French and Francophone Language and Literature Commons^™

Generational Differences Between North African Francophone Literatures: The New Stories Of Immigrants In France, Christen M. Allen

Undergraduate Honors Capstone Projects

This study seeks to establish the generational difference between Beur and Francophone literatures using Kiffe Kiffe Demain by Faïza Guène contrasted with Le Siècle des Sauterelles by Malika Mokeddem. The struggle underlying both narratives is the protagonists’ attempts to negotiate their own identities while being torn between two very differing cultures. Le Siècle des Sauterelles explores the role that the French colonization had on Algerians as individuals. The characters are Algerian nomads who cling to western ideals of literacy and personal choice and in so doing, reject Algerian social hierarchy. The characters in Kiffe Kiffe Demain are from two cultures: …

Les Pères Lourds Dans La Comédie Classique Française, Christine A. Lietz

Modern Languages & Literatures Honors Theses

No abstract provided.

Re-Inscribing The Body: A Study Of Leïla Marouane's Le Châtiment Des Hypocrites, Jane Evans

Selected Works Temporary Series

No abstract provided.

Pygmalion Politics In Balzac's Le Chef D'Œuvre Inconnu, Juliana Starr

Foreign Languages Faculty Publications

No abstract provided.

Re-Inscribing The Body: A Study Of Leïla Marouane's Le Châtiment Des Hypocrites, Jane Evans

Departmental Papers

No abstract provided.

Global City, Megacity: Calixthe Beyala And The Limits Of The Urban Imaginary, Dawn Fulton

French Studies: Faculty Publications

Calixthe Beyala is well known for her ambivalent relationship with both France and Africa. Her novels, meanwhile, are often divided according to tone and geography, between the grim portrayal of West African settings and the relatively upbeat (and more popular) novels of migration to the French hexagon. This article compares two novels encompassing this apparent divide – Tu t'appelleras Tanga (1988) and Le petit prince de Belleville (1992) – with a focus on Beyala's vision of the urban landscape as an inscription of a bilateral history. These texts present contrasting portraits of urbanism that seem to confirm the dichotomies of …

Writing The Convent In New France: The Colonialist Rhetoric Of Canadian Nuns, Thomas M. Carr Jr.

French Language and Literature Papers

Most writing by women that has survived from before the fall of New France—perhaps most writing by women during that period—was done by nuns in the seven communities founded before 1763: the Ursulines, the Hôtel-Dieu, and the Hôpital-Général in Québec; the Ursulines of Trois-Rivières; the Hôtel-Dieu and two uncloistered institutes, the Congrégation de Notre-Dame and Sisters of Charity of Marguerite d’Youville in Montreal.

While the nuns wrote above all to promote the spiritual vitality of their communities, they also provide a unique female perspective on the colonial milieu. Marie Guyart, Catherine Simon de Longpré, and Marguerite Bourgeoys are the best …

French Laïcité And The Popularity Of The Pacs, Ashley Gaylene Trupp Mattson

Theses and Dissertations

Civil unions are currently a divisive issues in the United States. Religion has historically influenced these debates. The French version of civil union, the Pacte Civil de Solidarité (Pacs,) was created in 1999 after seven years of debate. Many have written about the Pacs in the last decade. However, few have explored the direct correlations with France's relationship with Catholicism, her dominant religion that is doctrinally opposed to any sexual relationships outside of marriage. Laïcité has influenced a steady decrease in religiosity among French Catholics. This thesis explores the impact of this religious decline on the creation and surprising popularity …

External Possession Meets Bare Nouns In Malagasy, Ileana Paul

French Studies Publications

This paper examines apparent noun incorporation in Malagasy that is the result of external possession (possessor raising). It is shown that such incorporation is not derived via head movement or via compounding. Instead, it is argued that this is an instance of pseudo noun incorporation (Massam, 2001): the possessum is merged as an NP sister to the predicate. As for the structure of external possession, a non-movement analysis is proposed: the apparent possessor is generated as the specifier of a null possessive head and binds an empty argument position within the possessum. The resulting structure and meaning are shown to …

Échanges Synchrones Transatlantiques: Le Project Cross-Cultural Connections, Christiane Métral, James Benenson, Candace Skorupa

French Studies: Faculty Publications

RÉSUMÉ. Cet article présente le projet « Cross-Cultural Connections », débuté en 2003, entre des étudiantes de Smith College, une université privée dans le Massachusetts, et des étudiants de Télécom ParisTech, une école d’ingénieurs française. Les étudiants inscrits dans ce projet se retrouvent pendant un semestre pour des conversations transatlantiques hebdomadaires en temps réel, en petits groupes grâce à des caméras web (webcams), et lors de visioconférences qui réunissent les deux classes entières. Leurs conversations synchrones sont nourries par toute une série d’activités asynchrones préalables (telles que les questionnaires Cultura du Massachusetts Institute of technology (MIT), des forums sur un …

''Ma Paroisse Est Dévorée Par L'Ennui'' : Secularisation In Georges Bernanos' ''Journal D'Un Curé De Campagne'' And John Mcgahern's ''That They May Face The Rising Sun''., Eamon Maher

Books/Chapters

No abstract provided.

Foucault, Secularization Theory, And The Theological Origins Of Totalitarianism, Michael Lackey

English Publications

No abstract provided.

A Memoir Of Passage: Mort D'Un Silence, By Clémence Boulouque, Jane Evans

Selected Works Temporary Series

Since 2003, when Clémence Boulouque's memoir, Mort d'un silence, was published, its author has written in a variety of genres, including novels, articles, and film scripts. Mort d'un silence interests the reader for several reasons: it revisits Judge Gilles Boulouque's suicide in December 1990 and the consequences of this act for his family, especially his thirteen-year-old daughter, Clémence; it recalls the political climate in France during the late 1980s, when Gilles Boulouque had already begun to fight terrorism; and it illustrates the tension between disclosure and concealment as its twenty-six-year-old narrator describes her passage from childhood to adolescence and from …

Masculinities In War: René-Nicolas Ehni's Algérie Roman, Jane Evans

Selected Works Temporary Series

René-Nicolas Ehni, controversial social figure and critic in France since the 1960s and literary figure especially known for his plays and novels, characterizes his French military service during the Algerian war for independence in his autobiographical Algérie roman, published in 2002. In the novel, the first-person narrator-protagonist intersperses his descriptions of the struggle with scenes from his past and present denoting family genealogies and homosexual relationships. Through a narration that is itself marked by violence, including digressions, rhetorical figures and discontinuous prose, Algérie roman strongly affirms the significance of masculine friendships of every kind.

The Soldier In French Literature Of The Twentieth And Twenty-First Centuries, Jane Evans

Selected Works Temporary Series

This article traces the image of the soldier in representative French iterary works of the 20th and 21st centuries while relating the discussion to the development of French nationhood. Barbusse's Le Feu, Chamson's Le Puits des miracles, Vercors' Le Silence de la mer, and Ehni's Algérie roman will all be considered within the sociopolitical frameworks described by Weber and Bhabha.

Luciano Bianciardi’S Aprire Il Fuoco: On The Function Of Literature In Society, Stefano Giannini

Languages, Literatures, and Linguistics - All Scholarship

This is the first article to assess the importance of Luciano Bianciardi’s last novel, Aprire il fuoco [Open Fire!](1969), a work often overlooked, that offers crucial insights into Bianciardi’s commitments to social causes. A so-called “irregular” of 20th-century Italian literary panorama, Luciano Bianciardi (1922-1971) in his Aprire il fuoco discusses his idea of literature as an activity that must aim at assuming the role of ethical guide in societies. In my article, I gloss the often obscure historical and literary references of the novel, and provide a critical assessment of its impact.

On The Presence Versus Absence Of Determiners In Malagasy, Ileana Paul

French Studies Publications

No abstract provided.

After Utopia: Three Post-Personal Subjects Consider The Possibilities, Jeffrey P. Cain

English Faculty Publications

Review essay.

The task for those exploring the relationship of Deleuze to cultural issues is not to extend his thought in a straight line, but to swerve or veer into thinking a productive approach to the cultural events that actualise themselves in our time. Cain states that the virtue of these three books is that they do not simply go back to the same old questions; all of them represent departures in thinking in the best sense of the word.

William E. Connolly (2008). Capitalism and Christianity, American Style. Durham and London: Duke University Press.

Alexander García Düttmann (2007). …

Les Chants De Maldoror: Plaisir De La Négation, Négation Du Plaisir, Eloise Sureau-Hale

Scholarship and Professional Work - LAS

This essay studies Ducasse’s various stylistic strategies for triggering the reader’s pleasure, or lack thereof. By considering Riffaterre’s concept of style, I demonstrate that Ducasse’s sentence organization and word choice underscore negation. Analyzing a passage from canto three highlights the stylistic means used to hinder the reader’s pleasure.

Isidore Ducasse Précurseur D'Odilon Redon. L'Hypotypose En Noir Et Blanc., Eloise Sureau-Hale

Scholarship and Professional Work - LAS

Les chants de Maldoror sont un texte visuel. Les images présenté es, souvent violentes, frappent le lecteur pris dans son conformisme. A l'heure oùles rayons X et la psychanalyse avancent sur la scène médicale, à l'heure oùles théories de l'évolution de Darwin transforment les idées reçues, l'on perçoit chez Redon comme chez Ducasse avant lui, une volonté d'exposer ce qui était au préalable enfoui, invisible. Larves et microbes se côtoient dans les tableaux de Redon, comme Ducasse se plaît à décrire en détails les divers organes que Maldoror, lénigmatique protagoniste des Chants, sort avec soin du vagin de la …

Baudelaire, Melmoth And Laughter, David Rutledge

English Faculty Publications

No abstract provided.

Dancing Into The Spotlight: Louise Bertin And La Esmeralda, Juliana Starr

Foreign Languages Faculty Publications

The field of musicology lags far behind literature and the visual arts in the study of its women practitioners. Indeed, it has been nearly forty years since art historian Linda Nochlin published her ground-breaking study, "Why Have There Been No Great Women Artists?" with its remarkable parallel implications for women composers. This essay attempts to address this question by studying the life and work of Louise-Angelique Bertin--the only composer to collaborate directly with Victor Hugo on an opera, the earliest French composer to write an opera based on Goethe's Faust, an artist in the middle of the biggest political and …

De La Ruche Au Polype: Figures De L’Organisation Sociale, Rudy Le Menthéour

French and Francophone Studies Faculty Research and Scholarship

No abstract provided.

De L’Ingratitude Volontaire: Rousseau, Mirabeau Et Les Paradoxes De L’Hospitalité Moderne, Rudy Le Menthéour

French and Francophone Studies Faculty Research and Scholarship

Les occasions où Jean-Jacques Rousseau s'est vu accusé d'ingratitude se sont multipliées à mesure qu'il profitait de la bienveillance de ses hôtes. Mais l'ambivalence de cette hospitalité, don prétendument gratuit qui attend en réalité une compensation, est aussi la source des brouilles fréquentes entre Rousseau et ses hôtes. Son séjour dans la propriété du physiocrate Mirabeau père, en 1767, illustre le malentendu initial qui conduit le premier à clamer son ingratitude volontaire et le second à formuler l'aporie d'un don nul.

Etre Et Parler: Being And Speaking French In Abdellatif Kechiches Lesquive And Laurent Cantets Entre Les Murs, Dana Strand

French and Francophone Studies Faculty Work

French film-makers have long recognized the primordial importance to the nation’s ‘imagined community’ of the centralized public school system, which, since the early days of the Third Republic, has been viewed as a bulwark of Republican values. In this essay, I discuss the ways in which two recent films, Abdellatif Kechiche’s L’Esquive/The Dodge (2004) and Laurent Cantet’s Entre les murs/The Class (2008), interrogate the role French schools play in shaping national identity. Both films focus on language as a marker of difference as well as a point of tension, performance and potential subversion, by exploring the respective contrast between the …

Assia Djebars La Femme Sans Spulture As Postcolonial Primer, Dana Strand

French and Francophone Studies Faculty Work

No abstract provided.

Mais, I Sin In French, I Gotta Go To Confession In French: A Study Of The Language Shift From French To English Within The Louisiana Catholic Church, Emilie Gagnet Leumas

LSU Doctoral Dissertations

To study language change within South Louisiana Catholic Church, I examined the sacramental registers of more than 250 churches, the country of origin of 1043 priests, the parish visitation reports of 37 individual churches and 160 original data cards from 1906 Census of Religious Bodies. Metalinguistic elements were collected from various files available at the archives. This study reveals the complex nature of the language switch from French to English, a network structure of top down management and elements of change in each community of practice which pressured the other levels. It is specific to the Louisiana Catholic population, the …

Dies Irae: Le Coup D'État De Louis Xiii, Les Pamphlets Et L'Institution Du Public, Jean-Vincent Blanchard

French & Francophone Studies Faculty Works

No abstract provided.

Mightier Than The Sword: Writing 19th-Century Crime, Megan Lawrence

LSU Master's Theses

Nineteenth-century France, obsessed with personal property, strained under multiple changes in government and the new 1804 Code Napoléon, becomes fascinated with criminal literature. Victor Hugo, Eugène Sue, and Emile Zola span the century with their criminal literature and fascinate their audience. Taking advantage of this nineteenth-century French interest in crime, these popular authors also spread political commentary through their novels. Theft, rape and murder are each treated differently in the nineteenth-century French Penal Code, and I suggest that Hugo, Sue and Zola mirror this inconsistency on the part of the law and its resulting effect on society so well that …

Rejecting The Epistolary Woman: Modern Female Protagonists In Mariama Bâ'S Une Si Longue Lettre And Ying Chen's Les Lettres Chinoises, Rosemary Michele Harrington

LSU Master's Theses

One of the most interesting thematic elements of the male-authored epistolary texts of the 18th century is what Katharine Ann Jensen refers to as the “Epistolary Woman”: “Seduced, betrayed, and suffering, this woman writes letter after letter of anguished and masochistic lament to the man who has left her behind” (Jensen 1). Jensen notes a pattern of this portrayal in texts such as Lettres portugaises and also in the letter-writing manuals written by men of the period. Epistolary Woman stems from masculine efforts to limit and define women’s writing as highly emotional, and in turn, Epistolary Woman is “a male …