L’Identité De Groupe Chez Les Écrivains Francophones : Postures Institutionnelles Et Pratiques Littéraires, El Hadji Camara

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Résumé

Cette thèse explore la problématique de l’identité de groupe dans la pratique esthétique et discursive des écrivains francophones. En effet, parmi les questions majeures posées par la littérature francophone contemporaine, on peut noter celle de l’identité et de sa problématisation. L’écrivain francophone étant pris dans une sorte de négociation identitaire, j’ai étudié les manifestations de cette identité groupale en analysant d’une part le contexte institutionnel de la littérature francophone et, d’autre part, la configuration de cette identité telle qu’elle transparaît dans les œuvres littéraires. En fait, on a toujours parlé de générations littéraires ou d’écrivains « francophones » sans …

Securing Populations: Foucault And The Cartography Of Natural Bodies, Andrew A.T. Grant

Electronic Thesis and Dissertation Repository

The concept of biopolitics tends towards universal applicability and thus analytical impotency. By examining Foucault’s lecture seminars that address this concept directly and indirectly, this project aims to delimit its coordinates for future use. To do so, I begin by looking at the way biopolitical discourses on the population constituted liberal governmentality in the eighteenth century. This analysis will be supplemented by a cartography of the surfaces on which biopolitics emerges before and within liberalism, affecting its formation. I will therefore map out the formation of two objects that characterize modern biopower: the ‘natural’ body of the individual and the …

Human Automata, Identity And Creativity In George Du Maurier's Trilby And Raymond Roussel's Locus Solus, Adrienne M. Orr

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George Du Maurier’s Trilby (1895) and Raymond Roussel’s Locus Solus (1914) feature a unique figure, the human automaton, a human being who has been transformed into a machine. Rather than becoming objectified and dehumanized, thus transformed they produce great music and art defined by the single quality supposedly irreproducible by machines—variability. Drawing multiplicity from the sameness of exact repetition in their art, the human automata’s identities are equally capable of embodying otherness and oppositions in a plural identity that remains uniquely singular. This challenges contemporary attitudes towards automation as a fixative, deterministic and reductive, and ultimately dehumanizing transformation. Linking automatism, …