Open Access. Powered by Scholars. Published by Universities.®
History of Art, Architecture, and Archaeology Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Contemporary Art (177)
- Modern Art and Architecture (152)
- American Art and Architecture (119)
- Art and Design (108)
- Theory and Criticism (108)
-
- History (98)
- Fine Arts (77)
- Ancient, Medieval, Renaissance and Baroque Art and Architecture (67)
- Other History of Art, Architecture, and Archaeology (66)
- Social and Behavioral Sciences (64)
- Race, Ethnicity and Post-Colonial Studies (56)
- Architecture (53)
- Feminist, Gender, and Sexuality Studies (53)
- Art Practice (52)
- Education (51)
- American Studies (45)
- Film and Media Studies (44)
- Painting (36)
- Philosophy (34)
- Interdisciplinary Arts and Media (32)
- Architectural History and Criticism (30)
- Art Education (30)
- Higher Education (29)
- Museum Studies (29)
- Photography (28)
- Asian Art and Architecture (26)
- Latin American Languages and Societies (26)
- Scholarship of Teaching and Learning (26)
- Keyword
-
- Photography (38)
- Painting (30)
- Art history (27)
- Art (23)
- Art History (21)
-
- Modernism (21)
- Architecture (20)
- Sculpture (20)
- Performance (19)
- Contemporary art (15)
- Feminism (15)
- Contemporary Art (13)
- Pedagogy (13)
- Mexico (12)
- Lib_pub (11)
- New York (11)
- Renaissance (11)
- Gender (10)
- Memory (10)
- Aesthetics (9)
- Landscape (9)
- Museums (9)
- Colonialism (8)
- History (8)
- Poetry (8)
- Politics (8)
- Race (8)
- Cold War (7)
- Latin America (7)
- Medieval (7)
- Publication Year
- Publication
- Publication Type
- File Type
Articles 301 - 330 of 602
Full-Text Articles in History of Art, Architecture, and Archaeology
Legal Frameworks For Protecting Cultural Heritage In Conflict Zones, Marcie M. Muscat
Legal Frameworks For Protecting Cultural Heritage In Conflict Zones, Marcie M. Muscat
Dissertations and Theses
Cultural heritage has always been at risk during times of war. UNESCO first endeavored to address the issue shortly after World War II, in 1954, when it passed the first of three signature conventions to protect against the damage, destruction, and pillage of cultural property in times of armed conflict. Lacunae and other deficiencies in their frameworks, however, rendered these conventions difficult to enforce and largely ineffectual. This study offers an assessment of the strengths and limitations of the UNESCO system of cultural-heritage protection, with a particular focus on the 1954 Hague Convention. It is argued that, by superseding certain …
The Canon As Provocation: Partnering With Museums For The Future Of Art History, Jennifer P. Kingsley
The Canon As Provocation: Partnering With Museums For The Future Of Art History, Jennifer P. Kingsley
Art History Pedagogy & Practice
Understanding the art-historical canon as socially embedded and historically negotiated is a threshold concept for art history but there is a paucity of research on how to position students to examine the formation of the academic disciplines and negotiate the performance of their canons in academic and public space. Art history has an advantage over other disciplines in this regard due to the close relationship it enjoys with art museums, which make the discipline and its history present in space. This article presents two case studies in support of partnering with museums to move histories of the discipline to the …
Editors' Notes: Critique Of The Canon And Pedagogy In Art History, Virginia Spivey, Renee Mcgarry
Editors' Notes: Critique Of The Canon And Pedagogy In Art History, Virginia Spivey, Renee Mcgarry
Art History Pedagogy & Practice
No abstract provided.
Arth 1104 Art Of The Us, Syllabus, Fall 2019, Martha Hagood
Arth 1104 Art Of The Us, Syllabus, Fall 2019, Martha Hagood
Open Educational Resources
No abstract provided.
Harlem And Abroad: Notes To An International 'Renaissance', Joshua I. Cohen
Harlem And Abroad: Notes To An International 'Renaissance', Joshua I. Cohen
Publications and Research
Like other intractable figures of the Harlem Renaissance, the movement’s visual artists sometimes exceeded their expected parameters, and thus their anticipated representativeness of a locality. Their images, in other words, did not automatically disclose Harlem-bound or even US-bound concerns. Now familiar through continual reproduction in exhibition catalogues, scholarly monographs and literary compendia, certain artworks from the period – such as Archibald J. Motley’s Blues (1929; Figure 1) and Aaron Douglas’s Congo (c. 1928; Figure 2) – subverted any definition of the Harlem Renaissance that would hinge on a narrowly delimited urban geography or national imaginary. Motley, who painted ‘Blues’ during …
Claiming The Remains Of The Past: The Return Of Cultural Heritage Objects To Colombia, Mexico, And Peru, Pierre Losson
Claiming The Remains Of The Past: The Return Of Cultural Heritage Objects To Colombia, Mexico, And Peru, Pierre Losson
Dissertations, Theses, and Capstone Projects
My research explores the reasons why three Latin American states (Colombia, Mexico, and Peru) claim the return of cultural heritage objects from holding institutions in the Western World, such as museums and universities. The literature on returns and restitutions, which focuses on questions of ownership and possession of objects, opposes two conceptions of cultural heritage: on the one hand, the internationalists argue that the location of a cultural object must be decided according to the interests of science and education, for the benefit and in the name of humankind; on the other hand, the nationalists consider that cultural heritage is …
Getting Located: Queer Semiotics In Dress, Callen Zimmerman
Getting Located: Queer Semiotics In Dress, Callen Zimmerman
Dissertations, Theses, and Capstone Projects
The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …
Arts Et Métiers Photo-Graphiques: The Quest For Identity In French Photography Between The Two World Wars, Yusuke Isotani
Arts Et Métiers Photo-Graphiques: The Quest For Identity In French Photography Between The Two World Wars, Yusuke Isotani
Dissertations, Theses, and Capstone Projects
This dissertation examines the evolution of photography in France between the two World Wars by analyzing the seminal graphic art magazine Arts et métiers graphiques (1927-1939). This bi-monthly periodical was founded by Charles Peignot (1897-1983), the artistic director of the largest manufacturer of typefaces in interwar France, Deberny et Peignot. Arts et métiers graphiques has been recognized in previous literature as one of the principal vehicles for the modernization of photography in France, primarily because it functioned as an essential conduit for the radical practices developed outside the country. The interwar period is regarded as the watershed in the history …
A Series Of Acts That Disappear: The Valparaíso School’S Ephemeral Architectures, 1952–1982, Elizabeth Rose Donato
A Series Of Acts That Disappear: The Valparaíso School’S Ephemeral Architectures, 1952–1982, Elizabeth Rose Donato
Dissertations, Theses, and Capstone Projects
In 1952, Chilean architect Alberto Cruz (1917–2013) and Argentine poet Godofredo Iommi (1917–2001) launched one of the most idiosyncratic experiments in postwar art and architectural pedagogy in the industrial port of Valparaíso, Chile. Founded on the premise that architecture must be “co-generada” with poetry, the so-called Valparaíso School developed an expanded conception of the discipline that encompassed ephemeral forms, from urban drifting to performative and ludic actions. This dissertation examines four specific “acts” in the Valparaíso School’s corpus: the exhibition, the poetic act, the journey, and the game. Across these different forms, I identify a tendency toward openness, improvisation, indeterminacy, …
Gendered Subjectivity And Resistance: Brazilian Women’S Performance-For-Camera, 1973–1982, Gillian Sneed
Gendered Subjectivity And Resistance: Brazilian Women’S Performance-For-Camera, 1973–1982, Gillian Sneed
Dissertations, Theses, and Capstone Projects
This dissertation considers the work of a group of women artists in Brazil during the period of the military dictatorship (1964–1985), working in the genre of “performance-for-camera” (i.e., performance for film and video, rather than for a live audience). The artists are Lygia Pape (1927–2004), Letícia Parente (1930–1991), Anna Bella Geiger (b. 1933), Sonia Andrade (b. 1935), Anna Maria Maiolino (b. 1942), and Regina Vater (b. 1943). Some of these women were friends and colleagues who collaborated with each other; all of them contributed significantly to the development of film and video art in Brazil. Their works share an impulse …
Enhancing The Study Of Art History Utilizing Computational Thinking: Focus, Abstraction In Art (Modern), Douglas L. Moody, Sandra Cheng
Enhancing The Study Of Art History Utilizing Computational Thinking: Focus, Abstraction In Art (Modern), Douglas L. Moody, Sandra Cheng
Open Educational Resources
No abstract provided.
Enhancing The Study Of Art History Utilizing Computational Thinking: Focus, Abstraction In Art (Egypt), Douglas L. Moody, Sandra Cheng
Enhancing The Study Of Art History Utilizing Computational Thinking: Focus, Abstraction In Art (Egypt), Douglas L. Moody, Sandra Cheng
Open Educational Resources
No abstract provided.
Panmela Castro: Feminism In Brazilian Graffiti Art, Giulia Chu Ferri
Panmela Castro: Feminism In Brazilian Graffiti Art, Giulia Chu Ferri
Student Theses and Dissertations
This paper is an analysis on the graffiti artist Panmela Castro and her murals in Brazil and around the world. My thesis emphasizes the importance of feminist subject matter for graffiti art in Brazil, as well as its impact on the public sphere. The paper is separated into four sections: “Formative Years,” describing her biography and the development of her works; “Interaction with the City,” analyzing the interaction between graffiti and the urban environment, and using that discussion as a frame to contextualize Castro’s work; “Feminist Imagery and Ideology,” examining some of her concurrent themes and imageries; and finally “Transnational …
Mapping In The Humanities: Gis Lessons For Poets, Historians, And Scientists, Emily W. Fairey
Mapping In The Humanities: Gis Lessons For Poets, Historians, And Scientists, Emily W. Fairey
Open Educational Resources
User-friendly Geographic Information Systems (GIS) is the common thread of this collection of presentations, and activities with full lesson plans. The first section of the site contains an overview of cartography, the art of creating maps, and then looks at historical mapping platforms like Hypercities and Donald Rumsey Historical Mapping Project. In the next section Google Earth Desktop Pro is introduced, with lessons and activities on the basics of GE such as pins, paths, and kml files, as well as a more complex activity on "georeferencing" an historic map over Google Earth imagery. The final section deals with ARCGIS Online …
In Present Past: Sun Tunnels And The Historic Reconstruction Of Vision, Patrice M. Capobianchi
In Present Past: Sun Tunnels And The Historic Reconstruction Of Vision, Patrice M. Capobianchi
Theses and Dissertations
The following study investigates how Nancy Holt’s Sun Tunnels makes effective use of time and land to reprogram the modern viewer’s eye. By utilizing sculpture that is reminiscent of pre-historic observatories as an observational framing device against the landscape topography, the artwork succeeds in presenting a historic reconstruction of vision.
Carving Out A Space In Time: Sandra Swan And Her Block Island Oeuvre, Kylie S. Knee
Carving Out A Space In Time: Sandra Swan And Her Block Island Oeuvre, Kylie S. Knee
Theses and Dissertations
This thesis focuses on the Contemporary artist Sandra Swan, and how she peels back the layers of false identity and history created around Block Island, RI in her woodcuts. These woodcuts document the seafaring, landscape and architectural elements of the island, which are proven to be more contemporary than Block Island claims them to be. Through her pure observation and documentation, Swan reveals the falsities behind the early history of the island, as well as the maintained narrative of Block Island as a “place lost in time.” Her woodcutting technique links her to traditional nineteenth-century lithography, yet also places her …
Staging A Modern Nation: The Art And Architecture Of The Peruvian Pavilion At The 1939/40 New York World’S Fair, Alida R. Jekabson
Staging A Modern Nation: The Art And Architecture Of The Peruvian Pavilion At The 1939/40 New York World’S Fair, Alida R. Jekabson
Theses and Dissertations
At the 1939/40 New York World’s Fair, the Peruvian government installed a multimedia display of objects and products in a foreign pavilion. An examination of the building and its contents provides a basis to understand how art and commerce work together to construct narratives of authenticity, nationalism and modernity.
Fragmented Ornament: An Analysis Of Print Reproductions Of Medieval Ornament And Decoration During The Gothic Revival, Allison M. Ransom
Fragmented Ornament: An Analysis Of Print Reproductions Of Medieval Ornament And Decoration During The Gothic Revival, Allison M. Ransom
Theses and Dissertations
This thesis considers how printed reproductions of medieval ornament, produced in England during the Nineteenth Century, had the potential to misrepresent medieval art to the public, since they only focused on one element of ornamental significance from an object, thereby presenting an incomplete picture.
Landscape Of Portraiture: The Process Of Assimilation And Reconciliation In Search Of Identity Of Eighteenth Century England, Aram Park
Theses and Dissertations
This thesis examines the use of landscape paintings embedded within English conversation pieces of the eighteenth century with an emphasis on the art works of Arthur Devis and Johan Zoffany, exploring the way they influenced the development of an English school of painting during this century.
Two Become One. Collaboration In Life And Work: Emilia’S Role In The Work Of The Artistic Duo Ilya And Emilia Kabakov, Elena Coureau
Two Become One. Collaboration In Life And Work: Emilia’S Role In The Work Of The Artistic Duo Ilya And Emilia Kabakov, Elena Coureau
Theses and Dissertations
This paper examines the artistic collaboration of Ilya and Emilia Kabakov in terms of co-authorship. Through a discussion of collaboration in diverse fields, this paper develops an understanding of the artists’ decision to join forces and highlights Emilia Kabakov’s artistic talent and originality, diverging from the previous scholarship.
Disruption And Recovery In The Work Of Botticelli And Piero Di Cosimo, Ellen G. Birger
Disruption And Recovery In The Work Of Botticelli And Piero Di Cosimo, Ellen G. Birger
Theses and Dissertations
Florence underwent major destabilization during the 1490s, creating an extremely stressful time for its citizens. Chief amongst these events were the death of Lorenzo dei Medici and the ascendance, then demise, of the charismatic preacher Girolamo Savonarola. The impact on the work of Botticelli and Piero di Cosimo is evaluated.
Altar/Installations By Amalia Mesa-Bains In A Feminist Context, Carmen Del Valle Hermo
Altar/Installations By Amalia Mesa-Bains In A Feminist Context, Carmen Del Valle Hermo
Theses and Dissertations
This thesis explores the path-breaking art installations and attendant writing of Amalia Mesa-Bains, who fused the home altar traditions of Mexican and Chicana women with contemporary considerations of identity politics and hybridity, naming the form domesticana. It situates her practice within a trajectory of feminist art.
The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz
The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz
Theses and Dissertations
This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …
The Villa Baizeau And The Casa O’Gorman: The Modern House In 1929 Through Two Case Studies, Nora L. Boyd
The Villa Baizeau And The Casa O’Gorman: The Modern House In 1929 Through Two Case Studies, Nora L. Boyd
Theses and Dissertations
Using as case studies two houses designed and built in the years 1928-1931 in Mexico City and Tunis, which early scholars connected to the Swiss architect Le Corbusier, this study illuminates inherent biases in architectural history and proposes a more historically rigorous framework, reoriented around individual buildings rather than architects.
Ornament And The Vienna Secession: A Study Of The 1902 Beethoven Exhibition, Chika Jenkins
Ornament And The Vienna Secession: A Study Of The 1902 Beethoven Exhibition, Chika Jenkins
Theses and Dissertations
My thesis examines the vital roles of ornament in Vienna Secession’s Beethoven Exhibition (1902), the embodiment of Gesamtkunstwerk and artistic freedom. Gustav Klimt and Joseph Maria Olbrich evoked various senses, alluded to Apollonian and Dionysian aspects of artistic creation, and celebrated its evolution and freedom, inspired by Alois Riegl.
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
Theses and Dissertations
Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.
Seen And Unseen: Visualizing Contradictions In Postwar Japan, 1950s–1960s, Christina Lai
Seen And Unseen: Visualizing Contradictions In Postwar Japan, 1950s–1960s, Christina Lai
Theses and Dissertations
This thesis offers a comparative study on how photography visualizes the political dynamics, ideological and psychological contradictions in postwar Japan. The discussion includes the exhibition The Family of Man in Tokyo (1956), Werner Bischof and Robert Capa’s photographs of Japan, and local photographers Ken Domon and Shomei Tomatsu.
Mechanical Kingdoms: Sound Technologies And The Avant-Garde, 1928–1933, Lauren Rosati
Mechanical Kingdoms: Sound Technologies And The Avant-Garde, 1928–1933, Lauren Rosati
Dissertations, Theses, and Capstone Projects
Against accepted histories of the historical avant-garde, which have elevated artistic production in traditional media while suppressing sonic practices, this dissertation argues that artist-engineers working across Europe and the United States independently, if simultaneously, turned their attention to emerging sound technologies as new media for creative experimentation by the early 1930s. This spectrum of activity demonstrates the significance of sound in avant-garde practice, and indicates a wide-ranging artistic engagement with technological devices intended for mass audiences. While the common understanding of the relation between art and technology in this period amounts to one of mere enthusiasm for the novel formal …
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dissertations, Theses, and Capstone Projects
This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …
The Evolution Of The Centaur In Italian Renaissance Art: Monster, Healer, Mentor, And Constellation, Trinity Martinez
The Evolution Of The Centaur In Italian Renaissance Art: Monster, Healer, Mentor, And Constellation, Trinity Martinez
Dissertations, Theses, and Capstone Projects
Monsters, hybrid beasts, and animals in Renaissance art have, until recently, received little iconographic attention. This dissertation examines the unprecedented transformation of centaur imagery in Italian Renaissance art. The centaur, a mythological beast half-man and half-horse, was ascribed a savage nature from antiquity through the Middle Ages and into the Renaissance. Although negative representations of this creature were never entirely eradicated, the years 1480 to 1535 witnessed a dramatic shift in centaur iconography from savage to civilized beast. My study argues that the centaur’s transmutation resulted from the thriving humanist culture of Renaissance Italy and widespread interest in the philosophy …