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French and Francophone Language and Literature Commons™
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Articles 31 - 33 of 33
Full-Text Articles in French and Francophone Language and Literature
Within And Beyond Boundaries In Henri Bosco's Le Mas ThéOtime, Barbara Marguerite Schaff
Within And Beyond Boundaries In Henri Bosco's Le Mas ThéOtime, Barbara Marguerite Schaff
Dissertations and Theses
Spiritual, mystic and natural boundaries haunt the writings of Henri Bosco. Critics such as Bachelard have studied Bosco's interpretation of the natural elements and noted his sensitive portrayal of the protagonists with a focus on their unconscious desires by the use of this device. In Le Mas Theotime Bosco has unleashed his artistic and poetic creativity in addition to his passion for nature. Indeed, of all of Bosco's novels, perhaps this one exemplifies the quintessential harmony of man with nature. As suggested by Jean-Claude Godin: " ... il n'y a que dans Le Mas Theotime oil elles soient veritablement au …
The Quest According To Julien Gracq: A Study Of The Search For The Beyond In Gracq's Three Novels And His Play Le Roi Pecheur, Mary Joanne Johnson Wolter
The Quest According To Julien Gracq: A Study Of The Search For The Beyond In Gracq's Three Novels And His Play Le Roi Pecheur, Mary Joanne Johnson Wolter
Dissertations and Theses
Julien Gracq's quest for the "au-delà" is similar in many ways to the Surrealists' attempts to get in touch with the Beyond and to find that mythical and ideal point where binary oppositions are no longer contradictory but complementary. However, he differs greatly from the Surrealists in that his writing is anything but "automatic". Whereas he acknowledges being influenced by the Surrealists' ideas and by the works of certain authors, notably Goethe, Wagner, and Edgar Allen Poe, his works are a unique and carefully constructed web of style techniques, double-entendres, intertextual references, poetic devices, and a deliberate …
Commentary On The Film "The Sorrow And The Pity", David Wrench
Commentary On The Film "The Sorrow And The Pity", David Wrench
Special Collections: Oregon Public Speakers
David Wrench was Professor of Psychology and Urban Studies at Portland State University. Dr. Wrench discusses the film The Sorrow and the Pity (1969) from a social-psychological viewpoint, in contrast to the moralistic view of the other conference speakers. He sees history and psychology as closely related which has led to his special interest in psycho-history. His comments include a discussion of how people distort their perceptions of history, and the differences shown in human responses to authority and group pressure.