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Articles 481 - 510 of 585

Full-Text Articles in French and Francophone Language and Literature

Sony Labou Tansi : La Question Du Bas Matériel Et Corporel, Boniface Mongo-Mboussa Jun 2006

Sony Labou Tansi : La Question Du Bas Matériel Et Corporel, Boniface Mongo-Mboussa

Présence Francophone: Revue internationale de langue et de littérature

According to Mikhail Bakhtin, the material and corporeal “lower stratum” includes the symbols that refer to the nether regions of the human body. By adopting this approach to writing in a dictatorship, Labou Tansi most likely wanted to protect his work and himself from possible reprisals by his country’s political authorities. More importantly, however, this move constitutes a strategy of subversion of Marxist ideology: the focus on the material and corporal “lower stratum” (indistinguishable from the carnivalesque) is a form of resistance to what Bakhtin calls official discourse, and becomes a way of reclaiming the writer’s literary autonomy.


Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno Jun 2006

Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno

Présence Francophone: Revue internationale de langue et de littérature

This article examines the return, in two contemporary novels, of the figure of the “naked black woman” as an emblematic site of difference. Two women of African origin take back this twice-appropriated figure and use it to question the ways in which the materiality of the body is again being written into contemporary postcolonial society. The aim of the essay is to underline the means and meaning deployed in these new appropriations of African icons, while pointing to some possible limits to the symbolic passage from the colonial imagination to a postcolonial one.


L’Inscription Du Corps Dans Quatre Romans Postcoloniaux D’Afrique, Augustine H. Asaah Jun 2006

L’Inscription Du Corps Dans Quatre Romans Postcoloniaux D’Afrique, Augustine H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

More and more, contemporary African literature dwells on the body —as the subject and object of desire, as a refuge and as a commodified and objectified victim. Using as reference points four novels —Calixthe Beyala’s C’est le soleil qui m’a brûlée and Femme nue, femme noire, Williams Sassine’s Mémoire d’une peau and Nimrod’s Les jambes d’Alice— all of which inscribe the body onto and into the text, this article seeks to analyse diverse manifestations of the textualized body. Works of alienation and dispossession, these four texts also focus on corporeal quests for equilibrium. The presence of the body in the …


Les Enfants De La Guerre : Adolescence Et Violence Postcoloniale Chez Badjoko, Dongala, Kourouma Et Monénembo, Koffi Anyinefa Jun 2006

Les Enfants De La Guerre : Adolescence Et Violence Postcoloniale Chez Badjoko, Dongala, Kourouma Et Monénembo, Koffi Anyinefa

Présence Francophone: Revue internationale de langue et de littérature

This essay deals with the representation of African child-soldiers in three novels and an autobiography. Why do children take part in African postcolonial civil wars? How are they portrayed? These children are not —as public opinion would often have it— only the victims of postcolonial violence, but are also agents of social change. Their violent involvement in political affairs constitutes the most radical form of their determination to be heard, and the most eloquent form of their protest against their precarious living conditions in a postcolonial Africa in crisis.


De L’Économie Politique À L’Économie De La Différence Corporelle. Représentations Du Spectacle Sportif Dans L’Imaginaire De La Jeunesse Africaine, Jean Sob Jun 2006

De L’Économie Politique À L’Économie De La Différence Corporelle. Représentations Du Spectacle Sportif Dans L’Imaginaire De La Jeunesse Africaine, Jean Sob

Présence Francophone: Revue internationale de langue et de littérature

Today’s African youth have chosen the economy of corporal performance over political economy, as a way of reconquering the dignity that was lost to them lost in the collapse of African countries. The undeniable success of African athletes all over the world has given rise to diverse representations in people’s imaginations: while young Africans consider sports to be a unique way of gaining both national and international recognition, a particular strain of racism in Western countries would use black athletes to procure certain warm and reassuring emotions for “civilized” populations frozen into the permafrost of consumer society.


Le Système Des Personnages Dans Corruption De Pramoedya Ananta Toer Et L’Homme Rompu De Tahar Ben Jelloun, Magda Ibrahim Jun 2006

Le Système Des Personnages Dans Corruption De Pramoedya Ananta Toer Et L’Homme Rompu De Tahar Ben Jelloun, Magda Ibrahim

Présence Francophone: Revue internationale de langue et de littérature

A comparison of the character systems of Tahar Ben Jelloun’s The Broken Man and Pramoedya Ananta Toer’s Corruption (transmitter text) has made it possible to identify the same type of protagonist at the core of each novel. He is, in short, a mere functionary overburdened with social responsibilities, leading a cramped life and trying to live and breathe. But the portrayal of him in The Broken Man is more precise, and has greater depth. Moreover, the character systems as a whole is richer, more complex and subtle in this last novel, compared with that


Faire Taire Les Silences Du Corps Noir, Cilas Kemedjio Jun 2006

Faire Taire Les Silences Du Corps Noir, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

From the middle passage to modern day red light districts, from human zoos to the “compassionate” forum of the TV screen, the display of the black body has long formed the narrative thread of a monologue uttered by a West pleased with the sound of its own voice. The staging of the black body can be said to have rendered black voices silent, and this study sets out to break this silence.


L’Imagination Du Corps Greffé : Filtres Bilingues, Mireille Rosello Jun 2006

L’Imagination Du Corps Greffé : Filtres Bilingues, Mireille Rosello

Présence Francophone: Revue internationale de langue et de littérature

Contemporary narratives featuring organ transplants speak of a painful but also life-saving contact when the “donor” body is African and the receiving body is European. At this point the surgical operation and that of the imagination assume a whole other dimension, as the inequality and interdependence of these two bodies invite the reader to re-imagine the links between the concept of the “body,” on the one hand, and culture and language, on the other. This article looks at the transplanted body as an imagining machine capable of articulating a vision of itself different from the one that words impose upon …


It Began Withtwelve, Bjorn Karlman Apr 2006

It Began Withtwelve, Bjorn Karlman

Lake Union Herald

No abstract provided.


Mai '68: Une Revolution Culturelle, Laura Sharpe Apr 2006

Mai '68: Une Revolution Culturelle, Laura Sharpe

Senior Honors Projects

Dans ce mémoire, j’expliquerai Mai 1968 en France et ses conséquences dans la société en parlant des événements qui ont eu lieu avant, pendant et après. D’abord je parlerai de la guerre d’Algérie et comment elle a ouvert la voie aux démonstrations et aux syndicats en mai 68. Deuxièmement, je montrerai comment la guerre du Vietnam était très importante dans le développement du mouvement et des syndicats d’étudiants. Ensuite, je me lancerai dans les grands développements sur la chronologie des événements du mouvement. Il est très important de noter tout ce qui se passait à propos du mouvement en France …


Hidden Sentiments, Unfinished Project: Pirandello’S Film La Nuova Colonia, Stefano Giannini Jan 2006

Hidden Sentiments, Unfinished Project: Pirandello’S Film La Nuova Colonia, Stefano Giannini

Languages, Literatures, and Linguistics - All Scholarship

This article investigates the notion of the unfinished work. In Pirandello studies the word unfinished holds particular importance. Luigi Pirandello's last, and one of his major works, I giganti della montagna [The Mountain Giants] was not completed. The many years devoted to its making weaken the assumption that Pirandello was not capable of completing it in favor of his decision not to complete his work. I considered the overlapping of the writing of I giganti della montagna and of the attempts to produce the film La nuova colonia [The New Colony] an important, and insofar unnoticed, key element for understanding …


De L’Écriture Romanesque Comme Traversée Et La Maghrébinité, Kasereka Kavwahirehi Dec 2005

De L’Écriture Romanesque Comme Traversée Et La Maghrébinité, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This essay explores how some “Maghrebian” novelists represent and problematize their relation to “Maghrebness” or “maghrebinité”. Using postcolonial theory and Réda Bensmaia's Alger ou La maladie de la mémoire, the author shows how problematic the concept of “Maghrebian literature” can be when one considers its transnational and transcultural poetics and its de-territorialization.


La Poétique Transgénérique De L’Oeil Et La Nuit D’Abdellatif Laâbi : Du Théâtral Au Filmique Dans Un Roman-Poème, Lucia Trifu Dec 2005

La Poétique Transgénérique De L’Oeil Et La Nuit D’Abdellatif Laâbi : Du Théâtral Au Filmique Dans Un Roman-Poème, Lucia Trifu

Présence Francophone: Revue internationale de langue et de littérature

The study proposes a re-reading, a new interpretation of the novel-poetry work L’oeil et la nuit by Moroccan writer Abdellatif Laâbi. In this literary text, the borders of writing are dismantled and new affinities are revealed between writing, performance, theatre and film; all of which aim to redefine the postcolonial


Entre Intertextualité Et Réécriture, Alexie Tcheuyap Dec 2005

Entre Intertextualité Et Réécriture, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Aesthetic practices have become more and more diversified in contemporary cultures. Although rewritings and adaptations are most common from literature to film, from myth/epic to novels, African filmmakers have recently been inaugurating novelization, that is the literary rewriting of a film. This essay examines the case of the Algerian filmmaker Merzac Allouache, who has written Bab el-Oued City, based on his film Bab el-Oued, in order to escape the technical and practical limitations of cinema. In doing so, he best expresses the challenges of contemporary Algeria, which is permanently threatened by violence and Islamic fundamentalism.


L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan Dec 2005

L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan

Présence Francophone: Revue internationale de langue et de littérature

In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.


Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler Dec 2005

Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler

Présence Francophone: Revue internationale de langue et de littérature

The experience of adolescence and the trials of Arab and Beur masculinity are explored in the films of Férid Boughédir and Karim Dridi in order to reveal the psychology and the politics of masculinity in evolution. Studying two films, Halfaouine and Bye-Bye, as well as the autobiography of Abdelkébir Khatibi entitled La mémoire tatouée, we see that they reflect a number of discursive stages of an emergent identity of protest that is based on flight and self-destruction.


Problèmes Et Enjeux De L’Adaptation En Algérie, Mehana Amrani Dec 2005

Problèmes Et Enjeux De L’Adaptation En Algérie, Mehana Amrani

Présence Francophone: Revue internationale de langue et de littérature

As in all postcolonial societies confronted with the question of illiteracy, in Algeria, film adaptations pose a political and cultural stake. Due to the phenomena of political and moral censure and self-censorship, only ten novels were carried over to the screen during one 36-year period. However, with the rebirth of Algerian cinema in the Nineties, screenwriters are once again interested in setting Algerian novels in images. These new adaptations, which are often done in co-production with France and Belgium, introduce the new problems of language. The audience for these films, which are expressed mainly in French, is thus likely limited …


Ahmadou Kourouma Et La Genèse Tragique L’Événement Postcolonial Dans En Attendant Le Vote Des Bêtes Sauvages Et Allah N’Est Pas Obligé, Étienne-Marie Lassi Dec 2005

Ahmadou Kourouma Et La Genèse Tragique L’Événement Postcolonial Dans En Attendant Le Vote Des Bêtes Sauvages Et Allah N’Est Pas Obligé, Étienne-Marie Lassi

Présence Francophone: Revue internationale de langue et de littérature

This article studies the birth and manifestations of the tragic in Ahmadou Kourouma’s fiction. It demonstrates how the tragic in Kourouma’s novels, far from being a metaphysical feeling, stems from social realities and is closely related to the postcolonial system. In these novels, tragedy goes beyond the realistic depiction of catastrophic events and is further articulated in the characters’ political attitudes, their social life and cultural behaviour.


Quelques Remarques Sur Les Belgicismes Métalinguistiques, Jean-Nicolas De Surmont Dec 2005

Quelques Remarques Sur Les Belgicismes Métalinguistiques, Jean-Nicolas De Surmont

Présence Francophone: Revue internationale de langue et de littérature

Of all Belgicisms, only a few have metalinguistic connotation and they have to be considered of special interest in this respect, even if the literature on French in Belgium has not addressed this issue specifically. This essay proposes some observations on these few important words, supported by recent lexicographical descriptions and data obtained through research undertaken in collaboration with Michel Francard of the Université catholique de Louvain (Belgium).


Discours De La Sexualité Et Postmodernisme Littéraire Africain, Adama Coulibaly Dec 2005

Discours De La Sexualité Et Postmodernisme Littéraire Africain, Adama Coulibaly

Présence Francophone: Revue internationale de langue et de littérature

Representations of sex in the black Africa postcolonial novel often strike us because of their centrality and coarseness. Using examples from three texts (Cannibale; L'État honteux; Les naufragés de l'intelligence), this article examines the manifestation and mainly the motivation of what seems like inappropriate outbursts. In this transcultural approach (beyond the intertextual), the aggressiveness of the sexuality discourse allows the novel to be linked to the large movement of postmodernism. This strategy of “textual extravagance” represents a society that “lacks substance”, a society of pretence, in the � � Baudrillardian�


L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam Dec 2005

L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam

Présence Francophone: Revue internationale de langue et de littérature

Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.


Le Français D’Origine Maghrébine Face Au Prisme Médiatique, Hassiba Lassoued Dec 2005

Le Français D’Origine Maghrébine Face Au Prisme Médiatique, Hassiba Lassoued

Présence Francophone: Revue internationale de langue et de littérature

Whether we admit it or not, the mass media manipulates the masses. This fact proves to be especially dangerous in the context of French people of Maghrebian origin. The media presents them as either incapable of being “assimilated” or as models of integration. At any rate, there seems to be no middle ground between these two extremes.


Haïti Et Sa Diaspora Ou Le Pays En Dehors, Marie-Hélène Koffi-Tessio Jun 2005

Haïti Et Sa Diaspora Ou Le Pays En Dehors, Marie-Hélène Koffi-Tessio

Présence Francophone: Revue internationale de langue et de littérature

The article looks at the causes of large migratory movements in Haiti. Anthropologist Gérard Barthélemy suggests that emigration from the countryside stems from aspects of rural society, namely the need to accumulate wealth to start one’s own production unit and the need to chase out those who will not stick to and perpetuate the rules of the community. However, according to Jean Métellus and Jean-Claude Icart, migration movements are tightly linked to political and historical upheavals, which force people out of the country in search of safety and survival. For many migrants, the consequence is a feeling of loss and …


Haïti Et L’Afrique Noire : De La Primauté À La Marginalité, Du Modèle Au Contre-Modèle, André Ntonfo Jun 2005

Haïti Et L’Afrique Noire : De La Primauté À La Marginalité, Du Modèle Au Contre-Modèle, André Ntonfo

Présence Francophone: Revue internationale de langue et de littérature

As we know, Haiti, the first Black republic in the world, commemorated the bicentennial of its independence in 2004. This paper examines how that unique experience has been received by the Black world in general and by independent African states in particular, as well look at the place that Haiti occupies in their imagination. This paper will examine Haiti’s role as an ideological place of structuring and as a real space for experimentation with post-colonial strategies applied to independent Black nations, especially in sub-Saharan Africa. The author will demonstrate how Haiti, from its position as a pioneer for these nations, …


Le Fou, Le Rebelle, L’Enfant Et La Révolution Haïtienne, Gilbert Doho Jun 2005

Le Fou, Le Rebelle, L’Enfant Et La Révolution Haïtienne, Gilbert Doho

Présence Francophone: Revue internationale de langue et de littérature

The proliferation of fools in independent African nations’ capitals and major cities should have entailed profound analyses. The period after 1804 in Haiti and after 1960 for Africa is marked by irrationality. From this point of view, Aimé Césaire, doom prophet, uses the Haitian past to warn newly independent African nations. The attempt to understand the phenomena has so far been based on psychoanalysis and other euro-centric methods. In this paper, we will attempt to centre our approach on the gaze and thought of the lunatics themselves in order to understand the madness that has taken hold of post-colonial periods. …


Réalisme Merveilleux Et Rire Macabre Contre La Zombification, Anastasil Delarose Makambo Jun 2005

Réalisme Merveilleux Et Rire Macabre Contre La Zombification, Anastasil Delarose Makambo

Présence Francophone: Revue internationale de langue et de littérature

The substance of this analysis is to use fiction, especially the novel, to observe Haiti and Black Africa some 200 years and 40 years, respectively, after independence. The contemporary novelists of these two time periods stress “zombification”, which is their common destiny. They denounce it by means of several scriptural strategies, such as magic realism and macabre laughter. The first contributes to reveal “zombifying” authorities such as houngans, wizards, politicians and their militia. The second is used to make “zombificators” ridiculous by showing how their ranting leads them to appear weak before their rebel victims.


Du Bateau Négrier À L’Avion Négrier : Haïti, Les Puissances Esclavagistes Et Le Monde Noir, Cilas Kemedjio Jun 2005

Du Bateau Négrier À L’Avion Négrier : Haïti, Les Puissances Esclavagistes Et Le Monde Noir, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

The main argument of this study may be outlined as follows: colonized communities in the world economy being integrated by means of “historical fatality” from slavery to colonialism and neo-colonialism. The counter-movement of decolonization, as exemplified in the Haitian revolution, was meant to propose a more humane outbreak of enslaved peoples on the world scene. The account of globalization reveals that Haiti was forced into the world economy through the modality of extortion, which denied the most vulnerable members of Haitian society their basic humanity. The failure of the Haitian revolution to reverse the course of historical fatality opened the …


Satire, Désordre, Folie Et Régénérescence : Lecture De Quelques Romans Africains, Augustin H. Asaah Jun 2005

Satire, Désordre, Folie Et Régénérescence : Lecture De Quelques Romans Africains, Augustin H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

Satire has the goal of reforming society and humans through the exposure and denunciation of evils. Using four novels, Beyala’s Tu t’appelleras Tanga, Touré’s Destins parallèles, Ken Bugul’s La folie et la mort and Nganang’s Tempsde chien as reference points, this article attempts to demonstrate how postcolonial Francophone African satire meets the criteria of the sub-genre. The four works deploy weapons of satire such as irony, contrast, verbal violence and exaggeration to lay bare the stench, madness and degeneration associated with neo-colonial order. As in all satirical works, the tableau of collective misery here encompasses a challenge to readers to …


Un Nuovo Dato Per La Cronologia Della Versione Cinematografica Della Nuova Colonia Di Luigi Pirandello, Stefano Giannini Jan 2005

Un Nuovo Dato Per La Cronologia Della Versione Cinematografica Della Nuova Colonia Di Luigi Pirandello, Stefano Giannini

Languages, Literatures, and Linguistics - All Scholarship

Luigi Pirandello (1867-1936) wrote numerous film-treatments inspired by his short-stories and plays that were not completed as films. Among the never completed films there is La Nuova Colonia. The history of the film-project La Nuova Colonia [The New Colony] is important for the further understanding of Pirandello’s poetics. Nestled in the plot of Pirandello’s novel Suo marito [Her Husband], La Nuova Colonia took on independent life in 1926 as the play of the same name that premiered in Rome in March 1928. The two dates indicated for the play are not the chronological limits for the La Nuova Colonia …


Disjunction In Free Choice And Polarity In Malagasy, Ileana Paul Jan 2005

Disjunction In Free Choice And Polarity In Malagasy, Ileana Paul

French Studies Publications

No abstract provided.