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German Language and Literature Commons

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Full-Text Articles in German Language and Literature

A Pilgrim’S Progress For The Digital, Post-Human(Ist) Age?: Social And Religious Allegory In Russell Banks’S Lost Memory Of Skin, David J. Buehrer Dr. Apr 2019

A Pilgrim’S Progress For The Digital, Post-Human(Ist) Age?: Social And Religious Allegory In Russell Banks’S Lost Memory Of Skin, David J. Buehrer Dr.

South East Coastal Conference on Languages & Literatures (SECCLL)

In Lost Memory of Skin (2011), his twelfth novel, Russell Banks continues his exploration of the dark underbelly of American society—in this instance, the moral wilderness of a group of convicted sex offenders exiled to living beneath a concrete causeway in the south Florida city of Calusa, a fictionalized Miami. Banks, who has long been “our premier chronicler of the doomed and forgotten American male” (Schulman 8), focuses in Lost on a twenty-two-year-old parolee referred to throughout only as “The Kid.” While guilty and duly convicted of propositioning an underage girl online for sex, The Kid is still presented in …


The Wreck Of Titanic: A Comedy, Christopher Giuggio Shea Jan 2014

The Wreck Of Titanic: A Comedy, Christopher Giuggio Shea

Senior Projects Spring 2014

Senior Project submitted to The Division of Languages and Literature of Bard College.


Proust And Benjamin: The Invisible Image, Beryl Schlossman Sep 1986

Proust And Benjamin: The Invisible Image, Beryl Schlossman

Studies in 20th & 21st Century Literature

Benjamin's essay "Zum Bilde Prousts" questions the status of the image even as it leafs through the possibilities and variations that form it—as photograph, figure, representation, disappearing trace or promise of creation. As the image of Proust's novel, Benjamin's text takes up the elements of A la Recherche du temps perdu (poetic language, autobiography, critical commentary) in the terms of Benjamin's theory of allegory reflected through the Proustian strategy of reading and writing. "Zum Bilde Prousts" examines the traditional markers of "art" and "life," locating Proustian recherche—and Benjamin's image—in the deep waters beyond them. Through an interpretation of Benjamin's …