French and Francophone Literature Commons^™

Consuming Beauty In The Weimar Republic: A Discussion Of Youth, Cosmetics, And Power In Vicki Baum's Play Pariser Platz 13 (1930), Victoria Vygodskaia - Rust

Studies in 20th & 21st Century Literature

Published in 1930, Vicki Baum’s play Pariser Platz 13: Eine Komödie aus dem Schönheitssalon engaged the readership with an unorthodox and thoroughly modern heroine: the successful owner of international beauty salons Helen Bross. Helen personified the wishes and dreams of Baum’s readers: Helen’s autonomy, both personal and financial, allowed her to be an active consumer of modernity and its pleasures: travel, interaction with celebrities, and luxurious lodging.

My paper studies a (fictional) beauty salon on Pariser Platz in Berlin as an enclave of female power and explores Vicki Baum’s portrayal of beauty, youth, and fashion as commodities. I place my …

Christina Gerhardt And Sara Saljoughi, Editors. 1968 And Global Cinema. Wayne State Up, 2018., Anne Cunningham

Studies in 20th & 21st Century Literature

Review of Christina Gerhardt and Sara Saljoughi, editors. 1968 and Global Cinema. Wayne State UP, 2018. 422 pp.

The Body (Re)Public: Women On/As The Landscape Of Modernity, From Zola’S Au Bonheur Des Dames To Varda’S Cléo De 5 À 7, Christine Gutman

Doctoral Dissertations

This dissertation explores the ways in which questions of gender, space and mobility intersect in a selection of fin-de-siècle French novels and 1960s French New Wave films in an effort to discern how the representational interplay of these three elements gives allegorical form to the sociopolitical anxieties of the times in which the works were produced. Using the Paris Commune of 1871 and the protests of May ’68 as anchoring points for the two periodizations underlying my inquiry, I examine how women in the novels of Emile Zola (Au Bonheur des Dames, Nana) and Villiers de L’Isle-Adam ( …

Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan

Electronic Thesis and Dissertation Repository

Cette étude sur la bande dessinée et le cinéma du génocide tutsi s’écarte de l’analyse désormais canonique des politiques mémorielles et pratiques testimoniales pour en investir le parti pris post-apocalyptique . Elle s’agence en deux volets, ou, plutôt, en deux lieux de regard. Envisageant l’imaginaire de la fin qui s’est constitué autour du génocide tutsi, le premier volet de l’étude s’attelle à décrire une scène « cross-traumatic » ou transtraumatique, appelée génoscape, sur laquelle la pensée, les images et les discours critiques lient le destin éthique, esthétique et épistémique du génocide tutsi à celui de la Shoah. Cette démarche …

Steven Ungar. Critical Mass: Social Documentary In France From The Silent Era To The New Wave. U Of Minnesota P, 2018., Mary Mccullough

Studies in 20th & 21st Century Literature

Review of Steven Ungar. Critical Mass: Social Documentary in France from the Silent Era to the New Wave. U of Minnesota P, 2018. Xxii + 300pp.

Window Shopping With Duchamp: Commodity Aesthetics Delayed In Glass, J. Brandon Pelcher

Studies in 20th & 21st Century Literature

While Marcel Duchamp’s readymades are consistently framed as a challenge to the art world and the concept of art itself, they also challenge the world from which they were taken, the world of commodities. Readymades subject the commodity to the world of aesthetics in order to more fully investigate the commodity aesthetics of both the commodity form itself and it presentation in shop window displays. This critical investigation complicates the role of commodity aesthetics and consumption as well as their formation of the consumer-subject in Fordist capitalism. The readymade can be seen both as an important forerunner to the theories …

Arthur Rose. Literary Cynics: Borges, Beckett, Coetzee. Bloomsbury, 2017., Peter Faziani

Studies in 20th & 21st Century Literature

Review of Arthur Rose. Literary Cynics: Borges, Beckett, Coetzee. Bloomsbury, 2017. 190 pp.

Sarah Walkley. Cultural Diversity In The French Film Industry: Defending The Cultural Exception In A Digital Age. Palgrave Macmillan., Anna V. Keefe

Studies in 20th & 21st Century Literature

Review of Sarah Walkley, Cultural Diversity in the French Film Industry: Defending the Cultural Exception in a Digital Age. Palgrave MacMillan, 2018.

Debjani Ganguly. This Thing Called The World: The Contemporary Novel As Global Form. Duke Up, 2016., Evan Torner

Studies in 20th & 21st Century Literature

Review of Debjani Ganguly. This Thing Called the World: The Contemporary Novel as Global Form. Duke University Press, 2016. 300 pp.

Ina Batzke, Eric C. Erbacher, Linda M. Hess, And Corinna Lenhardt, Eds. Exploring The Fantastic: Genre, Ideology, And Popular Culture. Transcript Verlag, 2018., Annabelle Dolidon

Studies in 20th & 21st Century Literature

Review of Ina Batzke, Eric C. Erbacher, Linda M. Hess, and Corinna Lenhardt, eds. Exploring the Fantastic: Genre, Ideology, and Popular Culture. Transcript Verlag, 2018. 294 pp.

David Weir. Decadence: A Very Short Introduction. Oxford Up, 2018., Patrick Moneyang

Studies in 20th & 21st Century Literature

Review of David Weir. Decadence: A Very Short Introduction. Oxford UP, 2018. 132 pp.

Alessandro Rocco. Gabriel García Márquez And The Cinema. Tamesis, 2014., Silvio Gaggi

Studies in 20th & 21st Century Literature

Review of Alessandro Rocco. Gabriel García Márquez and the Cinema. Tamesis, 2014

Nina Schmidt. The Wounded Self: Writing Illness In Twenty-First-Century German Literature. Camden House, 2018., Erika M. Nelson Mukherjee

Studies in 20th & 21st Century Literature

Review of Nina Schmidt. The Wounded Self: Writing Illness in Twenty-First-Century German Literature. Camden House, 2018. 235 pp.

Rielle Navitski. Public Spectacles Of Violence: Sensational Cinema And Journalism In Early Twentieth-Century Mexico And Brazil. Duke Up, 2017., Ernesto R. Acevedo-Muñoz

Studies in 20th & 21st Century Literature

Review of Rielle Navitski. Public Spectacles of Violence: Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil. Duke UP, 2017. xiv + 344pp.

Wendy Michallat. French Cartoon Art In The 1960s And 1970s: Pilote Hebdomadaire And The Teenager Bande Dessinée. Leuven Up, 2018., Stephanie Schechner

Studies in 20th & 21st Century Literature

Review of Wendy Michallat. French Cartoon Art in the 1960s and 1970s: Pilote hebdomadaire and the Teenager Bande Dessinée. Leuven UP, 2018. 268 pp.

Jennifer Evans, Paul Betts, And Stefan-Ludwig Hoffmann, Eds. The Ethics Of Seeing: Photography And Twentieth-Century German History. Berghahn Books, 2018., Richard Bodek

Studies in 20th & 21st Century Literature

Review of Jennifer Evans, Paul Betts, and Stefan-Ludwig Hoffmann, eds. The Ethics of Seeing: Photography and Twentieth-Century German History. Berghahn Books, 2018. xii + 293 pp.

Levine, Alison J. Murray. Vivre Ici: Space, Place, And Experience In Contemporary French Documentary. Liverpool Up, 2018., Tessa Ashlin Nunn

Studies in 20th & 21st Century Literature

Review of Levine, Alison J. Murray. Vivre Ici: Space, Place, and Experience in Contemporary French Documentary. Liverpool University Press, 2018.

Clara Guillén Marín. Migrants In Contemporary Spanish Film. Rouledge, 2018., Alfonso Bartolomé

Studies in 20th & 21st Century Literature

Review of Clara Guillén Marín. Migrants in Contemporary Spanish Film. Rouledge, 2018.

Letter From The Editor: Upcoming Changes To Sttcl, Necia Chronister

Studies in 20th & 21st Century Literature

Letter from the Editor regarding upcoming changes to STTCL

Advertisement: Women In French Studies

Studies in 20th & 21st Century Literature

Advertisement for Women in French Studies

Advertisement: Tulsa Studies In Women's Literature

Studies in 20th & 21st Century Literature

Advertisement for Tulsa Studies in Women's Literature

Sttcl Editorial Board

Studies in 20th & 21st Century Literature

STTCL Editorial Board

La Nouvelle Vague Est-Elle Un Cinéma Existentialiste Français ?, Niuniu Zhang

Honors Theses

Throughout the world, Existentialism and New Wave Cinema are two defining pinnacles of French culture. As iconic of France as the baguette and cheese, the two subjects continue to retain their relevance in French and francophone cultural studies. My thesis explores the correlation between French existentialist philosophy and French New Wave cinema to argue for what can be called French Existentialist Cinema. In terms of French existentialist philosophy, I focus mainly on Jean-Paul Sartre, Simone de Beauvoir, and Albert Camus. As for the French New Wave, I focus first on one of its most highly admired precursors, Jean Vigo and …

Dominique Fourcade: Recalculations, James Petterson

Studies in 20th & 21st Century Literature

This article explores the relationship between poetry, photography and choreography in the writings of contemporary French poet Dominique Fourcade. Close readings of Fourcade’s 2001 M W alongside other of his works reveal some of the fundamental techniques of his writing, founded on formal recalculations sparked by interaction with other art forms, specifically the photography of Barbara Morgan and Isabelle Waternaux and the dance choreography of George Balanchine, Merce Cunningham, Pina Bausch, Mathilde Monnier and William Forsythe. The analysis also proposes alternative multi-disciplinary directions for the reception of poetry.

Ilai Rowner. The Event: Literature And Theory. U Of Nebraska P, 2015., Dane Stalcup

Studies in 20th & 21st Century Literature

Review of Ilai Rowner. The Event: Literature and Theory. U of Nebraska P, 2015. xv + 311 pp.

Scott Ortolano, Ed. Popular Modernism And Its Legacies: From Pop Literature To Video Games. Bloomsbury Academic, 2018., Lauren Rosales

Studies in 20th & 21st Century Literature

Review of Scott Ortolano, ed. Popular Modernism and Its Legacies: From Pop Literature to Video Games. Bloomsbury Academic, 2018. 277 pp.