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Articles 121 - 150 of 602
Full-Text Articles in History of Art, Architecture, and Archaeology
To Love, And To Be Loved: The Art And Relationships Of Gwen John (1876-1939), Karina Grady
To Love, And To Be Loved: The Art And Relationships Of Gwen John (1876-1939), Karina Grady
Theses and Dissertations
Extremely close kinships that lasted decades, love affairs with other artists, a patron who fulfilled both her financial and cerebral needs, and a lifelong creative curiosity: these are the distinct relationships Gwen John carried throughout her life and, I maintain, that her art should be viewed as their reflection.
The Cosmicomica, Corinne Bernard
The Cosmicomica, Corinne Bernard
Theses and Dissertations
My drawings are a reconciliation of multiple, coexisting truths. They are a practice of creating a new relationship with this world and myself in it; creating a system of symbols that give substance to the same primordial gunk we swim in daily.
Simone Martini's St. Louis Altarpiece: Materiality, Franciscan Propaganda, And Sacral Angevin Dynastic Object, Charles Morrow
Simone Martini's St. Louis Altarpiece: Materiality, Franciscan Propaganda, And Sacral Angevin Dynastic Object, Charles Morrow
Theses and Dissertations
Simone Martini makes lavish use of gold, silver, gilt glass, paste pearls and gems in the St. Louis Altarpiece, and these materials carry underlying meanings that support the panel’s sacred, dynastic and Franciscan elements. Actor Network Theory is used to present visualizations of the networks in which the altarpiece participates.
(Not) Knowing, Jared Friedman
(Not) Knowing, Jared Friedman
Theses and Dissertations
Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.
The Lives And Afterlives Of The Arenberg Gospels: Materializing Medieval Oaths, Sarah Ganzel
The Lives And Afterlives Of The Arenberg Gospels: Materializing Medieval Oaths, Sarah Ganzel
Theses and Dissertations
The “social life” of the Arenberg Gospels, a gospel book later used as an oath book in ecclesiastical officiation ceremonies, illuminates the impact and meaning of oath books in medieval Europe. This thesis traces the manuscript’s materiality throughout its life, showing why both words and flesh mattered to oath rituals.
Los Días De La Calle Gabino Barreda: The Social Circle Of Remedios Varo And Benjamin Péret In Mexico, 1941-1947, Esther R. Levy
Los Días De La Calle Gabino Barreda: The Social Circle Of Remedios Varo And Benjamin Péret In Mexico, 1941-1947, Esther R. Levy
Theses and Dissertations
This thesis explores the social circle of Surrealist exiles that formed at the home of Remedios Varo and Benjamin Péret on Calle Gabino Barreda between 1941 and 1947. This group is immortalized in Gunther Gerzso’s painting Los Días de la Calle Gabino Barreda (1944) and includes Gerzso, Varo, Péret, Esteban Francés, and Leonora Carrington. This thesis argues that the environment cultivated on Calle Gabino Barreda provided these artists with a place to expand on what they learned in Europe to develop their Surrealist practice in Mexico.
Beyond Participation: Hélio Oiticica And Neville D’Almeida, Jocelyn Elliott Rodriguez
Beyond Participation: Hélio Oiticica And Neville D’Almeida, Jocelyn Elliott Rodriguez
Theses and Dissertations
The collaborative works by Brazilian artist Hélio Oiticica and filmmaker Neville D’Almeida responded to Brazil’s dictatorship and their self-imposed exile in New York between 1969-1974. Oiticica’s concept of crelazer and the artists elective “marginal” position converge to create a new cinematic language; challenging gender norms, and proposing new systems for living.
Leonora Carrington’S "Down Below": Transgressive Renderings Of The Grotesque Female Body, Kelsey King
Leonora Carrington’S "Down Below": Transgressive Renderings Of The Grotesque Female Body, Kelsey King
Theses and Dissertations
The classification of the bodily grotesque relies on the transgression of boundaries, marked by an openness to the world. Leonora Carrington’s memoir (1944) and painting (1940) that share the same name, Down Below, illustrate the grotesque body as a revisionist self-configuration, destabilizing traditional representations and eroticization of the female form.
Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales
Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales
Theses and Dissertations
Graciela Iturbide’s career-defining engagement with indigenous subjects began with a commission by the Mexican government's Instituto Nacional Indigenista (INI) to document the Seri people. This thesis contextualizes the resulting photobook, Los que viven en la arena (1981), within the history of indigenous representation in Mexico and the controversial policies of the INI.
Negotiating Liberty: Fine Ceramics For The U.S. American Market Before 1860, Presley Rodriguez
Negotiating Liberty: Fine Ceramics For The U.S. American Market Before 1860, Presley Rodriguez
Theses and Dissertations
This thesis argues that the rise of the consumer market toward the end of the eighteenth century led to the production of decorated fine ceramics that became powerful modes of popularizing new ideas in the United States regarding independence, national symbols, and abolitionism.
Tractatus De Herbis, Botanical Guide To The Universe: A Case Study For Morgan Ms M.873, Darya Badikova
Tractatus De Herbis, Botanical Guide To The Universe: A Case Study For Morgan Ms M.873, Darya Badikova
Theses and Dissertations
This thesis investigates the development of the late medieval pharmacopoeial treatise Tractatus de herbis illustrated in M.873, a fourteenth-century manuscript from the collection of the Morgan Library in New York. Particularly, the thesis considers the use and reception of this encyclopedic work by elite contemporary audiences of the Venetian Republic through material and medical history.
Impressions Of An Urban Vision: Art Across The Park (1980 And 1982), Marie N. Catalano
Impressions Of An Urban Vision: Art Across The Park (1980 And 1982), Marie N. Catalano
Theses and Dissertations
This thesis examines Art Across the Park (1980 and 1982), a program of sculpture and performance conceived of by artist David Hammons sited throughout overlooked regions of New York City’s public parks. Amidst debates about the proper use of public space and the role of public art in the early 1980s, Art Across the Park asserted a more culturally expansive model of being in social space, one rooted in strategies of performance as an antidote to lasting effects of social control.
"Those Common Everyday Things We All Know": Roger Brown's American Art, Jake Brodsky
"Those Common Everyday Things We All Know": Roger Brown's American Art, Jake Brodsky
Theses and Dissertations
Roger Brown (1941–1997) was an American artist associated with the Chicago Imagists. Borrowing elements from American visual culture to construct an idiosyncratic language of motifs, Brown’s paintings demand a mode of attention—of looking, searching, recognizing, identifying—that parallels the structures of feeling that constitute being in America.
Piero Della Francesca And The Invention Of The Artist [Book Review], Fern Luskin
Piero Della Francesca And The Invention Of The Artist [Book Review], Fern Luskin
Publications and Research
No abstract provided.
"A Decorator In The Best Sense": Ludwig Mies Van Der Rohe, Lilly Reich, The Fabric Curtain Partition, And The Articulation Of The German Modern Interior, Marianne E. Eggler-Gerozissis
"A Decorator In The Best Sense": Ludwig Mies Van Der Rohe, Lilly Reich, The Fabric Curtain Partition, And The Articulation Of The German Modern Interior, Marianne E. Eggler-Gerozissis
Dissertations, Theses, and Capstone Projects
Contributing to the burgeoning study of the domestic interior, a field of inquiry existing in the interstices of architecture, design, interior decoration, and material culture, this dissertation presents a thematic study of the modern domestic interiors of German/American architect/designer Ludwig Mies van der Rohe (1886–1965) designed in collaboration with fellow German architect/designer Lilly Reich (1885–1947) during the 1920s and early 1930s in Weimar Germany. Inspired by a revealing but hitherto overlooked statement by Philip Johnson in the catalogue for the influential 1932 International Style exhibition at the Museum of Modern Art in New York that referred to Mies as “a …
Indigenous Performances In Contemporary Indian Urban Public Theatres: Coloniality, Globalization, And The State, Mayurakshi Sen
Indigenous Performances In Contemporary Indian Urban Public Theatres: Coloniality, Globalization, And The State, Mayurakshi Sen
Dissertations, Theses, and Capstone Projects
Indigenous Performances in Contemporary Indian Urban Public Theatres: Coloniality, Globalization, and the State examines the aesthetic and political dimensions of contemporary public theatres in the major Indian cities of Kolkata, Mumbai, and Delhi, with a special focus on the utilization of India’s indigenous precolonial (or extra-colonial) classical, regional, and folk performance forms, elements, and repertoires in such urban practice. Through dramaturgical, ethnographic, and archival analyses, this dissertation studies significant contemporary productions from representative urban Indian theatre groups, including Nandikar, Rangakarmee, and Padatik in Kolkata; the Indian People’s Theatre Association, Mumbai, Ekjute, and Rangshila in Mumbai; and Circle Theatre Company and …
Portals To Learning: Threshold Concepts In Art History Teaching And Learning, Rhonda L. Reymond
Portals To Learning: Threshold Concepts In Art History Teaching And Learning, Rhonda L. Reymond
Art History Pedagogy & Practice
Threshold concepts are conceived of as portals to learning that open previously inaccessible ways of thinking. They encompass specific ideas within a discipline that must be mastered before the learner can progress. The process of identifying threshold concepts can reveal hidden or unacknowledged fundamental disciplinary beliefs and epistemology. Integrating a threshold concepts framework into the scholarship of teaching and learning in art history (SoTL-AH) can help faculty diagnose and anticipate when students are likely to encounter troublesome knowledge within an art history course. Distinguishing these thresholds can aid instructors in designing courses that prepare for specific stages that present conceptual …
Paper, Clay, And Thread: Tools Of Decolonization In The Work Of Guadalupe Maravilla, Juan Javier Salazar, And Julieth Morales, Alexandra J. Goldman
Paper, Clay, And Thread: Tools Of Decolonization In The Work Of Guadalupe Maravilla, Juan Javier Salazar, And Julieth Morales, Alexandra J. Goldman
Theses and Dissertations
This thesis contains case studies on artwork by Guadalupe Maravilla, Juan Javier Salazar, and Julieth Morales. Each chapter focuses on one important medium in ancient American indigenous art - cartography, ceramics, and textiles – as explored in-depth by a contemporary artist from a region in which the medium has significant roots.
Developing Mexico: History, Architecture, Photography, And Esther Born’S The New Architecture In Mexico, Tyler Considine
Developing Mexico: History, Architecture, Photography, And Esther Born’S The New Architecture In Mexico, Tyler Considine
Theses and Dissertations
Esther Born’s The New Architecture in Mexico (1937) presents the first survey of Mexican modern architecture and documents early works by Luis Barragán, Juan O’Gorman, among other Mexican modernists. This thesis examines Born’s architectural photography alongside that of Lola Álvarez Bravo, Guillermo Kahlo, and other photographers and within discourses of modernity, history, and representation.
Artist-Scholar: Tradition And Modernity In The Work Of Tseng Yuho, Jennie Tang
Artist-Scholar: Tradition And Modernity In The Work Of Tseng Yuho, Jennie Tang
Theses and Dissertations
Chinese American artist-scholar Tseng-Yuho (1925-2017) developed an original, modern style called dsui hua based on her extensive knowledge of traditional Chinese ink art and scroll mounting techniques, Chinese and Western art history, and experiences living in or travelling to mainland China, Taiwan, Hong Kong, Paris, Hawai‘i, and New York.
Ernesto Deira, Rogelio Polesello, And The Esso Salons Of 1964–65, Jonas Albro
Ernesto Deira, Rogelio Polesello, And The Esso Salons Of 1964–65, Jonas Albro
Theses and Dissertations
This investigation analyzes artworks by Argentinian painters Rogelio Polesello and Ernesto Deira shown in the Argentinian Esso Salon of 1964 and the International Esso Salon the following year in Washington D.C. at the Museum of the Pan American Union (PAU), and the complex networks of internationalization represented therein.
New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack
New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack
Theses and Dissertations
Robert Ashley defined the majority of his works as “television operas”—spoken narrative music for television broadcast. Analyzing Ashley’s works through their cross-disciplinarity, this thesis addresses the development of Ashley’s chosen medium; assesses his use of visual, linguistic, and musical structures; and interprets their basis in American cultural identity.
Realisms And The Body After War: Document, Truth, And Critique In Postrevolutionary Mexico And Weimar Germany, Eliana Blechman
Realisms And The Body After War: Document, Truth, And Critique In Postrevolutionary Mexico And Weimar Germany, Eliana Blechman
Theses and Dissertations
This thesis examines realisms and representations of the body in postrevolutionary Mexico, using the critical framework surrounding Neue Sachlichkeit and post-World War I Weimar society as a comparative model. Through imagery of soldiers, women, and class disparity, artists utilized realisms to relay record, suggest truth, and create criticism.
Situating The Corrido In Diego Rivera’S Murals At The Ministry Of Public Education, Calla Flood Tardino
Situating The Corrido In Diego Rivera’S Murals At The Ministry Of Public Education, Calla Flood Tardino
Dissertations and Theses
On the top floor of Diego Rivera’s colossal mural cycle at the Ministry of Public Education, the artist painted a matte red banner with the lyrics of revolutionary ballads, known as corridos. Although there is a great amount of scholarship surrounding Rivera and his murals at the Ministry of Public Education, there is a gap in literature about the inclusion of the corrido banner and its significance. By building on the scholarship from art historians (Mary Coffey, Dafne Cruz Porchini, Anna Indych-López), historians and ethnomusicologists (Cati de los Ríos, Maria Herrera-Sobek, Jose Limón, Américo Paredes, Michael Denning), and scholars …
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Publications and Research
From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …
The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral
The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral
Theses and Dissertations
This thesis centers on select artworks in public intervention, photography and video as an exploration of female's relationship to Mexico City's social landscape and urban space during the late 1970s into the early 1990s. In three case studies, I explore historical urban planning, gender relations, and the effects of modernization.
Nikki S. Lee’S Self-Stereotyping And Refiguring Cultural Stereotypes, Somi Lee
Nikki S. Lee’S Self-Stereotyping And Refiguring Cultural Stereotypes, Somi Lee
Theses and Dissertations
This thesis examines a Korean Conceptual photographer, Nikki S. Lee’s performative photographs and film in the series of Projects (1998-2001) and Parts (2002-2005). Through a theoretical analysis of her self-representation in disguise, my research explores established Western stereotypes as well as the artist’s fluid identity in relation to other cultures.
An Epic (Fail): Humor, Play, And Politics In Chilean Contemporary Art From The Early 1980s, Paula Solimano
An Epic (Fail): Humor, Play, And Politics In Chilean Contemporary Art From The Early 1980s, Paula Solimano
Theses and Dissertations
This thesis foregrounds the methodology of humor and play employed by Chilean artists during the late 1970s and early 1980s. I argue that, through comic relief, collaborative practice, and melodrama, artists from different fields worked together in Santiago to reimagine the relationship between intellectuals and the public sphere and criticize the Pinochet regime.
Death Spaces And Distant Skies (Every Day We Say Goodbye), Renee Estee
Death Spaces And Distant Skies (Every Day We Say Goodbye), Renee Estee
Theses and Dissertations
Linking ideas and imagery of the Australian Outback, Hauntology and Orphism, my practice highlights myth-making and rituals surrounding mourning, celebration and commemoration. Operating as visual love letters and epitaphs, my paintings coalesce figuration and abstraction to conjure spaces where I can commune with the deceased and contend with future loss.
The Ring Quarry Mining Complex: A Preliminary Archaeological Investigation Into Ancient Native American Sites In Northwestern New Jersey, Joseph D. Cusack
The Ring Quarry Mining Complex: A Preliminary Archaeological Investigation Into Ancient Native American Sites In Northwestern New Jersey, Joseph D. Cusack
Theses and Dissertations
The Ring Quarry Mining Complex (RQMC) in northwestern New Jersey is an archaeological, Pre-Contact Native American mining and habitation complex. The RQMC was a primary source of tool stone in the Vernon Valley of New Jersey for thousands of years. Evidence of human occupation within the study area extends from the Paleoindian through the Contact Period. This study focuses on the ancient chert quarry and surrounding sites across a landscape making up a habitational complex.