Open Access. Powered by Scholars. Published by Universities.®
History of Art, Architecture, and Archaeology Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Art and Design (193)
- Fine Arts (188)
- Art Practice (180)
- Theory and Criticism (176)
- Museum Studies (154)
-
- Architecture (153)
- Architectural History and Criticism (148)
- Contemporary Art (32)
- Other History of Art, Architecture, and Archaeology (17)
- Feminist, Gender, and Sexuality Studies (16)
- Philosophy (15)
- Social and Behavioral Sciences (15)
- History (14)
- Sculpture (12)
- American Studies (11)
- Modern Art and Architecture (10)
- American Art and Architecture (9)
- Ancient, Medieval, Renaissance and Baroque Art and Architecture (9)
- Interdisciplinary Arts and Media (9)
- Religion (9)
- Aesthetics (8)
- Anthropology (8)
- Creative Writing (8)
- Photography (8)
- Education (7)
- Audio Arts and Acoustics (6)
- Graphic Design (6)
- Other Arts and Humanities (6)
- Keyword
-
- Art (12)
- Contemporary art (5)
- Anthropology (4)
- Archaeology (4)
- Painting (4)
-
- Sculpture (4)
- Ceramic (3)
- Craft (3)
- Exhibition (3)
- Exhibition review (3)
- Gender (3)
- History (3)
- Identity (3)
- Memory (3)
- Modernism (3)
- Photography (3)
- Queer (3)
- Animation (2)
- Art history (2)
- Book review (2)
- Contemporary (2)
- Death (2)
- Decorative arts (2)
- Economics (2)
- Education (2)
- Feminism (2)
- Fine art (2)
- Graphic design (2)
- Grid (2)
- Installation (2)
- Publication Year
- Publication
-
- Art Inquiries (161)
- Theses and Dissertations (62)
- UROP Posters (7)
- Artistic Tiles from the American Encaustic Tiling Company (2)
- Graduate Research Posters (2)
-
- International Journal of Lifelong Learning in Art Education (2)
- Journal of Social Theory in Art Education (2)
- World Studies Publications (2)
- AUCTUS: The Journal of Undergraduate Research and Creative Scholarship (1)
- English Publications (1)
- Jurgen Banned Art Comics Contest (1)
- Kinetic Imaging Publications and Presentations (1)
- Publication Type
Articles 181 - 210 of 244
Full-Text Articles in History of Art, Architecture, and Archaeology
Cross Country: The Power Of Place In American Art, 1915-1950, Naomi Slipp
Cross Country: The Power Of Place In American Art, 1915-1950, Naomi Slipp
Art Inquiries
No abstract provided.
Arts: A Guide For Conservators, Curators, And The Curious, Kari Rayner
Arts: A Guide For Conservators, Curators, And The Curious, Kari Rayner
Art Inquiries
Book review of Arts: A Guide for Conservators, Curators, and the Curious, by Roy S. Berns.
Marilyn Minter: Pretty/Dirty, Susan Richmond
Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton
Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton
Art Inquiries
Book review of Mass Effect: Art and the Internet in the Twenty-First Century, edited by Lauren Cornell and Ed Halter.
Interview With Duane Paxson, Dorothy Joiner
The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner
The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner
Art Inquiries
No abstract provided.
Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger
Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger
Art Inquiries
Book review of Picture Titles: How and Why Western Paintings Acquired Their Names, by Ruth Bernard Yeazell.
Ancient Puebloan Human Effigy Vessels: An Examination Of Iconography And Tradition, Amy G. Marshman
Ancient Puebloan Human Effigy Vessels: An Examination Of Iconography And Tradition, Amy G. Marshman
Theses and Dissertations
This dissertation provides an iconographic interpretation of a group of Ancient Puebloan human effigy vessels and fragments from the American Southwest, dating to the Pueblo II period, c. 900 -1150 CE. Initially, this project focuses on Ancient Puebloan human effigy vessels from three specific collections; a single vessel in the collection of the National Museum of the American Indian in Washington, D.C., a human effigy vessel in the collection of the American Museum of Natural History in New York, and the so-called Putnam Human Effigy Jar from Chaco Canyon at the Peabody Museum of Archaeology and Ethnology at Harvard University. …
Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha
Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha
Theses and Dissertations
Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage …
Catching All Passions In His Craft Of Will: Portraits And Pater In Oscar Wilde’S “The Portrait Of Mr. W. H.”, Rebecca E. Jones
Catching All Passions In His Craft Of Will: Portraits And Pater In Oscar Wilde’S “The Portrait Of Mr. W. H.”, Rebecca E. Jones
Theses and Dissertations
This thesis examines Oscar Wilde’s “The Portrait of Mr. W. H.” as the product of Wilde’s long interest in critic Walter Pater’s literature and scholarship. From its first iteration published in 1889, through Wilde’s ongoing revision and expansion into the version commonly anthologized today, “The Portrait of Mr. W. H.” is an evolving work that mirrors Wilde’s enduring relationship with the art and ideas of his former teacher. This relationship is explored in three contexts: Pater’s contribution to Wilde’s understanding of the Renaissance period; the steady influence of Pater’s ideas and persona on Wilde’s other major works from the period …
Hidden In Plain Sight: Image, Text, And Social Commentary In Victor Ekpuk's Cartoons For The Daily Times Of Nigeria, 1989-1998, Kaleb W. Jewell
Hidden In Plain Sight: Image, Text, And Social Commentary In Victor Ekpuk's Cartoons For The Daily Times Of Nigeria, 1989-1998, Kaleb W. Jewell
Theses and Dissertations
This thesis provides an analysis of the cartoons produced by Victor Ekpuk for The Daily Times newspaper of Nigeria from 1989 through 1998 and the artist’s use of ancient nsibidi script to “hide in plain sight” his social commentaries on sociopolitical and economic issues in Nigeria. Victor Ekpuk’s original cartoons within the permanent collection of the Smithsonian Institution’s National Museum of African Art are examined in the context of indigenous masking practices and other indirect methods employed by indigenous comedians to protect themselves. Moreover, the cartoons’ use of caricature and their nsibidi scripts within are argued to provide a connotative …
Cajamarca Ceramic Spoons From Northern Peru: Forming A Symbolic Function, Jeanette Louise Nicewinter
Cajamarca Ceramic Spoons From Northern Peru: Forming A Symbolic Function, Jeanette Louise Nicewinter
Theses and Dissertations
Ten painted Cajamarca-style ceramic spoons form the foundation for an investigation of the way that these seemingly utilitarian objects were bestowed with economic and symbolic value both within and outside of the borders of the Cajamarca region, located in the north highlands of present-day Peru. Since the ceramic spoons have been recovered from sites associated with large and powerful societies and states, such as the Moche of the north coast and the Wari of the central highlands, an analysis of the form, style and imagery present on these spoons reveals how these objects transcended cultural boundaries. To assess and evaluate …
Viewing Victorian Prisoners: Representations In The Illustrated Press, Painting, And Photography, Lauren Boasso
Viewing Victorian Prisoners: Representations In The Illustrated Press, Painting, And Photography, Lauren Boasso
Theses and Dissertations
Victorian prisoners were increasingly out of sight due to the ending of public displays of punishment. Although punishment was hidden in the prison, prison life was a frequent subject for representation. In this dissertation, I examine the ways Victorian illustrated newspapers, paintings, and photographs mediated an encounter with prisoners during a time when the prison was closed to outsiders. Reports and images became a significant means by which many people learned about, and defined themselves in relation to, prisoners. Previous scholarship has focused on stereotypes of prisoners that defined them as the “criminal type,” but I argue prisoners were also …
Crescendo, Jeffery A. Pabotoy
Crescendo, Jeffery A. Pabotoy
Theses and Dissertations
Artist Statement
I have always found comfort and warmth in my family. When I am not with them, I find myself clinging to the objects they leave behind as a substitute in their absence. As I began to re-create these objects through paintings and ceramics, I realized that I was creating symbolic portraits of my family. These portraits are tangible family moments preserved in pigment and clay.
In recent years, my siblings were deployed to war and I began to represent them as various instruments. These instruments, both musical and tools of war, chronicle who they were and who they …
Allegories Of The Modern: The Female Nude In Art Nouveau, Emily Winthrop
Allegories Of The Modern: The Female Nude In Art Nouveau, Emily Winthrop
Theses and Dissertations
Modernism is a plurality, not a singular concept. This project explores examples of Art Nouveau nudes to describe the particular expressions of the modern through varied and complicated allegorical bodies. The female nude as a nexus for ideals of gender, art, and beauty, is informed by and constructs the understanding of these ideals within society. Art Nouveau thus employed the nude to represent complex manifestations of modernity. Three diverse cases provide the subjects of each chapter. All explore modernism through objects and interiors, in public and private environments, and each connects the decorative arts with accounts of European modernism in …
From Audubon To Warhol: The Art Of American Still Life, Stephanie Huber
From Audubon To Warhol: The Art Of American Still Life, Stephanie Huber
Art Inquiries
No abstract provided.
Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe
Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe
Art Inquiries
No abstract provided.
David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker
David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker
Art Inquiries
No abstract provided.
Art Inquiries, Xvii:1, Full Issue
Gunther Gerzso: A Mexican Master, Carlos A. Colón
Francis Alÿs: A Story Of Negotiation, Kerr Houston
Francis Alÿs: A Story Of Negotiation, Kerr Houston
Art Inquiries
No abstract provided.
Gustave Caillebotte: The Painter’S Eye, Peter L. Schmunk
Gustave Caillebotte: The Painter’S Eye, Peter L. Schmunk
Art Inquiries
No abstract provided.
Memory Traces: Analyzing Sacred Space At Five Mesoamerican Sites, Yumi Park Huntington
Memory Traces: Analyzing Sacred Space At Five Mesoamerican Sites, Yumi Park Huntington
Art Inquiries
Book review of Memory Traces: Analyzing Sacred Space at Five Mesoamerican Sites, edited by Cynthia Kristan-Graham and Laura M. Amrhein.
The Urbanism Of Frank Lloyd Wright, Michael Lewis
The Urbanism Of Frank Lloyd Wright, Michael Lewis
Art Inquiries
Book review of The Urbanism of Frank Lloyd Wright, by Neil Levine.
The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards
The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards
Art Inquiries
No abstract provided.
Looking Through The Parisian Window: Caillebotte, Zola, And The Post-Haussmann Interior, Jennifer S. Pride
Looking Through The Parisian Window: Caillebotte, Zola, And The Post-Haussmann Interior, Jennifer S. Pride
Art Inquiries
No abstract provided.
“In The Middle Of Nowhere”: Robert Irwin’S Experiments With The Art And Technology Program At The Los Angeles County Museum Of Art, 1968-1970, Amanda Dalla Villa Adams
“In The Middle Of Nowhere”: Robert Irwin’S Experiments With The Art And Technology Program At The Los Angeles County Museum Of Art, 1968-1970, Amanda Dalla Villa Adams
Art Inquiries
No abstract provided.