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Articles 331 - 335 of 335
Full-Text Articles in German Language and Literature
Luciano Bianciardi’S Aprire Il Fuoco: On The Function Of Literature In Society, Stefano Giannini
Luciano Bianciardi’S Aprire Il Fuoco: On The Function Of Literature In Society, Stefano Giannini
Languages, Literatures, and Linguistics - All Scholarship
This is the first article to assess the importance of Luciano Bianciardi’s last novel, Aprire il fuoco [Open Fire!](1969), a work often overlooked, that offers crucial insights into Bianciardi’s commitments to social causes. A so-called “irregular” of 20th-century Italian literary panorama, Luciano Bianciardi (1922-1971) in his Aprire il fuoco discusses his idea of literature as an activity that must aim at assuming the role of ethical guide in societies. In my article, I gloss the often obscure historical and literary references of the novel, and provide a critical assessment of its impact.
Hidden Sentiments, Unfinished Project: Pirandello’S Film La Nuova Colonia, Stefano Giannini
Hidden Sentiments, Unfinished Project: Pirandello’S Film La Nuova Colonia, Stefano Giannini
Languages, Literatures, and Linguistics - All Scholarship
This article investigates the notion of the unfinished work. In Pirandello studies the word unfinished holds particular importance. Luigi Pirandello's last, and one of his major works, I giganti della montagna [The Mountain Giants] was not completed. The many years devoted to its making weaken the assumption that Pirandello was not capable of completing it in favor of his decision not to complete his work. I considered the overlapping of the writing of I giganti della montagna and of the attempts to produce the film La nuova colonia [The New Colony] an important, and insofar unnoticed, key element for understanding …
Un Nuovo Dato Per La Cronologia Della Versione Cinematografica Della Nuova Colonia Di Luigi Pirandello, Stefano Giannini
Un Nuovo Dato Per La Cronologia Della Versione Cinematografica Della Nuova Colonia Di Luigi Pirandello, Stefano Giannini
Languages, Literatures, and Linguistics - All Scholarship
Luigi Pirandello (1867-1936) wrote numerous film-treatments inspired by his short-stories and plays that were not completed as films. Among the never completed films there is La Nuova Colonia. The history of the film-project La Nuova Colonia [The New Colony] is important for the further understanding of Pirandello’s poetics. Nestled in the plot of Pirandello’s novel Suo marito [Her Husband], La Nuova Colonia took on independent life in 1926 as the play of the same name that premiered in Rome in March 1928. The two dates indicated for the play are not the chronological limits for the La Nuova Colonia …
Piero Chiara E La Tradizione, Stefano Giannini
Piero Chiara E La Tradizione, Stefano Giannini
Languages, Literatures, and Linguistics - All Scholarship
Piero Chiara (Luino 1913- Varese 1986) wrote many novels and short stories that immediately met great public success. Critics devoted mixed attention to him but his works deserve a new critical assessment to analyze the rich and sophisticated web of cultural and literary references that permeate them. Through readings of Il piatto piange, “L’uovo al cianuro” and other novels and short stories, this paper analyses the complex textual relations Chiara entertains with Pirandello’s Il fu Mattia Pascal. Chiara investigates the themes of identity and the double. His narrative depicts an apparently lighthearted reality that in fact reveals despair. …
Un’Agra Salita. Lettura Di ‘Autostrada Della Cisa’ Di Vittorio Sereni, Stefano Giannini
Un’Agra Salita. Lettura Di ‘Autostrada Della Cisa’ Di Vittorio Sereni, Stefano Giannini
Languages, Literatures, and Linguistics - All Scholarship
Luciano Bianciardi (1922-1971) wants to open a dialogue with his friend Vittorio Sereni (1913-1983) through the pages of his best-selling novel La vita agra (1962). Sereni does not respond immediately, and the approach seems not to have received Sereni’s attention. The analysis of Sereni’s 1981 poem “Autostrada della Cisa” proves that he ultimately decided to reply to his friend’s irreverent, yet congenial, comments, albeit nearly 20 years later. This article underlines the existential crisis expressed by Sereni in his poem, accompanied by his willingness to enter into a dialogue with any reader, despite the nihilistic outcomes he foresees. His efforts …