German Language and Literature Commons^™

Beyond The Veil Of Modernity: René Guénon, Prophet Of The Metapolitical Imaginary, Frederic Colier

Dissertations, Theses, and Capstone Projects

Heralded by some as one of the greatest intellectuals of the 20th century, French metaphysician René Guénon (1886-1951) is also the controversial father of Primordial Tradition, a metaphysics designed to remedy the decline of Western civilization. Guénon viewed the West in the grip of a prolonged cycle of degeneration. He sought to implement a pseudo-authoritarian spiritual reset that required a total rejection of its Western intellectual heritage and an embrace of Eastern doctrines.

Focusing on his landmark book The Crisis of the Modern World (1927), the dissertation examines how Guénon implemented his controversial reset. After outlining the religious, cultural, and …

The Desire Of Strict Souls: The Poetry, Criticism, And Letters Of Paul Valéry And Wallace Stevens, Michael Healy

Dissertations, Theses, and Capstone Projects

This dissertation compares the poetic, critical, and epistolary oeuvres of Paul Valéry and Wallace Stevens and the influence of the former on the latter. Valéry famously advocated for the pursuit of “poésie pure” (“pure poetry”) and influenced Stevens especially in this way, though both of them concluded it was not achievable. I establish an approximation of a critical framework based on the work of the following critics and scholars: Wendy Lesser, Wendy Steiner, Anthony Cuda, Michael Clune, Paul Bové, and Liesl Olson. Harold Bloom’s passionate advocacy and deep, sustained engagement with Stevens and his work strongly influenced my choice to …

Thomas Mann’S Unbound Bodies: A Formal Analysis Of Disease In The Magic Mountain, Julia Shi

Student Theses and Dissertations

My senior thesis argues that disease is a formal element in Thomas Mann’s novel, The Magic Mountain, through the lens of a newly theorized genre: the “Bindungsroman” (“binding-novel”). The scholar Jonas Rosenbrück proposed the Bindungsroman as the successor genre to the Bildungsroman after the latter fell out of public favor after World War I.  Whereas the Bildungsroman narrates its hero’s maturation as a process of integration into society, the Bindungsroman’s hero is ontologically unstable and does not achieve normative resolution. This paper examines The Magic Mountain’s protagonist’s development as defined by the doubled play of binding and …

German 250w: Weimar German Cinema, Christa Spreizer

Open Educational Resources

German 250W (German Film and Media) analyzes various iconic Weimar German silent and sound films of the early 20th century such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, Metropolis, M, Dr. Mabuse, Blue Angel and others. We will analyze the extraordinary development of German cinema during a period of great political and economic instability, and an all-encompassing cultural revival.

Culture Of German Speaking Countries, Monica Rossi-Miller

Open Educational Resources

LG401 FNET is a 3 hours, 3 credits course with ENGL101 as a pre or co-requisite. It is an upper level course, however, no previous knowledge in Cultures of German speaking Countries is required, nor any knowledge of German language. The focus will be on cultures of countries in which German is an official language such as Germany, Austria, Switzerland and Liechtenstein. It fulfills 2A of the Common Core, WI (Writing intensive) requirement and Humanities elective.

Description: Students will be exposed to and discuss cultural developments in German-speaking countries including their role in the European Union. They will read …

German 250w (German Film And Media), Christa Spreizer

Open Educational Resources

German 250W (German Film and Media) considers various iconic Weimar German silent and sound films of the early 20th century such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, Metropolis, M, Dr. Mabuse, Blue Angel and others. We will analyze the extraordinary development of German cinema during a period of great political and economic instability, and an all-encompassing cultural revival.

When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon

Dissertations, Theses, and Capstone Projects

In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …

From “Total Destruction” To “Total Dictatorship”: The Influence Of Ernst Jünger’S Visionary Fascism, Nick Schiff

Dissertations, Theses, and Capstone Projects

This paper seeks to answer one central question: How can the life and work of Ernst Jünger help illuminate the development of fascist ideas, culture, politics, and power across Europe from 1920-1945? The components of that question are: what were the core elements of Jünger’s aesthetics, morality, and politics? How did he synthesize these elements to create his influential vision of German fascism? What were Jünger’s interactions and exchanges with other European fascists, as well as influential Nazis including Carl Schmitt, Joseph Goebbels, and Adolph Hitler himself? How did Jünger’s new Fascist politics and aesthetics affect them? I argue that …

Wordflight, Joey Gonnella

Theses and Dissertations

Exploring subjects revolving around the nature of images, language and their subsequent disseminationn through time, this paper weaves together seemingly unrelated topics from the hot air balloons of the Franco-Prussian war to the envelope poems of Emily Dickinson.

Of Method: A Propaedeutic To Coleridge's Prose Works, Michael A. Granger

Dissertations, Theses, and Capstone Projects

Coleridge’s prose works, published and unpublished, demonstrate a thorough and critical testing and understanding of British and German philosophical responses to skepticism and the ability of philosophy to progress by maintaining a double-minded and conflicted suture of both the practical or imaginative eclipse of knowledge and theorizing the hypothetical epistemological absolute that explains the relativity of facticity. Any inadequate method of inquiry stagnates within attempting a purely figurative or purely demonstrative solution to skepticism. Thus, the appropriate way to approach Coleridge’s understanding of philosophy is the struggle to make inquiry adequate though progression. Coleridge’s methodological impulse originates explicitly in a …

At Noon: (Post)Nihilistic Temporalities In The Age Of Machine-Learning Algorithms That Speak, Talha Issevenler

Publications and Research

This article recapitulates and develops the attempts in the Nietzschean traditions to address and overcome the proliferation of nihilism that Nietzsche predicted to unfold in the next 200 years (WP 2). Nietzsche approached nihilism not merely as a psychology but as a labyrinthic and pervasive historical process whereby the highest values of culture and founding assumptions of philosophical thought prevented the further flourishing of life. Therefore, he thought nihilism had to be encountered and experienced on many, often opposing, fronts to be fully consumed and left behind. Thus, just as Nietzsche captured the subtle reinventions of nihilism in new forms …

The Avenging Women: Grendel’S Mother, Signy, And Kriemhild, Kayla J. Baur

Publications and Research

The three respective texts, the Old English poem Beowulf, the Old Norse The Saga of the Volsungs, and the Middle High German text Nibelungenlied, feature female characters who fulfill the avenging woman archetype. In each of the three works, the female character uses unfeminine strength or cunning to exact vengeance for being wronged. In Beowulf, the avenging woman takes the form of Grendel’s mother, whose descriptions of monstrosity are owed to her acts of bloodshed to avenge the death of her son. In The Saga of the Volsungs, the vengeful plot enacted by Signy reveals her unusual display of cunning …

Germanic Latin Lyric Diction: Regional Variations In Germany, Switzerland, And Austria, James A. Worley

Dissertations, Theses, and Capstone Projects

In this dissertation, I discuss the various regional Latin lyric diction practices in Germany, Switzerland, and Austria and the extent to which Germanic Latin diction (also termed German Latin diction), Italianate Latin diction, and Roman Latin diction are performed beginning circa 1950 until 2022. I argue that Germanic Latin lyric diction is not standardized throughout Germany, Switzerland, and Austria. First, I explore Roman and Italianate lyric diction practices compared across various sources in order to distinguish between Latin pronunciation choices, then I discuss trends in Germanic Latin lyric diction “rules.” Extensive tables in appendices A (Roman Latin) and B (Germanic …

Germ 203: Intermediate German I, Christa Spreizer

Open Educational Resources

Intermediate German I syllabus

An Event-Without-Witness: A Nietzschean Theory Of The Digital Will To Power As The Will To Temporalize, Talha Issevenler

Publications and Research

This article offers a Nietzschean theory of digital will to power to conceptualize the temporality of social media feeds run by algorithms. Stylistic and methodological temporalities of Nietzsche are discussed as well as their influence in subsequent social theory of political technologies. The paradox of heavy investment in both subjective expression and nonhuman temporalization in social media milieus is addressed with the concept of an event-without-witness drawn from Nietzsche’s account of himself as the solitary thinker of catastrophe of nihilism and psychoanalytical and deconstructive literatures on the catastrophes of the 20th century. Nietzsche’s fundamental resistance to and fascination with the …

Stahlmann's 'Asian Eyes': Jewish Identity In Peter Weiss's The Aesthetics Of Resistance Vol. 3, Caroline Rupprecht, Caroline Rupprecht

Publications and Research

No abstract provided.

In The Face Of Death The Photographic Reevaluation Of The Death Mask During The Weimar Republic, Maresa Carney

Theses and Dissertations

During the Weimar Republic three books that shared the morbid subject of death masks, were published in short intervals and immediately enjoyed enormous popularity. The three publications Das Ewige Antlitz , Totenmasken, and Das Letzte Gesicht serve as an underpinning of the cultural and philosophical investigation of death mask photography

A Bird’S Eye View: Large-Scale Tonal Structures In Robert Schumann’S Four Song Cycles (Op. 42, 24, 39, And 48), Peter Kramer

Dissertations, Theses, and Capstone Projects

Some of Robert Schumann’s most notable works are his Lieder for solo voice and piano accompaniment. Schumann's Lieder are considered some of the best compositions in this genre, engendering various interpretations by performers and exciting vigorous debate among musicologists and theorists. Robert Schumann’s early music was almost entirely composed for the piano alone; it wasn’t until 1840 that he started to compose almost exclusively Lieder and song cycles inspired by his predecessors Beethoven and Schubert. This was a prolific year for Schumann compositionally, in part due to his marriage to Clara Schumann who was one of Europe’s most preeminent piano …

German 204: Intermediate German Ii, Christa Spreizer

Open Educational Resources

Syllabus for Undergraduate Intermediate German Course.

Critical Climates: Stimmung, Voice And Mythopoesis In German Literature From 1950–1989, Marc Cesar Rickenbach

Dissertations, Theses, and Capstone Projects

Critical Climates examines the interest in myth among a number of literary figures from 1950 to 1989 in relation to the concurrent re-emergence of the German aesthetic concept of Stimmung. At once referring to atmosphere, milieu, mood, disposition and harmony, while carrying along its root Stimme, or voice, this dissertation shows how Stimmung informed a literary practice among German-language authors that engaged the relationship between narrative, ideology and collective moods in a way that can be spoken of in terms of a mythopoesis. This project builds upon contemporary scholarship that focuses on Stimmung as a way to refigure …

Lg 111 Elementary German 1 Fnet (Fully Online), Monica Rossi-Miller

Open Educational Resources

No abstract provided.

Lg 111 Elementary German 1 Fnet, Monica Rossi-Miller

Open Educational Resources

No abstract provided.

Fascist Aesthetics From 1940 To Contemporary Times, Anna M. Gellerman

Publications and Research

Movies and literature all over the world share some common aesthetics: militarization, romanticization of death, beauty of perfection, and even purity. What most don't think about is how these tropes rose to popularity due to Nazi Germany's propaganda films. This work describes these fascist aesthetics, and uses famous publications from the 1940s until now to paint just how common these themes are.

Unlearning Don Carlos: Historical And Fictional Elements Of Innovation In César Vichard De Saint-Réal’S 'Dom Carlos, Nouvelle Historique,' Friedrich Schiller’S 'Don Karlos, Infant Von Spanien,' And Giuseppe Verdi’S 'Don Carlos', Maria-Cristina Necula

Dissertations, Theses, and Capstone Projects

The story of the sixteenth-century Spanish prince, Don Carlos, has inspired numerous literary and musical adaptations that, despite the artistic limitations of historically-based content, reflect an astonishing scope of creative freedom. The myth created around Don Carlos originated in European consciousness as early as 1568. Various theories recorded in political reports and in historical works insinuated that the prince had been murdered while incarcerated by orders of his father, King Philip II. Simultaneously, hatred of Spain, intensified by Philip’s violent suppression of the revolt in the Netherlands, determined exiled Flemish nobles to launch an anti-Philip propaganda. The mystery of Don …

"Do They Know The Normal Language?": Language Attitudes And Ideologies In German Hip Hop Culture, Matt Garley

Publications and Research

This article presents a theoretical discussion of the relationship between language ideologies and language attitudes and builds on previous work by providing an organized framework connecting these notions. This framework is evaluated with reference to online and offline ethnographic work surrounding attitudes and ideologies about anglicisms, or English loanwords, among German hip hop fans and artists. Language attitudes are theorized as individual thoughts and expressions about language, and are often, but not always, informed by individual reproductions of language ideologies, which are conceived of as systematic, shared over groups of individuals, enduring, and mediated. Language ideologies can then be organized …

Helene Stöcker, Weimar Germany And Prophylactics: An Investigation Into The Context And Effects Of The Reichsgesestz Zur Bekämpfung Geschlechtskrankheiten, Joshua Stern

Dissertations and Theses

This paper investigates German gender studies in the Weimar Era. It looks at a specific law, passed regarding contraceptive devices. It seeks to show how women were presented with a guise of freedom, while living in a truly paternalistic society.

The Space Of Alterity: Language And National Identity In Theodor Adorno And W.G. Sebald, Agata Szczodrak

Dissertations, Theses, and Capstone Projects

The German Romantic monolingual paradigm of national identity emerged in the late eighteenth century to establish a mother tongue as a national backbone. This paradigm portrayed multilingualism as destabilizing, impoverishing, and unsuitable for aesthetics. Radicalized by the Nazis and overlooked in postwar debates over German national identity, this paradigm persists in contemporary societies and continues to conceal, belittle, and discredit multilingualism. To oppose that paradigm, this dissertation unveils the enriching and nourishing qualities of foreign languages, presents translingualism as a viable alternative to monolingualism, and reveals how translingual literature creates transnational connectedness. The limitations of the paradigm are traced from …

Waking Dreams: Modernist Intoxications And The Poetics Of Altered States, Jason Ciaccio

Dissertations, Theses, and Capstone Projects

Intoxication as a poetic principle is often identified with the romantic imagination. The literature of the intoxicated reverie is commonly thought of as synonymous with works such as Coleridge’s “Kubla Khan,” DeQuincey’s accounts of numerous nightmares and reveries, a number of Keats’ odes, Novalis’ hymns, E.T.A. Hoffmann’s stories, and Poe’s oneiric Gothic tales. Each of these, in part through their opiation or the incorporation of various other draughts, evokes a realm of dreams and visions of various sorts that are commonly associated with romantic poetic practices. The ecstatic trance, the sense of passing into another domain that is …

Edwin Fischer And Bach Performance Practice Of The Weimar Republic, Bradley V. Brookshire

Dissertations, Theses, and Capstone Projects

Edwin Fischer (1886-1960) provided a synthesis of approaches to Bach pianism that resolved dialectical tensions of long standing between schools that opposed one another throughout the nineteenth century. I argue that Fischer’s synthesis––which permits exegetical interpretation while maintaining a preservationist stance toward the integrity of the text––resembles both Felix Mendelssohn’s bifurcated approach to Bach’s music and Moses Mendelssohn’s description of a similar duality within modern Judaism. Such resemblance may not be coincidental or superficial, given that Fischer married into the Mendelssohn family at the height of its cultural influence in Weimar-Era Berlin. Although pieces of the Mendelssohnian construct were in …

Theatres Of Reality, Fiction, And Temporality: Vegard Vinge And Ida Müller’S Ibsen-Saga (2006 - 2015), Andrew L. Friedman

Dissertations, Theses, and Capstone Projects

This dissertation examines the influence of modernist aesthetics and ideologies on contemporary, European and U.S. experimental theatre. I argue that modernist and contemporary experimental theatres offer competing notions of reality, fiction, and temporality, which I interrogate through Vegard Vinge and Ida Müller’s Ibsen-Saga. I illuminate this tension by reading current modes of performance against the Saga’s productions and work practices, as well as their aesthetic and ideological foundation in three modernist sources: the artificiality of Ibsen’s realism, the utopianism and totality of Richard Wagner’s Gesamtkunstwerk, and the temporal provocations of the historical avant-gardes. I contend that the …