French and Francophone Literature Commons^™

Morgane Cadieu. Marcher Au Hasard : Clinamen Et Création Dans La Prose Du Xxe Siècle. Classiques Garnier, 2019., Jason C. Grant

Studies in 20th & 21st Century Literature

Review of Morgane Cadieu. Marcher au hasard : Clinamen et création dans la prose du XX^e siècle. Classiques Garnier, 2019. 214 pp.

Pour Une Littérature Critique, Warren Motte

Zea E-Books Collection

Ce livre prend comme objet la littérature critique, c'est-à-dire, des ouvrages conçus dans un esprit critique, qui invitent leurs lectrices et lecteurs—soit de façon ouverte, soit de façon couverte, subtile et nuancée—à s'engager avec la textualité de manière critique. Cette dynamique, suspendue entre production et réception, est hypothétique et fragile; elle est difficile à théoriser de façon satisfaisante; elle est ardue à tracer en se servant d'une stratégie lectorale conventionnelle. Pourtant, c'est précisément ce phénomène articulé et réciproque qui fournit à cette sorte de textualité une mobilité tout à fait rafraîchissante, mobilité qui rend possible la signification littéraire sur un …

Intolerable Histories And Imperfect Narratives: Nationhood, Identity, And The Integrity Of Law In Post-Vichy France And Beyond, Kaela S. Holmen

Foreign Languages & Literatures ETDs

The principal aim of this thesis project is to examine the socio-legal context of the Vichy regime in World War II France, and to provide an understanding of how that context informed, and continues to inform, the integrity of French nationhood. With Ernest Renan’s oubli serving as a framework for the solidification of nationhood, I will demonstrate that the betrayals to French law and custom that were committed in an attempt to right the wrongs of the Vichy resulted in an imperfect forgetting, and ultimately, a more fragmented national sense of self. I contend that this imperfect oubli resulting from …

Translatio Materiae: Spenser, The Humanists, And A Poetics Of Matter, Victoria Florio Pipas

Dartmouth College Master’s Theses

In this paper, I propose that sixteenth-century humanist descriptions of Rome’s decay, together with paradigms of translatio imperii and studii, shaped Edmund Spenser’s poetic conceptualization of matter. I identify a new translatio in Spenser’s corpus, translatio materiae—matter’s movement or change—born from Spenser’s contact with Joachim du Bellay’s sonnet sequence, Les Antiquitez de Rome (1553). Translatio materiae runs through Spenser’s corpus as depicted matter’s resurrection from states of decay into material afterlives as narrative object or poetic device. Where early humanists, with recourse to the division between earthly mutability and heavenly permanence, lament Rome, Spenser favors matter’s potential for …

Lydie Salvayre, Maintenant Même, Warren Motte, Lydie Salvayre, Bernard Wallet, David Lopez, Marie Cosnay, Mahir Guven, Stéphane Bikialo

Zea E-Books Collection

Warren Motte, «Dans le vif du vivant»

Lydie Salvayre et Warren Motte, «Une conversation avec Lydie Salvayre»

Lydie Salvayre, «Deux artistes»

Lydie Salvayre, «Projet en cours»

Lydie Salvayre, «Quatre photos»

Bernard Wallet, «Lydie Salvayre, écrivain baroque’n’roll»

David Lopez, «Almuerz»

Marie Cosnay, «Diamant brut»

Mahir Guven, «À propos de Lydie Salvayre»

Stéphane Bikialo, «Éloge de la fuite»

«Ouvrages de Lydie Salvayre»

Veni, Pati, Scripsi: The Maghrebi Diaspora In Driss Chraïbi’S Les Boucs And Salah Methnani-Mario Fortunato’S Immigrato, Mohamed Baya

Electronic Thesis and Dissertation Repository

The empire knows how to write back even after it shrinks, but the formerly colonized who move to the metropolis write differently. Two Maghrebi diasporic novelists – Driss Chraïbi, a Moroccan living in France and Salah Methnani, a Tunisian who found shelter in Italy --, scan the territories of their adoptive countries, produce maps of tortured inner experience, and amalgamate the autobiographic with the fictional. They write in the respective languages of their adoptive countries: Chraïbi, at the very beginning of the Maghrebi diasporic literature in France, published Les Boucs in 1955 and Methnani (in collaboration with Mario Fortunato), published …

Banal/Queer/Spectacular: Reframing Blue Is The Warmest Color, Sophie Frank

Comparative Literature M.A. Essays

In this essay, I interrogate visual representations of a lesbian love story in Jul’ Maroh’s graphic novel Le bleu est une couleur chaude and its film adaptation by director Abdellatif Kechiche, La vie d’Adèle : Chapitres 1 et 2. By studying the diegesis of each work’s opening scene, I reveal that the graphic novel embodies Barthes’s concept of a writerly text, or one that requires its reader to produce its meaning, while the film, as a readerly work, constructs a passive viewing experience for its audience. I argue that each author’s narratological approach exemplifies the particular manner in which they …

Wild Wales: How Cultural Discrimination Transformed Merlin From Brittonic Legends To French Arthurian Romances, Viveca Calista Lawrie

Senior Projects Spring 2021

The legend of King Arthur and his knights of the round table is one of the best-known stories in the Western world. Generally people tend to associate Arthurian legend with fifteenth-century English writing or French romances, but in reality, Arthurian legend has its origins in Brittonic oral tradition. Merlin, specifically, represents the concepts of Brittonic paganism and wildness more than any other Arthurian character. The changes made in the character and the narrative of Merlin, from Brittonic legend to Latin writing and then to French romances, reflect a political and cultural shift in Britain and France. An examination of Merlin …