History of Art, Architecture, and Archaeology Commons^™

Collective Memory, Women's Identity And The Church, Jo Ana Elise Brown

Dissertations, Theses, and Capstone Projects

Christianity, Judaism and Islam share a deliberative subjugation of women through ideologies, hierarchical structures and performative practices that effectively relegate women to an inferior position. The Christian tradition has one of the longest-standing and most consistent iconographies with regard to the characterization and status of women in society. The Christian church is prototypical of a religious institution iterating an ideology of women's inferiority through various mechanisms that lodge and preserve it in societal collective memory. This study examines three mechanisms used by the Church to preserve collective memory about women's inferior status in society: doctrine, liturgical practices and visual images …

Reading With The Grain: On Vin Nardizzi’S Wooden Os: Shakespeare’S Theatres And England’S Trees, Steven Swarbrick

Publications and Research

No abstract provided.

Dance In The Museum, Claire Bishop

Publications and Research

This paper argues that the art world’s current fascination for dance follows on from a previous high point of interaction in the late 1960s and 1970s, and before that, a moment in the late 1930s and early 1940s. It traces these first, second and third waves of dance in the museum at three institutions: the Tate in London, and the Museum of Modern Art and the Whitney Museum of American Art in New York. Three institutional histories are sketched, drawing out the differences between their approaches. The conclusion presents the four most pressing possibilities/problems of presenting dance in the museum: …

Image Commodification And Image Recycling: Penelope Umbrico's Suns Sunsets From Flickr, Minjung “Minny” Lee

Dissertations and Theses

No abstract provided.

Preserving The Historic Garden Suburb: Case Studies From London And New York, Jeffrey A. Kroessler

Publications and Research

The garden city or garden suburb was a response to the social and environmental ills of cities at the turn of the twentieth century. Letchworth Garden City, Hampstead Garden Suburb, and Welwyn Garden City were built outside London in the early 1900s, and each remains a highly desirable place of residence today. From the start, each was tightly regulated, and remains so a century later. By protecting the appearance and enhancing property values, the strict application of historic preservation principles contribute to the long-term sustainability of each place. Similar garden suburbs were built in the borough of Queens in New …

Embodiment Of The Halaf: Sixth Millennium Figurines From Northern Mesopotamia, Ellen H. Belcher

Publications and Research

This dissertation answers the question, "What are Halaf figurines?" In response to that question, this study examines a corpus of anthropomorphic figurines from archaeological sites dating to the Halaf period (Sixth Millennium cal BCE) known from excavations in Turkey and Syria. Included in this dissertation is a detailed catalog of 197 figurine examples, both whole and fragmented, and analysis of their excavated contexts from seven Halaf sites in Turkey and nine sites in Syria. The study also reviews and discusses existing literature on Halaf and figurine studies and examines and critiques modern biases, assumptions, and influences, especially as related to …

Technology And Wonder In Thirteenth-Century Iberia And Beyond, Christopher B. Swift

Publications and Research

As the desire for affective experiences of the sacred increased in communities across Europe in the late Middle Ages, the Christian faithful crafted lifelike, mechanized figures of Christ, the Virgin Mary, and saints for use in religious festivals. Although each devotional culture evidences unique body/object relationships and meanings, in general animated ritual objects encouraged lay participation in the celebration of saints and the Passion by engaging the senses, and, consequently, an emotional sense of God. In this essay I investigate the ritual alliances between moveable, prop-like saints and their Iberian devotees, in particular the performative meanings that arose from encounters …

The Building Blocks Of Museum Education: Examining Early Childhood Education Programs In Art Museums, Meghan Ann Lally

Dissertations and Theses

No abstract provided.

Bridging Modernities In Brazil: Progress And Violence In The Work Of Rosangela Renno, Francine Kath

Dissertations and Theses

No abstract provided.

La Touche Satirique Du Bernin: Dessin Et Caricature Comme Acte Performatif Au Début De L'Époque Modern, Sandra Cheng

Publications and Research

This short article examines the performative aspects of Gianlorenzo Bernini's caricature production.

On The Social Construction Of Hellenism Cold War Narratives Of Modernity, Development And Democracy For Greece, Despina Lalaki

Publications and Research

Hellenism is one of those overarching, ever-changing narratives always subject to historical circumstances, intellectual fashions and political needs. Conversely, it is fraught with meaning and conditioning powers, enabling and constraining imagination and practical life. In this essay I tease out the hold that the idea of Hellas has had on post-war Greece and I explore the ways in which the American anti-communist rhetoric and discussions about political and economic stabilization appropriated and rearticulated Hellenism. Central to this history of transformations are the archaeologists; the archaeologists as intellectuals, as producers of culture who, while stepping in and out of their disciplinary …

Titian, Colonna And The Renaissance Science Of Procreation: Equicola's Seasons Of Desire [Book Review], Fern Luskin

Publications and Research

No abstract provided.

From Genre To Portrait: The Etymology Of The 'Conversation Piece', Ching-Jung Chen

Publications and Research

During the late 1720s and early 1730s, a new type of portrait painting, called the conversation piece, became fashionable in England. This article will trace the origin and evolution of the term "conversation piece" from its earliest appearance in the English language to the present. First used in English for genre pictures in the Dutch tradition as well as Watteau's fetes galantes, the term was adopted for small-scale group portraits around 1730 when this type of portraiture became popular. Long after the rise of the portrait conversation, the term continued to be used for genre pictures. The use of …

The Socialist Design: Urban Dilemmas In Postwar Europe And The Soviet Union, Elidor Mehilli

Publications and Research

Taking a cue from two books—Stephen Bittner’s account of the “many lives” of the Soviet Thaw and Greg Castillo’s study of the Cold War as a series of battles in design and the domestic sphere—as well as a recent explosion of interest among historians in the Khrushchev era, “spatial history,” material culture, and East–West exchanges, this article addresses the paradoxes of the Thaw as exemplified in urban form. It argues for the interconnected nature of domestic, international, and Eastern bloc- level dynamics by viewing processes of the Thaw simultaneously from the angles of neighborhood, city, and empire. These angles capture …

Delegated Performance: Outsourcing Authenticity, Claire Bishop

Publications and Research

An essay is presented on delegated performance in which nonprofessionals are hired to perform at a particular time on behalf of the artist on his or her instructions. The author stated that this social turn started since 1990s in contemporary art against the tradition of 1960s and 1970s where artists like Chris Burden, Vito Acconci and Gina Pane performed themselves. The author referred to the trend of live installation started in Europe in 1990s in which guards for exhibition were hired. The Italian artist Maurizio Cattelan assembled a soccer club of foreigners to play local matches in 1991.

El Inquiridor De Maravillas. Prodigios, Curiosidades Y Secretos De La Naturaleza En La España De Vincencio Juan De Lastanosa. Actas De La Conferencia Internacional Lastanosa: Arte Y Ciencia En El Barroco, Coord. M. Mar Rey Y Miguel López, Huesca, Instituto De Estudios Altoaragoneses, 2011, Almudena Vidorreta

Graduate Student Publications and Research

No abstract provided.

The Customer At The Brothel: Student Enlightenment Through ‘Degenerate Art, Cheryl Hogue Smith, Maya Jimenez

Publications and Research

This article explores how community college students learned to engage with art and succeed in a learning community class comprised of first-year composition and art history.

The Cult Of The Monstrous: Caricature, Physiognomy, And Monsters In Early Modern Italy, Sandra Cheng

Publications and Research

Caricature emerged as a pictorial genre in early modern Italy and became a potent form of social satire practiced by the period’s foremost draftsmen, including the Carracci and Guercino. The deformed and misshapen subjects of caricature drawings coincided with a fascination with monstrosity. Monsters, aberrations, and anomalies reflected a cultural appreciation for the curious. The monster that slowly took shape in scientific literature was first alluded to in comparative physiognomic texts that related man to beast, then made brief appearances in the discourse on medical conditions, and finally became the primary focus of specialty publications. The attention given to physical …

Yayoi Kusama: Biography And Cultural Confrontation, 1945–1969, Midori Yamamura

Dissertations, Theses, and Capstone Projects

Yayoi Kusama (b.1929) was among the first Japanese artists to rise to international prominence after World War II. She emerged when wartime modern nation-state formations and national identity in the former Axis Alliance countries quickly lost ground to U.S.-led Allied control, enforcing a U.S.-centered model of democracy and capitalism. As a result, the art world became increasingly internationalized. This interdisciplinary study is the first attempt to comparatively examine postwar artistic developments in Japan, the United States, and Europe, through a focus on Kusama. I consider Kusama not so much in terms that seek to aggrandize the uniqueness of the individual, …

The Museum Of Modern Art's "What Is Modern?" Series, 1938-1969, Jennifer Tobias

Dissertations, Theses, and Capstone Projects

Between 1938 and 1969, the Museum of Modern Art (MoMA) poses the question of What Is Modern? (WIM) in a series of books, traveling exhibitions, and a symposium. This dissertation argues for the WIM project as a sustained if minimally effective effort to influence popular American perceptions of modern art, architecture, and design, at the same time embodying tensions inherent to the museum and its notions of that modernism.

MoMA is an unquestionable influence on modern art history. WIM is a significant component of this influence, yet scholarship on the series is minimal. Hiding in plain sight, the series offers …

Online Instruction For Art History Research, Ching-Jung Chen, Amrita Dhawan

Publications and Research

At the City College of New York (CCNY), the Art and Architecture Visual Resources Librarian (VR Librarian) teamed up with the Information Literacy Librarian to design an online tutorial for conducting library research in Art History. The tutorial is created using Google Sites and is linked to the College’s Blackboard site for ease of access by students.

Archaeology Not Much Like Indiana Jones, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

Unchaste Veneration In Titian's Worship Of Venus, Fern Luskin

Publications and Research

The identity, activities, and attributes of Venus and her devotees in Titian's Worship of Venus have long been misunderstood. Although based on Philostratus' Erotes, Titian's actual textual source was Demetrios Moschos' Italian translation of the Erotes. Previous analyses of Titian's painting have relied either on faulty transcriptions and translations of Moschos' Amori, or on the original Greek or Loeb edition of Philostratus, which differ from Moschos' work. A careful translation of Moschos' text, closely compared to Titian's painting, yields a new interpretation of its theme, riddles, and humorous double entendres pointing toward a decidedly unchaste Venus worshipped not …

Halaf Bead, Pendant And Seal 'Workshops' At Domuztepe: Technological And Reductive Strategies., Ellen H. Belcher

Publications and Research

Almost a thousand beads, pendants and seals have been excavated from the site of Domuztepe over the past decade. This paper is based on an examination of the general typology and technology of this assemblage. Manufacturing systems based upon social networks of decentralised organisation of small production ‘workshops’ are explored. It is suggested that these networks shared a system of sequenced actions according to raw material and finished products. A group of unfinished beads in the preliminary phase of production suggests evidence of batched reduction and finishing strategies that balanced breakage risk with a high level of proficiency. At Domuztepe …

Modern Time: Photography And Temporality, Kris Belden-Adams

Dissertations, Theses, and Capstone Projects

This dissertation explores the fluid relationship of photography to time. Many theorists have noted that photography has a distinctive manner of representing temporality. Roland Barthes, for example, wrote that the photograph has a peculiar capacity to represent the past in the present, and thus to imply the passing of time in general. As a consequence, Barthes argued, all photographs speak of the inevitability of our own death in the future. Moreover, he linked photography's peculiar temporality to its capacity for a certain kind of realism: "false on the level of perception, true on the level of time." Barthes's analysis poses …

Colombian Artists In Paris, 1865-1905, Maya Jiménez

Dissertations, Theses, and Capstone Projects

This dissertation brings together a group of artists not previously studied collectively, within the broader context of both Colombian and Latin American artists in Paris. Taking into account their conditions of travel, as well as the precarious political and economic situation of Colombia at the turn of the twentieth century, this investigation exposes the ways in which government, politics and religion influenced the stylistic and thematic choices made by these artists abroad. For those who were pensioned artists and who were restricted by a defined political agenda, their artistic experimentation was limited, while the more radical artists were typically wealthy …

Tea Parties In Early Georgian Conversation Pieces, Ching-Jung Chen

Publications and Research

Conversation pieces were produced in large numbers in England from 1730 onward. In contrast to the grand manner of formal portraiture, the conversation piece depicts groups of small full-length figures engaged in conversation, music, tea, or cards within a detailed, naturalistically described landscape or architectural setting. This article examines how tea party conversation pieces, among the most popular subject of the genre, engage contemporary discourses about status. Differences between the actual practices of the tea party and the pictorial representations of it reveal the degree to which these pictures highlight the social standing of those portrayed.

1968/1989: Political Upheaval And Artistic Change, Claire Bishop, Marta Dziewanska

Publications and Research

Anthology of texts proceeding from the conference "1968/1989: Political Upheaval and Artistic Change" held at the Museum of Modern Art, Warsaw, in 2008.

The Church And Convento Of Santo Domingo Yanhuitlan, Oaxaca: Art, Politics, And Religion In A Mixtec Village, Sixteenth Through Eighteenth Centuries, Alessia Frassani

Dissertations, Theses, and Capstone Projects

The mission-building campaign undertaken in the Americas in the years following the Spanish conquest (1521-1546) is the largest and most ambitious evangelical and artistic enterprise in the history of the Catholic Church. In the span of just a few decades, Spanish mendicant friars, at the head of the missionary efforts, established hundreds of conventos (missions) in both colonial cities and provinces. These institutions did not merely accommodate friars. Planned to carry out doctrinal, educational, and liturgical activities, they soon became booming economic and cultural centers.

This dissertation focuses on the convento in the Mixtec town of Yanhuitlan in Oaxaca, southwestern …

Donning The Cloak: Safavid Figural Silks And The Display Of Identity, Nazanin Hedayat Munroe

Publications and Research

Introduction

In a red world bathed in shimmering gold light, a man sits with his head in his hand as wild beasts encircle him. He is emaciated, has unkempt hair, and wears only a waistcloth—but he has a dreamy smile on his face. Nearby, a camel bears a palanquin carrying a stately woman, her head tipped to one side, arm outstretched from the window of her traveling abode toward her lover. Beneath her, the signature “Work of Ghiyath” is woven in Kufic script inside an eightpointed star on the palanquin (Fig. 1).

This depiction of the literary characters Layla and …