History of Art, Architecture, and Archaeology Commons^™

Nostos: On Recollecting Loss And The Physical Manifestation Of Loss, Stephanie M. Huang

Scripps Senior Theses

This paper examines nostalgia in photo-poetry book Nostos, and nostalgia’s existence as a theoretical global condition arising from displacement, looking at nostalgia specifically not as a yearning for home, but a yearning for a lost sense of feeling at home. It traces the lineage of image-text hybrid art practices and examines the significance of conveying meaning through both synergistically. It studies the psychoanalytic process of transforming loss into object, or absence into presence, ultimately using the object as a lens to view oneself and the way in which nostalgia manifests itself.

Pigs Feet, Jesse W. Standlea

The Transdisciplinary STEAM+ Journal

My sculpture “Pigs Feet” has literal foundations upon casts of live pig’s feet. I locally sourced the pig’s feet before casting them. My sculpture makes use of a once cutting edge casting technology, alginate. Alginate molds were once the standard in dentistry. Alginate is an appealing casting material as it is refined from brown seaweeds, is both food and skin safe, it is suitable for educators, for artists and engineers alike.

Ecotones, Chas Schroeder

CGU MFA Theses

My work explores the intersection of pastoral, urban and idiosyncratic visions. It may reveal the aesthetic and emotional possibilities inherent in the broad-ranging subjects I employ: game animals, advertising, colonialism, love, numerals, textiles, drugs, abstraction, competitive sports, displacement, architecture, gender-bending, civil-rights movements, transgressive literature, social media, indigenous peoples, graphic design, glamour, fashion, hip-hop, rock-n-roll, graffiti, cowboy, exhibitionism and other niche cultures in America. Pieces emerge intuitively via personal narrative and lodged memories as guides. The disjunctive compositions are a breed of contemporary formalism mated with abstraction.

Perspective: Of Time And Eternity, James G. Lawson

Journal of Humanistic Mathematics

This paper considers geometric perspective in relation to devotional requirements in Italian religious painting from about 1250 to about 1450. The content of the altarpiece consisted in antithetical elements---the graphic exposition of Christian dogmatics, and a dramatis personae increasingly to be identified in empathetic terms. The one-point perspective system that was invented towards the end of that period, then, presented an opportunity and a difficulty. It enabled the creation of a naturalistic space, aiding empathetic identification with psychologically plausible individuals in the pictured world. On the other hand, whilst superficially the space marked out by the geometry of the vanishing …

The Fragile Bee: Nancy Macko At Moah, Kathleen Stewart Howe, Carole Ann Klonarides, Stephen Nowlin, Nancy Macko

Pomona Faculty Books

“The Fragile Bee” was exhibited at the Museum of Art and History in Lancaster, CA and is an outcry to the plight of the bees in relationship to the environment. This accompanying catalog critically examines the work in the exhibition beginning with a foreword by Andi Campognone, museum manager and curator at MOAH. Artist Nancy Macko established a garden for native bee-attracting plants in order to document them throughout the year. The resulting series of photographs, "Botanical Portraits", are the subject of the essay by museum director Kathleen Stewart Howe. Contemporary art writer and curator Carole Ann Klonarides writes in …

Making History: How Art Museums In The French Revolution Crafted A National Identity, 1789-1799, Anna E. Sido

Scripps Senior Theses

This paper compares two art museums, both created during the French Revolution, that fostered national unity by promoting a cultural identity. By analyzing the use of preexisting architecture from the ancien régime, innovative displays of art and redefinitions of the museum visitor as an Enlightened citizen, this thesis explores the application of eighteenth-century philosophy to the formation of two museums. The first is the Musée Central des Arts in the Louvre and the second is the Musée des Monuments Français, both housed in buildings taken over by the Revolutionary government and present the seized property of the royal family and …

Le Nationalisme Et L'Identité Nationale Dans La Préservation Des Jardins Historiques: Vaux-Le-Vicomte, Le Potager Du Roi, Et Champ De Bataille, Mikayla E. Raymond

Scripps Senior Theses

Cette thèse analyse la relation entre la préservation des jardins historiques et l’identité nationale. Pour les français, leurs jardins historiques sont une source de fierté. Cette thèse va analyser comment cette place d’importance dans la narrative nationale peut influencer la préservation des jardins historiques. Les trois sites de Vaux le Vicomte, le Potager du Roi à Versailles, et Champ de Bataille servent de mieux comprendre le rôle de l’histoire dans les efforts de préservation. Vaux le Vicomte illustre l’importance de la préservation sur comment nous percevons les sites historiques. Cette site était en tres mauvais état mais avec beaucoup d’efforts …

Claiming Images: The Production And Preservation Of Desire In Richard Prince's Re-Photography, Meghan M. Gallagher

Scripps Senior Theses

This thesis explores the re-photography of contemporary artist, Richard Prince. Using Lacanian theories of the gaze and of the drive cycle, it attempts to establish desire as the central theme of Prince's work. It looks primarily at the Cowboys, Girlfriends, and New Portraits, in order to combat the dominant perception of Prince's work as critical commentary on contemporary consumer culture.

Norton Simon: The Man With "Two Hats", Helen Ragen

Scripps Senior Theses

Norton Simon was a unique collector because he let passion guide his collecting interests, but he controlled his passion by making his purchases based on smart economic decisions bolstered by years of experience in successful business negotiations. The Norton Simon Museum, today in Pasadena, California, displays the eccentric collectors life work as he created one of the greatest and most recognized collections on the west coast. By examining the progression and establishment of Norton Simon Inc., alongside the creation of the Norton Simon Art Foundation, multiple parallels can be drawn between Simons’ unique approach to business and the application of …

My Way Or The Highway And A Correspondence: Visual Representations Of The City, Larkin J. Sheldon

Scripps Senior Theses

This Capstone Project encompasses two videos, each representing different ways to visually structure the experience of “the city”.

The first video, "My Way or the Highway", is a 5 minute piece examining Los Angeles Transportation systems. Through observational footage and a poetic editing style, I compare and contrast the experience of traveling via public and private transportation. Through this video I aim to encourage the viewer to consider their own transportation options whether it is in Los Angeles or anywhere else around the world.

The second is a 12 minute video, titled "A Correspondence" structured as a …

The Biomorphic Grotesque In Modernist And Contemporary Painting, Audrey Howell

Scripps Senior Theses

This paper looks at the concepts of the biomorphic and grotesque in art from the start of the 20^th century to the present with a focus on painting and drawing. Included in the discussion of the grotesque throughout history are the works of Dadaist Otto Dix, painter Georg Baselitz, and feminist artists Judy Chicago, Hannah Wilke, and Ana Mendieta. Each used grotesque imagery to comment or react to a larger sociopolitical issue. Biomorphic artworks from the 20^th century are mentioned as well, with specific examples of work by Lee Krasner, Willem DeKooning, and Hans Bellmer. These artists together …

The Efficacy Of Mathematics Education, Eric Geimer

The Transdisciplinary STEAM+ Journal

Evidence supports the notion that mathematics education in the United States is inadequate. There is also evidence that mathematics education deficiencies extend internationally. The worldwide mathematics education deficit appears large enough that improving student performance in this educational problem area could yield great economic benefit. To improve the efficacy of mathematics education, education’s root problems must first be understood. Often supposed educational root problems are considered and contrasted against potential deficiencies of mathematics methodologies and curricula that are based on mainstream educational philosophies. The educational philosophies utilized to form early-grade mathematics methodologies and related curricula are judged to be the …

Funny Pages: Comic Strips And The American Family, 1930-1960, Dahnya Nicole Hernandez

Pitzer Senior Theses

This thesis examines a selection of American newspaper comic strips from approximately 1930 to 1960. At the height of their runs, many strips appeared in upwards of a thousand newspapers in the United States alone, and syndicates crafted and adjusted the content of these strips according to their image of the average American. This work discusses the pop cultural significance of these strips as well as the traditional American values revealed through each of them. Three strips in particular are the focal point for this thesis: Blondie, created by Chic Young in 1930, Little Orphan Annie created by …

Making The Desert Bloom: Landscape Photography And Identity In The Owens Valley American West, Kaily A. Heitz

Pitzer Senior Theses

This thesis analyzes the way in which landscape photography has historically been used as a colonialist tool to perpetuate narratives of control over the American West during the mid to late 1800s. I use this framework to interrogate how these visual narratives enforced ideas about American identity and whiteness relative to power over the landscape, indigenous people and the Japanese-Americans imprisoned at Manzanar within Owens Valley, California. I argue that because photographic representation is controlled by colonist powers, images of people within the American West reinforce imperialist rhetoric that positions whiteness in control of the land; thus, white settlers used …

William Morris And The Kelmscott Chaucer: Design, Production, And Conservation Analysis, Gretchen Allen

Scripps Senior Theses

William Morris’s Kelmscott Press was founded specifically for the purpose of producing handmade printed works in a rapidly industrializing age. The techniques he and his confederates employed to make the Kelmscott books resulted in beautiful publications with remarkable material fortitude, as exemplified in the Press’s masterwork, “The Works of Geoffrey Chaucer Now Newly Imprinted”. This thesis examines the condition of the copy of the Kelmscott Chaucer in the Scripps rare book collection from a book conservator’s perspective to analyze the connection between William Morris’s personal philosophies, his resulting artistic decisions, and the longevity of the book as an art object.

Exemplary Equines: Gazes And Gesture Of Bovine Animals In Trecento Fresco, Elsa L. Bruno

Scripps Senior Theses

Horses were high status animals in the middle ages. Strong, costly, and used in war, they symbolized power and wealth. Yet in some Trecento Italian frescos, horses take on another role. Particularly through their eyes, ears, and body positioning they seem to communicate with each other regarding the religious scenes at hand. Additionally, horses are often the only beings paying attention to Jesus or God, or are the sole beings who break the fourth wall of an image to engage with the viewer. While the revolutionary use of gesture and eye movement has been examined in humans in these frescoes, …

Religious Iconography In "Twilight": Veneration And Fandom, Jacqueline E. Swaidan

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The mysterious and dark atmosphere, the overwhelming focus on the main characters, and the constant contrast of dark and light in Twilight (2009) recall traditional Christian religious imagery. But more that that, this paper will argue that Twilight, the first of the romantic fantasy films adapted from the successful book series by Stephenie Meyer, draws explicitly on traditional Catholic religious imagery and ceremony to engender religious devotion in its fans. Images from the first Twilight film suggest that the creators of Twilight used religious imagery to captivate their audience. Christian constructs such as Eden’s eternity, Edward’s Christ-like abstinence, and …

Bearing Likeness, Christine M. Salama

CGU MFA Theses

The world is saturated with images and things. I have chosen to put more images and things into the world. In doing so, I complicate and further saturate these connections, but I also find clarity and answers through the mark, the gesture, the image, and material. I make marks with materials that are closely related to the meanings of the things I depict. The images and objects I make are ones that I know and understand because they are close to me, but the process of making leaves room for inquiry and unfamiliarity with these same objects.

I am guided …

Power And Nostalgia In Eras Of Cultural Rebirth: The Timeless Allure Of The Farnese Antinous, Kathleen Lamanna

Scripps Senior Theses

Little did Hadrian know in 130 A.D. that when he deified his beloved departed Antinous, in order to provide a unifying symbol of worship for his diverse empire, that he was instead creating a lasting symbol of the antique world. This thesis examines the power of nostalgia and its successful use by two formidable men from different eras in Rome: The Emperor Hadrian and the extravagantly wealthy Renaissance merchant Agostino Chigi. Though separated by centuries, each man used the nostalgic allure of the beautiful youthful male figure of Antinous to gain power and influence in his own time and to …

Danger In Deviance: Colonial Imagery And The Power Of Indigenous Female Sexuality In New Spain, Mariel Frechette

Scripps Senior Theses

The primary objective of this work is to understand the importance of the indigenous, female body in early New Spain through the study of visual media from the first two centuries of colonization: specifically looking at illustrations from Book 10 (of 15) in the Florentine Codex and images of indigenous Christian wedding ceremonies such as the painted folding screen Indian Wedding and a Flying Pole (c.1690). I argue through visual, theoretical and historical analysis that regulating indigenous female sexuality was a critical component to in the creation of colonial New Spain and that imagery played an essential role in this …

Tiki Kitsch, American Appropriation, And The Disappearance Of The Pacific Islander Body, Daniel Mcmullin

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

After Greenberg's famous analysis of kitsch in terms of aesthetics, Art critic James Gaywood, reasserted the question of kitsch in terms of market. (Gaywood 1997) Here Picasso and cultural appropriation were supplanted by Marcel Duchamp and the readymade. The products of art became completely non-native on all fronts, the world so reflected was postcultural. In that sense, cultural appropriation was no longer an aesthetic, it was a commodity for production, and as much as possible, production by machines. The form of such commodity, of Pacific Islander cultures, was highly variable, from a 17th century English play by John Clarke, to …

Wpa Projects In Anaheim, Ca, During The Great Depression, Laura Enomoto

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The Works Progress Administration (WPA), served as a catalyst for public works programs, specifically in the area of providing work to the unemployed. In cities all over the nation, the WPA provided grants that either paid employees directly or allocated funds to private firms. These programs were fundamental not only to the individuals they employed, but to the future of the cities themselves. Through the construction of public buildings, art projects, parks, and roads, American cities endured, remained intact, and even flourished as a result of the WPA.

Art Meets Science! Get Over It . . ., Stephen Nowlin

The Transdisciplinary STEAM+ Journal

The news headline, when such projects garner attention, usually goes like this – Art Meets Science! Or perhaps Art Merges with Science! or maybe they combine, or art collides with science, or they fuse, join, bond, or unite. And ‘art’ in the phrase usually precedes ‘science’, perhaps because their integration is more typically initiated from the art side of the equation. But whatever the order of the two terms, and whatever verb is used to link them, the tenor of the declaration is typically the same – this is a story worth reporting on, it announces, because …

Dirty Pictures—Not For Sale: Re-Reading Bellocq’S Storyville Portraits, Mollie S. Le Veque

CGU Theses & Dissertations

In this paper, I examine E.J. Bellocq's "Storyville Portraits" within art historical and feminist historiographies. One of the most infamously alluring parts of New Orleans at the turn of the century, the Storyville red light district is hardly part of contemporary American consciousness today. Part of my work involves an evaluation of what a lack of archival resources does to perceptions of Storyville and more broadly, the stereotypical late Victorian “fallen women” that has been read into history - both by historians and popular culture. However, my focal point is indeed the portraits and how they might be re-read and …

La Desnuda Rebelde Y El Bodegón Subversivo: Una Reinterpretación Del Arte De Olga Costa Y María Izquierdo, Carly Goodkin

CMC Senior Theses

This paper explores the art of Olga Costa and María Izquierdo. The history of the Mexican revolution is outlined and then presented again with a focus on women’s issues and involvement. Next is a discussion of national identity construction after the revolution, with attention paid to the role of the “Big Three,” muralists Diego Rivera, Jose Clemente Orozco, and David Siqueiros. While scholars often credit male artists for their involvement in this process, the contributions of female artists tend to be overlooked. Although the work of female artists is often portrayed as limited to their personal experiences, this thesis argues …

Raphael's School Of Athens: A Theorem In A Painting?, Robert Haas

Journal of Humanistic Mathematics

Raphael's famous painting The School of Athens includes a geometer, presumably Euclid himself, demonstrating a construction to his fascinated students. But what theorem are they all studying? This article first introduces the painting, and describes Raphael's lifelong friendship with the eminent mathematician Paulus of Middelburg. It then presents several conjectured explanations, notably a theorem about a hexagram (Fichtner), or alternatively that the construction may be architecturally symbolic (Valtieri). The author finally offers his own "null hypothesis": that the scene does not show any actual mathematics, but simply the fascination, excitement, and joy of mathematicians at their work.

Mme. De Pompadour: Self Promotion And Social Performance Through Architecture And The Decorative Arts, Kelly Elizabeth Boyd

Scripps Senior Theses

The structure of this thesis relies on the physical locations of Mme. de Pompadour. Although the chapters are roughly chronological, beginning with her arrival at Versailles in 1745 and ending with her death in 1764, this work makes no attempt to comprehensively chronicle the entirety of her involvement in the decorative arts. Rather, it focuses on several specific aspects of her patronage, with the goal of illuminating her social position and public image, and how she worked to control the two. Chapter One deals with the first rooms Mme. de Pompadour inhabited, from 1745-1750. These upper apartments characterize her early …

From The Attic To The Cosmos: Myth In The Art Of Anselm Kiefer 1973-2007, Isabel L. Roth

Scripps Senior Theses

Anselm Kiefer was born in Germany, 1945—the year of Adolf Hitler’s suicide, and subsequently, the end of World War II. His own beginnings were shrouded by a national “repression” of history. This repression was at odds with Kiefer’s needs to establish his own origin. For this reason, the spirituality in his earlier work is often overshadowed by its subject—Nazi Germany. This thesis will look back on Kiefer’s work through the lens of mythology in an effort to re-evaluate his earlier art within the context of his works since 1990. From the 1970s to the present, Kiefer has drawn from mythology …

The Vision Of Reality As A Paradox: Salvador Dali's Creative Process From 1927 To 1939, Stefanie Saperstein

Scripps Senior Theses

From 1927 through 1939, Salvador Dalí went through an arduous artistic pursuit to visualize his perspective on reality. Dalí’s inter-connected visual and verbal process lasted for over a decade, during which he went from confronting reality to accepting that the world is an irrational paradox. This study asserts that his investigation took him from the fragmented images of cinema to the metamorphic shapes of the ‘soft and hard’ and ultimately to a series of multiple images, which envisioned his paranoid-critical method. In his 1930 article “The Rotting Donkey,” Dalí wrote, “I believe that the moment is near when, through …

The Gesamtkunstwerk Of A Reunifying Metropolis: Berlin’S Kunsthaus Tacheles, Emma Camille Scheidt

Scripps Senior Theses

After the fall of the Berlin Wall, the city of Berlin was faced with the challenge to reunify in both political and cultural realms. Berlin is noted throughout history as a metropolis that is characterized by flux; the Post-Wende [Post-Wall] era is another remarkable transitional phase in Berlin’s history. During this era, the city was extremely porous and susceptible to cultural forces that could easily define the city’s malleable future. This essay discusses such forces and events that were planned by the city government, as well as an organic grassroots force that was especially significant in the cultural reunification. This …