French and Francophone Literature Commons^™

A Comparative Critique Of Masculine Domination In Madame Bovary (1856) And Gemma Bovery (1999), Aqeela Hamarthya Czecheska Humayra, Diah Kartini Lasman

International Review of Humanities Studies

This study examines how social construction influences the representation of female autonomy through the transition of medium and temporal context. Its primary focus is to compare the mechanisms of masculine domination in Gustave Flaubert’s classic novel Madame Bovary (1856) with Posy Simmonds’ graphic novel adaptation Gemma Bovery (1999). Utilizing Hutcheon’s adaptation theory (2013) and de Beauvoir’s existential feminism (1949), complemented by Freytag’s dramatic structure analysis (1900) as the main framework, this research proceeds from the premise that the transposition from text to visual medium has significant implications for changes in narrative strategies and plot. This study highlights the differing manifestations …

The Desire Of Strict Souls: The Poetry, Criticism, And Letters Of Paul Valéry And Wallace Stevens, Michael Healy

Dissertations, Theses, and Capstone Projects

This dissertation compares the poetic, critical, and epistolary oeuvres of Paul Valéry and Wallace Stevens and the influence of the former on the latter. Valéry famously advocated for the pursuit of “poésie pure” (“pure poetry”) and influenced Stevens especially in this way, though both of them concluded it was not achievable. I establish an approximation of a critical framework based on the work of the following critics and scholars: Wendy Lesser, Wendy Steiner, Anthony Cuda, Michael Clune, Paul Bové, and Liesl Olson. Harold Bloom’s passionate advocacy and deep, sustained engagement with Stevens and his work strongly influenced my choice to …

Models Of Emulation: Representations Of Foreign, Indigenous, And Accented Speech In Early American Literature, Elaina A. Frulla

Electronic Theses & Dissertations (2024 - present)

“Models of Emulation: Representations of Foreign, Indigenous, and Accented Speech in Early American Literature” explores how American writers used depictions of “nonstandard” English and accented English language speech, traditionally described as “literary dialect,” as a way to negotiate identity, power, and political belonging in the formative years of nation building after the American Revolution. Beginning with Noah Webster’s mission to establish a standardized pronunciation of the English language that would simplify and purify spoken American-English and definitively differentiate it from what he saw as the corrupted, cosmopolitan British-English model, each of the three chapters examines literary representations of nonstandard emulated …

Interspecies Responsivity In Early Modern Drama And Animal Performances, Taylor C. Culbert

Dissertations, Theses, and Capstone Projects

This dissertation proposes an expansive, interspecies definition of performance that uses behavior rather than cognition as the decisive feature and illustrates how such a definition can reshape our approach to theatre and performance history. Using the concept of responsivity, which refers to the embodied and affective ways that humans and non-human animals acknowledge and react to one another, I trace human–animal interactions across a variety of sixteenth- and seventeenth-century performance genres, from the aristocratic stag hunt and entertainments involving trained animals to the plays of Molière and Shakespeare. Drawing on my experience training animals, I offer a new perspective on …

Mille-Feuille Magazine Littéraire, Printemps 2025

Mille-Feuille Magazine Littéraire

No abstract provided.

Avant Et Après : Examen Du Proto-Féminisme À Travers La Résistance Littéraire En France Au Xve Siècle Et Au Mexique Au Xviie Siècle, Madison Coleman

World Languages and Cultures Senior Capstones

This essay seeks to understand the implications of a “before” distinction in the feminist canon— i.e., why is there “proto-feminism”, and not just “feminism”? This essay will explore the works of “proto-feminist” writers, Christine de Pizan and Sor Juana Inés de la Cruz, and examine how the feminist themes and issues prevalent throughout their respective works are in response to the respective and collective inequities and injustices they experienced. Their oeuvres provide insight into what advocacy for women and other marginalized peoples looked like outside of the modern understanding of the historical “waves” of feminism. This essay seeks to examine …

Indiana Par George Sand : Une Perspective Écoféministe, Lily Gauntt

World Languages and Cultures Senior Capstones

George Sand’s 1832 novel Indiana explores themes of love, individuality and social class as the titular character, Indiana, battles with the temptations and consequences of an affair with the handsome and elusive Raymon de Ramière. Sand’s novel centrally explores place as it jumps back and forth from high society France and Paris to the Ile Bourbon where Indiana is from. Sand’s depiction of the Ile Bourbon presents the agency of the more-than-human world as Indiana struggles against the society that she has been forced into and the male characters that control her life. The novel’s interplay between the more-than-human world …

Playing Proverbs With Madame De Genlis, Rebecca Cypess

ABO: Interactive Journal for Women in the Arts, 1640–1830

The theatrical genre known as the proverbe dramatique, which flourished as a pastime of French high society during the late eighteenth century, has often been understood through the written exemplars left by the author and artist Louis Carrogis, known as Carmontelle. Yet Carmontelle’s literary contributions to the genre have obscured the vast range of activities known as jouer des proverbes (playing proverbs)—activities associated especially with women—which included conversational games, pantomime, poetry, dance, and music making. Attending to the many descriptions of jouer des proverbes left by Stéphanie Félicité Ducrest de Saint-Aubin, the Com­tesse de Genlis, reveals that the literary …

Mille-Feuille Magazine Littéraire, Printemps 2024, Pascale-Anne Brault

Mille-Feuille Magazine Littéraire

No abstract provided.

Figures Of Radical Absence: Blanks And Voids In Theory, Literature, And The Arts, Alexandra Irimia

Languages and Cultures Publications

Although post-structuralism highlighted the importance of what is offstage, lost, forgotten, hidden or discarded, silent or silenced, the poetics and politics of absence (much like its ethics and aesthetics) have rarely been discussed across media and disciplines. This book proposes the concept of ‘radical absence’ to describe a certain tradition of resistance to ontology, predication, and representation, contesting their reliance on a metaphysics of presence. Apophatic speech, empty signifiers, and figural voids are some of the figures through which radical absence becomes apparent with unprecedented intensity in twentieth-century theory, literature, film, and the arts. Phantasmatic and outrageous, such figures play …

Queer Not: Medieval Romance's Toll On Queerness, Kyle Gaydo

Seton Hall University Dissertations and Theses (ETDs)

How does a contemporary audience handle medieval queerness? What, exactly, constitutes medieval queerness, and how does the medieval literary genre of romance impact it? This thesis attempts to grapple with these questions, and many more, utilizing the 13th-century Old French romance Le Roman de Silence by Heldris de Cornuälle. Medieval romances are particularly fruitful for this analysis because, on one hand, the genre consistently re/turns to cisheteronormativity, and, on the other, because scholarship generally has not applied queer theory to the study of romance. Silence follows Silence, a young Englishwoman who is raised as a boy to protect her family’s …

Re-Presenting The Un-Presentable: Annie Ernaux’S "L’Évènement" And Cristian Mungiu’S "4 Months, 3 Weeks, And Two Days", Victoria Tomasulo

Publications and Research

Situating Annie Ernaux’s L’évènement and Cristian Mungiu’s 4 Months, 3 Weeks, and 2 Days in a reproductive justice framework, I argue that both the memoir and the film contribute to working-class historiographies by documenting backstreet abortion in times and places where it was heavily criminalized: 1960s France and Communist Romania. Committed to a working-class aesthetic with roots in neorealism, Ernaux and Mungiu focus singularly on an event once deemed unrepresentable in literature and cinema. Drawing upon the distinction made between empathy and “rational compassion” made by Paul Bloom in Against Empathy (2016), as well as from Kelly Oliver’s Witnessing: Beyond …

The Extinction Race: Techniques Of The Human In Proust, Via Houellebecq, James Dutton

CLCWeb: Comparative Literature and Culture

In his article, “The Extinction Race: Techniques of the Human in Proust, via Houellebecq” James Dutton “reads” identity and race from the point of view of technics. Namely, he does so through the work of two nominally “Eurocentric” authors, Marcel Proust and Michel Houellebecq, observing how familial and racial resemblance is a living inscription of “lost time.” This inscription comes about through the technical means available to and constitutive of the categories which bind them. Thus, instead of furthering unfinishable racial distinctions which only serve to support discourses of racism, this article follows assertions made in the novels of …

Scenes Of Screens, Scenes Of Sodomy: The Role And Impact Of The Folding Screen In Eighteenth-Century French Erotic Novels, Katherine Delony

English Undergraduate Distinction Projects

This project provides an analysis of the folding screen as a literary agent and signifier which reflects the cultural happenings of the eighteenth century with specific emphasis on new ideas about queerness which arise in France during the eighteenth century. I will focus primarily on the Marquis de Sade’s (1740-1814) Justine, ou Les Malheurs de la vertu (1791) (as well as La Nouvelle Justine, 1797) and John Cleland’s (1709-1789) Le Fille de Joie (translated 1751) with reference to Jean-Louis Fougeret de Monbron’s (1706-1760) Margot la Ravaudeuse (1753), Sade’s Philosophie dans le boudoir Jean-François de Bastide’s (1724-1798) La …

Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk

Electronic Theses and Dissertations

Operatic Mysticisms: Mountains, Deserts, Waterscapes examines the ways we encounter environments as readers/viewers of operas, literature, film, and sound recordings, and how each medium requires different detail-gathering techniques. Respective to the previously mentioned mediums, Sun & Sea (2017), Mount Analogue (1952), El Mar La Mar (2017), and Energy Field (2010) are analyzed by engaging with environmental media studies and invention. Reflecting the nature of each landscape—summits of mountains, aporias of deserts, and mysteries of waterscapes—an elemental approach is taken in investigating how these spaces may be noticed, internalized, recorded, and traversed by both the artist and viewer. …

Mille-Feuille Magazine Littéraire, Printemps 2022, Pascale-Anne Brault

Mille-Feuille Magazine Littéraire

Nous sommes heureux de pouvoir vous présenter le vingt-septième numéro de Mille-Feuille et remercions tous les participants ainsi que le Doyen de Liberal Arts & Social Sciences, le Département de Langues Modernes et ses professeurs, le Study Abroad Office de DePaul University, ainsi que Collegiate School de NY, Curie High School, Ecole franco-américaine de Chicago, Illinois Mathematics and Science Academy, Princeton Charter School et Saint Ignatius College Prep, qui nous ont permis, grâce à leurs subventions généreuses et leurs nombreuses contributions, de donner suite à nos premiers numéros. Bonne lecture!

Maurice Scève Avant La Délie (1535–1544). Une Étude Des Genres Mineurs À L’Origine D’Une Nouvelle Esthétique Poétique, Elizaveta Lyulekina

Dissertations, Theses, and Capstone Projects

Cette thèse propose d’étudier l’influence du poète lyonnais Maurice Scève, actif entre 1535 et 1562, sur la formation de genres littéraires et le développement de la poésie française de la Renaissance. Elle explore également la contribution considérable du poète à la création de l’identité linguistique et culturelle française.

This dissertation studies the influence of the Lyonnais poet Maurice Scève, active between 1535 and 1562, on the formation of literary genres and the development of French Renaissance poetry. It also explores the poet’s considerable contribution to the creation of French linguistic and cultural identity.

Translatio Materiae: Spenser, The Humanists, And A Poetics Of Matter, Victoria Florio Pipas

Dartmouth College Master’s Theses

In this paper, I propose that sixteenth-century humanist descriptions of Rome’s decay, together with paradigms of translatio imperii and studii, shaped Edmund Spenser’s poetic conceptualization of matter. I identify a new translatio in Spenser’s corpus, translatio materiae—matter’s movement or change—born from Spenser’s contact with Joachim du Bellay’s sonnet sequence, Les Antiquitez de Rome (1553). Translatio materiae runs through Spenser’s corpus as depicted matter’s resurrection from states of decay into material afterlives as narrative object or poetic device. Where early humanists, with recourse to the division between earthly mutability and heavenly permanence, lament Rome, Spenser favors matter’s potential for …

Lydie Salvayre, Maintenant Même, Warren Motte, Lydie Salvayre, Bernard Wallet, David Lopez, Marie Cosnay, Mahir Guven, Stéphane Bikialo

Zea E-Books Collection

Warren Motte, «Dans le vif du vivant»

Lydie Salvayre et Warren Motte, «Une conversation avec Lydie Salvayre»

Lydie Salvayre, «Deux artistes»

Lydie Salvayre, «Projet en cours»

Lydie Salvayre, «Quatre photos»

Bernard Wallet, «Lydie Salvayre, écrivain baroque’n’roll»

David Lopez, «Almuerz»

Marie Cosnay, «Diamant brut»

Mahir Guven, «À propos de Lydie Salvayre»

Stéphane Bikialo, «Éloge de la fuite»

«Ouvrages de Lydie Salvayre»

A Tale Of Two Nations’ Histories The Application Of Literary Fairy Tales As A Firsthand Account Of History, Nicholas Gottlob

Honors College Theses

Fairy tales are often thought to be solely for children as a means of education and entertainment. The literary fairy tale provided a medium that allowed authors to express their opinions under the guise of a story. This has not always been the case as literary fairy tales have been utilized as political instruments by authors and intended for a highly educated audience. Using fairy tales as a facade provided protection for authors, as outright criticisms against those in power usually resulted in dire consequences such as imprisonment or even death for the objector. The literary fairy tale provided a …

Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci

Honors Theses

In 19th century France, women appeared to be second class citizens. They were often limited in their abilities to have independence and secure their own wealth. This perception of women perhaps justifies why, as Honoré de Balzac’s novels illustrated the realities of French society, he attempted to characterize women’s struggles to obtain control and power in their lives. In his novels The Wild Ass’s Skin (1831), The Lily of the Valley (1835), and Le Père Goriot (1835), Balzac sought to prove how women could improve their lot.

Firstly, in studying how women had been relegated to second-class citizens under their …

The Translator-Function: Translating Bande-Dessinée For The Anglophone Reader, Ryan C. Gomez

Foreign Languages & Literatures ETDs

This thesis focuses on the question of translator roles in literary theory. I characterize these roles between positions that have traditionally been described by literary and philosophical theorists such as Roland Barthes and Michel Foucault. By examining the products of translation (French-language bandes-dessinées and their English translations), and considering critical literary and translation theories, I demonstrate the unique position held by translators and their work through the proposal of what I call the translator-function (modeled after Foucault’s author-function). The principal aim of this thesis is to problematize preconceived ideas about translators and to examine the unique position of the …

Migrant Necropolitics At The Table: "Civilized Cannibalism" In Mahi Binebine's Cannibales, Taïeb Berrada

CLCWeb: Comparative Literature and Culture

In Cannibales, the Maghrebi Francophone author Mahi Binebine revisits the encounter between the so-called “cannibals” and the European colonizer in the context of illegal immigration where bodies become commodities exchangeable for social improvements creating a different form of cannibalism. It is no longer the usual dichotomy between the civilized and the savage that is at work but rather a “civilized” European imperialist who feeds himself on a migrant’s flesh. This article argues that this representation works as a “colonial fragment” from the past but contextualized in today’s globalization. Binebine’s morbid depiction of an ambivalent postcolonial cannibalistic encounter translates as …

"If They Don't Tell You, The Hair Will": Hair Narrative In Contemporary Women's Writing, Darina Pugacheva

LSU Doctoral Dissertations

The history of colonial and racial oppression made hair stories and testimonials fundamental to understanding hair as a unifying element particular for women of African descent in the post-slavery era. Seen as such, their hair narrations provide the first-person perspective of their life experiences while at the same time inviting a critical investigation of colonial and racial oppression. Contemporary women writers develop these types of narrations into a special language of hair that helps them tell a story that is not apparent or straightforward. This literary device that uses hair to uncover deeper social and political issues is bound up …

Mille-Feuille Magazine Littéraire, Spring/Printemps 2019, Pascale-Anne Brault

Mille-Feuille Magazine Littéraire

Nous sommes heureux de pouvoir vous présenter le vingt-quatrième numéro de Mille-Feuille et remercions tous les participants ainsi que le Doyen de Liberal Arts and Social Sciences, le Département de Langues Modernes et ses professeurs, le Study Abroad Office de DePaul University, et l’Ecole Franco-Américaine de Chicago (EFAC), Lincoln Park High School, Bishop Noll Institute, Illinois Mathemathics & Science Academy, et Collegiate School of New York qui nous ont permis, grâce à leurs subventions généreuses et leurs nombreuses contributions, de donner suite à nos premiers numéros. Bonne lecture !

"The Politics Of Literature In Michel Foucault: Veridiction, Fiction And Desire", Azucena G. Blanco

CLCWeb: Comparative Literature and Culture

This article is based on two hypotheses. The first is that in the later Foucault we would find a reformulation of the status that literature had occupied in his work and the development of a politics of literature (already developed in “Sujetos irregulares: ficción y política en el Sade de Michel Foucault”). The second considers that fiction and desire are inseparably joined, which leads me to analyse the logic of Sade as logic of desire in the lectures that Foucault gave on the author at the University of Buffalo (1970). A reading of both aspects together needs to be …

Savagery In Père Goriot, Marin J. Hoffman

Conspectus Borealis

No abstract provided.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Postcolonial Writing In France Before And Beyond The 2007 Littérature-Monde Manifesto, Myriam Louviot

CLCWeb: Comparative Literature and Culture

In her article "Postcolonial Writing in France before and beyond the 2007 Littérature-monde Manifesto" Myriam Louviot discusses the evolution of postcolonial writing in France. She argues that postcolonial writers often face great difficulty in achieving recognition as legitimate French authors. Louviot suggests that restrictive boundaries of categorization have started to become blurred but that it is still too early to rejoice, partly due to the continuing cultural ghettoization of many of these writers and the traditional differentiation of their work from French literature. Louviot discusses in detail the 2007 Pour une "littérature-monde" en français initiated by Michel Le Bris and …

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.