History of Art, Architecture, and Archaeology Commons^™

The Transformative Power Of An Ethic Of Care In Patricia Piccinini’S Mythic Posthuman Offspring, Keely Parrish

Dissertations and Theses

This thesis examines the contemporary artist Patricia Piccinini and her posthuman hybrid creations within the context of a feminist ethic of care. Largely referring to scholarship by the political scientist Joan C. Tronto, I argue that Piccinini expands the definition of an ethic of care to include non-human entities as well as human ones. The four phases of care identified by Tronto will serve to outline the encounter between the audience and Piccinini’s work to see how humans and non-humans (1) care about, (2) take care of, (3) give care and (4) receive care from each other, as well as …

Defining ‘Un-Americanism’ In Culture And Art: The Dies Committee’S Investigation Of The Federal Theatre Project, Matthew G. Summers

Dissertations and Theses

This thesis explores the House Un-American Activities Committee’s (HUAC) expansive definition of ‘Un-Americanism’ through the body’s 1938 investigation of the Federal Theatre Project (FTP). The committee, then known as the Dies Committee after its chairman Martin Dies (D-TX), publicly presented the hearings as an attempt to root out communism in a deeply compromised government program. And indeed the FTP, an ambitious New Deal Program to provide work for unemployed professionals in the theatre, had an undoubtedly leftist bent. However, the hearings were consistently focused on the project's progressive stances on issues of race and gender, and effectively exposed the underlying …

Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses, Bryan P. Martin

Dissertations and Theses

This thesis explores the intersection of disability studies and art history, addressing the underrepresentation of disability in scholarship, especially concerning medical sociology and caretaking. Focusing on two early-twentieth-century self-taught American artists, Hazel Knapp (1908–95), who fell into obscurity, and Anna Mary Robertson Moses (1860–1961), best known as Grandma Moses, this is a comparative analysis of how disability influenced their artistic practices and shaped their divergent career outcomes. Knapp was born with Charcot-Marie-Tooth disease, a neurodegenerative disorder, and fell into obscurity due to a lack of support for her condition, but experienced a promising start to her career that included patronage …

Building Black Manhattan: Architecture, Art, And The Politics Of Respectability, 1857–1914, Jessica Larson

Dissertations, Theses, and Capstone Projects

“Building Black Manhattan” is the first study to examine the architectural contributions of Black women reformers to the urban development of New York City between the Civil War and the Great Migration. Through the construction of charitable and reform institutions throughout Manhattan, they articulated a strategy of racial uplift through deliberate spatial construction.

As reform work was one of the very few arenas in the nineteenth and early twentieth centuries in which women had a significant public voice, the buildings constructed to facilitate reformers’ work encoded the social, racial, and gendered demands of women into their designs. These institutions included …

Arth1 Syllabus (Queens College), Jennifer Jones

Open Educational Resources

This is an OER zero-textbook cost syllabus for an Introduction to Art course.

Eng 155: Introduction To Literary Studies, Joseph Donica

Open Educational Resources

An OER syllabus covering the ways humans have read and continue to read literature from a variety of critical and theoretical perspectives. An emphasis is placed on the application of critical thought to writing expository essays and responding to readings.

Suspicion And The Witch’S Tit, Shayna R. Miller

Theses and Dissertations

Shayna Miller’s paintings are built up panels with protruding points, appearing as if a mass is pushing up from behind the burlap-stretched painting surface. In Suspicion and the Witch’s Tit, Miller contextualizes her work in relation to a history of shaped painting and frames her discussion around references related to suspicion, embodiment, and rejection.

Vision, Repetition And Redemption: Envisioning Universal Salvation In A Group Of Six Carolingian Ivory Book Covers, Valerie Thai

Theses and Dissertations

Six Carolingian ivory plaques share almost identical imagery. This thesis focuses on the figures of Synagoga and the rising dead repeated in the compositions. As the ivories are Gospel covers used in Mass, this study demonstrates how these motifs appeal to the congregation, conveying the Christian tenet of universal salvation.

The Defense And Propagation Of A Doctrine In New Spain: Images Of The Virgin Of The Immaculate Conception In Franciscan Religious Establishments, 1550–1700, Jocelyn Mosquera

Theses and Dissertations

This thesis examines how the Franciscan Order utilized art in their religious establishments in New Spain to propagate the doctrine of the Immaculate Conception. By doing so, the Franciscans further established themselves as the defenders of the Virgin of the Immaculate Conception.

The Body Of God: The Experience Of Eleventh Century Churches In France, Henry B. Piper

Theses and Dissertations

In its history, philosophy and art, 11^th century France is a distinct historical period and speaks in a distinctive voice that still murmurs in its churches. I seek to occupy this period, as we occupy a church, through immersion in its spirit and thought, which still resound in its stones.

"This Unshakable Dandy": The Life And Work Of Heinrich Maria Davringhausen (1894–1970), Jacob M. Robinson

Theses and Dissertations

This thesis is a monographic study of Heinrich Maria Davringhausen (1894–1970), an artist best-known for his contributions to the art of interwar Germany—and the political and historical contexts of his time. It examines his pre-1918 emergence as an avant-garde artist, asserts a more prominent place for his role in the development of German Post-Expressionism (commonly known as Neue Sachlichkeit or Magic Realism), and broadly overviews the increasingly abstract paintings he produced after fleeing Germany in early 1933, eventually settling in the South of France as Henri Davring.

Édouard Manet’S Defense Of Modernity: Recontextualizing The Cat In Olympia, Rebecca Schiffman

Theses and Dissertations

The black cat in Édouard Manet’s seminal painting, Olympia, has often been relegated as a crude joke or symbol of reprehensible sexuality. This thesis argues that the cat plays a larger role in Manet’s representation of modernism, and functioned as a defense mechanism by the artist against his critics.

A Biography And Case Study On Marthe Wéry Her Ceaseless Exploration Of The Components Of Painting: Tracing Journeys In The Artist’S Life And Work, Sarah Grace Jones

Theses and Dissertations

My thesis investigates Belgian artist Marthe Wéry’s oeuvre, determines art-historical contexts for her paintings, and examines the many milestones that exemplify her work. Her monochromatic paintings, radical experiments with paint, empirical way of thinking, and exploration of architecture defend her robust career and demand involvement in today’s art historical conversation.

The Great Synthesizer: Yuji Agematsu’S Map Works, Rare Objects And Affinities To Fluxus, Renāte Lagzdiņa

Theses and Dissertations

The thesis examines Yuji Agematsu’s artistic practice offering novel lens through which to explore artist’s oeuvre and employed methodologies. It delves into Agematsu’s map works, strategies for collecting the debris of the city, and researches his potential affinities to Fluxus movement.

“Liberté, Égalité, Sororité”: The Revolutionary All-Female Studio Of Adélaïde Labille-Guiard, Julia Oxman

Theses and Dissertations

This thesis offers the first in-depth exploration of French portraitist Adélaïde Labille-Guiard’s all-female studio. It argues that her efforts toward expanding access to women’s arts education played a key role in the foundation of a larger movement for gender equality in the wake of the French Revolution.

A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava, Thais Casado Bignardi-Engstrom

Theses and Dissertations

This thesis analyzes the Italian experience with horror in cinema in both psychoanalytic feminist and cognitive Marxist critical film theories through a study of visual renderings of excessive violence and sex in gothic and thrillers known as giallo films created by the film director Mario Bava. This is an art historical study that looks at Bava’s work against the Italian cultural landscape in the post war period.

Aguaaaa!!!, Cory Villegas

Theses and Dissertations

“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.

Changing The Narrative: Athinai, An Illustrated Periodical For Modern Greece, 1934–35, Julie Fry

Theses and Dissertations

Athinai provided a Greek counterpart to European popular magazines of the interwar period. The integration of hand-drawn illustration with photographic imagery, collage, and multicolor printing yielded its distinctive visual language. Athinai portrayed changes in the daily life of modern Athens, attitudes to the body, and the role of women.

Papering Over Colonial Legacies: Chinoiserie, Chinese Wallpaper, And Exotic Obfuscation At Harewood House, Carolyn J. Bishop

Theses and Dissertations

Harewood House is an estate emblematic of eighteenth-century evolutions in aesthetic philosophy, capital flows and social dynamics in the British empire. Built by the Lascelles family, it embraces an eclectic neoclassical decorative style that includes chinoiserie. This thesis argues that this exoticizing decorative strategy, and particularly its Chinese wallpaper – as both fine art and consumer good – translated the Lascelles' fortune, amassed through colonial exploits in the Caribbean, into advancement through domestic British hierarchies.

Mourning Before Death: Ferdinand Hodler And Valentine Godé-Darel, Nicolas Dowling

Theses and Dissertations

“Mourning Before Death” explores Ferdinand Hodler's (1853-1918) artistic relationship with death and grief culminating in an examination of his series of paintings and drawings depicting the slow death of his mistress, Valentine Godé-Darel. This thesis primarily utilizes the theories of Elisabeth Kübler-Ross as a framework for understanding Hodler’s work.

Melancholic Maestrae: Gender, Genius, And Self-Fashioning In Baroque Female Archetypes, Rebecca Digiovanna

Theses and Dissertations

Highlighting the fissures that run through Early Modern ideas of manliness and femininity, this paper seeks to describe how, alongside pervasive imagery of pensive gentlemen, female artists of the seventeenth century developed their own deeply symbolic form of melancholic posturing, offering a groundbreaking redefinition of gender and genius in the Seicento.

Southern And Caribbean Transnational Black Feminist Dialogues In Contemporary Art, Adria Gunter

Theses and Dissertations

“Southern and Caribbean Black Feminist Transnational Dialogues in Contemporary Art” presents a Black feminist reading of the transnational cultural forms, as well as the political and social histories between the Southern United States and the Caribbean through the works of Andrea Chung, Allison Janae Hamilton, and Tamika Galanis.

Swallow Your Medicine: Marisol’S Saca La Lengua From The Peace Portfolio Ii, A. E. Chapman

Theses and Dissertations

Bundling associations of medical examination, consumption, oral fixation, horror, and protest, Saca la Lengua provides a preview of a decisively abject turn in Marisol’s work. This thesis probes psychoanalytic themes of abjection and the pathological in the language and iconography presented in this and other works by Marisol.

Picturing Consumer Culture, Cultural Hybridity, And Womanhood: Farah Al Qasimi’S Photographs From 2012 To 2020, Minji Lee

Theses and Dissertations

This thesis examines Farah Al Qasimi’s 2012-2020 color photographs, arguing that this work presents a distinctive and salient critique of domesticity, material culture, and womanhood in the UAE. Through her lens as a woman and a culturally hybrid subject, Al Qasimi explores the tensions of modernization, globalization, consumerism, and gender.

Thinking Sculpturally: The Implications Of Sculptural Space In The Work Of Charles Ray, Ad Canter

Theses and Dissertations

Charles Ray states that “space, sculptural space…is the sculptor's primary medium.” This paper unpacks the term “sculptural space,” uncovers historical precedent for it, and suggests why it is fundamental to Ray’s project. The paper argues that, due to sculptural space, Ray’s artwork allows for many forms of meaningful engagement.

A Municipal Modernity: Women, Architecture, And Public Health In Working-Class New York, 1913–1950, Jessica Fletcher

Dissertations, Theses, and Capstone Projects

“A Municipal Modernity” is the first study to analyze the architectural history of the district health centers in New York City that women reformers and their allies founded to address poor health in working-class communities. It reveals that women’s philanthropic adaptive re-use was foundational to the architecture of the public health care in New York and led to a program of municipal district health centers. Philanthropic reformers adapted buildings in the 1910s and 1920s to provide affordable health care for low-income women and children in European immigrant and Black neighborhoods. During the New Deal, municipal officials followed the example set …

Without Us There Is No Britain: Black British Photography And Film Networks, 1950-1989, Maria T. Quinata

Dissertations, Theses, and Capstone Projects

This dissertation tracks three moments from 1950 to 1989, when images were put to work by Black photographers and filmmakers to stake individual and communal claims to Britain and Britishness: first, through the emergence of photographic portraiture taken in domestic living spaces during the 1950s to 1970s; second, through the Black Panther Movement and their use of photography in the late 1960s to mid 1970s, and last, with the efflorescence of Black film and video collectives in the 1980s. At each of these moments, I attend to the simultaneous production, negotiation, and co-mingling of new social identities that were diasporic, …

Tarot Fabula: Radical Digital Cards, Shuffled Narrative Structures, And Playing The Future In An Era Of Algorithms, Rachel M.L. Dixon

Dissertations, Theses, and Capstone Projects

Since their earliest recorded use in the 1400s, tarot cards figure as objects for game play, artistic creativity, spiritual divination, and self-discovery. Tarot Fabula (https://tarot-fabula.com) introduces a ludic, interactive website interface that challenges 20th century tarot reading practices as linear narratives. Statistically random reshufflings of tarot decks from archival collections prompt the reader to become a narrative co-creator, drawing them into conversation with traditional reading and interpretive practices as they remix narrative elements portrayed on the cards. Tarot Fabula’s shuffling and reshuffling of cards as historical objects merges contemporary computational methods for generating random results with an interrogation of …

Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis

Dissertations, Theses, and Capstone Projects

This thesis analyzes the iconography and visual sources of the title page to the first volume of A chronicle at large and meere history of the affayres of Englande (1569) by the Tudor author Richard Grafton. Representing the visual synthesis of several distinct but interrelated currents that developed in the preceding century, the title page to the Large Chronicle offers a rare glimpse into a transitional moment in the middle Tudor perception and visual representation of the British past. These currents include imperializing royal iconography, with origins in antecedent representations in the late fifteenth century; the entry of the ‘classicizing’ …

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

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