Open Access. Powered by Scholars. Published by Universities.®
French and Francophone Language and Literature Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- French and Francophone Literature (272)
- Social and Behavioral Sciences (242)
- French Linguistics (200)
- Other French and Francophone Language and Literature (192)
- International and Area Studies (184)
-
- African Studies (181)
- Creative Writing (154)
- History (151)
- Film and Media Studies (131)
- African Languages and Societies (129)
- African History (117)
- Race, Ethnicity and Post-Colonial Studies (91)
- Fiction (87)
- Caribbean Languages and Societies (43)
- Latin American Languages and Societies (43)
- Communication (37)
- Feminist, Gender, and Sexuality Studies (35)
- Sociology (33)
- Anthropology (24)
- Comparative Literature (21)
- Public Affairs, Public Policy and Public Administration (18)
- Medicine and Health Sciences (15)
- Holocaust and Genocide Studies (14)
- Poetry (14)
- Linguistics (12)
- Theatre and Performance Studies (12)
- Critical and Cultural Studies (11)
- Education (11)
- Keyword
-
- Identity (25)
- Africa (23)
- Writing (22)
- Ousmane Sembène (19)
- History (18)
-
- Mongo Beti (17)
- Genocide (16)
- Violence (14)
- Language (13)
- Novel (13)
- Exile (12)
- Intertextuality (12)
- Literature (12)
- Space (12)
- Francophonie (11)
- Memory (11)
- Immigration (10)
- Modernity (10)
- Subversion (10)
- African literature (9)
- Negritude (9)
- Postcolonialism (9)
- Representation (9)
- Aesthetics (8)
- Caribbean (8)
- Maghreb (8)
- Reception (8)
- Writer (8)
- Algeria (7)
- Cameroon (7)
Articles 541 - 570 of 833
Full-Text Articles in French and Francophone Language and Literature
La Poétique Du Fragment Dans Le Récit De Survivance Au Rwanda, Eugène Nshimiyimana
La Poétique Du Fragment Dans Le Récit De Survivance Au Rwanda, Eugène Nshimiyimana
Présence Francophone: Revue internationale de langue et de littérature
The narrative about surviving is by definition an impossible narrative due to the enormity and absurdity of the tragedy. It is characterized by a fragmentary aspect which is a sign of its resistance to utterance. Based on Révérien Rurangwa’s Génocidé, the following reflection proposes to read the fragment as a manifestation of a traumatic memory that language fails to carry out due to the distortion of the signifying process in which the signified seems to take priority to the signifier. The fragment, thus, can be seen as an attempt to recuperate the symbolic, attempt that is always ''unsuitable'' due to …
Le Témoignage De L’Itsembabwoko Par La Fiction. L’Ombre D’Imana, Josias Semujanga
Le Témoignage De L’Itsembabwoko Par La Fiction. L’Ombre D’Imana, Josias Semujanga
Présence Francophone: Revue internationale de langue et de littérature
Following the Tutsi genocide in 1994, many African writers went to Rwanda, in 1998, and then wrote some novels and other fictional texts about the horror they saw. This study shows how Véronique Tadjo’s L’ombre d’Imana adopts several mechanisms of Traveler’s Narratives, but poses also their limits in ethical thinking about genocide. Tadjo uses indeed the subversion of Traveler’s Narratives by adding other forms of genres like reportage and testimonies. She discusses about the limits of testimony narratives on a genocide.
« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi
« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi
Présence Francophone: Revue internationale de langue et de littérature
This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …
Mondialisation, Culture Métisse, Imaginaire Hybride, Tierno Monenembo
Mondialisation, Culture Métisse, Imaginaire Hybride, Tierno Monenembo
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Odile Cazenave (2003). Afrique Sur Seine. Une Nouvelle Génération De Romanciers Africains À Paris, Sylvie Kandé
Odile Cazenave (2003). Afrique Sur Seine. Une Nouvelle Génération De Romanciers Africains À Paris, Sylvie Kandé
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Hélène Tissières (2007). Écritures En Transhumance Entre Maghreb Et Afrique Subsaharienne. Littérature, Oralité Et Arts Visuels, Aexie Tcheuyap
Hélène Tissières (2007). Écritures En Transhumance Entre Maghreb Et Afrique Subsaharienne. Littérature, Oralité Et Arts Visuels, Aexie Tcheuyap
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Index
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Parties Annexes
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Front Matter And Table Of Contents (V.69)
Front Matter And Table Of Contents (V.69)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présence Francophone, Numéro 69 (2007)
Présence Francophone, Numéro 69 (2007)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
L’Écriture Tumulaire : Témoignage Sur La Mort, Pour La Vie, Philippe Basabosa
L’Écriture Tumulaire : Témoignage Sur La Mort, Pour La Vie, Philippe Basabosa
Présence Francophone: Revue internationale de langue et de littérature
The article proves how the testimony narrative, in writing death and genocide-related atrocities, attempts to restore human dignity to the victims. The narrative space that becomes in that way a burial place and a funeral monument plays also the role of the ''redemption'' of history in order to secure the future. The narratives that the article analyzes constitute at the same time a hymn to life. By creating themselves other destinies, other reasons for life, the survivor and witness authors succeed in overcoming the world-weariness that threatens every survivor of the Itsembabwoko slaughter.
Fabien Eboussi Boulaga Et Alain Didier Olinga (2006). Le Génocide Rwandais. Les Interrogations Des Intellectuels Africains, Ambroise Kom
Fabien Eboussi Boulaga Et Alain Didier Olinga (2006). Le Génocide Rwandais. Les Interrogations Des Intellectuels Africains, Ambroise Kom
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Livres Reçus
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Abstracts
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Le Nouvel « Engagement »? : Rachid Boudjedra Entrehistoire Et Écriture, Hafid Gafaït
Le Nouvel « Engagement »? : Rachid Boudjedra Entrehistoire Et Écriture, Hafid Gafaït
Présence Francophone: Revue internationale de langue et de littérature
According to Charles Bonn and other critics in the 1980’s and 1990’s, North-African literature evolved from a perspective that underlined both the centrality of style, or the writer’s aesthetic standpoint, and the importance of themes, ideas and content, to a production that was dominated by ideology, politics, factual events and testimony. To what extent can this statement be generalized? Does referentiality necessarily exclude literarity? These are questions I will explore on the basis of Rachid Boudjedra’s recent work, which is characterized by an increasingly visible fusion of writing and History. From this, I will consider if what we are witnessing …
Présence Francophone, Numéro 68 (2007)
Présence Francophone, Numéro 68 (2007)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Boudjedra, Écrivain De Langue Arabe?, Touriya Fili-Tullon
Boudjedra, Écrivain De Langue Arabe?, Touriya Fili-Tullon
Présence Francophone: Revue internationale de langue et de littérature
This paper is devoted to bilingualism in R. Boudjedra’sliterary practice. Our aim is to show how French and Arabic versions of his books may be read as hypertexts of metadiscoursive value. Considered from this point of view, the differing versions neutralize any genetic approach and make the rules of an “authoritative” translation obsolete.
La Vie À L’Endroit De Rachid Boudjedra : Entre Subjectivité Et Folie, Sonia Zlitni Fitouri
La Vie À L’Endroit De Rachid Boudjedra : Entre Subjectivité Et Folie, Sonia Zlitni Fitouri
Présence Francophone: Revue internationale de langue et de littérature
In this study of Rachid Boudjedra’s La vie à l’endroit, I will show how the Algerian writer endeavours to put “en abyme” three types of madness (joyful, fatal, hallucinatory); these generate one another in a cause and effect relationship and distance themselves from the delirious discourse of his first novels in order to give an account of a period of terror which struck Algeria under the Muslim fundamentalist threat. We will also show how the character-narrator faces all this madness by setting up his subj bj ectivity as a shield against what he calls “external fear and inner fear”, and …
Meka Ou Le Lent Retour À Soi, Alexandre Lizotte
Meka Ou Le Lent Retour À Soi, Alexandre Lizotte
Présence Francophone: Revue internationale de langue et de littérature
Inspired by Ferdinand Oyono’s novel Le vieux nègre et la médaille and relying on the works of Albert Memmi and a number of critics of the negro-african novel, what we are proposing here is a reflection on the relation between the colonizer and the colonized. At the very core of our analysis is the character of Meka, Oyono’s main character, who symbolizes the people’s strive for freedom and self-rediscovery and reconquest. Step by step, we follow him through his long and difficult “walk” or journey towards himself, towards his own truth. In our understanding of that whole liberation process, we …
La Nouvelle Génération Des Écrivains Africains, Lilyan Kesteloot
La Nouvelle Génération Des Écrivains Africains, Lilyan Kesteloot
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Livres Reçus
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Abstracts
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présentation, Charles Bonn
Présentation, Charles Bonn
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Bibliographie, Charles Bonn
Bibliographie, Charles Bonn
Présence Francophone: Revue internationale de langue et de littérature
Cette bibliographie sélective a été constituée à partir de la banque de données Limag. Pour une bibliographie plus complète, surtout en ce qui concerne les articles, on consultera le dossier « R Rachid Boudjedra » sur le site . Des dossiers sur Rachid Boudjedra peuvent également être trouvés sur d’autres sites et particulièrement sur . L’équipe de chercheurs qui met régulièrement à jour la banque de données Limag et le site du même nom sera reconnaissante à toute personne lui fournissant des références manquantes. Il est possible d’envoyer ces renseignements au responsable du programme depuis le site .
Afulay (2006). Cendres Des Étoiles, Nadia Ben Hassen
Afulay (2006). Cendres Des Étoiles, Nadia Ben Hassen
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
De L’Écriture De L’Urgence À L’Écriture Du Renouveau, Armelle Crouzières-Ingenthron
De L’Écriture De L’Urgence À L’Écriture Du Renouveau, Armelle Crouzières-Ingenthron
Présence Francophone: Revue internationale de langue et de littérature
This critical analysis focuses on Rachid Boudjedra’s trilogy that deals with Algerian fundamentalism. Even though Boudjedra’s famous labyrinthine and vertiginous technique was at first based on the literary, on a pleasure of writing that would in turn trigger political thought – at least until the publication of the political pamphlet FIS de la haine –, his more recent technique reflects an urgency and a writing focused on political thought, both of which give birth to a literary process. Despite the author’s well-known reticence regarding conventional happy endings, he annihilates once and for all terrorism and fundamentalism, and embraces an optimistically …
Une Révolution Boudjedrienne Des Concepts Historiques : Un Regard De L’Histoire (Fictionnelle) Sur L’Histoire, Laetitia Vincent
Une Révolution Boudjedrienne Des Concepts Historiques : Un Regard De L’Histoire (Fictionnelle) Sur L’Histoire, Laetitia Vincent
Présence Francophone: Revue internationale de langue et de littérature
Rachid Boudjedra binds ingeniously fictional and real history and, beyond historic forgery, this author succeeds in transcribing the authentic events of his country. This article exposes one of the novelist’s historic conceptions through which the reader apprehends History : detailed visions alternate and blend with globalizing visions. For this author, nothing must be abandoned or put aside; by analyzing his novelistic writing, a fictional mosaic, we will come to understand his perspective on History.
Topographie Idéale Pour Une Agression Caractérisée : Roman De L’Émigration, De La Ville Ou De L’Écriture?, Charles Bonn
Topographie Idéale Pour Une Agression Caractérisée : Roman De L’Émigration, De La Ville Ou De L’Écriture?, Charles Bonn
Présence Francophone: Revue internationale de langue et de littérature
Published in 1975 after a wave of anti-Algerian racist attacks in France, this novel is first and foremost a statement of urban space, whose labyrinthian subway lines merge with those of writing, and participate in the drawing of spatiality. But this writing, which disconcerts the documentary expectation of the readers, betrays that expectation : instead of describing the daily life of the emigrant, it seizes his marginalization in order to represent itself, both as a victim who is sacrificed like the hero without name of the novel and as the ridiculous object of a narcissistic and ludic utterance.
Théorie Et Pratique De L’Écriture Chez Pius Ngandu Nkashama, Kasereka Kavwahirehi
Théorie Et Pratique De L’Écriture Chez Pius Ngandu Nkashama, Kasereka Kavwahirehi
Présence Francophone: Revue internationale de langue et de littérature
Pius Ngandu Nkashama is mostly known as a literary critic and theorist. But he is also an established novelist, poet and playwright. This essay attempts to show that both his critical work and his creative work share a common dynamic. It shows how, for Pius Ngandu, literary and aesthetic practice is not only a way of life, an existential experience from which he draws the energy to overcome despair and human mediocrity, but it is also a way of participating in the African struggle for freedom and for the conquest of a history that has been confiscated by dictators.
Yasmina Khadra (2006). Les Sirènes De Bagdad (Roman), Faouza Bendjelid
Yasmina Khadra (2006). Les Sirènes De Bagdad (Roman), Faouza Bendjelid
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.