German Literature Commons^™

When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon

Dissertations, Theses, and Capstone Projects

In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …

At Noon: (Post)Nihilistic Temporalities In The Age Of Machine-Learning Algorithms That Speak, Talha Issevenler

Publications and Research

This article recapitulates and develops the attempts in the Nietzschean traditions to address and overcome the proliferation of nihilism that Nietzsche predicted to unfold in the next 200 years (WP 2). Nietzsche approached nihilism not merely as a psychology but as a labyrinthic and pervasive historical process whereby the highest values of culture and founding assumptions of philosophical thought prevented the further flourishing of life. Therefore, he thought nihilism had to be encountered and experienced on many, often opposing, fronts to be fully consumed and left behind. Thus, just as Nietzsche captured the subtle reinventions of nihilism in new forms …

The Avenging Women: Grendel’S Mother, Signy, And Kriemhild, Kayla J. Baur

Publications and Research

The three respective texts, the Old English poem Beowulf, the Old Norse The Saga of the Volsungs, and the Middle High German text Nibelungenlied, feature female characters who fulfill the avenging woman archetype. In each of the three works, the female character uses unfeminine strength or cunning to exact vengeance for being wronged. In Beowulf, the avenging woman takes the form of Grendel’s mother, whose descriptions of monstrosity are owed to her acts of bloodshed to avenge the death of her son. In The Saga of the Volsungs, the vengeful plot enacted by Signy reveals her unusual display of cunning …

P13. Wagner's Use Of The Formal Lament For King Mark In Tristan Und Isolde, Julie Anne Nord

Western Research Forum

Background: The composer Richard Wagner often expressed his distaste for “number” operas and other contrived forms used in the Italianate works of his forerunners and contemporaries. In place of these operatic conventions, Wagner drew upon the Tragedy of Ancient Greece to propose a “total artwork” (Gesamtkunstwerk)) with no contrived breaks for conventional form. Despite, or perhaps because of, his aversion toward operatic formal conventions, Wagner turned to one such form for his music for King Mark in Tristan und Isolde.

Methods: This poster demonstrates Wagner’s use of lament tropes from the poetry of Greek Tragedy and from …

Nietzsches Lyrik. Archilochus, Musik, Metrik, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Classical Philology Gone Wild! The Use Of Classical Texts In The Film All Quiet On The Western Front, Tysen Dauer

Journal of Undergraduate Research at Minnesota State University, Mankato

Studying the texts of the Greco-Roman era has long been a tradition in the West. Works such as The Odyssey, The Iliad, and The Republic were understood to be liberating texts which enabled students to think more critically and as a result live more wisely. Many of the leading scholars in this field of “Classical Texts” (also known as Classical Philology) hailed from 19th century Germany. The 1930 German film All Quiet on the Western Front presented viewers with a classroom scene set at the start of the First World War where selected classical texts were written on the chalkboard, …

Sexuality And Textuality (Fall 2014), Robert D. Tobin

Syllabi

"Sexuality and Textuality" serves as an introduction to gay and lesbian literary studies and queer theory. It looks at questions of sexuality and literature in ancient and early modern texts (from the Hebrew, Greek and English traditions), as well as in modern texts (from German, French, Spanish, Japanese, and English traditions). In addition to literary texts, students will work with a number of cinematic representations of queer sexuality. Besides these primary texts, students will work with important secondary literature about sexuality."

A photo of this Fall 2014 class was taken as part of Professor Bob Tobin's ongoing class photo tradition.

Nietzsche’S Zarathustra And Parodic Style: On Lucian’S Hyperanthropos And Nietzsche’S Übermensch, Babette Babich

Articles and Chapters in Academic Book Collections

It is well-known that as a term, Nietzsche’s Übermensch derives from Lucian of Samosata’s hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances by reflecting on the context of that origination from Lucian’s Kataplous – literally, “sailing into port” – referring to the soul’s journey (ferried by Charon, guided by Hermes) into the afterlife. The Kataplous he tyrannos, usually translated Downward Journey or The Tyrant, is a Menippean satire of the “overman” who is imagined to be superior to others of “lesser” station in this-worldly life and the same tyrant after his (comically unwilling) …

Zu Nietzsches Stil, Babette Babich

Articles and Chapters in Academic Book Collections

Das Thema von Nietzsches Stil ist hier sowohl von Bedeutung als Frage nach dem Wesen jenes Stils wie auch als Frage danach, was er in philosophischer, nicht einfach in asthetischer oder literarischer Hinsicht erreicht hat. Hier wird nachgelegt, dass die Kunst des Lesens, die technische Kunst des hörens als eine Art des Hörens in einer philosophischen Seinsweise zu verstehen sei. Damit setzt sie nicht allein eine diskursive Kunst musikalischen Gespürs seitens des schreibenden, sondern eigentlich auch seitens des Lesenden voraus. Untersucht wird vor allem, Nietzsches Aphorismos im Rahmen des Antisemitismus. Diese außerordentlich komplexe innere Ausrichtung von Nietzsches Stil ist die …

Landscape And Change In Three Novels By Theodor Fontane, Jane Ellen Speerstra

Dissertations and Theses

This thesis traces and explicates the changes in Theodor Fontane's landscape depiction in the years 1887-1892. I examine his novels Cécile (1887), Irrungen, Wirrungen (1888), and Unwiederbringlich (1892). I show that Fontane, as though discarding a relic of the Romantic past, used increasingly less landscape in his narratives. He focused on the actions and conversation of his characters, and on their immediate surroundings. When these surroundings were urban, they tended to disappear. The progressive minimalization of landscape, and of cityscape in particular, foreshadowed the appearance in German literature of twentieth-century man: man alienated from nature in cities, and less aware …

Sophocles In The Age Of Goethe: An Analysis Of Sophoclean Influence In The Klassik-Romantik Era, Edward J. Vodoklys '72

Fenwick Scholar Program

The purpose of this paper is to investigate the influence of Sophocles, the man, and the entire corpus of his plays within the developing trends of 18th and 19th century German literature.

Phantastes Chapter 17/18: Exotics, Heinrich Heine

German Romantic and Other Influences

Heinrich Heine (1797-1856) was a German poet whose poetry has a strong political focus. MacDonald includes several translations from Heine in Exotics (pp. 154-165), his book of translations from German and Italian poets (1876). The poems he includes resonate nicely with Phantastes.

Phantastes Chapter 22: Titan: A Romance, Jean Paul

German Romantic and Other Influences

Jean Paul (Johann Paul Friedrich Richter, 1763-1825) was a German writer. Titan (1800-1803) is a four-volume novel in the Bildungsroman (novel of education) tradition. Schoppe is the friend of Albano (the main character), who searches for balance in his life. Schoppe, however, is a cynic and pessimist and dies after he thinks he see his doppelgänger, but who is, in fact, his look-alike friend. Schoppe’s tragic ending reinforces the death of the brothers in Phantastes.

Phantastes Chapter 16: Life And The Ideal, Friedrich Von Schiller

German Romantic and Other Influences

Johann Christoph Friedrich von Schiller (1759-1805) was a German writer, primarily known as a dramatist, poet, and literary critic. Das Ideal und das Leben (Life and the Ideal, 1795) is a philosophical poem. The Oxford Reference reports that the poem was “first published in 1795 in No. 9 of Die Horen, with the title ‘Das Reich der Schatten’. Schiller changed this in 1800 to ‘Das Reich der Formen’, and adopted the present title in 1804.” Edward Bulwer-Lytton (1803-1873), writer and politician, translated the poem in 1844 as Ideal and Actual Life. Bulwer-Lytton began his novel Paul Clifford …

Phantastes Chapter 18: Hesperus, Jean Paul

German Romantic and Other Influences

Jean Paul—Johann Paul Friedrich Richter (1763-1825)—was a German writer in the Romantic tradition, also known for his humorous writing. Hesperus (1795) includes two major ideas that MacDonald explores throughout Phantastes: the notion of dreams, and the importance of mirrors.