History of Art, Architecture, and Archaeology Commons^™

Discover Joyce's Dublin By Reading And Running, Barry Sheehan

Academic Articles

James Joyce told his friend Frank Budgen. “‘I want’ said Joyce, as we were walking down the Universitätstrasse, ‘to give a picture of Dublin so complete that if the city one day suddenly disappeared from the earth it could be reconstructed out of my book.’” (Budgen, 1960, p.67, 68).

This research looks at the relevance of Dublin to Joyce’s writings and to the relevance of Joyce’s writings to Dublin. It is concerned with the virtual Dublin of Joyce’s writings, the physical manifestation of Dublin over time, and the relationships between them.

Numerous scholars read and analyse the writings of Joyce …

When Attitudes Become Toys: Play Orbit And The Cybernetics Of Participation, Tim Stott

Conference Papers

This paper discusses the exhibition Play Orbit, curated by Jasia Reichardt, then Assistant Director of the Institute of Contemporary Arts in London, in collaboration with Peter Jones of the Welsh Arts Council and first shown at the Royal National Eisteddfod of Wales in Flint from 4to 9 August 1969 and then at the ICA itself from 28 November 1969 to 15 February 1970.

The exhibition consisted of ‘toys, games, and playables [produced] by people who are not professionally involved with the design of playthings, but who work in the field of the visual arts’, wrote Reichardt. In its choice …

Knowledge Management: Collaboration Versus Concentration In Open Plan Workspaces, John Walsh

Articles

This paper looks at the design of open-plan offices, particularly in relation to the impact ofspatial design on different work-modes. It briefly examines the history of the open plan office, lookingat how today’s typical open-plan workplace has evolved. It considers how workplaces can besuccessfully designed to facilitate the seemingly conflicting requirements of supporting both collaboration and concentration

Statecraft: Vandalism And Iconoclasm In The Digital Age, Connell Vaughan

Conference papers

Not only is vandalism increasingly subject to digital documentation, but the aesthetic nature of vandalism itself is different as a result of the digital. No longer is vandalism a local destructive act, it has become an act performed primarily for broadcast to global markets. This paper uses the example of Islamic State (IS) iconoclasm to explore the way in which digital media is strategically used by vandals and considers the responses of the heritage industry to respond to such destruction. It illustrates how the deliberate digital documentation and subsequent global broadcasting of the destruction of cultural heritage by Islamic State …

Reading Foucault After Modern Painting: From Object To System’, Tim Stott

Conference Papers

By his own admission, Foucault wrote with great pleasure about painting, feeling little need for polemics or strategic interpretation (DE II, 707). But he also thought through paintings, taking them to be exemplary objects of knowledge, uniquely indicative of transformations and discontinuities in discursive and non-discursive orders. This mixture of pleasure, preference, and analysis leaves us with a diverse body of work that might still assist in our understanding of the development of modern painting. Of particular interest is that during the period in which Foucault wrote, what counted as painting was radically questioned, leading to an expansion that …

Identified By Taste: The Chef As Artist?, Máirtín Mac Con Iomaire

Articles

This article discusses the role of taste among the senses using fictional depictions of taste, including Proust’s madeleine episode; Suskind’s Perfume: the story of a murderer; Esquivel’s Como aqua para chocolate; Harris’s Chocolate and Blixen’s Babette’s feast. The discussion also provides three historical case studies which highlight how an individual chef was identified against the odds by the individualistic taste of his or her cooking.

Brian Fay Contribution To The Lismore Castle Arts Public Discussion- Painting As A Dream, Friday 25th Of April, 2014, Brian Fay

Other resources

Brian Fay contribution to the Lismore Castle Arts, Waterford, Public Discussion- Painting As A Dream, Friday 25^th of April, 2014

Michael Craig Martin: Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

National Institutions Of Visual Culture, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Alanna O'Kelly, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Jaki Irvine, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Daphne Wright, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Maurice O'Connell, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Grace Weir, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Finola Jones, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Frances Hegarty, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Lessons In Playing: Robert Morris’ Bodyspacemotionthings As A Biopolitical Environment, Tim Stott

Conference Papers

This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”

In more detail, …

Lessons In Playing: A Current Work Of Art As A Biopolitical Milieu, Tim Stott

Conference Papers

This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”

In more detail, …

Lessons In Playing: A Current Work Of Art As A Biopolitical Milieu, Tim Stott

Conference papers

This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”

In more detail, …

Rhyme Or Reason:That Is The Question?, Jim Roche

Articles

Noting that “the aesthetic should not be limited merely to the way things look” the organisers of this conference sought “in part to address the discursive limitation in architecture and related subjects by broadening the aesthetic discourse beyond questions relating to purely visual phenomena in order to include those derived from all facets of human experience”.

So where does etchics come in? Well, the introductory brochure noted that most philosophical trained aestheticians will say that “the aesthetic is everything” hinting perhaps of the necessity for a more haptic experience of architecture. It also drew on Wittgenstein’s quote that “ethics and …

The Lismullin Enclosure: Design Beyond The Obvious In The Iron Age, Frank Prendergast

Book/Book Chapter

No abstract provided.

Declan Clarke’S Fantasies, Tim Stott

Articles

No abstract provided.

Climate Change And The Conservation Of Archaeological Sites: A Review Of Impacts Theory, Caithleen Daly

Articles

This article identifies the current state of knowledge in the literature regarding the possible impacts of future climatic change on archaeological sites and ensembles. Drawing on the literature review a matrix of potential impacts is collated to provide a simplified overview. This theoretical ‘menu’ is then tested by applying it to a vulnerability assessment of the World Heritage site of Skellig Michael in Ireland. The case study results reveal some knowledge gaps, particularly in regard to the impacts of climate change on buried archaeological remains.

Criton Tomazos And Underground Art In The 1960s, Stephen Carruthers

Articles

This article situates the artistic development of the Greek-Cypriot artist Criton Tomazos (b.1940) as a part of a circle of artists in the 1960s loosely associated around a number of informal groupings, including Arts Together, Writers Forum, Sigma, Group H and Environmental Forum.It examines the context for a number of his key works including The Cage on the basis of a literature review and interviews conducted with Criton Tomazos. The article concludes that Criton Tomazos made a significant contribution to the Undergound art movement in London in the 1960s.

Alternative Practice: Research In Architecture Colloquium, Noel Brady

Articles

Report on Colluquim on Architectural Research held at UCD in 2011. Also reporting on formation on AIARG representing architectural researchers on the Island of Ireland as well as introducing the first AIARG Annual Conference held at DIT in January 2012.

An Intriguing Monument, Muiris O'Sullivan, Frank Prendergast, Geraldine Stout

Articles

No abstract provided.

World Heritage In A Changing Climate; The Potential For A Global Laboratory, Caithleen Daly

Conference papers

This paper presents ongoing research, partly undertaken on behalf of ICOMOS Ireland’s Sub-Committee on Climate Change and the Department of Environment Heritage and Local Government, into the effects of climate change on World Heritage (and proposed World Heritage) in Ireland. World Heritage sites in Ireland have been key to the formation of a cutting edge climate change monitoring project. The outlined monitoring scheme should form a legacy for the future, producing quantifiable data over the coming century, vital in the assessment of climate change impacts on cultural heritage. In turn this will enable the development of appropriate and sustainable management …

Collective As Form, Playground As Medium, Tim Stott

Conference Papers

Playgrounds offer a medium for forms of collective organisation. To a greater or lesser degree withdrawn from consequence, playgrounds might loosen otherwise binding collective forms, and provide both models of and models for present and future collectivities. But when play is becoming pervasive and dispersed throughout contemporary post-industrial societies, no longer knowing its time or place, by what means such modelling of collectivities might be observed and played out? The task of this paper is to examine how some contemporary participatory art works might provide such a means. Not because with such works we play more or play better, but …

The Thinking Hand: Book Review, Jim Roche

Articles

In this new book Juhani Pallasmaa continues his phenomenological exploration begun in ‘The Eyes of the Skin (2005)’, with the ‘Thinking Hand’ here proffered as a metaphor for his contention that all our senses, have innate imbedded crucial skills which help us perform the most basic daily tasks – and to create inspired works of art and architecture.

To Document Or Not To Document, That Is The Question? Use Of The Participatory Archive Model For A Residential Artist’S Centre, Yvonne Desmond

Conference papers

Men of genius really are doing most when they work least, as they are thinking out ideas and perfecting the conceptions which they will subsequently carry out with their hands.’ (Leonardo da Vinci) There is a romantic notion that regards all forms of Art as emanating from the gods and artists as the mere conduits for this divine inspiration. This research project disavows such notions and instead is predicated on the basis that all artists are skilled practitioners of their craft. Research into the areas of tacit knowledge and visual intelligence indicate that the making of art is an experiential …