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Articles 1 - 27 of 27

Full-Text Articles in French and Francophone Language and Literature

De L’Oppression À La Résistance : Les Stratégies D’Émancipation Dans Une Si Longue Lettre Et Femmes D’Alger Dans Leur Appartement, Ningqi Zhao Jan 2025

De L’Oppression À La Résistance : Les Stratégies D’Émancipation Dans Une Si Longue Lettre Et Femmes D’Alger Dans Leur Appartement, Ningqi Zhao

CMC Senior Theses

This thesis explores the oppression faced by women and the strategies they employ in Mariama Bâ’s Une si longue lettre and Assia Djebar’s Femmes d’Alger dans leur appartement. Although the two authors come from different countries — Senegal and Algeria — their works were published around the same period in the late 1970s and early 1980s, and both seek to challenge the existing patriarchal structures within their societies. The thesis is divided into two main parts: The first part examines the obstacles faced by women, particularly those arising from external traditions, internalized norms, and patriarchal authority figures. The second part …


Pratiquer Ou Incarner La Vertu? L'Agentivité Des Femmes Chez Marie De France Et Christine De Pizan, Kathe Blydenburgh May 2020

Pratiquer Ou Incarner La Vertu? L'Agentivité Des Femmes Chez Marie De France Et Christine De Pizan, Kathe Blydenburgh

Theses and Dissertations

This thesis studies the treatment of women in Medieval literature as active agents in their roles of upholding the virtues of the societies in which they live. This study focuses on works written by the female authors Marie de France and Christine de Pizan.


Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci May 2020

Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci

Honors Theses

In 19th century France, women appeared to be second class citizens. They were often limited in their abilities to have independence and secure their own wealth. This perception of women perhaps justifies why, as Honoré de Balzac’s novels illustrated the realities of French society, he attempted to characterize women’s struggles to obtain control and power in their lives. In his novels The Wild Ass’s Skin (1831), The Lily of the Valley (1835), and Le Père Goriot (1835), Balzac sought to prove how women could improve their lot.

Firstly, in studying how women had been relegated to second-class citizens under their …


Re-Defining Gender And Sexuality In West African Theatre: Women Artists, Feminist Representations, And Same-Sex Desire In The Twenty-First Century Theatre Of Benin, Burkina Faso, And Togo, Heather J. Denyer Feb 2019

Re-Defining Gender And Sexuality In West African Theatre: Women Artists, Feminist Representations, And Same-Sex Desire In The Twenty-First Century Theatre Of Benin, Burkina Faso, And Togo, Heather J. Denyer

Dissertations, Theses, and Capstone Projects

This dissertation examines French-language theatre in the West African countries of Benin, Burkina Faso, and Togo that tackles gender-related themes. Topics often considered taboo, including domestic violence, child brides, and sexual desire, are publically addressed through contemporary theatre. The study focuses on the growing presence of women artists, including playwrights, actresses, and directors. Particularly since 2010, these artists have shifted the aesthetic and thematic substance of the theatre being created. Their presence has also generated new paths for plays written by and directed by men, including gay male characters and bold women. By considering the field of African women's studies …


De La Captivité À La Mobilité : Représentations Littéraires De La Migration Féminine De L’Afrique Francophone Vers La France, Rokhaya Aballa Dieng Jan 2018

De La Captivité À La Mobilité : Représentations Littéraires De La Migration Féminine De L’Afrique Francophone Vers La France, Rokhaya Aballa Dieng

Theses and Dissertations

This thesis explores the differences between works by and about francophone women migrants at the end of the eighteenth century and the beginning of the nineteenth century as compared to the treatment of migration by women from francophone Africa in the second half of the twentieth century and the beginning of the twenty-first century, in order to analyze how slavery is connected to migration by women. The thesis also looks at what the differences are in the literary representations of women migrants by writers from francophone Africa and the perspective on migration presented by a French woman writer, Claire de …


I Am Commanded To Love You: The Journey Of Three Women College Presidents, Carey Monroe Dec 2017

I Am Commanded To Love You: The Journey Of Three Women College Presidents, Carey Monroe

All-Inclusive List of Electronic Theses and Dissertations

This was a phenomenological study of the lived experiences of women who serve as college presidents. Three women, who serve as current college presidents, participated in this study. The first was a president at a two-year community college in the upper Midwest for twelve years and served as president in another Midwestern community college for nine years prior. The second woman was a first-time president who had served for three years at a Catholic four-year college established to provide nurses for a health system. The third was a first-time president who served at a Research I institution in the upper …


Education Of Women In Seventeenth- And Eighteenth-Century French Literature, Armelle Tsafack Wiggins Jan 2017

Education Of Women In Seventeenth- And Eighteenth-Century French Literature, Armelle Tsafack Wiggins

Electronic Theses and Dissertations

No abstract provided.


French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat Dec 2016

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …


La Folie Comme Aliénation Et Dissidence Chez Mongo Beti Et V.Y. Mudimbe, Florian Alix Jun 2016

La Folie Comme Aliénation Et Dissidence Chez Mongo Beti Et V.Y. Mudimbe, Florian Alix

Présence Francophone: Revue internationale de langue et de littérature

In Le pauvre Christ de Bomba and Entre les eaux, the narrator’s evolution seems a kind of madness, as Ambroise Kom defined it: a process of social exclusion based on alienation because of norms told by dominant discourses. Individuals can’t find their right place in front of “languages in madness” which rule the colonial thought and hide part of reality. Therefore novel becomes a space where individual madness appears as a dissidence against dominant discourses.


Construction De L'Identité Culturelle Afro-Antillaise : Regards Croisés Entre Maryse Condé, Gisèle Pineau Et Fabienne Kanor, Jeanne Jégousso Jan 2014

Construction De L'Identité Culturelle Afro-Antillaise : Regards Croisés Entre Maryse Condé, Gisèle Pineau Et Fabienne Kanor, Jeanne Jégousso

LSU Master's Theses

The theme of cultural identity is one of the main problematic of francophone literature. Through the years, women writers, especially in Guadeloupe and Martinique, used this theme as the main topic of many of their writings. Characters, especially women narrators, try to understand this notion of cultural identity and its construction in other to make this theme theirs, since cultural identity is at the crossroads of their own story, the history of the Caribbean, and the perception these young women have of themselves. A new generation of writers, born in France of Caribbean families, tries today to offer a new …


Mères Migrantes Et Fi Lles De La République : Identité Et Féminité Dans Le Roman De Banlieue, Mame-Fatou Niang Jun 2013

Mères Migrantes Et Fi Lles De La République : Identité Et Féminité Dans Le Roman De Banlieue, Mame-Fatou Niang

Présence Francophone: Revue internationale de langue et de littérature

This article examines the writings of female authors from the French suburbs, whose novels feature female protagonists born in immigrant families and engaged in a quest to redefine self. The novels explore the generational differences between these characters and the impact of the quest for self on mother-daughter relations. Their analysis brings light to the authors’ attempt at conjuring the stereotypes generally attached to the banlieue and to immigrant women. I argue that through the evocation of non-hegemonic visions, these novels present the banlieues as dynamic spaces allowing for a new discursive practice of identity and citizenship.


Le Rôle Du Hammam Féminin Dans La Construction Et La Consolidation Des Identités Sexuées En Algérie Et Au Maroc, Nina Bauwens Jul 2012

Le Rôle Du Hammam Féminin Dans La Construction Et La Consolidation Des Identités Sexuées En Algérie Et Au Maroc, Nina Bauwens

Foreign Languages & Literatures ETDs

The traditional women's hammam, or public bath, is a key space in the Arabo-Muslim societies of Algeria and Morocco. In those two countries, the division between men and women, still important today, is also noticeable inside the public bath, since men and women do not mingle. The question of gendered identity appears. More than a distinction between sexes, it is a social distinction between a man's identity and a woman's identity that is relevant here. It is essential to be able to distinguish to which 'group' each person belongs. Thus, the notions of individual identity, and then of gendered identity …


Femmes Arabes Au Harem : La Magie Et Le Pouvoir De L’Oralité Dans L’Écriture De Fatima Mernissi, Samira Farhoud Jun 2012

Femmes Arabes Au Harem : La Magie Et Le Pouvoir De L’Oralité Dans L’Écriture De Fatima Mernissi, Samira Farhoud

Présence Francophone: Revue internationale de langue et de littérature

This article examines the polysemy of the word harem in several of Fatima Mernissi’s texts. Moreover, it considers the role of orality in the form of “oral archives” that were nurtured, maintained and passed on from mother to daughter. The related issue of Mernissi’s feminist activism is also analyzed. Women in Mernissi’s harem constructed complex narratives and “stories” that incorporated many fragments of “professional” or “national” histories, including the “official” history of Morocco’s attainment of independence in 1956. Accounts of femininist movements in the Middle East and Morocco, including the al-Safaa Akhwat or Sisters of Purity (1946) and the group’s …


Armed With A Smile Or A Dagger: Women In The French Resistance, Barbara Opar Apr 2012

Armed With A Smile Or A Dagger: Women In The French Resistance, Barbara Opar

Syracuse University French Colloquium

No abstract provided.


Women In Corneille’S Le Cid And Diderot’S Le Fils Naturel, Kelsey Brennan Jan 2012

Women In Corneille’S Le Cid And Diderot’S Le Fils Naturel, Kelsey Brennan

The Corinthian

The role of women in literature and society has been ever evolving and has also varied between writers and even individual works. In both society and literature, women have often been either marginalized or idealized. In this essay, I will focus on the works of French writers Pierre Corneille and Denis Diderot, specifically their plays, Le Cid (The Cid, 1636) and Le Fils naturel (The Natural Son, 1757). In terms of the role of women in these two plays, there are marked differences regarding their significance as characters and their expected feminine roles as well as how they interact with …


Reality And Representation Of Algerian Women: The Complex Dynamic Of Heroines And Repressed Women, Caroline Rohloff Jan 2012

Reality And Representation Of Algerian Women: The Complex Dynamic Of Heroines And Repressed Women, Caroline Rohloff

Honors Projects

Since the Algerian war for independence against the French in the 1950s, the roles of Algerian women have been shifting over the past five decades. During the war for independence, women found themselves in positions of power, where their military assistance was necessary to win the war. However, once independence was gained in 1962, women were once again forced into the predetermined roles of wives and mothers. Over the next four decades, the situation in Algeria began to improve as the educational and work opportunities for women increased. After a setback in the 1990s, during Algeria's civil war, Algerian women …


Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé Jun 2010

Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé

Présence Francophone: Revue internationale de langue et de littérature

My article analyses the representation of women in the Carnets d’Orient, a graphic novel series that tells the (hi)story of Algeria since its colonial conquest by the French army until its independence in 1962. I argue that the representation of women in the series varies not only according to the periods represented in the work, but also and more importantly according to the evolution that took place in the author himself while working on the series. the essay is organized in three parts according to three historical periods. The first period is that of the colonial conquest of Algeria (1830-1872) …


The Relationship Of Depression With Intrinsic And Extrinsic Components Of Religiosity In The Older Adult Female, Jacqueline Anne Nuval May 2010

The Relationship Of Depression With Intrinsic And Extrinsic Components Of Religiosity In The Older Adult Female, Jacqueline Anne Nuval

All-Inclusive List of Electronic Theses and Dissertations

The purpose of this doctoral research was to determine whether religious activity and general health would predict depression in older adult women living alone in the community who are widowed, divorced, separated, or never married. Variables considered included intrinsic and extrinsic components of religiosity, level of depression, anxiety and panic attacks, general health, and a group of behaviors classified as Religious Attitudes and Behaviors (RAB), which considered importance of religion, religious participation, regularity of religious observance, and religious organization/social support. Components of extrinsic religiosity and intrinsic religiosity were measured by Intrinsic/Extrinsic – Revised (I/E-R). Levels of depression were measured by …


Inequities Of Contemporary French Women, Olivia Kuhlman Jan 2010

Inequities Of Contemporary French Women, Olivia Kuhlman

CMC Senior Theses

This thesis is an analysis of the current situation of women in contemporary France. It analyzes the current situation of French women in education, the work force, politics, and French society, with the intent of uncovering the gender inequalities French women encounter in contemporary France.


Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty Dec 2008

Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty

Présence Francophone: Revue internationale de langue et de littérature

As a pioneer of African fi lmmaking, Ousmane Sembène has demonstrated a remarkable dedication to exploring the importance of women in African society. From the struggle against colonial oppression by Diouana in La Noire de… (1966) at the beginning of his career, to the character of Kiné and her struggle to build a life for her children in postcolonial Senegal in Faat Kiné (2000), Sembène has portrayed African women as agents of change and courage in their societies. This essay explores women’s representations in two fi lms from Sembène’s oeuvre, including Black Girl (1966) and Faat Kine (2000). Using narrative …


Women Troubadours In Southern France, Catherine Christine Ganiere Dec 2007

Women Troubadours In Southern France, Catherine Christine Ganiere

Theses and Dissertations

In the twelfth and thirteenth centuries women troubadours in southern France called trobairitz participated in dialogue or debate poems called tensons with male troubadours. Of the nine existing tensons that include a male and a female voice, we will only analyze five tensons with the known identities of both the trobairitz and the troubadour that debate the subject of love, and we will include the following trobairitz tensons in this paper: Alamanda, Isabella, Garsenda, Lombarda and Maria de Ventadorn. We will discuss the thematic elements these five tensons share. Scholars such as Pierre Bec, Peter Dronke and Katharina Wilson note …


Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières Dec 2007

Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières

Présence Francophone: Revue internationale de langue et de littérature

Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.


George Sand And Cristina Di Belgiojoso's Literary Dialogue, Claire Marrone Jan 2001

George Sand And Cristina Di Belgiojoso's Literary Dialogue, Claire Marrone

Languages Faculty Publications

Presents a scholarly analysis of Italian woman writer Cristina Di Belgiojoso's writings in an effort to situate them better in relation to the work done by another female writer George Sand to identify the influence these two authors had on one another. Impact of their involvement in progressive politics on their work; Overview of similarities of views between these two authors; Highlights of their writings that suggests their mutual influence on one another.


A Tribute To Marie Cardinal, Claire Marrone Jan 2001

A Tribute To Marie Cardinal, Claire Marrone

Languages Faculty Publications

No abstract provided.


Women Writers Of The French-Speaking Caribbean: An Overview, Marie-Denise Shelton Jan 1990

Women Writers Of The French-Speaking Caribbean: An Overview, Marie-Denise Shelton

CMC Faculty Publications and Research

The concept of Caribbean literature is relatively recent, validated by the growing awareness in the Caribbean of a common historical, cultural, and geopolitical experience that transcends national diversity. To state that there is a Caribbean literature is to recognize the existence of a certain relationship with language and the world which constitutes what some have called the Caribbean discourse.


Ua37/39 Independence Day Reception, David Livingston Jul 1975

Ua37/39 Independence Day Reception, David Livingston

Faculty/Staff Personal Papers

Invitation to Independence Day reception hosted by Major General Sam Walker in Berlin, Germany. The invitation is printed in English, French and German. Gemini 75 provided the musical entertainment for the event. Part of UA37/39 David Livingston Personal Papers donated by Pam Thurman.


Realism, Heroines, Flaubert, George Gouldin Apr 1961

Realism, Heroines, Flaubert, George Gouldin

Master's Theses

Since Flaubert has been called "le chef de l'ecole realiste", an attempt will be made in this thesis to show how he used realism in the treatment of heroines in his novels. The first chapter will be dedicated to realism itself, showing first how the movement began in France in the mid-nineteenth century before Flaubert and Balzac were considered realists, followed by a modern definition and characteristics, such as: truth, materialism, scientific approach, document­ary method, tediousness, mediocrity, sympathy with ordinary life and sociological features.

The other four chapters will be dedicated to Flaubert' s main heroines. Each chapter will have …