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Full-Text Articles in French and Francophone Literature

Special Focus Introduction: Literary Walks, Slow Travel, And Eco-Awareness In Contemporary Literature, Peter Arnds Jun 2020

Special Focus Introduction: Literary Walks, Slow Travel, And Eco-Awareness In Contemporary Literature, Peter Arnds

Studies in 20th & 21st Century Literature

Introduction to special focus on Literary Walks, Slow Travel, and Eco-Awareness in Contemporary Literature


Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci May 2020

Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci

Honors Theses

In 19th century France, women appeared to be second class citizens. They were often limited in their abilities to have independence and secure their own wealth. This perception of women perhaps justifies why, as Honoré de Balzac’s novels illustrated the realities of French society, he attempted to characterize women’s struggles to obtain control and power in their lives. In his novels The Wild Ass’s Skin (1831), The Lily of the Valley (1835), and Le Père Goriot (1835), Balzac sought to prove how women could improve their lot.

Firstly, in studying how women had been relegated to second-class citizens under their …


Femmes À Huis Clos : Les Féminités Non-Normatives Dans Le Théâtre De Sartre, Megan Caljouw Apr 2020

Femmes À Huis Clos : Les Féminités Non-Normatives Dans Le Théâtre De Sartre, Megan Caljouw

Senior Theses and Projects

This thesis explores Jean-Paul Sartre’s depiction of women in theater, focusing on the female characters of The Respectful Prostitute (1946) and No Exit (1944). More specifically, I argue that Sartre presents women who reject normative conceptions of femininity prevalent in France during the twentieth century. Using Claire Duchen’s Women’s Rights and Women’s Lives in France 1944-1968 to provide a baseline understanding of gender roles during this time, I illustrate the ways in which the plays’ female characters “fail” to adhere to stereotypical notions of femininity in the realms of motherhood and sexuality. My argument is informed by a variety of …