French and Francophone Literature Commons^™

Unrepresentable Objects: Neoliberalism In The Contemporary Novel In French, Alicen Marie

Dissertations, Theses, and Capstone Projects

This dissertation operates at the intersections of textual analysis, political theory, psychoanalytic theory, and aesthetics to investigate the prevalence of uncanny imagery in ten examples of contemporary fiction, while also interrogating the notion of the uncanny as a category of analysis. Entitled “Unrepresentable Objects: Neoliberalism in the Contemporary Novel in French,” it examines a group of novels by Marie Darrieussecq, Virginie Despentes, Marie NDiaye, and Linda Lê, published in France between 1993 and 2017. These novels share an aesthetic of hauntedness and breakdown, incongruous affect, and a continual presence of the uncanny; they depict a world split from history and …

An Absolute Manner Of Seeing: Flaubert, 1848, And The Development Of Modernist Style, Nicholas Olson

Dissertations, Theses, and Capstone Projects

This dissertation examines Gustave Flaubert’s Sentimental Education as a key work in the emergence of literary Modernism from the tradition of Realism. I begin by exploring the intellectual background of Realism in the works of Honoré de Balzac and the ties between this aesthetic theory and the theory of representative government: here I discuss the work of François Guizot, Friedrich Schiller, Friedrich Schlegel, J.W. Goethe, and Walter Scott as well as later thinkers like György Lukács, Pierre Bourdieu, Jürgen Habermas, and Jacques Rancière. From this, I demonstrate a commonly held theory of the social as a discreet totality, which makes …

Le Féminin-Fantastique: Entre Construction Symbolique Et Figuration De L’Altérité. Étude Des Figures Féminines Surnaturelles Dans La Littérature Fantastique Française Du Xixe Siècle, Ivana Prelevic

Dissertations, Theses, and Capstone Projects

This dissertation examines the féminin-fantastique in nineteenth-century French literature, arguing that supernatural female figures—vampires, animated objects, and revenantes—form a symbolic system through which the century negotiates anxieties surrounding sexuality, materiality, subjectivity, capitalism, mortality, and historical memory. Drawing on theoretical frameworks including Julia Kristeva’s concept of abjection, Barbara Creed’s monstrous-feminine, Marxist analyses of commodity fetishism, Freudian mourning, Derridean hauntology, and Georges Bataille’s theory of eroticism, the study analyzes works by Gautier, Féval, Mérimée, Maupassant, Villiers de l’Isle-Adam, and Nodier. Through three thematic axes—the female vampire, the animation of feminine objects, and the female revenant—the dissertation demonstrates how the supernatural feminine destabilizes …

The Desire Of Strict Souls: The Poetry, Criticism, And Letters Of Paul Valéry And Wallace Stevens, Michael Healy

Dissertations, Theses, and Capstone Projects

This dissertation compares the poetic, critical, and epistolary oeuvres of Paul Valéry and Wallace Stevens and the influence of the former on the latter. Valéry famously advocated for the pursuit of “poésie pure” (“pure poetry”) and influenced Stevens especially in this way, though both of them concluded it was not achievable. I establish an approximation of a critical framework based on the work of the following critics and scholars: Wendy Lesser, Wendy Steiner, Anthony Cuda, Michael Clune, Paul Bové, and Liesl Olson. Harold Bloom’s passionate advocacy and deep, sustained engagement with Stevens and his work strongly influenced my choice to …

Interspecies Responsivity In Early Modern Drama And Animal Performances, Taylor C. Culbert

Dissertations, Theses, and Capstone Projects

This dissertation proposes an expansive, interspecies definition of performance that uses behavior rather than cognition as the decisive feature and illustrates how such a definition can reshape our approach to theatre and performance history. Using the concept of responsivity, which refers to the embodied and affective ways that humans and non-human animals acknowledge and react to one another, I trace human–animal interactions across a variety of sixteenth- and seventeenth-century performance genres, from the aristocratic stag hunt and entertainments involving trained animals to the plays of Molière and Shakespeare. Drawing on my experience training animals, I offer a new perspective on …

When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon

Dissertations, Theses, and Capstone Projects

In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …

Unnatural Issue: Gendered Adaptations Of “Peau D’Âne” In Contemporary French And English Texts, Amy M. Martin

Dissertations, Theses, and Capstone Projects

Unnatural Issue: Gendered Adaptations of “Peau d’Âne” in Contemporary French and English Texts explores trans-genre and transmedia adaptations of Charles Perrault’s seventeenth-century fairy tale using feminist and narratological theories to examine gendered aspects of storytelling and the treatment of father-daughter incest and blame in the work of selected French, British, and American creators. Texts are read comparatively, with analyses of the adaptations’ plots, motifs, characterizations, and modifications, both in relation to Perrault and to the other adaptations. This dissertation features prose and poetry texts by female authors—including Christine Angot, Catherine Cusset, and Emma Donoghue—in the first two chapters. Reading these …

Marriage Stories: Legal Reform And The Novel In France And Britain, 1780–1860, Tatiana Nunez-Bright

Dissertations, Theses, and Capstone Projects

“Marriage Stories” analyzes connections between novelistic form, marriage law reform, and portrayals of virtue in texts by, among others, Stéphanie de Genlis, Mary Wollstonecraft, Sophie Cottin, Claire de Duras, Jane Austen, Honoré de Balzac, Sophie Doin, George Sand, Anne Brontë, and Gustave Flaubert. I argue that the novel was less concerned with abolishing or even critiquing marriage than it was with delineating “good” from “bad” unions, which in turn reflects contemporary discussions about marriage’s role in response to burgeoning social movements. My first chapter considers the epistolary novel in relation to the idea of spouses existing as “one body” culturally …

Political Economy In Lettres D'Une Péruvienne: Françoise De Graffigny As Philosophe And Reformer, Marguerite J. Van Cook

Dissertations, Theses, and Capstone Projects

This dissertation identifies the significant presence of political economics in Lettres d’une Péruvienne by Françoise de Graffigny, née Françoise d'Issembourg du Buisson d'Happencourt (1695 –1758), to affirm its author as a pioneer in the field. It explores Graffigny’s use of the sentimental novel as a vehicle to carry those ideas to the reading community. It reviews Graffigny’s preparation to propose novel ideas in the area of political economics and to fully participate in the then-emergent discourse with her male contemporaries. Her wide reading in the subject of Political Economy, from Voltaire to Mandeville and Montesquieu and her interactions with contemporaries …

The Devil Is In The Details: Witchcraft Materiality And Systems Of Belief In Early Modern France, Ryan Evelyn

Dissertations, Theses, and Capstone Projects

My approach to the early modern French witch figure, as defined by their materiality, considers the representation of things, objects, and substances in texts. It was inspired by the surge in material culture studies, whose genesis in the 1980s and 1990s spurred theoretical approaches to (re)considering human interactions with objects, the way in which materials can be manipulated to serve various ends, and which objects were deemed culturally significant. I employ this approach to a (re)assessment of the witch figure as illustrated in demonologies, medical texts, and imaginative literature as early as the 14^th century spanning into the early …

Humoring The Third Republic: Le Rire In French Politics And Popular Culture, 1894–1918, Andrew C. Kotick

Dissertations, Theses, and Capstone Projects

This dissertation studies the illustrated satirical periodical Le Rire in its historical context between its debut during the Dreyfus Affair and the conclusion of World War I. Adopting a multivalent approach to the historical study of graphic humor, it argues that Le Rire constitutes a significant corpus of evidence for understanding the political, commercial, social, and cultural novelties of its time, and maintained an ambivalent relationship with the young institutions and functionaries of the French Third Republic. As France’s leading satirical periodical, Le Rire served as a powerful medium for broadcasting nascent and extreme ideas to a mass reading public …

Heritage Repair: Revisiting Familial And Collective Histories In Filiation Narratives By Dalila Kerchouche, Colombe Schneck And Martine Storti, Rebecca R. Raitses

Dissertations, Theses, and Capstone Projects

This thesis offers a critical reading of three French narratives: Dalila Kerchouche’s Mon père, ce harki (2003), Colombe Schneck’s Les guerres de mon père (2018), and Martine Storti’s L’arrivée de mon père en France (2008). These works combine representations of familial history with the explorations of personal and collective traumas or repression. The study addresses the following dimensions of the texts: 1) The catalyst of intergenerational silence behind these and many other similar works; 2) The textual interplay between storytelling and material evidence; 3) The ways in which the authors combine narratives of familial hardships on one hand, and of …

Armored Feelings: Romantic Love, Sexual Consent, And Gender-Based Violence In French First World War Narratives (1914–1956), Angélique Ibáñez Aristondo

Dissertations, Theses, and Capstone Projects

Armored Feelings examines how the First World War reconfigured how the French thought and wrote about romantic love, sexual consent, and gender-based violence. It posits this devastating event as a critical juncture during which the misogynistic and racist notion of amour à la Française took its modern shape as a rhetoric buttressing the nation’s brittle sense of cultural superiority while obscuring diverse forms of gendered aggression – especially those perpetrated by its citizens against women. This dissertation also establishes that the notion of women’s sexual consent coalesced during the period under examination as a troubled and troubling response to the …

Maurice Scève Avant La Délie (1535–1544). Une Étude Des Genres Mineurs À L’Origine D’Une Nouvelle Esthétique Poétique, Elizaveta Lyulekina

Dissertations, Theses, and Capstone Projects

Cette thèse propose d’étudier l’influence du poète lyonnais Maurice Scève, actif entre 1535 et 1562, sur la formation de genres littéraires et le développement de la poésie française de la Renaissance. Elle explore également la contribution considérable du poète à la création de l’identité linguistique et culturelle française.

This dissertation studies the influence of the Lyonnais poet Maurice Scève, active between 1535 and 1562, on the formation of literary genres and the development of French Renaissance poetry. It also explores the poet’s considerable contribution to the creation of French linguistic and cultural identity.

Neither Invisible, Nor Silenced: The India-Maghreb Connections In Female-Authored Cinema, Chandra Balkaran

Dissertations, Theses, and Capstone Projects

“Third-World” women have long been excluded from center screen space, and positioned as stereotypical characters in liminal, coded spaces—such as harems, brothels, convents, ashrams, zawiyas or in domestic space. Yet, spatial organization is integral to the production of the social, not merely its result, and is fully implicated in both history and politics. Space is thus a crucial category of analysis in any cinema. My thesis examines how spaces, from the domestic to the virtual, socio-religio-cultural are reclaimed, redefined, and reformulated by women in politically engaged films made by Third-World women directors focused on women. Their struggles for space are …

Warrior Women And The Shaping Of Narrative In Medieval French Literature, Sara Rychtarik

Dissertations, Theses, and Capstone Projects

Warrior Women and the Shaping of Narrative in Medieval French Literature focuses on the representation of women warriors in medieval French literature, but it is also concerned with contemporaneous historical accounts and texts. Additionally, it examines representations of the woman as warrior in a different medium, which is still narrative-based, showing the impact of illuminated manuscripts on visual culture. The study looks at a specific character in medieval French literature – the woman warrior – in order to see how her existence in a text contributes to its narrative shape and to the production of the text itself. Through close …

The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins

Dissertations, Theses, and Capstone Projects

Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. The scope of research presented in this study examines the question of dialect literature as a valid genre which bears lines of demarcation that would assign it the distinction of genre. Research reveals that in fact the simple election of a language, or dialect, does not itself constitute a genre; moreover, most dialect literature bears characteristics that would neatly place it in another genre.

To examine this verity, this research compares two dialect poets who employ Milanese as a means of transmission …

Rewriting The Oeuvre: Raymond Queneau And The Art Of Translation, Christopher Clarke

Dissertations, Theses, and Capstone Projects

While the literary oeuvre of French author Raymond Queneau (1903-1976) has been extensively studied, his work as a literary translator has been largely overlooked. Queneau was a prominent member of the French literary avant-garde, but also a literary translator for two decades (1934-1953), and his writing was greatly influenced and impacted by his readings and translations of Anglophone writers. This dissertation provides insight into the role of translation in his conception of writing and language, and the inseparability of the different facets of his career as a writer, literary translator, and publisher. I examine his personal linguistic and literary history …

Queer Displacements: Minorities, Mobilities, And Mobilizations In French And Francophone Literature, Thomas Muzart

Dissertations, Theses, and Capstone Projects

Focusing on the work of Virginie Despentes, Jean Genet, Guy Hocquenghem, and Abdellah Taïa, this dissertation challenges the antisocial turn taken in queer theory, by means of a parallel study of the authors’ geographical and intellectual itineraries. While critics like Leo Bersani and Lee Edelman have suggested that the revolutionary potential in queer identity lies in its opposition to romanticized forms of community, I argue, along with José Esteban Muñoz, that their praising of singularity and negativity is similarly extreme. Alternatively, my study shows how the geographical displacements both experienced and imagined by my primary authors can illuminate the passage …

Where Do We Go From Here? Québécois Identity In The Road Novel From 1964 To 2008, Antoinette Williams-Tutt

Dissertations, Theses, and Capstone Projects

Made famous with American of French-Canadian origin Jack Kerouac’s On the Road (1957), the road novel genre typically expresses evolving values and beliefs through the lens of the lone adventurer, embarking on journeys that are not only spatial but also social and cultural. The Québécois road novel adapts and reinterprets the American model, moving its protagonists within and without the province to address the deep-seated questions of Québec’s identity and nationalism through confrontations with the past, loss, grief, family, and cultural others. Car travel and cultural border crossings allow the protagonists to achieve a complicated individual and collective autonomy in …

Out Of Home: Social Class In Women’S Writing, 1950–2016, Lisa M. Karakaya

Dissertations, Theses, and Capstone Projects

Out of Home: Social Class in Women’s Writing 1950 – 2016 employs an intersectional feminist and critical race theory methodology to examine social class in relation to gendered and racial subjugations in the work of selected French and francophone women authors across diverse regions. This dissertation features Annie Ernaux’s texts in the introduction, and then the colonial societies of French Indonesia and Algeria as depicted by narrators in the position of colonizers in the first two chapters. In the last two chapters, post-colonial or settler societies of Guadeloupian and Québécois texts are shown as depicted by colonized or marginalized narrators. …

Unlearning Don Carlos: Historical And Fictional Elements Of Innovation In César Vichard De Saint-Réal’S 'Dom Carlos, Nouvelle Historique,' Friedrich Schiller’S 'Don Karlos, Infant Von Spanien,' And Giuseppe Verdi’S 'Don Carlos', Maria-Cristina Necula

Dissertations, Theses, and Capstone Projects

The story of the sixteenth-century Spanish prince, Don Carlos, has inspired numerous literary and musical adaptations that, despite the artistic limitations of historically-based content, reflect an astonishing scope of creative freedom. The myth created around Don Carlos originated in European consciousness as early as 1568. Various theories recorded in political reports and in historical works insinuated that the prince had been murdered while incarcerated by orders of his father, King Philip II. Simultaneously, hatred of Spain, intensified by Philip’s violent suppression of the revolt in the Netherlands, determined exiled Flemish nobles to launch an anti-Philip propaganda. The mystery of Don …

Rhetorique Du Soi Dans La Litterature Francophone Haïtienne Du Xxe Siècle. Manques Et Manquements?, Jasmine Narcisse

Dissertations, Theses, and Capstone Projects

Partant du constat de la précarité du genre autobiographique dans la littérature haïtienne, et des théories formelle (Lejeune), philosophique et historique (Price-Mars, Gusdorf, Fanon, Glissant…), psychanalytique et rhétorique (Fanon, Doubrovsky, Kristeva…) sur le genre lui-même ou traitant de l’identité et de l’individuation, je propose un cadre d’établissement d’un corpus haïtien de l’écriture de soi. Ce sera l’occasion d’analyser les mécanismes mis en place par ces textes pour dire le soi dans une société comme la société haïtienne où le JE est pris en otage par un NOUS lui-même lourdement « surdéterminé » par un legs historique paralysant et l’encombrement social …

Dostoevsky As A Translator Of "Eugénie Grandet", Julia Titus

Dissertations, Theses, and Capstone Projects

The focus of this study in comparative criticism is a close analysis of Dostoevsky’s first literary publication - his 1844 translation of the first edition of Balzac’s Eugе́nie Grandet (1834) and the stylistic choices that he made as a young writer while working on Balzac’s novel. Through the prism of close reading this dissertation analyzes Dostoevsky’s literary debut in the context of his future mature aesthetic style and poetics. Comparing the original and the translation side by side, the dissertation focuses on the omissions, additions and substitutions that Dostoevsky brought into the text. It demonstrates how young Dostoevsky’s free translation …

Lost And Found In Translation: A Study Of The Bilingual Work Of Samuel Beckett, Julien Green, And Nancy Huston, Genevieve Waite

Dissertations, Theses, and Capstone Projects

While much has been written and theorized about translation, until recent years, considerably less attention has been paid to the product and process of self-translation, and self-translation studies has only recently emerged as a new and growing field of interest in academia. In my dissertation, I analyze the extent to which literal, linguistic loss in translation leads to figurative gain in the self-translated work and non-authorial translations of three translingual Franco-Anglophone authors: Samuel Beckett, Julien Green, and Nancy Huston. In addition to examining how self-translators and non-authorial translators afford themselves liberties in translation, I investigate the ways in which a …

Desire, Curiosity, And The Search For Truth In Proust, Moreno, And Bechdel, Santiago Parga Linares

Dissertations, Theses, and Capstone Projects

Marcel Proust’s influence on twentieth century literature is broad and has been well documented. This dissertation attempts a comparative reading of À la recherche du temps perdu that places it in contrast with Colombian writer Marvel Moreno’s 1987 novel, En diciembre llegaban las brisas, and Alison Bechdel’s 2006 comic memoir, Fun Home. Starting from a Deleuzian reading of the Recherche, this dissertation proposes the notion of the “proustian truth seeker”, a thematic and stylistic phenomenon which can be traced in all three writers. The characteristics of the truth seeker can be used to understand the ways in …

Region, Nation And Gastronomy: Regionalism In Gastronomic Texts Of The Early 20th Century (1900-1939), Lauren Reches

Dissertations, Theses, and Capstone Projects

France is far from being a uniform culture and yet the food of French provinces is often subsumed into one universally known “French cuisine.” While 19^th-century haute cuisine ignored regional differences, gastronomes of the early 20^th-century, such as Curnonsky, Marcel Rouff, Austin de Croze, and Pampille, defined a new French culinary identity based on appropriating and incorporating the diversity of the regional cuisines. Regional cuisine at the time was, however, quite diverse. Some of the regions of France were newly added to the country, such as Savoie and Nice, while others had been in contention for …

Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith

Dissertations, Theses, and Capstone Projects

In its most common usage in the artistic context, collaboration refers to a practice of creation in which two artists work together to produce a single artwork or object. Collaboration Revisited: The Performative Art of Claude Cahun and Hannah Weiner focuses on the nexus of photography, writing, and performance in the work of six female avant-garde artists from the transatlantic twentieth century, informed by the important place of surrealism in that history, to reconsider this understanding of collaboration. Instead of the notion of collaboration as founded in the experience of two artists working together in each others’ presence, I examine …

How To Be A French Jew: Proust, Lazare, Glissant, Paul J. Fadoul

Dissertations, Theses, and Capstone Projects

In my dissertation I use Auerbach's insights developed in his Mimesis to demonstrate that in A la recherche, Proust captures the political and racial concerns of his times, proposing as a solution a heterogeneous French society where cultural, ethnic, and religious groups live together in mutual respect and understanding. In his novel, Proust echoes ideas developed by Bernard Lazare in Le Nationalisme Juif (1897) as well as in the literary output of the first French Jewish Renaissance (early1900’s to the mid1930’s). These authors responded to the portentous mix of Nationalist and anti-Semitic politics by urging the creation of a separate …

An Escape From Language Into Language: The Internal Exile Of Louis Wolfson, Antoine N. Rideau

Dissertations, Theses, and Capstone Projects

This paper aims to show how the life and work of American francophone author Louis Wolfson - who suffered from schizophrenia and underwent a self-imposed exile from his own mother tongue - might serve to illuminate European émigré writers' relationships to multilingualism.