History of Art, Architecture, and Archaeology Commons^™

Gone With The Wind: The Confederacy's Trojan Horse, Skyler J. Shipp

Swarthmore Undergraduate History Journal

This paper analyzes the film Gone with the Wind as a piece of Southern nationalist propaganda. This includes an exploration of the earlier Southern nationalist film Birth of a Nation, as well as a comparison to Margaret Mitchell’s 1936 novel Gone with the Wind. In my analysis of Gone with the Wind’s production process, including memos between producer David O. Selznick and other members of the production team, I find that Selznick maintained tight control over the film’s production and was extremely concerned with maintaining positive publicity for his film. This led him to allow a few seemingly progressive …

Towards The Non-Spectacle: Responses To Necropolitics In The Artwork Of Teresa Margolles And Maya Watanabe, Leslie Anne Condon

Masters Theses

How do we engage with artwork that addresses complicated histories

of colonialism and political violence, specifically intangible and

incomprehensible violence? Mexican artist Teresa Margolles’ 2005 work, Lote

Bravo, is named after and composed of the soil from a mass grave site

discovered in 1995 in the southeastern corner of Ciudad Juárez, a city known

internationally for the femicide that has continued to haunt its streets and

peripheries since the 1990s. Peruvian filmmaker Maya Watanabe’s 2019 film

Liminal cinematically documents the official exhumation of two mass graves

in the Ayacucho and Huánuco regions of the Andes highlands, where

thousands of …

Arenas Of Resistance: How Oklahoma's Black Rodeos Preserved Environmental Wisdom And Community Power, Rorie Johnson

Scripps Senior Theses

This thesis explores how Black rodeos in Oklahoma emerged from post-emancipation agricultural labor and ranching traditions, serving as powerful sites of cultural preservation, knowledge transmission, and resistance to dominant narratives of the American West. Through analysis of historical records, photographic evidence, and personal family narratives, this research demonstrates how Black Oklahomans developed unique relationships with land and animals that encompassed both the "ecological burden" of agricultural labor and the "beauty" of cultural expression and community-building. Drawing on theoretical frameworks including Kimberly Ruffin's "ecological burden-and-beauty paradox," George Lipsitz's "Black spatial imaginaries," bell hooks' "oppositional gaze," and Toni Morrison's concept of "rememory," …

[Review Of The Book Querns And Mills In Mediterranean Antiquity. Tradition And Innovation During The First Millennium Bc, By N. Alonso, T. J. Anderson, L. Jaccottey]., Jared T. Benton

Art Faculty Publications

[First paragraph] Querns and Mills in Mediterranean Antiquity (hereafter QMMA) is the publication of an EAA (European Association of Archaeologists) session on querns held in Barcelona in 2018. The purpose of the session—and by extension the volume—was to fill a gap by studying the smaller, hand-operated millstones, which have received less attention than their larger Roman-era and medieval counterparts. A second aim was to begin a conversation about standardizing the study of millstones, and particularly querns, in terminology and methodology.

Imperialist Exploration: An Analysis Of Howard Carter’S Discovery Of Tutankhamun’S Tomb In The Context Of British Colonial Presence In 20th-Century Egypt, Mariam Kharboush

The Undergraduate Research Journal

The discovery of Tutankhamun’s tomb in 1922 became one of the most publicized archaeological events of the twentieth century, shaping global perceptions of ancient Egypt and Egyptology. This paper examines how the political conditions of British colonial dominance influenced both the circumstances of Howard Carter’s excavation and the narratives constructed around it. By situating the discovery within British-controlled Egypt, analyzing British and Egyptian press coverage, and examining conflicts between Carter, the French-led Egyptian Antiquities Service, and Egyptian intermediaries, the study argues that the excavation was deeply embedded in imperial power structures. British media framed the discovery as an English achievement, …

Silent Testimonies: The Global Evolution Of Grave Marker Art And Meaning, Erik Culley

Bakerman Student Research Awards

Grave markers are more than simple memorials; they are meaningful cultural objects that reflect how societies understand death, identity, belief, class, and community values. The size, material, decoration, and inscriptions of gravestones change over time in response to economic conditions, religious beliefs, social structures, and consumer culture. By studying grave markers across different regions and historical periods—such as early modern Europe, nineteenth-century Germany, and immigrant cemeteries in Australia—archaeologists can trace broader cultural transformations. Research shows that the rise of external grave markers in the eighteenth and nineteenth centuries was closely tied to increased material consumption and a growing emphasis on …

Blackness And Nineteenth-Century Art In The Atlantic World, Rachel Hooper

Curatorial Publications

No abstract provided.

The Paradox Of Value, David Enrique Guarnizo

Theses and Dissertations

The present thesis project examines how, in the United States, and especially in the state of Virginia, archetypes of "wealth," "value," and "identity" have been constructed in relation to land and territory. This analysis explores the tension between the inherent value of life on the land and the economic value that can be derived from it. This tension is exemplified by a theory known as the "paradox of value", also referred to as the "paradox of water and diamonds", which was developed by the renowned Scottish economist and philosopher, Adam Smith. This theoretical framework serves as a fundamental axis for …

The Cut Worm Forgives The Plow, August Neuscheler

Theses and Dissertations

The explorations in this thesis writing are centered on William Blake’s proverb “The cut worm forgives the plow.” It has been reinterpreted as an allegory of history and energy. A theory of their relation is proposed based on forgiveness, a theory that accepts the palimpsest of orders as evidence for the abundance of the present moment. The writing focuses on questions of proportionality, scale, archaeological screening methods, planar cutting, and a critique of entropy as grounds for this theory. Some of its subjects include the Statue of Liberty, Kate Raworth’s donut economic model, sashimi, triangulation, Joseph Beuys’ “7,000 Eichen,” semiconductors, …

In Harmony: The Environmental Lives Of Marianne North, Beatrix Farrand, And Mary Hunter Austin, Willa Frank

Pomona Senior Theses

This thesis explores the lives and careers of botanical painter Marianne North, landscape architect Beatrix Farrand, and literary nature writer Mary Hunter Austin to examine the interplay of femininity and the representation of nature in the late nineteenth and early twentieth centuries. All three figures had an approach to environmental representation which was based in field work, knowing a place truly, and a sense of harmony between subject and context of the produced work. This method did not occur because they were women or because it was an inherent feature of their assigned sex. Rather, their socialization in the Anglo-American …

Identifying Intangible And Biocultural Heritage Elements Toward Environmental Understanding: Engaging Stakeholders Through Art, Martha B. Lerski

Publications and Research

Grounded in a case study in Barbuda in the Caribbean, this research examines sustainability from the perspective of what arts and heritage can contribute to community engagement and local and broader understandings about the environment. This article documents a growing body of literature recognizing the role of arts and culture, including local knowledge and traditional ecological knowledge (TEK), in climate change endeavors. Art and TEK present expansive world views. Contextual information situates research done on the island of Barbuda pre- and post-Hurricane Irma. Visual arts workshops engaged community members in mixed methods research. Results documented cultural elements, particularly intangible and …

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …

Black Bodies On American Stages, Gabrielle Burton

Honors College Theses

The following study explores the character types that have been historically available to Black actors in American theatre and how that representation enforced, resisted, or ignored stereotypes. To examine the impact of those roles on the performers who played them, I examine the documented approaches Black actors have taken to embody their characters, as well as my own evolving process used to portray the eight characters I have inhabited in my personal college performance career at Georgia Southern University. This research and retrospective analysis reveal that while a lazy or performative indifference leads to harm, color-conscious inclusion, challenging conversations, and …

Disrupting The Timeline: Challenging Notions Of A Singular, Linear Early Muslim Historiography, Grayson D. Shaw

Pomona Senior Theses

Few historical events have received the same attention in the formative years of Islam as the so-called “‘Abbāsid Revolution” in 132 AH/750 CE. In both the medieval and modern contexts, this event has been recognized as a monumental formation from which the rest of Islamic history comes downstream from. Problematically, there are no cohesive historical sources from the losers of this conflict; the Umayyads. Utilizing numismatic and architectural evidence, I argue that the alleged rupture between the Umayyads and their ‘Abbāsid successors is overblown by historiography two centuries after the fact. Then, I further analyze what this continuity means for …

Kyiv Christianity In The Portraits Of Metropolitans: Artistic Language And Coding Of Identity In The 18th Century, Oleksandr Lukyanenko, Vitaly Dmytrenko, Vita Dmytrenko, Nazar Maistruk

Occasional Papers on Religion in Eastern Europe

The article is devoted to the analysis of the iconography of the Kiev metropolitans of the 18th century as a unique phenomenon of religious Ukrainian Baroque art. The portraits of the bishops are considered not only as representative images of spiritual power, but also as carriers of cultural codes that record a special type of “Kyiv Christianity” formed on the border of Eastern and Western civilizations. Special attention is paid to Baroque aesthetics – the splendor of the bishop’s vestments, the ornamentality, theatricality of the compositions and at the same time the psychological depth of the portrayed. The study shows …

Mocking The Malicious: Investigating John Heartfield’S Anti-Nazi Photomontages, Abigail J. Emory

Capstone Showcase

In this paper, I will discuss John Heartfield’s Dada infused photomontages, which he made in the 1930s following the rise of Adolf Hitler. During their ascension to power the Nazi regime used propaganda to glorify Hitler. The Nazi party also used a visual campaign to attack their enemies and people they deemed “inferior.” Throughout this time of media poisoning, John Heartfield created his photomontages that attacked everything the Nazis stood for. His anti-Nazi works for the Communist magazine Arbeiter Illustriere Zeitung (AIZ), covered a variety of angles including mocking Hitler as a person, pointing out the party’s greed, and exposing …

Unveiling Legacies: Exploring And Analyzing Cultural Artifacts In The Higbee Collection, Samantha Staller

Williams Honors College, Honors Research Projects

Anthropology and the Cummings Center to find ways to properly analyze an archaeological collection's artifacts to understand the overall significance of everything better. Before starting my research, I came up with the following questions: Can any artifacts be considered culturally affiliated? Is everything in the collection authentic? What is the overall background of the collection? Does this collection have any connection to Ohio history? Can anything in the collection be dated? Throughout the research, I will create an Excel inventory list to include qualitative and quantitative data from the artifacts to give insight into what is included in the Higbee …

Minoru’S Mecca: The World Trade Center, 9/11, And The End Of Architectural Modernism, Henry D. Senters

Anthós

From 1966 until 2001, the World Trade Center complex and its skyscraper Twin Towers were a defining architectural feature of New York City and a landmark in architectural modernism. Minoru Yamasaki, the project’s architect, intended the massive complex to be a “mecca” that drew in and inspired urban workers, exemplifying the Islamic architectural language that he incorporated into his architecture. In this article, Senters examines how architectural criticism evolved while the towers stood and after they were destroyed in the 9/11 terrorist attack. Tracking early reviews, hopeful about the complex’s trade-promoting purpose, and the perennial—though limited—negative reception of the complex’s …

Curating Modernity: Carmen Giménez And The Shaping Of Post-Franco Spain, Ines Trafford

MA Theses

This thesis examines the interplay between political transformation and cultural development in Spain during the transition from dictatorship to democracy with a focus on the influential contribution of Carmen Giménez, a pivotal figure in modern and contemporary art. Spain’s recent history, marked by the profound fracture of the Franco regime, serves as the background for this exploration. The study highlights how Giménez’s curatorial vision and dedication to modernism have shaped the country’s cultural landscape in the post-Franco era. Born into a family deeply affected by the sociopolitical turbulence of 20th-century Spain, Giménez’s career reflects a nuanced understanding of the complexities …

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

Defining ‘Un-Americanism’ In Culture And Art: The Dies Committee’S Investigation Of The Federal Theatre Project, Matthew G. Summers

Dissertations and Theses

This thesis explores the House Un-American Activities Committee’s (HUAC) expansive definition of ‘Un-Americanism’ through the body’s 1938 investigation of the Federal Theatre Project (FTP). The committee, then known as the Dies Committee after its chairman Martin Dies (D-TX), publicly presented the hearings as an attempt to root out communism in a deeply compromised government program. And indeed the FTP, an ambitious New Deal Program to provide work for unemployed professionals in the theatre, had an undoubtedly leftist bent. However, the hearings were consistently focused on the project's progressive stances on issues of race and gender, and effectively exposed the underlying …

Remedios Varo: Peregrinaciones, Julia Condes

Honors Undergraduate Theses

At the time of her death, the artist Remedios Varo (1908–1963) left behind over 500 works of art, the majority of which were created in her adopted country of Mexico. Known for her meticulously crafted fantastical paintings, Varo underwent exile and displacement due to first the Spanish Civil War, and later World War II, which led her to relocate to Mexico, where she would create prolifically for the remainder of her life. This paper will examine the effect of those experiences on the artist and the work she produced, attesting to Varo’s ability to translate complex emotions regarding the human …

Front Matter - Zamani 1, No. 2, Editors Note

Zamani: A Journal of African Historical Studies

The editors are pleased to present to you the second issue of Zamani: A Journal of African Historical Studies. Volume 1 Number 2 has a collection of research and forum articles as well as book reviews. There are four articles that builds from field research with different themes spanning from neolithic to the postcolonial periods. The themes include new neolithic dating; smallpox control in early colonial period in the former German East Africa (now Tanzania, Rwanda and Burundi); evasion of colonial taxation; and the connection between land legislations and land conflicts among the peasant and pastoral communities. There are also …

New Chronology For Neolithic Cultures In The Lake Eyasi Basin, Northern Tanzania, Musa Said Mwitondi, Pastory Magayane Bushozi

Zamani: A Journal of African Historical Studies

There have been several studies on Neolithic Cultures in the Serengeti National. The recovered archaeological materials include domestic and wild fauna remains, potsherds and lithic artefacts, ochre, and stone enclosures, dating between 7200 and 4900 BP. In the East African Rift System (EARS), conventional ages for Neolithic Cultures are inferred from the most extensively researched Neolithic sites in Kenya, where the oldest Nderit ware, cattle and caprine in the Lake Turkana Basin, northern Kenya, date ca. 5200 BP. Studies on the Neolithic of EARS have been structured to fit into the migration or diffusion models that consider the spread of …

Smallpox Outbreaks And Immunization Policies In Tanzania From The Late Nineteenth Century To The First World War, Lorne Larson

Zamani: A Journal of African Historical Studies

An estimated 300 million people died globally from smallpox in the 20th century alone. There was very much a North/South divide in the existence of the disease in that period, with countries across South America, Africa and Asia recording the majority of cases. In 1966 the World Health Organization launched an intensive effort to finally eliminate the disease. The last known endemic case of smallpox was reported in Somalia in 1977, and that outbreak was promptly contained. In 1980 smallpox was declared eradicated – the only infectious disease affecting humans to achieve this distinction. This remains among the most notable …

'Evading The Tax Collector’: Native Responses To The Head Tax In Colonial Njombe, Tanzania, 1920-1960, Peter Chaula, Hezron Kangalawe

Zamani: A Journal of African Historical Studies

Tax collection was one of the core preoccupations of the colonial government in Tanganyika (now Tanzania) and other colonies in the Africa that persisted even after independence. Direct taxation formed the basis of colonial taxation in Tanganyika. Head tax was a dominant form of direct taxation with its burden being borne primarily by Africans. This article uses the colonial Njombe District of Tanganyika to explore the responses of the African taxpayers to the head tax. The available data indicates that colonial head tax policies and practices in Njombe elicited varied responses from Africans with covert forms forming the mainstay of …

Revisiting African Religion As An Academic Discipline In Africa: History And Prospects, Ivan B. Kivinge

Zamani: A Journal of African Historical Studies

Three main religious traditions—indigenous African beliefs and practices (African religion), Christianity and Islam—have dominated everyday life of communities in Africa today. Scholarship on religion indicates that only African religion originated in Africa— Christianity and Islam are foreign religions. Many Africans today have been active Christians and Muslims, who are sometimes being misleadingly taught that African religion is demonic and forms of paganism. This article employs historical and philosophical approaches to show how the study of African religion has navigated through various historical currents and resultant implications on the way the current generation views it. In the end, the article proposes …