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Articles 151 - 180 of 378
Full-Text Articles in History of Art, Architecture, and Archaeology
Graduate Sessions 5: Johnston Marklee, James Degennaro, Amanda Jones
Graduate Sessions 5: Johnston Marklee, James Degennaro, Amanda Jones
School of Architecture - All Scholarship
Sharon Johnston, AIA & Mark Lee are the principal founders of Johnston MarkLee Associates. Sharon currently teaches at UCLA's Department of Architecture and Urban Design and has directed visiting critics studios throughout the country. Mark Lee is an integral faculty member at UCLA and is currently the Vice Chair.
Founded in 1998, Los Angeles-based Johnston MarkLee & Associates designs and develops distinvtive architectural environments that are responsive to the variable intermix of specific conditions of site, program and economics. Recent projects include an exhibition design at the Los Angeles County Museum of Art entitled nano, numerous award-winning houses that are …
Table Of Contents (V. 19, 2007)
Table Of Contents (V. 19, 2007)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
Chemical Composition Of Late 18th- And 19th-Century Glass Beads From Western North America: Clues To Sourcing Beads, Laurie E. Burgess, Laure Dussubieux
Chemical Composition Of Late 18th- And 19th-Century Glass Beads From Western North America: Clues To Sourcing Beads, Laurie E. Burgess, Laure Dussubieux
BEADS: Journal of the Society of Bead Researchers
The Sullivans Island glass bead collection at the Smithsonian's National Museum of Natural History contains over 56,000 beads which date from the late 18th to the late 19th century. Excavated in the 1930s from a site on the Columbia River in the Plateau region of North America, this collection contains examples of most known bead varieties for this time period. Many of the beads conform to varieties that have been attributed to Bohemia, Venice, and China-three of the main bead-producing centers for this time period. One hundred and twenty-four beads were subjected to Laser-Ablation Inductively-Coupled Mass-Spectrometry (LA-ICP-MS) analysis at the …
In Memoriam: Mary Elizabeth Good, 1930-2007, Marvin T. Smith
In Memoriam: Mary Elizabeth Good, 1930-2007, Marvin T. Smith
BEADS: Journal of the Society of Bead Researchers
Bead researcher Mary Elizabeth Good died December 18, 2007. A native of Tulsa, Oklahoma, she was 77 years old. Mary Elizabeth was well-known and respected as an early researcher of trade beads in North America. Her first publication, "Guebert Site: An 18th century Historic Kaskaskia Indian Village in Randolph County, Illinois" (1972), is considered a classic in bead studies. Mary Elizabeth was active in the Society of Bead Researchers, serving as Chair of the Publications Committee from 1989 to 1993, and as President of the Society from 1994 to 1996. The bead community has lost an important member.
An Archaeological Approach To Understanding The Meaning Of Beads Using The Example Of Korean National Treasure 634, A Bead From A 5th/6th-Century Royal Silla Tomb, James W. Lankton, Marjorie Bernbaum
An Archaeological Approach To Understanding The Meaning Of Beads Using The Example Of Korean National Treasure 634, A Bead From A 5th/6th-Century Royal Silla Tomb, James W. Lankton, Marjorie Bernbaum
BEADS: Journal of the Society of Bead Researchers
An ancient bead is a document from the past—a message in a bottle—written in some lost symbolic language. Archaeologists try to understand that language by integrating scientific and technological approaches with the social, economic, political, and symbolic/ religious context in which the bead was found. As an example, we use Korean National Treasure 634 (NT634), a dark blue glass bead adorned with mosaic decorations of a bird, a flowering tree, and a human face, found in a 5th-6th century Korean tomb. This bead suggests its meaning by how and where it was made, and what its images may represent.
Western Indian (Mewar) Chalcolithic Beads With Special Reference To Balathal, Alok Kumar Kanungo, Virendra Nath Misra, Vasant Shinde
Western Indian (Mewar) Chalcolithic Beads With Special Reference To Balathal, Alok Kumar Kanungo, Virendra Nath Misra, Vasant Shinde
BEADS: Journal of the Society of Bead Researchers
During the last few years, Indian archaeologists have concentrated their efforts on the investigation of sites of the 3rd to 2nd millennia B.C. in the Mewar region of western India. Unfortunately, most of the excavations have been focused on understanding the cultural sequence, settlement patterns, architecture, and pottery at the sites and have neglected the study of such important artifact categories as beads. As no final reports have been published and the excavations have been carried out by different agencies, reconstructing the bead culture of this area is very difficult. We know quite a bit about the beads of the …
Captions And Color Plates (V. 19, 2007)
Captions And Color Plates (V. 19, 2007)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
Eighteenth-Century Glass Beads From The English Slaving Fort At Bunce Island, Sierra Leone, Karlis Karklins
Eighteenth-Century Glass Beads From The English Slaving Fort At Bunce Island, Sierra Leone, Karlis Karklins
BEADS: Journal of the Society of Bead Researchers
While countless tons of European glass beads flowed into West Africa over the centuries, there is still relatively little information concerning what specific nations were importing over time. It was therefore of great interest to learn about two collections of beads surface collected at the site of a British slaving fort that operated on Bunce Island in the Sierra Leone estuary of coastal Sierra Leone from the late 17th to the early 19th century. Although it is impossible to assign the beads to a specific period in the fort's history, it is clear that they are of 18th-century origin and …
Beads: Journal Of The Society Of Bead Researchers - Volume 19 (Complete)
Beads: Journal Of The Society Of Bead Researchers - Volume 19 (Complete)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
Reviews And End Matter
BEADS: Journal of the Society of Bead Researchers
International Bead & Beadwork Conference, Jamey D. Allen and Valerie Hector (eds.) (2007), reviewed by Karlis Karklins
Navajo Beadwork: Architectures of Light, by Ellen K. Moore (2003), reviewed by Kate C. Duncan
Made of Thunder, Made of Glass: American Indian Beadwork of the Northeast, by Gerry Biron (2006), reviewed by Dolores Elliott
Lubāna ezera mitrāja Neolīta dzintars (Neolithic Amber of Lake Lubāns Wetlands), by Ilze B. Loze (2008), reviewed by Aleksandar Palavestra
The Bead Goes On, by Koos van Brakel (2006), reviewed by Karlis Karklins
World War I Turkish Prisoner-Of-War Beadwork, Jane A. Kimball
World War I Turkish Prisoner-Of-War Beadwork, Jane A. Kimball
BEADS: Journal of the Society of Bead Researchers
Drawing on the rich tradition of textile crafts in the Ottoman Empire, Turkish soldiers incarcerated in British prison camps in the Middle East during and immediately after World War I made a variety of beadwork items to relieve the boredom of their prolonged imprisonment and to barter or sell for food and other amenities. Best known are the bead crochet snakes and lizards, but the prisoners also used loomed and netting techniques to produce necklaces, belts, purses, and other small items.
Organic Architecture And Direct Democracy: Claude Bragdon's Festivals Of Song And Light, Jonathan Massey
Organic Architecture And Direct Democracy: Claude Bragdon's Festivals Of Song And Light, Jonathan Massey
School of Architecture - All Scholarship
Graduate Sessions 3: Juan Herreros, Mark D. Linder, Beth Mosenthal
Graduate Sessions 3: Juan Herreros, Mark D. Linder, Beth Mosenthal
School of Architecture - All Scholarship
Juan Herreros is the founder and principal of Abalos and Herreros Architects in Madrid and teaches internationally as a Doctor of Architecture, Senior Professor and head of Teaching Unit Q at the Escuela Tecnica Superior de Arquitectura de Madrid, as well as a Visiting Professor most recently at Princeton University and the Illinois Institute of Technology
The work of Abalos and Herreros ranges from published works including Tower and Office: From Modernist Theory to Contemporary Practice and Recycling Madrid to critically-acclaimed built work including apartment and office towers in Vitoria and the Woermann complex in Las Palmas de Gran Canaria. …
Landscaping Helen Frankenthaler, Morgan Ridler
Landscaping Helen Frankenthaler, Morgan Ridler
Renée Crown University Honors Thesis Projects - All
There is no abstract art. You must always start with something. Afterward you can remove all traces of reality. There’s no danger then, anyway, because the idea of the object will have left an indelible mark. It is what started the artist off, excited his ideas, and stirred up his emotions. Ideas and emotions will in the end be prisoners in his work. Whatever they do, they can’t escape from the picture. They form an integral part of it, even when their presence is no longer discernible. — Picasso1 Helen Frankenthaler is an Abstract Expressionist painter who seems to prove …
Exhibiting Modernism In America A Look At The People, Places, And Exhibits That Brought Modernism To America, Jacqueline M. Parker
Exhibiting Modernism In America A Look At The People, Places, And Exhibits That Brought Modernism To America, Jacqueline M. Parker
Renée Crown University Honors Thesis Projects - All
At the end of the nineteenth century American art and art exhibits were stuck in a conservative academic aesthetic that dominated the American art scene. Modernism, which had been flourishing in Paris since the 1870s, was still completely alien to the United States. The few progressive artists that were working in the U.S. found it impossible to exhibit or sell their work, since there was no market for American art done outside the National Academy of Design or the Society of American Artists. In order for these artists to succeed the American aesthetic needed to change in favor of a …
Graduate Sessions 4: Transdisiplinary Applications, Mark D. Linder, Joseph Sisko
Graduate Sessions 4: Transdisiplinary Applications, Mark D. Linder, Joseph Sisko
School of Architecture - All Scholarship
This issue of Graduate Sessions combines the panel discussions of Transdisciplinary Applications, a symposium featuring designers and researchers who studied the discipline of architecture and now are expanding the field of the discipline by applying specifically architectural techniques to problems and projects outside of, or marginal to, the proper domain of the profession.
Reviews And End Matter
BEADS: Journal of the Society of Bead Researchers
The Art of Beadwork: Historic Inspiration, Contemporary Design, by Valerie Hector (2005), reviewed by Alice Scherer
Beads of Borneo, by Heidi Munan (2005), reviewed by Hwei-Fe'n Cheah.
Beads: Journal Of The Society Of Bead Researchers - Volume 18 (Complete)
Beads: Journal Of The Society Of Bead Researchers - Volume 18 (Complete)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
Table Of Contents (V. 18, 2006)
Table Of Contents (V. 18, 2006)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
Classification And Nomenclature Of Beads And Pendants, Horace C. Beck
Classification And Nomenclature Of Beads And Pendants, Horace C. Beck
BEADS: Journal of the Society of Bead Researchers
The year 2006 marks the 80th anniversary of the presentation of a "Classification and Nomenclature of Beads and Pendants" by Horace C. Beck to the Society of Antiquaries of London in 1926. It was subsequently published in the society's journal Archaeologia in 1928 (vol. 77, pp. 1-76). While it is somewhat out of date, it nevertheless remains a classic in its field and is still the only comprehensive work that deals with the classification of beads of complex shapes and forms. Seeing the value of this work, George Shumway reprinted it in 1973. This edition is now out of print. …
Captions And Color Plates (V. 18, 2006)
Captions And Color Plates (V. 18, 2006)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
Graduate Sessions 1: Sylvia Lavin, Mark D. Linder, James Degennaro
Graduate Sessions 1: Sylvia Lavin, Mark D. Linder, James Degennaro
School of Architecture - All Scholarship
Sylvia Lavin is Professor of Architecture at UCLA and writes widely on contemporary architecture and theory. She recently completed a year as a Getty Scholar where she was working on her next book, The Flash in the Pan and Other Forms of Architectural Contemporaneity. She is co-editor of Crib Sheets (Monacelli Press, 2005) and the author of Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture (MIT Press, 2005).
Graduate Sessions 2: Greg Lynn, Mark D. Linder, Beth Mosenthal
Graduate Sessions 2: Greg Lynn, Mark D. Linder, Beth Mosenthal
School of Architecture - All Scholarship
Greg Lynn is the principal of Greg Lynn FORM and has lectured and taught internationally, as Professor at the Universitat fur Angewandte Kunst in Vienna, as Davenport Professor at Yale, and as studio professor at UCLA. He curated the exhibitions "Intricacy" (2003) at the ICA in Philidelphia, and "Intricate Surface" (2003) at the MAK in Vienna. He is the editor of Folding in Architecture (Architectural Design, 1993), the author of Animate Form (Princeton Architectural Press, 1998), and Folds, Bodies, and Blobs: Collected Essays (La Lettre Vole, 1998).
Necklaces Used In The Santería Of Cuba, Lourdes S. Domínguez
Necklaces Used In The Santería Of Cuba, Lourdes S. Domínguez
BEADS: Journal of the Society of Bead Researchers
This article examines the necklaces used in the Afro-Cuban Rule of Orisha, more commonly known as Santería. This religion, created by African slaves brought to Cuba starting in the 16th century, combines aspects of Yoruba orisha worship and Spanish Catholicism. It allowed African religious beliefs and practices to survive despite the imposition of Catholic doctrine. One of the outcomes of this amalgamation is the practice of associating individual orishas (deities) with certain Catholic saints. Each orisha is represented by specific necklaces that incorporate particular bead forms, colors, and numbers.
Elemental Analyses Of North American Glass Trade Beads, R. G.V. Hancock
Elemental Analyses Of North American Glass Trade Beads, R. G.V. Hancock
BEADS: Journal of the Society of Bead Researchers
Although European-made glass trade beads can be sorted into bead varieties and studied in that manner on the basis of physical attributes, much more information can be obtained about them by means of chemical analysis. Such analyses produce chemical fingerprints that may be compared and grouped. Bead varieties that have matching chemistries were made using the same ingredients that probably came from the same sources, suggesting that they were made in a specific manufacturing center and probably during the same approximate time period. Using this information may help to establish with which European nationals specific indigenous people were dealing and …
Die Perle: A 1920s German Trade Journal, Anita Von Kahler Gumpert, Karlis Karklins
Die Perle: A 1920s German Trade Journal, Anita Von Kahler Gumpert, Karlis Karklins
BEADS: Journal of the Society of Bead Researchers
Though short lived, the German trade journal, Die Perle, contains a wealth of information concerning the European bead and jewelry industry of the 1920s. Short articles provide insight into new machinery and apparatus for producing beads, natural and artificial materials for the production of beads and other ornaments, fashion trends, market reports, and numerous other topics. As well, there are several departments which deal with specific themes such as technical questions and sources of supplies. As the journals are in German, English summaries are provided for a representative sample of the articles to give the reader an idea of their …
Beads: Journal Of The Society Of Bead Researchers - Volume 17 (Complete)
Beads: Journal Of The Society Of Bead Researchers - Volume 17 (Complete)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
Table Of Contents (V. 17, 2005)
Table Of Contents (V. 17, 2005)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.