History of Art, Architecture, and Archaeology Commons^™

Back Matter

Art Inquiries

No abstract provided.

Kim Gordon: The Bonfire, Annie Dell’Aria

Art Inquiries

No abstract provided.

Original Bauhaus: The Centenary Exhibition, Morgan Ridler

Art Inquiries

No abstract provided.

Martian Mother, Elizabeth Mcgrady

Theses and Dissertations

This paper examines the relationship between humans and land, through the lens of the scientific and religious, bridging the physical realm with the spiritual. It acts as accompanying material to the project titled Martian Mother, supplementary information to the visual work, and an extension of the proposal, the center of the work. The proposal exists to send myself, or a like-minded individual, to Mars with artificial insemination equipment to give birth to the first Martian, becoming the first Martian Mother. This work is rooted firmly in speculative fiction, creating a nonlinear future framework for a new society and space exploration.

(Re)Forming And (Re)Fusing The Sub-Divided Self, Laura Boban

Theses and Dissertations

The split between the individual and being part of a social body is addressed in this paper. I begin with my suburban upbringing; applying notions of separate and sub-divided to the construction of one’s aspirations, gender expression(s), and one’s ideological alignment. I contemplate the forces directing individual and shared desires and the persistent messaging of individual pursuits over efforts that benefit many. What does it mean to participate in a collective dreaming of one’s own wealth, happiness, and power? Can one cultivate an integrated art practice and sense of self? In the studio, I layer and abstract figures, stack household …

Moving Parts, Andrew Lowrie

Theses and Dissertations

Material bodies, human and non-human, exist in a constant state of doing and undoing. As bodies change over time, so too do the objects they wear. In this way, a jewelry object is never finished and is constantly being made. In contemporary art practice, this is described as relational ontology by Amelia Jones, who reaches this terminology through the eco-political writings of Jane Bennett and Karen Barad. Through this framework we are able to understand the way artists like Gabriel Orozco and Helen Carnac resist the notion of a finished object or artwork. By engaging with the ways that process …

Prey Begins With Play, Seren C. Moran

Theses and Dissertations

My work examines the lasting psychological and emotional torment of trauma focusing on sexual violence against women. My thesis consists of five short animated films recounting non-fiction experiences of sexual assault. To contextualize my work within cultural and historical representations of sexual violence, this text reflects my research on the mishandling of rape in Western art history as well as contemporary politics and cinema. In both my work and research, I address the complicated, and often contradictory, internal reality of experiencing and remembering trauma and how this relates to artistic strategies such as collage and maximalism. My personal struggles recovering …

Institutional Effect: Consistency And Contingency In The Art & Pedagogy Of Josef Albers, Andrea Alvarez

Theses and Dissertations

Josef Albers (1888–1976) was an artist and educator best known for his teaching on color and for his painting series Homage to the Square, which he worked on from 1949 until his death. The symbiotic relationship between his teaching and artmaking practices, as well as the value Albers placed on the ongoing pursuit of knowledge, contributed to a lifelong commitment to teaching and learning whether he was at the Bauhaus, BMC, Yale, or in any other institutional context. This dissertation, in addition to offering a history that addresses the development of both Albers’ teaching methods and his artworks, …

S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson

Art Inquiries

No abstract provided.

Age Old Cities: A Virtual Journey From Palmyra To Mosul, Hyunjin Cho

Art Inquiries

No abstract provided.

The Drop Sinister: Harry Wilson Watrous’ Visualization Of The One-Drop Rule, Mey-Yen Moriuchi

Art Inquiries

No abstract provided.

Art Inquiries, Xviii:1, Full Issue

Art Inquiries

No abstract provided.

Bertoldo Di Giovanni: The Renaissance Of Sculpture In Medici Florence, Roberto G. Peredo

Art Inquiries

No abstract provided.

Front Matter

Art Inquiries

No abstract provided.

Alphonse Mucha: Art Nouveau / Nouvelle Femme, Matthew Finn

Art Inquiries

No abstract provided.

Against Our Will: Sexual Trauma In American Art Since 1970, Andrew D. Hottle

Art Inquiries

Book review of Against Our Will: Sexual Trauma in American Art Since 1970, by Vivien Green Fryd.

When William T. Wiley And Bruce Nauman Wrote To H.C. Westermann, David Mccarthy

Art Inquiries

No abstract provided.

An Interview With Adrian Rhodes, Kerr Houston

Art Inquiries

No abstract provided.

Pissed On Or Pissed Off: Andy Warhol’S Oxidized Portrait Of Jean-Michel Basquiat, Anthony J. Morris

Art Inquiries

No abstract provided.

The Avant-Garde Networks Of Amauta: Argentina, Mexico, And Peru In The 1920s, Michele Greet

Art Inquiries

No abstract provided.

Enid Yandell: Kentucky’S Pioneer Sculptor, Caterina Y. Pierre

Art Inquiries

Book review of Enid Yandell: Kentucky’s Pioneer Sculptor, by Juilee Decker.

Back Matter

Art Inquiries

No abstract provided.

The Art History Canon And The Art History Survey Course: Subverting The Western Narrative., Kimberly Becker Mast

Journal of Social Theory in Art Education

Art History enrollments at the college level are declining as students flock to STEM majors and perceive Art History as dated and of little use in today’s modern, scientific world. Yet Art History classes can teach valuable skills. When taught in a broad context, the objects art history studies engage critical thinking and can generate new forms of knowledge. However, the pedagogical structure and content of introductory art history survey course does not always offer students the creative leeway to make these connections. Instructors at the college level often retreat to the methods and content that have been a part …

Back Matter

Art Inquiries

No abstract provided.

Nigga Is Historical: This Is Not An Invitation For White People To Say Nigga, Sandy Williams Iv

Theses and Dissertations

Over the past several years I have been on a quest to locate a world beyond the one I’ve been presented. I am interested in the history of atomic particles - like everything that radiates off of a monument (both literally and those things that are metaphorically reified) - invisible things, and the ways in which these things insect beyond our knowledge systems. This inquiry takes many forms. Mine is a conceptually based practice linked to record keeping and time, and the ways in which these concepts find plurality within our culture; or more pointedly, the importance that we attach …

William Bernard Cooke, George Cooke, And J.M.W. Turner: Business Of The Topographical Print Series, Saskia C. Turpijn

Theses and Dissertations

The organization of eighteenth and nineteenth-century British printmaking and publishing was based on economic principles and occurred in the collaborative sphere of the engraver’s studio. Print designers, engravers, printers, and publishers formed a professional network that operated on economic principles, publishing prints that served to generate income for its participants. These ventures faced great challenges in the lengthy and laborious processes of engraving and publishing, and in financing the project for the duration of that time.

This project examines the economic structure of early nineteenth-century prints. Using comprehensive accounting records, it analyzes two well-known topographical print series. The profitable Southern …

Toward Liveness: The Polytemporality Of Performance Objects, Tracy Stonestreet

Theses and Dissertations

In this dissertation, I examine the temporal and material connections between component parts of hybrid artworks, specifically between live events / acts of performance and the long-lasting sculptural elements that those events / performances produce. I propose a re-orientation of the temporal gaze of performance art history, from one oriented to the past to one focused on the continually unfolding present. Such a re-orientation requires a nonlinear approach to art making that complicates set boundaries of past and present, liveness and record, and presence and absence, and disrupts in potentially corrective ways our historically normative systems of looking, categorizing, and …

Lifetime, Emily E. Kuchenbecker

Theses and Dissertations

Time is my bully. Time marks the start of something, as well as the end. We are all carrying out the inexorable passing of time as it relates to our impending mortalities.

I do not fear death.

The awareness of my body’s impermanence employs me to feel that much more connected to the vessel containing that of which I am.

But what am I? Am I my body- or is it much deeper?

Through the work executed during my graduate research, I have attempted to quantify my existence through the archiving my time and body. This document ushers you through …

The Wild Beasts, Peter Cochrane

Theses and Dissertations

The Wild Beasts springs from my desire to thank my ever-expanding queer chosen family and mentors for their strength. Working through the often violent and othering aspects of the lens and photographic histories I create floral portraits responding to each person’s being and our relationship. Using the 19th century, 8x10 large format view camera—the same used by colonialists and ethnographers to “capture” the divinity of Nature—I erect each as a traditional still life studio setup at the threshold between the natural world and that constructed by humans. These environments speak both to the character of each friend and also to …

The Settlement In The Salt Meadow: Housing In Steinway Village, 1873–1890, Anne Vuagniaux

Art Inquiries

No abstract provided.