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Full-Text Articles in French and Francophone Literature

Unlearning Don Carlos: Historical And Fictional Elements Of Innovation In César Vichard De Saint-Réal’S 'Dom Carlos, Nouvelle Historique,' Friedrich Schiller’S 'Don Karlos, Infant Von Spanien,' And Giuseppe Verdi’S 'Don Carlos', Maria-Cristina Necula Sep 2019

Unlearning Don Carlos: Historical And Fictional Elements Of Innovation In César Vichard De Saint-Réal’S 'Dom Carlos, Nouvelle Historique,' Friedrich Schiller’S 'Don Karlos, Infant Von Spanien,' And Giuseppe Verdi’S 'Don Carlos', Maria-Cristina Necula

Dissertations, Theses, and Capstone Projects

The story of the sixteenth-century Spanish prince, Don Carlos, has inspired numerous literary and musical adaptations that, despite the artistic limitations of historically-based content, reflect an astonishing scope of creative freedom. The myth created around Don Carlos originated in European consciousness as early as 1568. Various theories recorded in political reports and in historical works insinuated that the prince had been murdered while incarcerated by orders of his father, King Philip II. Simultaneously, hatred of Spain, intensified by Philip’s violent suppression of the revolt in the Netherlands, determined exiled Flemish nobles to launch an anti-Philip propaganda. The mystery of Don …


The Scientific Romances Of Jules Verne And H.G. Wells: Imperialism Disguised As Progress In The Early Days Of Science Fiction, Timothy Ferris Aug 2019

The Scientific Romances Of Jules Verne And H.G. Wells: Imperialism Disguised As Progress In The Early Days Of Science Fiction, Timothy Ferris

Theses and Dissertations

Frequently in their respective oeuvres, Verne and Wells write in a rhetoric of conquest that almost always translates to discovering a more efficient means of taming wild, non-European environments. These goals extend not only to the lands that their protagonists explore, but also to human beings and other life that may populate them. Indeed, the underlying focus—the one that is masked behind the thrill and adventure of both Wells and Verne—is none other than the march of progress as understood by middle-class Europeans in the latter half of the nineteenth century. Progress can produce positivistic optimism, and it can also …