History of Art, Architecture, and Archaeology Commons^™

Joseph Beuys And Social Sculpture In The United States, Cara M. Jordan

Dissertations, Theses, and Capstone Projects

Alongside the rise of the activist movements in the late 1960s, the German artist Joseph Beuys (1921–1986) proposed his concept of “social sculpture” — a method of fostering creativity, aimed at transforming society through interdisciplinary dialogue — as an alternative to the chaotic political, economic, and social life of postwar West Germany. He sought to heal society through a work of art with holistic and spiritual intentions, centered on the belief that art can include the entire process of living and therefore can be created by a wide range of people beyond artists. Although his ideas are understood and even …

Violence Against Architecture: The Lost Cultural Heritage Of Syria And Iraq, Heidi James Fisher

Dissertations, Theses, and Capstone Projects

This thesis examines ancient architecture within Syria and Iraq that has been deliberately destroyed by violence. The act of destroying architecture and monuments in both Syria and Iraq, which is often-historical UNESCO protected, will invariably violate various laws, such as the 1954 Hague Convention or the Rome Statute. Since post-2011 Syria, all of humanity has been shocked by continuous warfare that, in addition to causing untold loss of human life and suffering, has included a series of episodes of violence against architecture, all of which is so egregious that foreign governments and non government organizations are constantly engaged in efforts …

Merchandise, Promotion, And Accessibility: Keith Haring’S Pop Shop, Amy L. Raffel

Dissertations, Theses, and Capstone Projects

During the peak of his career in New York, Keith Haring took his highly recognizable artistic style and distributed it in the form of merchandise in his Pop Shop, established in 1986. Stemming from his early work displayed on the New York streets, directly within public space, and his explorations into mass media strategies, he learned he could make his work accessible to new audiences outside contemporary art institutions and art circles. He translated his work across several surfaces: from subways or canvases, to everyday functional merchandise, such as buttons, t-shirts, and bags sold in his shop. Responding to a …

Open Works: Between The Programmed And The Free, Art In Italy 1962 To 1972, Lindsay A. Caplan

Dissertations, Theses, and Capstone Projects

This dissertation historicizes and theorizes a group of Italian artists who were among the first to use computers and cybernetics to make artworks, developing the genre of Arte Programmata, or Programmed Art. It argues that the artists of Arte Programmata (Bruno Munari, Enzo Mari, and collectives Gruppo T and Gruppo N) turned to the generative, interactive, and probabilistic aspects of early computers not simply as new media for making art but as platforms for radically altering what it means to be a participant in an increasingly mediated and networked world. This is apparent in how each of their works deploys …

Ludic Conceptualism: Art And Play In The Netherlands, 1959 To 1975, Janna Therese Schoenberger

Dissertations, Theses, and Capstone Projects

This dissertation, the first extended study on art in the Netherlands in the 1960s and ‘70s, investigates the phenomenon of ludic art, taking its lead from Johan Huizinga’s definition of ‘ludic’ in his seminal Homo Ludens (1938). According to Huizinga, the ludic is characterized by masquerade, freedom, and purposelessness, to which I add my own theoretical contribution—absurdity. I argue that the key instantiation of Huizinga’s ideas is found in the utopian project New Babylon (1959­–74) by Constant Nieuwenhuys. In the 1960s, ludic art was deployed as a strategy of social critique that attacked from an oblique angle, sometimes effectively­, but …

Left And Right: Politics And Images Of Motherhood In Weimar Germany, Michelle L. Vangen

Dissertations, Theses, and Capstone Projects

Art historians and cultural critics have long debated the aesthetic and political implications of the stylistic shift in Germany from pre-war experimentations with abstraction and expressive distortion to more clear-cut figuration in their paintings during the years following World War I. They have questioned whether this shift represents a regressive return to tradition or a new artistic direction and if it should be associated with a reactionary or progressive political stance. This dissertation broadens our understanding of German interwar realism, commonly referred to as Neue Sachlichkeit, by examining representations of mothers, a popular theme in the realist painting of …

I Like America: Painting In The Expanded Field, Isaac Aden

Theses and Dissertations

Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.

A Handbook Of Early Arabic Kufic Script: Reading, Writing, Calligraphy, Typography, Monograms, S. M. V. Mousavi Jazayeri, Perette E. Michelli, Saad D. Abulhab

Publications and Research

A comprehensive textbook of the early Arabic Kufic script, written as a complete reference book for calligraphers, designers, and students of art history and the history of Arabic language and scripts. This beautiful and powerful script was derived from the earlier Hijazi Mashq style of Mecca and Medina, which was invented by early Muslim scribes to record the Quran. Today, the many historical manuscripts displayed in numerous museums around the world can attest to development and evolution of this remarkable and versatile script. Authored by master calligrapher, Mousavi Jazayeri, this book is the first book written in English that is …

Ideas Reales Y Reales Ideas: Écfrasis En La Palestra Numerosa Austriaca, Almudena Vidorreta

Publications and Research

No abstract provided.

New Evidence For Early Modern Ottoman Arabic And Turkish Sign Systems, Kristina Richardson

Publications and Research

The earliest descriptions of Latin finger alphabets were recorded in southern Europe between 1579 and 1589. New literary and visual evidence for sixteenth-century Ottoman Arabic and Ottoman Turkish sign systems are presented and analyzed in this article.

Public Art Between Authoritarianism And Democracy (The Case Of The Maidan Protest In Ukraine), Asia Bazdyrieva

Dissertations and Theses

This thesis explores the spatial organization and public art of Kyiv’s Independence Square to address broader social and political realities after the Maidan protests of 2013-14. Using theories of power and ideology, this study demonstrates how the discourse on public art reflects the political situation of post-revolutionary Ukraine, and how public engagement with urban space signals a paradigmatic shift in the developing country’s process of self-identification. The purpose of this thesis is threefold: first, to identify the Soviet ideological approach embedded in the spatial organization of Kyiv’s administrative center (including the Maidan); second, to examine artistic interventions at the site …

Facing Mortality: Death In The Life And Work Of Damien Hirst, Dawn M. Delikat

Dissertations and Theses

No abstract provided.

The Deprivatization Of Art: Dan Graham As An Art Worker, Jordana Cotilletta

Dissertations and Theses

No abstract provided.

Leonard Freed's Black In White America, Jennifer Cherry Wilkinson

Theses and Dissertations

Through a dynamic range of photographs and texts from the 1960s, Leonard Freed’s Black in White America is an exceptional artwork that both illustrates the numerous ways the photo book format creates meaning and provides an alternate history of the Civil Rights movement and the lives of those impacted by it.

Gertrudes Altschul And The Foto Cine Clube Bandeirante: Modern Photography And Femininity In 1950s São Paulo, Paula V. Kupfer

Theses and Dissertations

This thesis presents the work of German-born Brazilian photographer Gertrudes Altschul, who developed a body of modernist photography within the Foto Cine Clube Bandeirante (FCCB) in São Paulo in the 1950s. It underscores her female and immigrant perspective during the transition from Pictorialist to modernist photography in the postwar years.

Looking Beyond The Canon: Localized And Globalized Perspectives In Art History Pedagogy, Aditi Chandra, Leda Cempellin, Kristen Chiem, Abigail Lapin Dardashti, Radha J. Dalal, Ellen Kenney, Sadia Pasha Kamran, Nina Murayama, James P. Elkins

Art History Pedagogy & Practice

Our pedagogical choices make art history classrooms political spaces of cultural production. Through a global exchange of ideas we consider questions of imbalance between western and non-Western materials and differing art history pedagogies in introductory courses and reveal teaching methods shaped by varied local contexts.

Kristen L. Chiem suggests re-routing students to the fundamentals of art historical inquiry rather than to a specific time or region. Abigail L. Dardashti’s essay re-configures the global art history course by focusing on artworks that defy the neat West and non-West categories. Radha J. Dalal discusses a curriculum that includes a series of courses …

Editor’S Introduction: Advancing Sotl-Ah, Virginia B. Spivey Phd, Renee Mcgarry

Art History Pedagogy & Practice

No abstract provided.

De-Centering “The” Survey: The Value Of Multiple Introductory Surveys To Art History, Melissa R. Kerin Phd, Andrea Lepage Phd

Art History Pedagogy & Practice

This essay stems from our concern that art historians still conceive of “The” Survey in terms that privilege Western artistic traditions. In this article, we offer an alternative that we designate as the multi-survey model (MSM) or approach. “The survey” becomes “the surveys” that introduce students to Western arts and the art forms of often underrepresented regions. Twenty-one percent of the schools surveyed in our peer review employ similar models, and yet the MSM has yet to attract critical scholarly attention. This essay addresses a void in present scholarship and elaborates upon three main goals of the MSM, all of …

Making The Absent Present: The Imperative Of Teaching Art History, Beth Harris Phd, Steven Zucker Phd

Art History Pedagogy & Practice

Since its emergence in 2005 as a free and open online resource for instructors, students, and the general public, Smarthistory has made numerous groundbreaking changes and advances for better teaching and more engaged learning. Playing upon the theme "making the absent [art work] present,” we explain how Smarthistory’s lively dialogic pedagogy combined with a rich variety of image views, reconstructions, google street views, diagrams, and essays has successfully replaced the traditional dependence on an art history text for many instructors. The result is an enhanced experiential and contextual experience for the student. For a discipline whose works were often accessible …

Against The "Coverage" Mentality: Rethinking Learning Outcomes And The Core Curriculum, Julia A. Sienkewicz

Art History Pedagogy & Practice

This article proposes a revised way of approaching the learning outcomes of introductory courses in Art History and Art Appreciation. Taking into account disciplinary complexities, this article argues that instructors can improve student learning by focusing on "understanding" and "application" (the second and third levels of the revised Bloom's Taxonomy pyramid) rather than "remembering" (the bottom level). The article argues that focusing on student understanding and application of ideas rather than memorization can improve the value of introductory courses both for art history and for the core curricula that these courses often serve.

Building A Foundation For Survey: Employing A Focused Introduction, Glenda M. Swan

Art History Pedagogy & Practice

This paper discusses the impact of introducing a multi-day introduction in an art history survey course in order to promote student awareness of the transferability of the skills and strategies of visual analysis to other contexts and courses outside of the discipline. Class discussion, course activities, and supplemental support materials were developed with the goal of generating student interest, investment, and self-efficacy in connection with art historical methodology and study strategies. Student performance and feedback in a recent survey course employing this introduction was then compared to earlier offerings of the course that did not employ this introduction. Preliminary results …

Building In Public: Critical Reconstruction And The Rebuilding Of Berlin After 1990, Naraelle Hohensee

Dissertations, Theses, and Capstone Projects

Reconstructing Berlin’s ruined contours after 1990 was one of the most important ways that reunified Germany made a public display of its relationship to the violence wrought by both the Nazis and East Germany during the twentieth century. By integrating historical forms into new buildings in the city’s commercial center, Berlin’s urban planners hoped to show the world that the nation had transcended totalitarianism and was worthy of a prominent place in the new global order. In order to achieve this vision, they adopted an approach called “Critical Reconstruction,” which required architects to follow rigid design standards based on traditional …

“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935, Elizabeth C. Decker

Dissertations, Theses, and Capstone Projects

The rising field of new modernisms continues to breathe new life into the literature of marginalized writers of the late-nineteenth and early-twentieth century. By imagining modernism as a series of modes and strategies, and expanding the axes upon which we map modernism’s boundaries, we make way for writers who were shut out by the often imbalanced, limited modernism of the past and illuminate the field with new possibilities. This dissertation takes part in this exciting, vibrant conversation by identifying a mode of modernism present in the literature of three early twentieth-century women writers, who all used visual art techniques to …

Edwin Fischer And Bach Performance Practice Of The Weimar Republic, Bradley V. Brookshire

Dissertations, Theses, and Capstone Projects

Edwin Fischer (1886-1960) provided a synthesis of approaches to Bach pianism that resolved dialectical tensions of long standing between schools that opposed one another throughout the nineteenth century. I argue that Fischer’s synthesis––which permits exegetical interpretation while maintaining a preservationist stance toward the integrity of the text––resembles both Felix Mendelssohn’s bifurcated approach to Bach’s music and Moses Mendelssohn’s description of a similar duality within modern Judaism. Such resemblance may not be coincidental or superficial, given that Fischer married into the Mendelssohn family at the height of its cultural influence in Weimar-Era Berlin. Although pieces of the Mendelssohnian construct were in …

Developing Italy: Photography And National Identity During The Risorgimento, 1839-1859, Beth Saunders

Dissertations, Theses, and Capstone Projects

The introduction of photography to Italy in 1839 coincided with the nationalist movement known as the Risorgimento, which began with a series of Constitutionalist uprisings in 1820 and culminated in political Unification in 1861. Photography thus developed alongside a country in the making, and the project of building a nation was historically entwined with the new technology. This dissertation analyzes the impact of photography on the political movement that made Unification possible, emphasizing how early photographers engaged and expanded upon the iconographic traditions of prints, paintings, and literature in order to envision the Italian nation. By depicting politically charged monuments, …

Broadcasting The Crisis: Spanish Television As Critique, Eva Velasco Pena

Dissertations, Theses, and Capstone Projects

Television is often thought of as monolithic and totalizing, controlling viewers and upholding the status quo. This project will propose different understandings of the mass-medium. In order to historically contextualize my study, I will begin with a brief discussion of the role of television in democratic Spain (from c.1978-present). The thesis will primarily consist of an analysis of two sides of contemporary Spanish TV: fiction and politics; and will explore the way that certain programs, alternately catalyze critical thought and actions or enable spectators to, following John Ellis, “work through” traumatic events. I furthermore propose that imaging a concept might …

Art As Display, Frank M. Boardman

Dissertations, Theses, and Capstone Projects

Art is essentially a type of display. As an activity, art is what we do when we display objects with certain intentions. As a set of objects, art is all of those things that are displayed for those purposes. The artworld is the social atmosphere that surrounds this particular activity of display. And a history of art is an evolving narrative of change in the practice of this sort of display.

Specifically, to focus for convenience on art as a set of objects, this is what we can call the “displayed-object thesis”:

x is a work of art iff: (a) …

Provisional Capital: National And Urban Identity In The Architecture And Planning Of Bonn, 1949-1979, Samuel L. Sadow

Dissertations, Theses, and Capstone Projects

This dissertation explores the physical transformation of Bonn in the postwar period, with a particular focus on the 1960s and 1970s, as the city accommodated the West German federal government. Bonn’s long campaign in the 1960s to redraw its municipal borders and the federal government’s construction of several high-rises in the city and its neighbor, Bad Godesberg, were the most concrete markers of Bonn’s evolution as a capital city in this period. The complex political processes and sometimes bitter conflicts behind each of these developments paralleled the gradual and successful entrenchment of democracy in the Federal Republic of Germany. At …

Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso

Dissertations, Theses, and Capstone Projects

This dissertation seeks to refine critical methods for interpreting global cities and their cultures, charting an aesthetic history of neoliberal New York — from the 1929 regional plan to the present. Surveying a range of literature, art criticism, and planning discourse, I argue that the global has served as the dominant motif of spatial production and political power during this watershed era. I trace this argument through analyses of midcentury planning’s global spatial imaginings, gentrification and imperial metaphor, transnational encounter in World literature, and the city’s contemporary waste and recourse imaginaries. While I follow the Marxist account of the New …

Toilet Talk, Michael Blake

Theses and Dissertations

Toilet Talk explores both formal and autobiographical themes related to desire, sexuality, and the relationship between public and private space. My work and research aims to reposition and queer the industrial object and its promotion of hyper masculine ideals.