica and how to understand its historical clothing pieces, an annotated listing of the best research sources, a list of garment and fabric terms for the 2000 BC to 600 AD period, and sample sketches from historical artifacts to suggest how to interpret the original research images the artist will encounter.

Old Testament Costume Resource Guide, Rory R. Scanlon

Faculty Publications

This report offers visual costume research support for artists working on Old Testament Bible projects, with an historical overview of Mesopotamia and how to understand its historical clothing pieces, an annotated listing of the best research sources, a list of garment and fabric terms for the 4000 BC to 0 AD period, and sample sketches from historical artifacts to suggest how to interpret the original research images the artist will encounter.

Josep Pujiula Receives Two Awards., Jo Farb Hernandez

Faculty Publications

No abstract provided.

Fluxus, Dore Bowen

Faculty Publications

No abstract provided.

Review Of Portraits Of The Artist As A Young Woman: Paintings And The Novel In France And Britain, 1800-1860 By Alexandra K. Wettlaufer, Heather Belnap Jensen

Faculty Publications

Alexandra K. Wettlaufer’s ambitious study of real and fictitious woman painters in early nineteenth-century France and Britain explores the subject of female artistic self-fashioning at a critical historical juncture. Characterizing this as an auspicious time for the development of the woman artist, the author seeks to examine how historical figures and fictional characters both marked as well as facilitated this process. The stated rationale for the use of a comparative approach is that it enables the author “to highlight the dialogic context in which these novels and paintings were produced and consumed, and to map out aesthetic and political intersections …

Singular Spaces: Spanish Art Environments., Jo Farb Hernandez

Faculty Publications

No abstract provided.

Building Guidelines For A Restoration Project To Promote Public Awareness, Maria Elena Ronza, Martin Smith

Faculty Publications

No abstract provided.

Ground-Truthing Excavations At Los Adaes (16na16) May, 2010, George Avery

Faculty Publications

In May 2010, Stephen F. Austin State University—funded by the Army Engineer Research and Development Center (ERDC) Construction Engineering Research Laboratory (CERL)—conducted excavations at Los Adaes State Historic Site (16NA16) to ground-truth the results of a geophysical survey of the presidio area of the site conducted by ERDC CERL and the University of Arkansas at Fayetteville Center for Advanced Spatial Technologies (CAST) in May 2009. The geophysical investigation was a component of a 5-year study funded by the Environmental Security Technology Certification Program (ESTCP). Los Adaes State Historic Site was that project’s demonstration site. This monograph focuses solely on the …

Review Of Ingres: Painting Reimagined By Susan L. Siegfried, Heather Belnap Jensen

Faculty Publications

Susan L. Siegfried’s Ingres: Painting Reimagined is a magisterial consideration of one of the most intriguing and elusive artists of the nineteenth century, Jean-Auguste-Dominique Ingres. As the summation of a three-decade long engagement with Ingres studies, this ambitious tome sets out to account for the strange and yet beguiling nature of his paintings, c. 1800-1840. In this book, Siegfried argues that the reason Ingres has remained an enigma has much to do with his refusal to produce works that conformed to centuries-old conventions structuring narrative painting. Ingres’s imaginative project, then, was to conceive of innovative strategies for imaging classical tales …

Karen Azoulay: Carnation Thunder, Liz Linden

Faculty Publications

No abstract provided.

Design Of A Comprehensive Geographic Information System For The Administration Of El Camino Real De Los Tejas National Historic Trail, Jeffrey M. Williams

Faculty Publications

Stephen F. Austin State University’s Arthur Temple College of Forestry and Agriculture’s (ATCOFA) Geographic Information Systems (GIS) Laboratory were engaged by the National Park Service (NPS) National Trails System-Intermountain Region to provide GIS services supporting the NPS’s development of a Comprehensive Management Plan for El Camino Real de los Tejas National Historic Trail (ELTE). The scope of work was completed under an agreement with the Gulf Coast Cooperative Ecosystem Studies Unit sponsored by the Texas AgriLife Research Program at Texas A&M University. ATCOFA assisted the NPS in the coordination of local landowner and other local stakeholder contacts, conducted archival research …

Deep East Texas Grave Markers: Types, Styles, And Motifs, Nancy Adgent, Perky Beisel, George Avery

Faculty Publications

Grave markers are often the only physical evidence of a person’s existence and offer opportunities for even ordinary people to ‘speak’ from the grave. Sometimes the deceased selects the marker or leaves instructions for its composition.

In modern times, the grieving family typically chooses the type, style, motif, and inscription according to commercial availability, aesthetic appeal, and budgetary constraints. A cemetery visitor will likely have no idea of the actual circumstances that caused a particular marker to have its shape, design, and decorative elements.

Like other possessions, markers are subject to fashion trends and since the advent of mass production …

Deep East Texas Grave Markers: Types, Styles, And Motifs, Nancy Adgent, Perky Beisel, George Avery

Faculty Publications

Grave markers are often the only physical evidence of a person’s existence and offer opportunities for even ordinary people to ‘speak’ from the grave. Sometimes the deceased selects the marker or leaves instructions for its composition.

In modern times, the grieving family typically chooses the type, style, motif, and inscription according to commercial availability, aesthetic appeal, and budgetary constraints. A cemetery visitor will likely have no idea of the actual circumstances that caused a particular marker to have its shape, design, and decorative elements.

Like other possessions, markers are subject to fashion trends and since the advent of mass production …