German Literature Commons^™

De Vente A Alemania, Pepe A ¿Te Has Venido A Alemania, Pepe?: Aspectos Económicos Y Culturales De La Emigración En Dos Generaciones Distintas, Daniel López Fernández

Homage to Alexander von Humboldt: Travels to and from Spain Throughout the Centuries / Homenaje a Alexander von Humboldt: Viajes hacia y desde España de todos los siglos

En Vente a Alemania, Pepe, el epónimo protagonista decide seguir el camino de muchos de sus compatriotas y abandonar temporalmente España con la intención de ganar más dinero en el extranjero, una esperanza que se ve pronto frustrada. Décadas más tarde, la crisis económica que comenzó en 2008 parece haber dado lugar a una repetición de este capítulo tragicómico de la historia española. No obstante, existen diferencias notables entre ambas generaciones. La migración actual atañe a una generación muy distinta de la que se marchó en los años sesenta y setenta. Se trata, en muchos casos, de inmigrantes con una …

Esperanza, De Marina Caba Rall, Y Blutorangen, De Verena Boos: Recuperación De La Memoria Histórica De La Migración Española A Alemania, En Dos Novelas Alemanas Del Siglo Xxi, Adriana Haro-Luviano Ma, Dietrich J.G. Rall Dr.

Homage to Alexander von Humboldt: Travels to and from Spain Throughout the Centuries / Homenaje a Alexander von Humboldt: Viajes hacia y desde España de todos los siglos

Las novelas Blutorangen (2015) y Esperanza (2016) narran dos sagas familiares ficticias que integran en la complejidad de su estructura temas como la memoria y la represión del recuerdo, la post-memoria, la historia y el olvido, los conflictos culturales y la manera de enfrentarse con el pasado. Desde su formación profesional como historiadoras, ambas autoras vertebran sus novelas con la construcción de imágenes históricas que reflejan la migración española a la Alemania de mediados del siglo XX, la integración de las dos protagonistas a la sociedad y cultura alemanas, así como su regreso a España, para esclarecer tanto las causas …

Jazz Banned: How Jazz Music Shaped Nazi Germany, Stella Coomes

Young Historians Conference

Jazz is widely known to be a formative element in American history, but it also played an important role during some of Europe’s most formative and memorable years: the time of World War II and Adolf Hitler’s reign in Germany and surrounding countries. With its roots in Black American culture, it is easy to believe that Hitler would not have supported the increasing popularity of jazz music in his homeland. However, that did not stop him from using it to his advantage (of course, denouncing any form of jazz that was not sponsored by the state). Also not to be …

From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp

Student Scholar Showcase

Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and …

Using Digital Commons To Highlight A Digital Collection: The Adventures Of Sophie, Rebecca Mckown

Digital Initiatives Symposium

This poster will detail the experience of migrating the Sophie Digital Collection of Literary Works by German-Speaking Women from a website into an interactive site on Digital Commons by the Harold B. Lee Library at Brigham Young University. The Sophie Project is named for Sophie von LaRoche and includes poetry, fiction, drama and film, song and music composition, essays, nonfiction writings and biographies all in native German language. It will highlight the structure built within Digital Commons to exhibit the richness of the content in the Sophie Collection and the interactive linking within the metadata fields.

P13. Wagner's Use Of The Formal Lament For King Mark In Tristan Und Isolde, Julie Anne Nord

Western Research Forum

Background: The composer Richard Wagner often expressed his distaste for “number” operas and other contrived forms used in the Italianate works of his forerunners and contemporaries. In place of these operatic conventions, Wagner drew upon the Tragedy of Ancient Greece to propose a “total artwork” (Gesamtkunstwerk)) with no contrived breaks for conventional form. Despite, or perhaps because of, his aversion toward operatic formal conventions, Wagner turned to one such form for his music for King Mark in Tristan und Isolde.

Methods: This poster demonstrates Wagner’s use of lament tropes from the poetry of Greek Tragedy and from …

The Roma And Sinti In Germany: Orientalism And Exclusion From German Historical Narratives (Romantisiert, Kriminalisiert, Und Abgewertet: Orientalismus Und Narrative Der Roma Und Sinti In Deutschland), Kimberly A. Longfellow

Celebration

The Roma and Sinti represent presence and absence in German culture. Although there has been a population of Roma and Sinti in Germany for centuries, they are often perceived by the German majority population as distinctly "eastern" and, as such, non-German. The perceptions of Roma by the German majority population mimic Orientalist assumptions, where the Roma are romanticized, criminalized, and generally devalued in comparison to Eurocentric narratives. Through an analysis of the Roma presence in German history, literature, and current events, one can see that the experience of the Roma in Germany is largely structured by the perceptions and assumptions …

Terrorism As Communication In Gregor Schnitzler’S Was Tun Wenn’S Brennt (2001) And Leander Scholz’S Rosenfest (2001), Sandra Dillon

Re-visioning Terrorism

This essay explores the connection of terrorism to communication, specifically to illocutionary and perlocutionary acts in Gregor Schnitzler’s Was tun wenn’s brennt and Leander Scholz’s novel Rosenfest. One cannot deny that violence plays an important role in German narratives about terrorism; however, the main focus of the works analyzed here is communication, which the narrative structure, the role of the spectator or reader and the main characters within the novel illustrate.

Pre-Visions Of Terror/After-Images Of Love. Gudrun Ensslin, Bernward Vesper And The Roots Of West German Terrorism, Thomas J.A. Krüger

Re-visioning Terrorism

This paper examines the pre-life of West German terrorism through the recently published correspondence between Bernward Vesper and Gudrun Ensslin, Notstandsgesetze von Deiner Hand (2009). I claim that as historical and literary documents, these texts offer a unique insight into the relationship between art and the historiography of West German terrorism before its climax in the 1970s. This historiography is heading backwards into the future, while surveying the destruction and barbarism of the past, while the personal and public spheres collide. Using the concept of the after-image, the essay analyzes the narrative residue of that collision. The correspondence provides insight …