German Language and Literature Commons^™

Practicing Hedonism In The Face Of Nihilism: Onfrayian Insights On Individualism And Autonomy, Scott Truesdale

The Coastal Review: An Online Peer-reviewed Journal

Where many define nihilism as the belief that life and all moral principles are meaningless, the French philosopher, Michel Onfray, expounds on this classic definition and argues that true nihilism is the refusal to accept the world as it is. Unlike monotheistic religions and totalitarian regimes that urge their followers to practice asceticism now to attain happiness in the future, Onfray believes that hedonistic pleasure can be found when the individual rediscovers autonomy and returns to an atomistic worldview that is immersed in the imminent.

Between Pain And Glory: Memory Disputes Of The Brazilian Dictatorship In Retrato Calado And O Que É Isso, Companheiro?, Angela R. Mooney

The Coastal Review: An Online Peer-reviewed Journal

This article analyzes Luiz Roberto Salinas Fortes’ Retrato calado (Silent Portrait) published in 1988, considering the theoretical discussions on testimonio's epistemology—addressing the challenge of narrating trauma and the risk of stylization. It compares Fortes' memoir with Fernando Gabeira's O que é isso, companheiro? (What's This, Comrade?) from 1979, examining diverse approaches to capturing historical trauma through literature and its impact on collective memory about Brazilian Dictatorship (1964-1985).

Translating Heimat In Multilingual Dortmund, Kristin Dickinson

Studies in 20th & 21st Century Literature

Named for the people of 132 different nationalities photojournalist Peyman Azhari encountered in northern Dortmund over the course of a year, the photo collection Heimat 132 (2014) stands as testament to the many ethnicities, religions, and languages this neighborhood is home to. In my paper, I read Azhari’s photographs as sites of translation capable of reclaiming a critical understanding of Heimat (home or homeland) that is fundamentally multilingual. I do so by first exploring the link between racially and ethnically exclusionary definitions of Heimat and the all-too-common assertion that Heimat is an untranslatable word. Each approach, I argue, rests on …

Learning Chinese Vocabulary: Understanding Students' Perspectives, Austin Gasiecki, Zuotang Zhang

The Coastal Review: An Online Peer-reviewed Journal

This study used a survey to investigate self-study and university-enrolled Chinese learners’ habits in studying Chinese vocabulary in order to determine what study methods influence a.) learners’ confidence in learning Chinese vocabulary and b.) what aspects of Chinese vocabulary they consider easy or difficult. We were particularly interested in seeing what the data had to say about students’ attitudes towards characters and the written language, given that the field of Chinese language pedagogy is known for a stronger focus on the written language as opposed to the spoken language. We found that aspects of Chinese vocabulary associated with the spoken …

Decolonizing French: Afrophonics In Ken Bugul’S Aller Et Retour (2013), Hapsatou Wane

The Coastal Review: An Online Peer-reviewed Journal

This article explores the innovative language strategies employed by Senegalese writer Ken Bugul in her novel Aller et retour to construct a dynamic and interconnected linguistic landscape that challenges fixed language boundaries. Ken Bugul's "langue fabriquée" combines elements of French, Wolof, and English, reflecting a transglocal dimension that embodies the essence of afrophonics—a poetics of resistance that empowers local cultures in a globalized context. Through a detailed analysis of Ken Bugul's linguistic choices, including the use of quotation marks, footnotes, and arbitrary transcription, the study reveals how she creates a language that defies categorization and decolonizes French without resorting to …

Timothy Bewes. Free Indirect: The Novel In A Postfictional Age. Columbia U.P., 2022., Emily Hall

Studies in 20th & 21st Century Literature

Review of Timothy Bewes. Free Indirect: The Novel in a Postfictional Age. Columbia U.P., 2022. 315 pp.

“Since When Is Steve Urkel White?” – Vocal Blackface In The German Dubbing Landscape, Patrick Ploschnitzki

Studies in 20th & 21st Century Literature

Dubbed (i.e., lip-synchronized audiovisual translation of) movies and television are ubiquitous in German-speaking countries and often consumed without active reflection of their production. Due to this inattention, the domestication / replacement of cultural references in US media translated into German often goes unnoticed. Translational decision-making becomes highly problematic, however, when entire cultures are replaced or disregarded as a result. In 2004, applied linguist Robin Queen demonstrated that Black actors were dubbed by white voice actors with German dialects and sociolects traditionally read as “blue collar.” There has not been any follow-up research to her crucial contribution that remains topical: the …

Feeling Beyond Words: Ineffability And Haptic Translational Praxis Of Black German Writings, Adrienne N. Merritt

Studies in 20th & 21st Century Literature

In this article, I focus on selections from Black German essayistic and creative writings that center experiential knowledge that is personal and often multisensory. My case studies are excerpts from Farbe bekennen: Afro-deutsche Frauen auf den Spuren ihrer Geschichte (1986), its English translation by Anne V. Adams (Showing Our Colors 1992), and Natasha Kelly’s collection of interviews from her documentary film, Millis Erwachen (Milli’s Awakening) (2018), which Kelly herself translated. These texts, I argue, explore the ways in which words fail to fully express the visceral reaction of living while Black in Germany, particularly those that seek …

La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez

The Coastal Review: An Online Peer-reviewed Journal

Le parfait crime (1995) by Jean Baudrillard and Crimen ferpecto (2004) by the Basque director Alex de la Iglesia are two works that not only have in common almost identical titles. They both reflect on how in consumer societies, an imperfect real world is substituted for an illusory hyperreality in which the distinction between subject and object has disappeared. While Baudrillard explains how the denial of a transcendent reality in contemporary society is “a perfect crime” that destroys the real, Alex de la Iglesia uses black humor and a mix of genres (mainly grotesque comedy and thriller) to show the …

De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe

The Coastal Review: An Online Peer-reviewed Journal

In La Sorcière, Jules Michelet uses the strength and the myth of the Medea character, which had already fascinated Corneille. In the second part of his work, Michelet creates nominative witches after authentic texts. In the first part, he creates an allegoric witch on the Medea model: the Woman, a victim of arbitrariness, injustice and repression, rises up against her oppressors, figuring the march of Humanity towards Enlightenment and Liberty. The analogies between the Witch and Medea are therefore numerous and necessary, since they help to render the defense of the oppressed against the oppressor. Would the somber Medea, …

Joel Scott, Translator. The Aesthetics Of Resistance, Volume Ii. By Peter Weiss. Duke Up, 2020., Mona Eikel-Pohen

Studies in 20th & 21st Century Literature

Review of Joel Scott, translator. The Aesthetics of Resistance, Volume II. By Peter Weiss. Duke UP, 2020. x + 320pp.

Mephistopheles' Atopy, Allotry, Lottery. On Textual Proliferations In Goethe's Faust I And Ii, Pasqual Solass

Vernacular: New Connections in Language, Literature, & Culture

Combining a careful reading of selected passages from Goethe’s Faust I and II and of marginal but nevertheless revealing lines on maybe the actual protagonist of the “Tragödie”, Mephistopheles, this paper aims to present aspects of what one could call Goethe’s vision of a modern devil. Taking departure from etymological considerations on the root of “diabolus”, i.e. diabállein, meaning to cast apart, to scatter, but also to accuse, as well as from different beliefs of German “Aberglaube” (superstition), it will become clear that one if not the major feature of Goethe’s Mephistopheles-figure is movement, not just …

Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix, Jorge L. Camacho

The Coastal Review: An Online Peer-reviewed Journal

This article investigates the way in which Cuban literature reflected on indigenous people during the early half of the nineteenth century and uses the symbol of the Amerindians to demonstrate a moral disjuncture between them and the colonizer. In this article, I call attention to the way Cuban independentists and Spanish nationalists used this figure to support their views and thus created a split in the Cuban creole imagination. I start by pointing out that these appropriations started at the end of the 18th century when historian José Martín Félix de Arrate, and poets such as Miguel González and Manuel …

La “Border Culture” Del Personaje Mexicoamericano En El Sureste De Estados Unidos En Los Cuentos De Lorraine López Y Mijito Doesn’T Live Here Anymore De Jaime Martínez, Jaime Chavez

The Coastal Review: An Online Peer-reviewed Journal

This paper explores the concepts of "Border Culture" and "Borderlands" by Gloria Anzaldúa in Soy la Avon Lady and Other Stories, Homicide Survivors Picnic and Other Stories, by Lorraine López and the novel Mijito Doesn’t Live Here Anymore by Jaime Martínez. The paper argues that the Mexican American character in the southeast of the United States lives in the "Borderlands" and practices a "Border Culture" because they don't follow the traditional stereotypical role of the Mexican American character within the literary canon of both the dominant culture and Chicana/o literature.

Alfred Corn, Translator. The Duino Elegies, By Rainer Maria Rilke. Norton, 2021., Jeremy Glazier

Studies in 20th & 21st Century Literature

Review of Alfred Corn, translator. The Duino Elegies, by Rainer Maria Rilke. Norton, 2021. 112 pp.

Priscilla Layne. White Rebels In Black: German Appropriation Of Black Popular Culture. U Of Michigan P, 2018., Mona Eikel-Pohen

Studies in 20th & 21st Century Literature

Review of Priscilla Layne. White Rebels in Black: German Appropriation of Black Popular Culture. U of Michigan P, 2018. ix + 259 pp.

Using A Smart Phone To Learn Spanish: Does It Work And Will Students Use It?, Andrew J. Demil, Alysha Assaf, Ryan Cragun

The Coastal Review: An Online Peer-reviewed Journal

Over time, mobile devices have penetrated the classroom, requiring new and beneficial ways to implement classroom instruction. Research suggests that Short Message Service (SMS) based instruction is an effective tool for acquiring second language (L2) vocabulary and idiom knowledge (Hayati, Jalilifar, & Mashhadi; Lu,). Additionally, studies have found that students believe that mobile learning (m-learning) is beneficial to acquiring a second language (Cavus & Ibrahim; Hayati, Jalilifar, & Mashhadi; Lu, 2008). This study examined whether m-learning can lead to Spanish vocabulary familiarity and if sentence comprehension outperforms reading definitions. Participants were 29 native English speakers studying Spanish as a second …

Notes On Contributors, Molly Lynde-Recchia

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No abstract provided.

On Tasso In Prison By Charles Baudelaire, Sharon Fish Mooney

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Translation of and commentary on Baudelaire's "On Tasso in Prison," which is an ekphrastic poem after Delacroix's painting of the same name.

Four Poems By Toshiko Hirata, Eric Hyett, Spencer Thurlow

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Translations of "Is It February?" "Is It March?" "Is It November Again?" and "Is It December Again?"

Lullaby By Rainer Maria Rilke And Amen By Georg Trakl, Wally Swist

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No abstract provided.

Drops From Black Candles By Abdallah Zrika, Mike Baynham

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English translation of Abdallah Zrika's "Drops from black candles" accompanied by an essay on the translation process which includes consideration of Laâbi's French translation of the same poem.

While Dreaming, While Writing (Excerpt) By Max Alhau, Patrick Williamson

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A free rendering of Max Alhau's "While dreaming, while writing," with commentary. The original source text is included.

Corona By Paul Celan, David Capps

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No abstract provided.

Five Poems By Michael Krüger, Louise Stoehr

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No abstract provided.

Two Poems By Charles Baudelaire, Arnold Johnston

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Arnold Johnston's translations of Baudelaire's "The Lovely Ship" and "Invitation to the Voyage."

Blue Crystal By Martha Hofmann, Paul J. Shlichta

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A translation of a German poem by Martha Hofmann into English verse. The commentary includes a brief biography of Hofmann and a link to additional information.

Two Poems By Nohad Salameh, Susanna Lang

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Susanna Lang's translations of Nohad Salameh's "I Greet You, My Twin" and "Dance of the One/the Moon."

Four Sonnets By Feng Zhi, Emily Goedde

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Translation of Feng Zhi's Sonnets 6, 12, 16, and 18 by Emily Goedde.

Six Poems By Safiye Can, Marilya V. Reese

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Translations into English of six pieces of poetry by Safiye Can, Circassian-German poet from Offenbach.

P.E.N member Safiye Can pronounced like John), award-winning and best-selling Circassian poet from Offenbach, is a German citizen. Can studied philosophy, psychoanalysis and law at the Goethe-Universität in Frankfurt am Main and is the recent recipient of two prestigious literary prizes (Else Lasker-Schüler Poetry prize and Alfred-Müller-Felsenburg Prize for Civil Courage in Literature). Can’s work examining the place of the individual in society reframes concepts of home and belonging. Safiye Can was featured at the 20^th annual, week-long Leselenz, Germany’s largest non-urban literary …