History of Art, Architecture, and Archaeology Commons^™

The Bronx Was Brewing: A Digital Resource Of A Lost Industry, Michelle Zimmer

Dissertations, Theses, and Capstone Projects

The Bronx: a bucolic oasis laden with history, a suburb within city-limits, an urban warzone, and thanks to the recent renaissance, a phoenix of progress rising from the proverbial ashes of the fires that burned through the borough in the 1970’s. But many people are unaware that the Bronx also brewed.
Uncovering the brewing industry of the Bronx tells not only the story of the lost industry, but it also communicates the narrative of the development of the Bronx. The brewers were German immigrants who developed a thriving industry by introducing lager beer to the United States by taking advantage …

Posthumanist Animals In Art: France And Belgium, 1972-87, Arnaud Gerspacher

Dissertations, Theses, and Capstone Projects

This dissertation traces the changing role and increased importance of nonhuman animals in art of the 1970s and 80s. Focused largely on artists in France and Belgium, this period stands at the head of a wide-ranging re-conceptualization of animality that continues to unfold today. Pivotal moments in ecology (beginning with the 1972 United Nations Conference on the Human Environment in Stockholm), animal ethics and ethology (such as the Universal Declaration of Animal Rights proclaimed in 1978), and philosophy (specifically the biopolitical and deconstructive currents critiquing the centrality of the humanist subject), all converge as stress points along long held anthropocentric …

Impressive Failures: Mavericks Of Film Authorship And The Impossibility Of Success In Hollywood, Tom S. Davies

Dissertations, Theses, and Capstone Projects

This dissertation directly challenges the critical and commercial primacy of success attached to Hollywood films and their filmmakers, especially when one argues for or against their quality and/or importance within cinematic history. Through a process of shifting and multiplying perspectives within a broader narrative that is critical of what separates success and failure, certain films and filmmakers that were judged as failures or disappointments under impossible prerequisites of creating a successful film––commercially, aesthetically, or both–– are, instead, reconsidered as constructive counterpoints to the expectations of the Hollywood economic field of production as well as to the inevitable disappointment of the …

Heavy Ink: A Documentary On The Comicbook Revolution, Renzo Adler

Dissertations, Theses, and Capstone Projects

Heavy Ink is a documentary short focusing on the comic anthology magazine, Heavy Metal, examining its history as both a standout comic magazine, and how it fits into the larger tradition of comic books. What started off in 1977 as a sci-fi offshoot of National Lampoon ushered in a new era of comics by bridging the gap between American and European comic sensibilities with a talent pool from all over the world.

Heavy Metal would go on to have reverberations beyond comics into music, movies, and the global entertainment landscape of today. Heavy Metal introduced the world to artists such …

Claude Iii Audran: Ornemaniste Of The Rococo Style, Barbara Laux

Dissertations, Theses, and Capstone Projects

The ornemaniste Claude III Audran worked over the course of some forty years to delight elite aristocrats, including Louis XIV, by creating cutting-edge arabesque designs with motifs drawn from popular culture. He became a maître in the Académie de Saint-Luc. He chose not to become a member of the Académie royale de peinture et sculpture, but he subcontracted work to Académie artists and achieved unparalleled status as a master of his craft. Despite the longevity of his successful career, previous scholarship has only examined a handful of individual projects and the arc of his career has never been fully examined. …

Never Forgets: Traumatic Trace Within Public Space, Jan Descartes

Dissertations, Theses, and Capstone Projects

This paper will interrogate the ways in which ephemera from events affects the human and non- human environment and how the absence, manipulation or presence of traumatic trace weaves itself into the atmosphere of the past, present and future. It will look at space and the ways that trace manifests itself in hierarchal spaces and Lebbeus Woods’ concept of heterarchial spaces, which are organic and/or horizontally organized. A thread throughout is the question that if trace from trauma can exist in the visual field, i.e. the physical or digital landscape, in a way that maintains a discourse without perpetuating oppression. …

From Design To Completion: The Transformation Of U.S. War Memorials On The National Mall, Sara Jane Weintraub

Dissertations, Theses, and Capstone Projects

This dissertation looks at U.S. war memorials on the National Mall built between 1983 – present. Each memorial designer was selected through an open design competition process and was subject to the same government approval processes. The Commission of Fine Arts (CFA), the National Capitol Monuments Commission (NCMC), and the National Park Service (NPS) all must approve memorials built on the National Mall. In some cases, the memorials shared project architects and sponsoring agencies. The case studies show that the design competition process ultimately shapes the meaning and appearance of the built memorials.

I argue that the guidelines, winning design, …

Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith

Dissertations, Theses, and Capstone Projects

In its most common usage in the artistic context, collaboration refers to a practice of creation in which two artists work together to produce a single artwork or object. Collaboration Revisited: The Performative Art of Claude Cahun and Hannah Weiner focuses on the nexus of photography, writing, and performance in the work of six female avant-garde artists from the transatlantic twentieth century, informed by the important place of surrealism in that history, to reconsider this understanding of collaboration. Instead of the notion of collaboration as founded in the experience of two artists working together in each others’ presence, I examine …

Embodying Rhythm Nation: Multimodal Hip Hop Dance As A Site For Adolescent Social-Emotional And Political Development, Lauren M. Roygardner

Dissertations, Theses, and Capstone Projects

This exploratory study employed qualitative methodology, specifically values analysis, to learn more about how being involved within Hip hop dance communities positively relates to adolescent development. Adolescence was defined herein as ages 13-23. The study investigated Hip hop dance communities in terms of cultural expertise (i.e. novice, intermediate and advanced/expert) to look specifically at dance narratives (i.e. peak experience narratives and “I dance because” essays) and hip hop dance performances. The primary purpose of this dissertation was to (1) explore how adolescents use multimodal Hip hop dance discourse for social-emotional development and critical consciousness, and to (2) understand how values …

I. M. Pei, William Zeckendorf, And The Architecture Of Urban Renewal, Marci M. Clark

Dissertations, Theses, and Capstone Projects

This dissertation reevaluates the practice of design and real estate in the United States through an insufficiently understood case study of the architect-developer team of I. M. Pei and William Zeckendorf and their twelve-year partnership in urban renewal. William Zeckendorf (1905-1976) was the most ambitious real estate developer in the United States in the 1950s, with an outsize personality and larger-than-life plans. Unlike most developers of the era, Zeckendorf believed that quality design and visionary planning were critical to remaking city cores through urban renewal. To accomplish this, he hired I. M. Pei (b. 1917), a talented, young designer out …

On London Ground: The Landscape Paintings Of Frank Auerbach And Leon Kossoff, Lee Hallman

Dissertations, Theses, and Capstone Projects

This dissertation is the first critical analysis of the parallel, seven-decade-spanning urban landscape oeuvres of British painters Frank Auerbach (b. 1931) and Leon Kossoff (b. 1926). Since the post-World War II era of widespread political, geographical, and psychological displacement, when the practice of observation-based landscape painting had all but disappeared from international advanced art, Auerbach, who came to England in 1939 as a German-Jewish child refugee from the Nazis, and Kossoff, a first-generation Londoner of Ukrainian-Jewish heritage, have obstinately pursued an art of place. As art students in London, the two simultaneously developed laborious painterly processes of accumulation and scraping …

Foreign-Born Artists Making “American” Pictures: The Immigrant Experience And The Art Of The United States, 1819–1893, Whitney Thompson

Dissertations, Theses, and Capstone Projects

Despite the fact that historians centralize immigration as a defining social phenomenon of the nineteenth century, art historians maintain nationalistic parameters that suppress artists’ immigration and assimilation experiences. While scholars have foregrounded the transatlantic migration of artists who entered during the postbellum Great Wave (1881-1920) and the twentieth century, immigration in the first two-thirds of the nineteenth century has been largely neglected, a striking omission given that roughly six million people arrived to the United States between 1820 and 1865. To reconcile this gap, this dissertation examines artists who were part of the major antebellum- and Civil War-era migration streams …

Open Works: Between The Programmed And The Free, Art In Italy 1962 To 1972, Lindsay A. Caplan

Dissertations, Theses, and Capstone Projects

This dissertation historicizes and theorizes a group of Italian artists who were among the first to use computers and cybernetics to make artworks, developing the genre of Arte Programmata, or Programmed Art. It argues that the artists of Arte Programmata (Bruno Munari, Enzo Mari, and collectives Gruppo T and Gruppo N) turned to the generative, interactive, and probabilistic aspects of early computers not simply as new media for making art but as platforms for radically altering what it means to be a participant in an increasingly mediated and networked world. This is apparent in how each of their works deploys …

Joseph Beuys And Social Sculpture In The United States, Cara M. Jordan

Dissertations, Theses, and Capstone Projects

Alongside the rise of the activist movements in the late 1960s, the German artist Joseph Beuys (1921–1986) proposed his concept of “social sculpture” — a method of fostering creativity, aimed at transforming society through interdisciplinary dialogue — as an alternative to the chaotic political, economic, and social life of postwar West Germany. He sought to heal society through a work of art with holistic and spiritual intentions, centered on the belief that art can include the entire process of living and therefore can be created by a wide range of people beyond artists. Although his ideas are understood and even …

Ludic Conceptualism: Art And Play In The Netherlands, 1959 To 1975, Janna Therese Schoenberger

Dissertations, Theses, and Capstone Projects

This dissertation, the first extended study on art in the Netherlands in the 1960s and ‘70s, investigates the phenomenon of ludic art, taking its lead from Johan Huizinga’s definition of ‘ludic’ in his seminal Homo Ludens (1938). According to Huizinga, the ludic is characterized by masquerade, freedom, and purposelessness, to which I add my own theoretical contribution—absurdity. I argue that the key instantiation of Huizinga’s ideas is found in the utopian project New Babylon (1959­–74) by Constant Nieuwenhuys. In the 1960s, ludic art was deployed as a strategy of social critique that attacked from an oblique angle, sometimes effectively­, but …

Left And Right: Politics And Images Of Motherhood In Weimar Germany, Michelle L. Vangen

Dissertations, Theses, and Capstone Projects

Art historians and cultural critics have long debated the aesthetic and political implications of the stylistic shift in Germany from pre-war experimentations with abstraction and expressive distortion to more clear-cut figuration in their paintings during the years following World War I. They have questioned whether this shift represents a regressive return to tradition or a new artistic direction and if it should be associated with a reactionary or progressive political stance. This dissertation broadens our understanding of German interwar realism, commonly referred to as Neue Sachlichkeit, by examining representations of mothers, a popular theme in the realist painting of …

Violence Against Architecture: The Lost Cultural Heritage Of Syria And Iraq, Heidi James Fisher

Dissertations, Theses, and Capstone Projects

This thesis examines ancient architecture within Syria and Iraq that has been deliberately destroyed by violence. The act of destroying architecture and monuments in both Syria and Iraq, which is often-historical UNESCO protected, will invariably violate various laws, such as the 1954 Hague Convention or the Rome Statute. Since post-2011 Syria, all of humanity has been shocked by continuous warfare that, in addition to causing untold loss of human life and suffering, has included a series of episodes of violence against architecture, all of which is so egregious that foreign governments and non government organizations are constantly engaged in efforts …

Merchandise, Promotion, And Accessibility: Keith Haring’S Pop Shop, Amy L. Raffel

Dissertations, Theses, and Capstone Projects

During the peak of his career in New York, Keith Haring took his highly recognizable artistic style and distributed it in the form of merchandise in his Pop Shop, established in 1986. Stemming from his early work displayed on the New York streets, directly within public space, and his explorations into mass media strategies, he learned he could make his work accessible to new audiences outside contemporary art institutions and art circles. He translated his work across several surfaces: from subways or canvases, to everyday functional merchandise, such as buttons, t-shirts, and bags sold in his shop. Responding to a …

“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935, Elizabeth C. Decker

Dissertations, Theses, and Capstone Projects

The rising field of new modernisms continues to breathe new life into the literature of marginalized writers of the late-nineteenth and early-twentieth century. By imagining modernism as a series of modes and strategies, and expanding the axes upon which we map modernism’s boundaries, we make way for writers who were shut out by the often imbalanced, limited modernism of the past and illuminate the field with new possibilities. This dissertation takes part in this exciting, vibrant conversation by identifying a mode of modernism present in the literature of three early twentieth-century women writers, who all used visual art techniques to …

Building In Public: Critical Reconstruction And The Rebuilding Of Berlin After 1990, Naraelle Hohensee

Dissertations, Theses, and Capstone Projects

Reconstructing Berlin’s ruined contours after 1990 was one of the most important ways that reunified Germany made a public display of its relationship to the violence wrought by both the Nazis and East Germany during the twentieth century. By integrating historical forms into new buildings in the city’s commercial center, Berlin’s urban planners hoped to show the world that the nation had transcended totalitarianism and was worthy of a prominent place in the new global order. In order to achieve this vision, they adopted an approach called “Critical Reconstruction,” which required architects to follow rigid design standards based on traditional …

Edwin Fischer And Bach Performance Practice Of The Weimar Republic, Bradley V. Brookshire

Dissertations, Theses, and Capstone Projects

Edwin Fischer (1886-1960) provided a synthesis of approaches to Bach pianism that resolved dialectical tensions of long standing between schools that opposed one another throughout the nineteenth century. I argue that Fischer’s synthesis––which permits exegetical interpretation while maintaining a preservationist stance toward the integrity of the text––resembles both Felix Mendelssohn’s bifurcated approach to Bach’s music and Moses Mendelssohn’s description of a similar duality within modern Judaism. Such resemblance may not be coincidental or superficial, given that Fischer married into the Mendelssohn family at the height of its cultural influence in Weimar-Era Berlin. Although pieces of the Mendelssohnian construct were in …

Developing Italy: Photography And National Identity During The Risorgimento, 1839-1859, Beth Saunders

Dissertations, Theses, and Capstone Projects

The introduction of photography to Italy in 1839 coincided with the nationalist movement known as the Risorgimento, which began with a series of Constitutionalist uprisings in 1820 and culminated in political Unification in 1861. Photography thus developed alongside a country in the making, and the project of building a nation was historically entwined with the new technology. This dissertation analyzes the impact of photography on the political movement that made Unification possible, emphasizing how early photographers engaged and expanded upon the iconographic traditions of prints, paintings, and literature in order to envision the Italian nation. By depicting politically charged monuments, …

Art As Display, Frank M. Boardman

Dissertations, Theses, and Capstone Projects

Art is essentially a type of display. As an activity, art is what we do when we display objects with certain intentions. As a set of objects, art is all of those things that are displayed for those purposes. The artworld is the social atmosphere that surrounds this particular activity of display. And a history of art is an evolving narrative of change in the practice of this sort of display.

Specifically, to focus for convenience on art as a set of objects, this is what we can call the “displayed-object thesis”:

x is a work of art iff: (a) …

Provisional Capital: National And Urban Identity In The Architecture And Planning Of Bonn, 1949-1979, Samuel L. Sadow

Dissertations, Theses, and Capstone Projects

This dissertation explores the physical transformation of Bonn in the postwar period, with a particular focus on the 1960s and 1970s, as the city accommodated the West German federal government. Bonn’s long campaign in the 1960s to redraw its municipal borders and the federal government’s construction of several high-rises in the city and its neighbor, Bad Godesberg, were the most concrete markers of Bonn’s evolution as a capital city in this period. The complex political processes and sometimes bitter conflicts behind each of these developments paralleled the gradual and successful entrenchment of democracy in the Federal Republic of Germany. At …

Broadcasting The Crisis: Spanish Television As Critique, Eva Velasco Pena

Dissertations, Theses, and Capstone Projects

Television is often thought of as monolithic and totalizing, controlling viewers and upholding the status quo. This project will propose different understandings of the mass-medium. In order to historically contextualize my study, I will begin with a brief discussion of the role of television in democratic Spain (from c.1978-present). The thesis will primarily consist of an analysis of two sides of contemporary Spanish TV: fiction and politics; and will explore the way that certain programs, alternately catalyze critical thought and actions or enable spectators to, following John Ellis, “work through” traumatic events. I furthermore propose that imaging a concept might …

Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso

Dissertations, Theses, and Capstone Projects

This dissertation seeks to refine critical methods for interpreting global cities and their cultures, charting an aesthetic history of neoliberal New York — from the 1929 regional plan to the present. Surveying a range of literature, art criticism, and planning discourse, I argue that the global has served as the dominant motif of spatial production and political power during this watershed era. I trace this argument through analyses of midcentury planning’s global spatial imaginings, gentrification and imperial metaphor, transnational encounter in World literature, and the city’s contemporary waste and recourse imaginaries. While I follow the Marxist account of the New …

The Moving Image In Public Art: U.S. And U.K., 1980–Present, Annie Dell'aria

Dissertations, Theses, and Capstone Projects

This dissertation examines the work of artists who use moving images in contemporary public art. Specifically, these works are understood through their interactions with spectators and the practices of media consumption and public interaction these passersby negotiate when they encounter a work of moving image-based public art. To this end, I argue, through an analysis of public art, that screen spectatorship is an inherently situated experience.

The project of this dissertation is two-fold. First, I outline a typology of moving image-based public art by dividing significant practices into three categories—the enchanting spectacle, the ludic interface, and the illumination of place. …

Nature And Nostalgia In The Art Of Mary Nimmo Moran (1842-1899), Shannon Vittoria

Dissertations, Theses, and Capstone Projects

This dissertation is the first comprehensive study dedicated to the work of American painter-etcher Mary Nimmo Moran (1842-1899), an innovative printmaker and influential interpreter of the American landscape. She began her career in 1863, studying drawing and painting with her husband, artist Thomas Moran (1837-1926). Throughout the 1870s, she exhibited works at both the Pennsylvania Academy of the Fine Arts and the National Academy of Design, and published wood engraved illustrations in books and popular monthly magazines. Yet it was in the medium of etching that she achieved her greatest recognition: between 1879 and her untimely death in 1899, she …

Response And Responsibility: The War Veterans’ Art Center At The Museum Of Modern Art (1944–48), Laurel Humble

Dissertations, Theses, and Capstone Projects

From 1944–48 the Museum of Modern Art, New York (MoMA) offered free art classes to World War II veterans through an experimental educational initiative called the War Veterans’ Art Center. This project was run by Victor D’Amico, who served as the museum’s first Director of Education from 1937–69. Building on an existing institutional ethos of experimentation and civil service, D’Amico and his colleagues explored the role of creative engagement in facilitating the transition from military service to civilian life. As they experimented with new pedagogical approaches, they also worked to articulate and share their innovative methods with other professionals and …

The Bauhaus Wall Painting Workshop: Mural Painting To Wallpapering, Art To Product, Morgan Ridler

Dissertations, Theses, and Capstone Projects

The wall painting workshop at the Bauhaus was established in fall 1919, the first semester of the famed and influential German school of art, architecture, and design. Over the course of the next thirteen years, the workshop experimented with many techniques, philosophies, and strategies for painting, coloring, and covering wall surfaces. This dissertation analyzes the evolving approaches of the Bauhaus wall painting workshop. Early Masters of Form, Oskar Schlemmer and Wassily Kandinsky, oversaw abstract and figurative murals like those developed for the 1923 Bauhaus exhibition, and the student wall painters used color to form and mold architectural spaces in, for …