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Articles 61 - 70 of 70
Full-Text Articles in History of Art, Architecture, and Archaeology
Women In Documentary Photography, Ronald R. Geibert, Nancy Howell-Koehler
Women In Documentary Photography, Ronald R. Geibert, Nancy Howell-Koehler
Art and Art History Faculty Publications
Women in Documentary Photography 2000 features portfolios by eight of today's finest working photographers. Produced in conjunction with a March 2000 exhibition at the Springfield Museum of Art in Springfield, OH curated by Nancy Howell-Koehler. Among the eight are Mary Berridge, Lauren Greenfield, and Susan Meiselas. The associated PDF are samples from this exhibition.
The Democratic Print, Kim Vito, Ronald R. Geibert, Craig Martin
The Democratic Print, Kim Vito, Ronald R. Geibert, Craig Martin
Art and Art History Faculty Publications
THE DEMOCRATIC PRINT features contemporary relief printmaking in the United States. One hundred and fifty-five images and biographical information on thirty-one artists. The approaches include wood and linoleum blocks, relief constructions, book illustrations, multi-process combinations, and installations involving printed relief elements. Edited by Kim Vito and Craig Martin. The associated file are samples from The Democratic Print.
The Seven Deadly Sins Of Hieronymus Bosch, Sally A. Struthers
The Seven Deadly Sins Of Hieronymus Bosch, Sally A. Struthers
Art and Art History Faculty Publications
Some have tried to explain the iconography of Bosch’s works through alchemy, astrology, medicine and the Adamites. Bosch’s work is rich, and seems to come from a number of sources, but he always drew from traditional Christian themes. The sinfulness of mankind is a major theme in Bosch’s oeuvre, and is bound up with the late Medieval theme of the punishments of the damned at the Last Judgment. The theme of the seven deadly sins pervades every surviving painting by Hieronymus Bosch.
Figuration/Abstraction: Fairfield Porter/Willem De Koonig, Jud Yalkut
Figuration/Abstraction: Fairfield Porter/Willem De Koonig, Jud Yalkut
Art and Art History Faculty Publications
While the words of figurative art and abstract expressionism may seem to be eons apart for the average viewer, it was the premise of "Figuration/Abstraction: Fairfield Porter/Willem de Kooning" to explore, in the worlds of curator David Leach, "a shared attitude regarding the essentials of image making." In the collision of realism and abstraction which highlighted a long period of East Coast painting characterized by these two major figures. Leach has seen a love of color and "a strong interest in shape" as well as "a love for the fast-moving gestural mark."
Figuration/Abstraction, David Leach, Ronald R. Geibert
Figuration/Abstraction, David Leach, Ronald R. Geibert
Art and Art History Faculty Publications
Figuration/Abstraction was a multimedia component for an exhibition held at Wright State University Art Galleries, Dayton, Ohio in 1995. The exhibition compared and contrasted the painting and drawings of Fairfield Porter and Wilem de Kooning. Curator for the exhibition was David Leach. The attached PDF are samples from this exhibition.
Figuration/Abstraction: Fairfield Porter/Willem De Koonig, The Metropolitan Museum Of Art, Wright State University
Figuration/Abstraction: Fairfield Porter/Willem De Koonig, The Metropolitan Museum Of Art, Wright State University
Art and Art History Faculty Publications
The work of Fairfield Porter defies classification partially due to its directness and seeming simplicity, which ma ks an undercurrent of complexity and mystery-even ambiguity. The term "American Realist Painter," so often attached to Porter's name, only adds to this difficulty in that the context of Porter's development as an artist was a setting of varied styles and influence . Even among the artist of the past that Porter admired-Velazquez, Rubens, and Vuillard, to name a few-variation is prominent. Much ha been said about Porter's initial stance a a maturing artist in the I 940s and '50s as being au …
Damned If They Ain't Flew, Ronald R. Geibert
Damned If They Ain't Flew, Ronald R. Geibert
Art and Art History Faculty Publications
An essay highlighting the history and importance of photography for the Wright Brothers to document their lives and their experiments.
Pyramidal Influence In Art, Fine Arts Gallery Inc., Wright State University
Pyramidal Influence In Art, Fine Arts Gallery Inc., Wright State University
Exhibition and Program Catalogs
This catalog features a collection of essays and art from an exhibition regarding the influence of the Pyramid on culture throughout history and into modern day. The exhibition was held at Wright State University Galleries from August through September 1979.
1978 Mfa Exhibit At University Of Nebraska-Lincoln, Ronald R. Geibert
1978 Mfa Exhibit At University Of Nebraska-Lincoln, Ronald R. Geibert
Art and Art History Faculty Publications
This is the Exhibit that all MFA candidates were required to do at the University of Nebraska-Lincoln. This is the submission by Ronald Geibert at the MFA show. His included platinum prints, color images, and selections from the natural history museum known as Morrill Hall.
Installation And Print Projects By Visiting Artists At Wright State University - 1974-1975, Wright State University
Installation And Print Projects By Visiting Artists At Wright State University - 1974-1975, Wright State University
Art and Art History Faculty Publications
The exhibition program of the Wright State University Art Gallery {now the Fine Arts Gallery at Wright State University, Inc.) has, from its beginning in 1974, been devoted to the exploration of contemporary ideas in the visual arts. The gallery otters exhibitions, changing approximately every three weeks, which present the finest works of artists of international, national and regional reputation , as well as providing space for exhibitions of the works of lesser known artists of the highest caliber. Included in the continuing schedule are traveling exhibitions which have originated elsewhere, exhibitions of work created in the artist's studio {pre-disposed …