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Articles 1 - 3 of 3
Full-Text Articles in French and Francophone Literature
The Narrative Mediterranean: Beyond France And The Maghreb, Claudia Esposito
The Narrative Mediterranean: Beyond France And The Maghreb, Claudia Esposito
Claudia Esposito
The Narrative Mediterranean: Beyond France and the Maghreb examines literary texts by writers from the Maghreb and positions them in direct relation to increasingly querulous debates on the shifting identity of the modern Mediterranean. This book argues that reading works by writers such as Albert Camus and Tahar Ben Jelloun alongside authors such as Fawzi Mellah and Mahi Binebine in a transnational rather than binary interpretive framework transcends a colonial and postcolonial bind in which France is the dominant point of reference. While focusing on works in French, this book also examines Maghrebi authors who write in Italian.
The texts …
Comme Pas Deux: France In The Sixties, Barbara Opar
Comme Pas Deux: France In The Sixties, Barbara Opar
Syracuse University French Colloquium
Many of the iconic images of the life and times of the sixties are associated with the United States. But France nonetheless was subject to some of the same cultural changes as the rest of the world. In certain ways, France paralleled what was happening in the rest of the world; in other ways the changes were different, or slower or occasionally even took place faster.
Sexualized Collaborations And The Politics Of Ghost-Writing In Franco-Arab Literature: From Paul Bowles To Tout Le Monde Aime Mohamed, Mehammed Mack
Sexualized Collaborations And The Politics Of Ghost-Writing In Franco-Arab Literature: From Paul Bowles To Tout Le Monde Aime Mohamed, Mehammed Mack
French Studies: Faculty Publications
In the last few decades, the landscape of Franco-Arab fiction has seen a great many authorship scandals, in which French non-Arab authors have impersonated Arabs and found publishing success. In this essay, I revisit these scandals while focusing on a recent “autobiographical” novel that raised suspicions of ghostwriting: 2011’s Tout le monde aime Mohamed (Everyone Loves Mohamed ) by Malik Kuzman. An impressionistic collage of homo-erotic encounters, its fleeting structure recalls that of Barthes’ Incidents, a series of social vignettes culled from the author’s time in Morocco. I explore the simultaneity of Barthes’ Death of the Author argument and the …